Songs like Love on a Real Train (Rerecorded) by Tangerine Dream
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Bayer
Let's Hear That B Section Again!
109 bpm • A# Maj • 04:24 • -9db
27% Popularity • 22% Danceability • 45% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 45% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Tangerine Dream
Love on a Real Train
109 bpm • F min • 07:28 • -16.3db
14% Popularity • 54% Danceability • 57% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 57% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
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Tom Raybould
The Machine
109 bpm • G# Maj • 01:35 • -13.43db
31% Popularity • 48% Danceability • 45% Energy • 19% Liveness
99% Instrumentalness • 31% Positiveness
31% Popularity • 48% Danceability • 45% Energy • 19% Liveness
99% Instrumentalness • 31% Positiveness
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Jon Hopkins
Monsters Theme
109 bpm • D# min • 04:55 • -17db
16% Popularity • 16% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
16% Popularity • 16% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Ochre
Crowd of Stars
110 bpm • C# Maj • 04:24 • -14.25db
16% Popularity • 34% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 34% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Clint Mansell
San Junipero (80s-90s-00s-??S)
110 bpm • C min • 04:00 • -26db
25% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Schmoelling
Matjora is Still Alive
109 bpm • D# Maj • 05:01 • -21db
21% Popularity • 67% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 34% Positiveness
21% Popularity • 67% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 34% Positiveness
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Tangerine Dream
Love on a Real Train (Rerecorded)
109 bpm • F min • 08:57 • -13.08db
27% Popularity • 53% Danceability • 62% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Global Communication
8:07
110 bpm • C Maj • 08:07 • -18.26db
31% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
31% Popularity • 66% Danceability • 45% Energy • 37% Liveness
88% Instrumentalness • 48% Positiveness
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Nihoni
Subconscious
110 bpm • C min • 05:16 • -18.48db
22% Popularity • 68% Danceability • 27% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
22% Popularity • 68% Danceability • 27% Energy • 6% Liveness
93% Instrumentalness • 22% Positiveness
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Pye Corner Audio
At the Heart of Stasis
110 bpm • D Maj • 04:38 • -12.23db
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 57% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Near The Parenthesis
Four - Kettel Remix
110 bpm • C# Maj • 04:02 • -9.38db
15% Popularity • 70% Danceability • 47% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
15% Popularity • 70% Danceability • 47% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Redshift
Leviathan
110 bpm • C# Maj • 10:01 • -16.68db
12% Popularity • 25% Danceability • 42% Energy • 18% Liveness
94% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 42% Energy • 18% Liveness
94% Instrumentalness • 19% Positiveness
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Tangerine Dream
Love On a Real Train (Re-Recorded)
109 bpm • F min • 07:02 • -16.1db
6% Popularity • 52% Danceability • 55% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
6% Popularity • 52% Danceability • 55% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Global Communication
5:23 (Maiden Voyage)
110 bpm • E min • 05:23 • -9db
19% Popularity • 43% Danceability • 64% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
19% Popularity • 43% Danceability • 64% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
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Hello Meteor
Virga
110 bpm • B min • 05:42 • -16.72db
28% Popularity • 56% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
28% Popularity • 56% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Arctic Vision
Neon Colors
108 bpm • G min • 03:48 • -11.31db
8% Popularity • 64% Danceability • 52% Energy • 11% Liveness
44% Instrumentalness • 11% Positiveness
8% Popularity • 64% Danceability • 52% Energy • 11% Liveness
44% Instrumentalness • 11% Positiveness
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All India Radio
Sonda IV
110 bpm • F Maj • 04:23 • -12.53db
21% Popularity • 58% Danceability • 55% Energy • 14% Liveness
98% Instrumentalness • 38% Positiveness
21% Popularity • 58% Danceability • 55% Energy • 14% Liveness
98% Instrumentalness • 38% Positiveness
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Le Matos
The Kid
110 bpm • D Maj • 05:59 • -7.68db
20% Popularity • 72% Danceability • 80% Energy • 8% Liveness
85% Instrumentalness • 82% Positiveness
20% Popularity • 72% Danceability • 80% Energy • 8% Liveness
85% Instrumentalness • 82% Positiveness
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Tangerine Dream
Sleeping Watches Snoring In Silence
110 bpm • A# min • 06:00 • -12.66db
7% Popularity • 57% Danceability • 84% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
7% Popularity • 57% Danceability • 84% Energy • 16% Liveness
85% Instrumentalness • 16% Positiveness
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Global Communication
5 23
