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Love Like
Songs like
Love Like
by
Josh Gracin
Based on a tempo of (+/- 10%) and a similar genre
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Brian Kelley
Highway On The Water
87 bpm • E Maj • 02:29 • -5.01db
35% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Josh Gracin
Love Like
87 bpm • C# Maj • 03:10 • -5.31db
34% Popularity • 65% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Griffin
Summer on It
88 bpm • A# Maj • 02:48 • -5.48db
21% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Neon Union
Beer Up
88 bpm • G Maj • 03:04 • -5.11db
35% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Jason Aldean
Over You Again
88 bpm • G min • 03:13 • -5.12db
39% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Jameson Rodgers
Girl with the Broken Heart
86 bpm • D Maj • 03:20 • -5.42db
25% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Roman Alexander
Better In A Car
86 bpm • C Maj • 03:14 • -4.79db
24% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Rich
Thinkin' We're In Love
88 bpm • C Maj • 03:48 • -5.7db
37% Popularity • 51% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Scotty McCreery
Falling For A Stranger
89 bpm • F# Maj • 03:01 • -5.7db
34% Popularity • 47% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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High Valley
River's Still Running
86 bpm • C Maj • 03:09 • -5.66db
39% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Zack Dyer
Why Don't We
89 bpm • C# Maj • 03:00 • -8.85db
29% Popularity • 55% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Luke and Kaylee
Backroad Flyin'
89 bpm • C# Maj • 03:12 • -4.97db
26% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Roads Below
Hang The Moon
85 bpm • B Maj • 02:54 • -5.35db
18% Popularity • 48% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Morgan Evans
American Dream Truck
89 bpm • D Maj • 03:33 • -6.04db
35% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Eli Young Band
Lucky For Me
85 bpm • G Maj • 03:16 • -6db
35% Popularity • 50% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Jeb Gipson
Sitting on Empty
85 bpm • C Maj • 03:08 • -7.71db
21% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Lay
Startin' Young
85 bpm • D Maj • 03:39 • -6.59db
22% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
35% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Jordan Rager
The Wrong Ones
90 bpm • G Maj • 02:49 • -6db
28% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Dallas Smith
One Too
85 bpm • C Maj • 03:21 • -7.18db
27% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Sanders
Bible Versus
90 bpm • F# Maj • 03:21 • -5db
25% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
47% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Walker Hayes
Delorean
90 bpm • G# Maj • 02:39 • -6.48db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
42% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Doleac
Til Dawn Do Us Part
90 bpm • G# Maj • 02:58 • -4.83db
36% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
This
90 bpm • C Maj • 02:54 • -5.47db
42% Popularity • 57% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Janson
Keys To The Country
90 bpm • C Maj • 02:55 • -4.47db
35% Popularity • 57% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Brian Kelley
Florida Boy Forever
90 bpm • A Maj • 02:51 • -5.32db
28% Popularity • 53% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Seth Ennis
U-Turn
84 bpm • A Maj • 03:11 • -4.71db
22% Popularity • 67% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Rhett
Mama’s Front Door
84 bpm • E Maj • 02:42 • -7.2db
34% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kyle Clark
Bad Day To Be A Beer
84 bpm • E Maj • 03:01 • -3.69db
35% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ashley Cooke
getting into
84 bpm • C Maj • 02:49 • -5.55db
38% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Young
When You're Drinking
84 bpm • G Maj • 03:16 • -3.74db
27% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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SixForty1
Started Right Here
91 bpm • D Maj • 02:45 • -4.35db
26% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Melton
Take Your Breath Away
91 bpm • G Maj • 02:54 • -6.05db
32% Popularity • 64% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Gracin
Good Liar
91 bpm • C Maj • 03:50 • -3.97db
5% Popularity • 54% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Jordan Davis
You've Got My Number
92 bpm • C# min • 02:54 • -5db
51% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Parmalee
Alone Like That
92 bpm • G# min • 02:54 • -3.76db
23% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Rodell Duff
I Like You Better
92 bpm • G min • 02:51 • -3.46db
33% Popularity • 58% Danceability • 89% Energy • 74% Liveness
0% Instrumentalness • 90% Positiveness
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Mitchell Tenpenny
Don't Let Me Let You
92 bpm • E min • 02:44 • -4.86db
37% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Gracin
Front Porch Kinda Love
82 bpm • B Maj • 04:07 • -7.03db
14% Popularity • 44% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Austin Burke
Speed of Life
82 bpm • C# min • 03:13 • -6.57db
25% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Davis
A Little Lime
92 bpm • G# Maj • 02:39 • -5.51db
57% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Josh Melton
One Day
82 bpm • A Maj • 02:45 • -5db
37% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Dustin Lynch
Somethin' That Makes You Smile
82 bpm • B Maj • 03:09 • -4.2db
34% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Hurd
June, July, August
92 bpm • B Maj • 03:01 • -4.64db
38% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Kelley
Boat Names
82 bpm • C# Maj • 03:28 • -5.57db
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Young
Weekends Look A Little Different These D...
