Songs like Love, Love, Love by Donny Hathaway
Based on a tempo of (+/- 10%) and a similar genre
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Donny Hathaway
I Love You More Than You'll Ever Know - ...
95 bpm • C min • 05:56 • -12db
16% Popularity • 42% Danceability • 19% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 42% Danceability • 19% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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Dorothy Moore
Dark End Of The Street
95 bpm • B Maj • 02:53 • -12.67db
22% Popularity • 69% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 69% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Rufus & Chaka Khan
Stay
95 bpm • E min • 05:39 • -11.15db
37% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Tower Of Power
So Very Hard to Go
95 bpm • A# Maj • 03:37 • -6.45db
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Donny Hathaway
Love, Love, Love
95 bpm • G# Maj • 03:22 • -7.78db
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 49% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Michael McDonald
I Keep Forgettin' (Every Time You're Nea...
95 bpm • E min • 03:42 • -13.87db
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Sam Cooke
I'll Come Running Back To You - Single V...
94 bpm • G# Maj • 02:13 • -18.64db
55% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Four Tops
Still Water (Love)
94 bpm • A# Maj • 03:14 • -12db
46% Popularity • 52% Danceability • 53% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 52% Danceability • 53% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Donny Hathaway
What's Going On
95 bpm • E Maj • 05:24 • -9db
24% Popularity • 45% Danceability • 71% Energy • 98% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 45% Danceability • 71% Energy • 98% Liveness
0% Instrumentalness • 65% Positiveness
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Delegation
Oh Honey
94 bpm • D Maj • 05:56 • -12.04db
66% Popularity • 73% Danceability • 42% Energy • 8% Liveness
24% Instrumentalness • 46% Positiveness
66% Popularity • 73% Danceability • 42% Energy • 8% Liveness
24% Instrumentalness • 46% Positiveness
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Keni Burke
Risin' to the Top
94 bpm • C min • 05:14 • -9.33db
51% Popularity • 73% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 73% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Marlena Shaw
Loving You Was Like A Party
94 bpm • B min • 04:20 • -9.72db
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
3% Instrumentalness • 48% Positiveness
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
3% Instrumentalness • 48% Positiveness
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Candi Staton
He Called Me Baby
94 bpm • D# Maj • 03:33 • -13db
45% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Sam Cooke
You Send Me - Mono
96 bpm • E min • 02:45 • -7.58db
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Donny Hathaway
What's Going On - Live
96 bpm • E Maj • 05:17 • -15db
38% Popularity • 55% Danceability • 44% Energy • 99% Liveness
1% Instrumentalness • 70% Positiveness
38% Popularity • 55% Danceability • 44% Energy • 99% Liveness
1% Instrumentalness • 70% Positiveness
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Durand Jones & The Indications
Don't You Know
96 bpm • E min • 03:20 • -4.19db
51% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Sharon Jones & The Dap-Kings
Searching for a New Day
96 bpm • F min • 03:14 • -7.85db
37% Popularity • 66% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Maxwell
Ascension (Don't Ever Wonder) - Remaster...
96 bpm • C Maj • 05:45 • -10.31db
64% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
64% Popularity • 76% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Minnie Riperton
Adventures In Paradise
96 bpm • A# min • 03:13 • -9db
37% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Roberta Flack
Feel Like Makin' Love
94 bpm • G# Maj • 02:55 • -21.86db
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
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Donny Hathaway
Superwoman
94 bpm • A Maj • 06:42 • -13.81db
30% Popularity • 38% Danceability • 26% Energy • 72% Liveness
3% Instrumentalness • 17% Positiveness
30% Popularity • 38% Danceability • 26% Energy • 72% Liveness
3% Instrumentalness • 17% Positiveness
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Earth, Wind & Fire
All About Love (First Impression)
96 bpm • A min • 06:35 • -12.02db
35% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Lady Wray
Do It Again
96 bpm • B min • 03:59 • -8db
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Blackbyrds
Dreaming About You
96 bpm • E min • 05:52 • -16.59db
46% Popularity • 74% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 88% Positiveness
46% Popularity • 74% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 88% Positiveness
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Rufus
Stop On By
94 bpm • G Maj • 04:53 • -14db
35% Popularity • 62% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 62% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Lou Rawls
You've Made Me So Very Happy
93 bpm • G# min • 04:27 • -12db
22% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Donny Hathaway
Voices Inside (Everything Is Everything)
96 bpm • G# min • 03:25 • -10.99db
26% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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The Floaters
Float On - Single Version
97 bpm • G Maj • 04:15 • -8.54db
54% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Minnie Riperton
Perfect Angel
93 bpm • G Maj • 03:42 • -10db
31% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
Mercy Mercy Me (The Ecology)
93 bpm • F# min • 03:13 • -12.16db
68% Popularity • 50% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
68% Popularity • 50% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Donny Hathaway
Magnificent Sanctuary Band
96 bpm • F# Maj • 04:19 • -6db
27% Popularity • 69% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 69% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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The Jackson 5
Darling Dear
97 bpm • A# Maj • 02:36 • -8.81db
39% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Donald Byrd
Places And Spaces
93 bpm • G# Maj • 06:19 • -10db
41% Popularity • 62% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 91% Positiveness
41% Popularity • 62% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 91% Positiveness
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Bobby "Blue" Bland
I'll Take Care Of You
93 bpm • F min • 02:16 • -16db
49% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rufus & Chaka Khan
You Got The Love
97 bpm • C Maj • 04:38 • -10.21db
43% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Donny Hathaway
I Thank You Baby - Mono
97 bpm • F# Maj • 02:39 • -3.71db
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon Jones & The Dap-Kings
Come and Be a Winner
93 bpm • D min • 02:56 • -8.15db
63% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1)
93 bpm • C# min • 03:28 • -13.5db
35% Popularity • 86% Danceability • 31% Energy • 7% Liveness
24% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 31% Energy • 7% Liveness
24% Instrumentalness • 88% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
69% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Harold Melvin & The Blue Notes
Wake up Everybody
97 bpm • F# Maj • 03:40 • -14.74db
34% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Rufus & Chaka Khan
Hollywood
93 bpm • E Maj • 04:04 • -16db
18% Popularity • 65% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 78% Positiveness
18% Popularity • 65% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 78% Positiveness
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The Miracles
Do It Baby
97 bpm • C Maj • 03:04 • -10db
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Ramsey Lewis
Sun Goddess
93 bpm • G Maj • 08:27 • -12.66db
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
37% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
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Heatwave
Mind Blowing Decisions
92 bpm • C Maj • 04:19 • -11.38db
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Rose Royce
Wishing on a Star
98 bpm • F min • 04:51 • -15.17db
59% Popularity • 34% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 34% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Teddy Pendergrass
When Somebody Loves You Back
98 bpm • A min • 04:56 • -9.11db
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 71% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Donny Hathaway
Little Ghetto Boy
92 bpm • F# min • 03:52 • -7.52db
38% Popularity • 54% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 54% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
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Maxwell
Sumthin' Sumthin' - Remastered 2021
98 bpm • A# min • 04:17 • -9.38db
59% Popularity • 80% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
59% Popularity • 80% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
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Rose Royce
Ooh Boy
98 bpm • C Maj • 04:16 • -11.87db
40% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Al Green
I'm Still in Love with You
98 bpm • C Maj • 03:11 • -9.54db
57% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:03 • -15.26db
44% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Teddy Pendergrass
The Whole Town's Laughing at Me
98 bpm • D# Maj • 04:27 • -10.08db
43% Popularity • 55% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 55% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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Leela James
Music
98 bpm • C# Maj • 04:05 • -7db
44% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 78% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Patti LaBelle
On My Own
92 bpm • F Maj • 04:50 • -12.96db
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 62% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Solomon Burke
Can't Nobody Love You
92 bpm • F Maj • 02:33 • -9.66db
44% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Brothers Johnson
I'll Be Good To You
98 bpm • B min • 04:48 • -12db
49% Popularity • 76% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 76% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Rufus & Chaka Khan
Smokin' Room
98 bpm • E Maj • 04:22 • -10.11db
24% Popularity • 51% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Maze
Golden Time Of Day - Remastered
98 bpm • F# min • 05:33 • -9db
43% Popularity • 58% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 58% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Syl Johnson
I Hear the Love Chimes
92 bpm • G# min • 02:44 • -10.2db
47% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Franks
The Lady Wants to Know
99 bpm • D Maj • 04:45 • -17.35db
49% Popularity • 65% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
49% Popularity • 65% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
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Sade
The Sweetest Taboo
92 bpm • A# min • 04:37 • -9.46db
68% Popularity • 75% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
68% Popularity • 75% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Minnie Riperton
Inside My Love - Remastered
91 bpm • A# min • 04:48 • -11.36db
48% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
48% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Chaka Khan
Papillon (aka Hot Butterfly)
91 bpm • A Maj • 04:07 • -8.02db
35% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Jacksons
That's What You Get (For Being Polite)
99 bpm • D Maj • 04:56 • -11.27db
35% Popularity • 57% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 57% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Gap Band
Outstanding - Original 12" Mix
99 bpm • F# Maj • 06:15 • -11.71db
59% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
59% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
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Patrice Rushen
Remind Me - Remastered
91 bpm • E min • 05:19 • -9db
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Anita Baker
Caught Up in the Rapture
91 bpm • D Maj • 04:10 • -9.71db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Deniece Williams
Free
91 bpm • F# Maj • 05:56 • -10.73db
51% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
51% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Four Tops
Ain't No Woman (Like The One I've Got)
99 bpm • D min • 03:07 • -9.69db
57% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Carole King
Bitter with the Sweet
99 bpm • C min • 02:27 • -13.68db
55% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Gap Band
Outstanding
99 bpm • F# Maj • 03:18 • -12.09db
62% Popularity • 74% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 74% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
63% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
63% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Donny Hathaway
The Slums
91 bpm • C# Maj • 05:08 • -10.83db
21% Popularity • 70% Danceability • 66% Energy • 7% Liveness
24% Instrumentalness • 71% Positiveness
21% Popularity • 70% Danceability • 66% Energy • 7% Liveness
24% Instrumentalness • 71% Positiveness
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Ohio Players
Sweet Sticky Thing
91 bpm • C# min • 06:12 • -12db
42% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
42% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Minnie Riperton
The Edge Of A Dream
99 bpm • F Maj • 04:21 • -12db
34% Popularity • 72% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Diana Ross
It's My House
99 bpm • F Maj • 04:34 • -5.86db
51% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Gap Band
Yearning For Your Love
91 bpm • D Maj • 05:40 • -10.31db
57% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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David Ruffin
Slow Dance
99 bpm • B Maj • 04:35 • -13.11db
33% Popularity • 65% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 65% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Jr. Walker & The All Stars
These Eyes
100 bpm • A# Maj • 03:38 • -10db
40% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Harold Melvin & The Blue Notes
You Know How to Make Me Feel so Good
91 bpm • B min • 05:16 • -11.82db
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Minnie Riperton
Inside My Love - Remastered 1993
91 bpm • A# min • 03:58 • -12.68db
52% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
52% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