110 bpm • E min • 05:23 • -16.56db
33% Popularity • 59% Danceability • 42% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
33% Popularity • 59% Danceability • 42% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
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Waveshaper
Cyborg Telekinetics
108 bpm • C Maj • 03:02 • -8.11db
28% Popularity • 65% Danceability • 82% Energy • 34% Liveness
9% Instrumentalness • 46% Positiveness
28% Popularity • 65% Danceability • 82% Energy • 34% Liveness
9% Instrumentalness • 46% Positiveness
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Makeup And Vanity Set
The Cross
108 bpm • G Maj • 04:12 • -5.59db
33% Popularity • 62% Danceability • 90% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 62% Danceability • 90% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Avia
Gabrielle
110 bpm • E min • 03:13 • -13.81db
18% Popularity • 44% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
18% Popularity • 44% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
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Le Matos
Manhunt
110 bpm • G# Maj • 01:31 • -21.77db
34% Popularity • 80% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
34% Popularity • 80% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Craig Padilla
Woven Planet
110 bpm • G# Maj • 04:50 • -12.93db
22% Popularity • 60% Danceability • 53% Energy • 31% Liveness
88% Instrumentalness • 83% Positiveness
22% Popularity • 60% Danceability • 53% Energy • 31% Liveness
88% Instrumentalness • 83% Positiveness
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Johnny Jewel
Digital Rain
108 bpm • G min • 05:19 • -9.04db
12% Popularity • 23% Danceability • 45% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
12% Popularity • 23% Danceability • 45% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Tangerine Dream
Cinnamon Road - 1995 Remaster
108 bpm • G# Maj • 03:58 • -9.02db
18% Popularity • 55% Danceability • 75% Energy • 13% Liveness
92% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 75% Energy • 13% Liveness
92% Instrumentalness • 54% Positiveness
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Makeup And Vanity Set
Polyhymnal
108 bpm • C min • 05:10 • -8.93db
33% Popularity • 37% Danceability • 65% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
33% Popularity • 37% Danceability • 65% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
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Avia
Chanel and the Diamond
108 bpm • G Maj • 04:34 • -13.65db
26% Popularity • 29% Danceability • 62% Energy • 32% Liveness
96% Instrumentalness • 19% Positiveness
26% Popularity • 29% Danceability • 62% Energy • 32% Liveness
96% Instrumentalness • 19% Positiveness
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nervous_testpilot
Make the Symbols Work
107 bpm • G# Maj • 05:18 • -8.94db
15% Popularity • 75% Danceability • 73% Energy • 62% Liveness
89% Instrumentalness • 20% Positiveness
15% Popularity • 75% Danceability • 73% Energy • 62% Liveness
89% Instrumentalness • 20% Positiveness
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S U R V I V E
Black Mollies
111 bpm • E Maj • 06:09 • -13.64db
15% Popularity • 52% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 52% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Johnny Jewel
The Hacker
108 bpm • G# Maj • 03:26 • -10.04db
25% Popularity • 89% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 89% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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36
Room 2
111 bpm • F min • 05:13 • -11.35db
26% Popularity • 46% Danceability • 57% Energy • 11% Liveness
98% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 57% Energy • 11% Liveness
98% Instrumentalness • 42% Positiveness
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Vangelis
Blade Runner Blues
107 bpm • D Maj • 08:54 • -26.04db
52% Popularity • 18% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 18% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Tangerine Dream
Love On A Real Train
111 bpm • F min • 03:59 • -20.51db
47% Popularity • 58% Danceability • 34% Energy • 7% Liveness
95% Instrumentalness • 81% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 7% Liveness
95% Instrumentalness • 81% Positiveness
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Chromatics
Shadow (Instrumental)
107 bpm • B min • 03:44 • -9.88db
18% Popularity • 62% Danceability • 46% Energy • 30% Liveness
92% Instrumentalness • 46% Positiveness
18% Popularity • 62% Danceability • 46% Energy • 30% Liveness
92% Instrumentalness • 46% Positiveness
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We Plants Are Happy Plants
Euphrosyne
112 bpm • E Maj • 06:00 • -11.73db
8% Popularity • 17% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Last Atlant
Twin Of The Sun
112 bpm • C# min • 06:21 • -7.11db
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Pye Corner Audio
Hollow Earth
106 bpm • A min • 05:11 • -12db
34% Popularity • 45% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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BT
Found in Translation
106 bpm • F min • 03:52 • -16db
12% Popularity • 57% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 57% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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trentemøller