81 bpm • G Maj • 03:04 • -5db
42% Popularity • 39% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Kane Brown
Nothin' I'd Change
93 bpm • G Maj • 03:33 • -6.36db
38% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Morgan Wallen
Blame It On Me
93 bpm • G Maj • 02:42 • -4.59db
59% Popularity • 63% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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James Barker Band
Meet Your Mama
93 bpm • A# Maj • 02:58 • -4db
41% Popularity • 52% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
39% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Brian Kelley
Sunday Service In The Sand
82 bpm • A# Maj • 03:41 • -7db
29% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Brice
Atta Boy
93 bpm • B Maj • 03:02 • -8db
35% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Lee
Where I Belong
81 bpm • F Maj • 03:15 • -8db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
37% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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William Michael Morgan
Girl Like Mine
81 bpm • D Maj • 03:32 • -6.67db
26% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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High Valley
Whatever It Takes
94 bpm • A# Maj • 02:48 • -5db
38% Popularity • 57% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Kelley
Sunburnt, Barefoot & In Love
81 bpm • C# Maj • 02:49 • -5db
29% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jordan Davis
Dreamed You Did
94 bpm • G# Maj • 02:50 • -4.72db
40% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Brian Fuller
Talk of This Town
94 bpm • G# Maj • 02:44 • -6.59db
28% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Lindsay Ell
Right On Time
94 bpm • F Maj • 03:06 • -4.76db
43% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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ERNEST
Sugar
94 bpm • F# Maj • 03:05 • -5.66db
40% Popularity • 58% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Bryant
Little Bitty Town
80 bpm • A# Maj • 03:43 • -6.28db
19% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Parmalee
For You
80 bpm • C Maj • 02:53 • -4.99db
27% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Trea Landon
Dirt Road Dancin'
80 bpm • C# Maj • 02:37 • -3.85db
35% Popularity • 69% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Scotty McCreery
Nothin' Right
80 bpm • B Maj • 03:00 • -6db
30% Popularity • 57% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Drake White
Angel Side of You
80 bpm • E Maj • 03:33 • -4.86db
23% Popularity • 42% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Gracin
Livin' It Up
95 bpm • D Maj • 04:06 • -2.16db
4% Popularity • 53% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
32% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Rhett
Church Boots
95 bpm • C Maj • 02:57 • -5.14db
40% Popularity • 64% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Conner Smith
College Town
95 bpm • D# Maj • 03:29 • -3.3db
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
I'm Gonna Let Her
79 bpm • G Maj • 02:56 • -5db
34% Popularity • 41% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Smithfield
Sunday Best
79 bpm • C Maj • 02:47 • -5db
31% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Rhett
Heaven Right Now
80 bpm • C Maj • 03:48 • -9.3db
38% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Phelps
Silverado
79 bpm • A Maj • 03:23 • -4.93db
35% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Conner Smith
Didn't Go Too Far
96 bpm • C# Maj • 02:47 • -3.24db
40% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Clayton Anderson
Only Us
96 bpm • A# Maj • 02:42 • -4.19db
23% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Levi Hummon
Good Taste
96 bpm • A Maj • 02:37 • -5.83db
35% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Mitchell Tenpenny
Mama Raised the Hell Out of Me
96 bpm • C Maj • 03:38 • -6.55db
39% Popularity • 66% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Rhett
The Hill
79 bpm • F Maj • 02:45 • -8.83db
37% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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HIXTAPE
Small Town On It
96 bpm • D# Maj • 02:56 • -4.04db
36% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Noah Hicks
Drinkin' in a College Town
96 bpm • F min • 02:22 • -4.51db
38% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Niko Moon
DIAMOND
96 bpm • A# Maj • 03:13 • -7.16db
38% Popularity • 75% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Parmalee
Greatest Hits
96 bpm • G min • 03:04 • -5.48db
40% Popularity • 58% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Pierre Alexander
Still Got It
79 bpm • C# Maj • 03:09 • -6.56db
24% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Rhett
Bass Pro Hat
79 bpm • D Maj • 02:56 • -5.1db
39% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Ryan Kinder
Doing Fine
96 bpm • B Maj • 02:31 • -7.31db
22% Popularity • 64% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Lane
That's What Mamas Are For
79 bpm • C# Maj • 03:27 • -6db
33% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lauren Alaina
If The World Was A Small Town
97 bpm • F# Maj • 02:54 • -4.78db
25% Popularity • 64% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Teddy Robb
Whiskey Can't
97 bpm • A Maj • 02:52 • -5.15db
28% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
39% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Rayne Johnson
Laid Back
97 bpm • G# Maj • 03:20 • -5db
39% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Love Like