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Love Me Anyway
Songs like
Love Me Anyway (feat. Chris Stapleton)
by
P!nk
Based on a tempo of (+/- 10%) and a similar genre
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Christina Perri
a thousand years
139 bpm • A# Maj • 04:45 • -7.45db
81% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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P!nk
Love Me Anyway
139 bpm • D# Maj • 03:08 • -5.9db
60% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Jennifer Hart
Half the Man
139 bpm • D Maj • 03:22 • -5.56db
42% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Stapleton
I Want Love
139 bpm • A# Maj • 04:32 • -6.18db
42% Popularity • 41% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Old Dominion
Can't Break Up Now
139 bpm • E Maj • 03:20 • -5.85db
56% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Lonestar
Amazed
140 bpm • C# Maj • 04:00 • -8db
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7.75db
50% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Maddie Poppe
Not Losing You
139 bpm • C Maj • 03:46 • -5.09db
34% Popularity • 42% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
76% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Craig Morgan
The Father, My Son, And The Holy Ghost
140 bpm • C Maj • 04:08 • -5.62db
44% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Currington
Details
140 bpm • F Maj • 03:21 • -4db
46% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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P!nk
Please Don't Leave Me
138 bpm • F# Maj • 03:51 • -4.49db
59% Popularity • 59% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Beyoncé
II MOST WANTED
138 bpm • G# Maj • 03:28 • -6.13db
71% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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P!nk
Who Knew - Edit
140 bpm • A Maj • 03:28 • -4.57db
74% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
69% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Miley Cyrus
When I Look At You
138 bpm • F# Maj • 04:08 • -4.87db
70% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Whiskey Myers
Stone
138 bpm • C Maj • 05:35 • -7.65db
68% Popularity • 44% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Heartland
I Loved Her First
137 bpm • E Maj • 03:32 • -6.51db
57% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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P!nk
I Am Here
137 bpm • F Maj • 04:06 • -6.06db
60% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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A Great Big World
Say Something
141 bpm • D Maj • 03:49 • -8.82db
70% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Faith Hill
Breathe
137 bpm • G Maj • 04:10 • -9.01db
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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P!nk
Misery
141 bpm • C Maj • 04:31 • -6.42db
37% Popularity • 35% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kacey Musgraves
Butterflies
142 bpm • E min • 03:39 • -6.14db
69% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Brothers Osborne
Pushing Up Daisies (Love Alive)
142 bpm • A Maj • 03:39 • -7db
50% Popularity • 61% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Hunt
Break Up In A Small Town
136 bpm • G# Maj • 03:49 • -5.37db
66% Popularity • 58% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
56% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
62% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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P!nk
Happy
136 bpm • B Maj • 03:01 • -6.95db
45% Popularity • 66% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Kenny Chesney
You and Tequila
136 bpm • F# Maj • 04:02 • -9.13db
62% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Faith Hill
It Matters to Me
136 bpm • F# Maj • 03:17 • -8.22db
55% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Morello
The War Inside
143 bpm • C min • 03:49 • -3.22db
40% Popularity • 27% Danceability • 61% Energy • 13% Liveness
12% Instrumentalness • 29% Positiveness
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Hootie & The Blowfish
Let Her Cry
143 bpm • G Maj • 05:18 • -6.28db
64% Popularity • 35% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Stapleton
Millionaire
143 bpm • A# Maj • 03:30 • -10db
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Brooks Jefferson
The Dance
135 bpm • G Maj • 03:39 • -7.43db
51% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Taylor Swift
You All Over Me (Taylor’s Version)
143 bpm • D Maj • 03:40 • -7.61db
63% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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P!nk
Our Song
135 bpm • G Maj • 02:54 • -5.13db
55% Popularity • 54% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
62% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Maren Morris
GIRL
144 bpm • F# Maj • 04:10 • -3.95db
54% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Alana Springsteen
Always Gonna Love You
144 bpm • A Maj • 03:48 • -6db
35% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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P!nk
All Out Of Fight
143 bpm • F Maj • 03:32 • -6.93db
73% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Gone West
What Could've Been
144 bpm • A# Maj • 03:42 • -7db
45% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Aldean
Girl Like You
144 bpm • D# min • 03:13 • -4.2db
61% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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P!nk
Barbies
144 bpm • C Maj • 03:43 • -8db
47% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Lewis
Someone
134 bpm • A Maj • 03:59 • -7db
54% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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RaeLynn
Queens Don't
134 bpm • C Maj • 03:05 • -5.5db
54% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Gone West
I'm Never Getting Over You
134 bpm • A# Maj • 03:50 • -9.61db
41% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Faith Hill
Like We Never Loved at All
134 bpm • D Maj • 04:17 • -8.18db
43% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kameron Marlowe
Giving You Up - Acoustic
134 bpm • G Maj • 03:52 • -6.18db
55% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
52% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Brad Paisley
Then
145 bpm • C Maj • 05:21 • -5.19db
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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P!nk
But We Lost It
134 bpm • A# Maj • 03:27 • -5.84db
46% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Stapleton
Maggie's Song
133 bpm • G Maj • 03:31 • -8.74db
62% Popularity • 67% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Jordan
Farther Along
145 bpm • E Maj • 04:04 • -5.64db
27% Popularity • 47% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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P!nk
You Get My Love
145 bpm • C Maj • 05:11 • -9.04db
41% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Parker McCollum
To Be Loved By You
146 bpm • A# Maj • 03:19 • -4.46db
62% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Brothers Osborne
I Don't Remember Me (Before You)
146 bpm • E min • 03:12 • -7.5db
55% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Hunt
Make You Miss Me
146 bpm • G Maj • 03:45 • -6.63db
62% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ashley McBryde
A Little Dive Bar in Dahlonega
146 bpm • C# Maj • 03:29 • -6.19db
51% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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P!nk
Circle Game
133 bpm • G Maj • 04:54 • -7.15db
40% Popularity • 57% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Highwomen
Crowded Table
132 bpm • B Maj • 03:29 • -5.67db
57% Popularity • 56% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Love Me Anyway