November
106 bpm • A Maj • 06:48 • -13.08db
30% Popularity • 58% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
30% Popularity • 58% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Trevor Something
Beyond the Infinite
113 bpm • G# min • 09:16 • -19.28db
13% Popularity • 16% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Jake Chudnow
Prelude To Shona
113 bpm • G Maj • 08:23 • -15db
27% Popularity • 17% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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S U R V I V E
Holographic Landscape
113 bpm • G# min • 04:07 • -6.33db
36% Popularity • 72% Danceability • 88% Energy • 11% Liveness
84% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 88% Energy • 11% Liveness
84% Instrumentalness • 60% Positiveness
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Shook
You Were Bigger Than Life
113 bpm • A# Maj • 06:26 • -11db
40% Popularity • 66% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
40% Popularity • 66% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Honom
Purple Sun
113 bpm • F# min • 06:52 • -10.43db
29% Popularity • 74% Danceability • 62% Energy • 5% Liveness
85% Instrumentalness • 43% Positiveness
29% Popularity • 74% Danceability • 62% Energy • 5% Liveness
85% Instrumentalness • 43% Positiveness
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Thomas Barrandon
Pale Blue Dot
105 bpm • B Maj • 05:32 • -12.32db
18% Popularity • 17% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Field Rotation
Gedanken Wie Diese
105 bpm • C# min • 08:09 • -17.86db
10% Popularity • 39% Danceability • 38% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
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Röyksopp
Keyboard Milk
105 bpm • B Maj • 07:06 • -7db
34% Popularity • 52% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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S U R V I V E
Holographic Landscape - Los Angeles, CA ...
113 bpm • G# min • 04:06 • -11.79db
8% Popularity • 57% Danceability • 72% Energy • 30% Liveness
75% Instrumentalness • 36% Positiveness
8% Popularity • 57% Danceability • 72% Energy • 30% Liveness
75% Instrumentalness • 36% Positiveness
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Vangelis
Blade Runner - End Titles
113 bpm • F min • 04:39 • -15.73db
47% Popularity • 44% Danceability • 66% Energy • 24% Liveness
96% Instrumentalness • 15% Positiveness
47% Popularity • 44% Danceability • 66% Energy • 24% Liveness
96% Instrumentalness • 15% Positiveness
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Makeup And Vanity Set
Ono-Sendai
105 bpm • F# Maj • 04:26 • -6.47db
24% Popularity • 65% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
24% Popularity • 65% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Le Matos
First Base
105 bpm • A min • 02:25 • -19.81db
17% Popularity • 66% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
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Hidden Orchestra
East London Street - Hidden Orchestra Re...
105 bpm • G Maj • 07:10 • -10.78db
7% Popularity • 60% Danceability • 82% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
7% Popularity • 60% Danceability • 82% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
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Rykard
North Cormorant Obscurity
105 bpm • A# Maj • 03:17 • -12db
33% Popularity • 67% Danceability • 32% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
33% Popularity • 67% Danceability • 32% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Paul Haslinger
Reverse Engineering
105 bpm • A# Maj • 02:25 • -16.16db
30% Popularity • 59% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
30% Popularity • 59% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Droid Bishop
Nightland
105 bpm • F# min • 06:01 • -8.35db
31% Popularity • 53% Danceability • 58% Energy • 8% Liveness
75% Instrumentalness • 19% Positiveness
31% Popularity • 53% Danceability • 58% Energy • 8% Liveness
75% Instrumentalness • 19% Positiveness
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Carbon Based Lifeforms
~42°
113 bpm • A# Maj • 04:55 • -13db
41% Popularity • 35% Danceability • 48% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
41% Popularity • 35% Danceability • 48% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Crockett
City of Ghosts
105 bpm • A# min • 04:57 • -12.1db
28% Popularity • 58% Danceability • 58% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
28% Popularity • 58% Danceability • 58% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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Jordan F
Space Romance
105 bpm • E min • 04:15 • -6.48db
24% Popularity • 64% Danceability • 66% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
24% Popularity • 64% Danceability • 66% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
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Tangerine Dream
Mother of All Sources
114 bpm • C min • 08:53 • -12.86db
17% Popularity • 54% Danceability • 52% Energy • 11% Liveness
70% Instrumentalness • 16% Positiveness
17% Popularity • 54% Danceability • 52% Energy • 11% Liveness
70% Instrumentalness • 16% Positiveness
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Le Matos
Last Breath
114 bpm • C# Maj • 06:58 • -9db
23% Popularity • 64% Danceability • 83% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
23% Popularity • 64% Danceability • 83% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Loscil
Red Tide
114 bpm • G min • 05:25 • -18.3db
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Brendon Moeller
Sunshine Rain
104 bpm • E min • 04:03 • -23.81db
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Sinoia Caves
Run Program: Sentionauts
114 bpm • C# Maj • 02:59 • -12db
30% Popularity • 20% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jon Ososki
Relief in Believing
104 bpm • C Maj • 07:53 • -13.48db
14% Popularity • 61% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 61% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Tycho
L
114 bpm • F min • 04:37 • -7.55db
47% Popularity • 55% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 24% Positiveness
47% Popularity • 55% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 24% Positiveness
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Le Matos
Last Breath (Ost Version)
114 bpm • A# min • 02:28 • -14.59db
21% Popularity • 62% Danceability • 65% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 62% Danceability • 65% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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Big Giant Circles
Outside the Realm
115 bpm • A min • 03:28 • -15.97db
40% Popularity • 24% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
40% Popularity • 24% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Strange Cargo
Hulaville
115 bpm • F Maj • 06:02 • -16.3db
21% Popularity • 53% Danceability • 49% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
21% Popularity • 53% Danceability • 49% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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Tangerine Dream
Guido The Killer Pimp
115 bpm • A Maj • 04:19 • -20.37db
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Lars Leonhard
Northern Stargazer
115 bpm • C# Maj • 05:36 • -13.86db
18% Popularity • 60% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
18% Popularity • 60% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Steve Moore
Saturnalia
115 bpm • D Maj • 05:37 • -11.02db
3% Popularity • 49% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
3% Popularity • 49% Danceability • 80% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Sundial Aeon
Skyline Passage
115 bpm • G Maj • 06:34 • -14db
15% Popularity • 45% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 45% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Oliver Koletzki
A Star Called Akasha
115 bpm • G Maj • 05:24 • -9.12db
33% Popularity • 66% Danceability • 84% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 66% Danceability • 84% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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bl00dwave
Encounters
115 bpm • F Maj • 02:42 • -5.86db
31% Popularity • 71% Danceability • 63% Energy • 29% Liveness
62% Instrumentalness • 18% Positiveness
31% Popularity • 71% Danceability • 63% Energy • 29% Liveness
62% Instrumentalness • 18% Positiveness
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Mokhov
Endless Skies
115 bpm • A# min • 03:41 • -10.12db
30% Popularity • 74% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
30% Popularity • 74% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Rain Sword
Memories
115 bpm • C min • 05:06 • -8.88db
25% Popularity • 66% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 66% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Thomas Barrandon
Memories Fade
103 bpm • F# min • 05:07 • -7.46db
18% Popularity • 60% Danceability • 59% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
18% Popularity • 60% Danceability • 59% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Tangerine Dream
Los Santos City Map
116 bpm • A# min • 07:24 • -10.39db
33% Popularity • 59% Danceability • 82% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
33% Popularity • 59% Danceability • 82% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Magic Sword
Journey's End
116 bpm • B Maj • 04:26 • -9.57db
31% Popularity • 44% Danceability • 53% Energy • 14% Liveness
87% Instrumentalness • 8% Positiveness
31% Popularity • 44% Danceability • 53% Energy • 14% Liveness
87% Instrumentalness • 8% Positiveness
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College
Les automates
116 bpm • C# Maj • 03:01 • -7.25db
31% Popularity • 76% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 87% Positiveness
31% Popularity • 76% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 87% Positiveness
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We Plants Are Happy Plants
Way of the Wizard
116 bpm • D min • 05:22 • -11.65db
17% Popularity • 46% Danceability • 56% Energy • 22% Liveness
5% Instrumentalness • 5% Positiveness
17% Popularity • 46% Danceability • 56% Energy • 22% Liveness
5% Instrumentalness • 5% Positiveness
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Pilotpriest
Do Not Leave
102 bpm • G# Maj • 04:51 • -9.65db
11% Popularity • 38% Danceability • 71% Energy • 5% Liveness
44% Instrumentalness • 11% Positiveness
11% Popularity • 38% Danceability • 71% Energy • 5% Liveness
44% Instrumentalness • 11% Positiveness
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36
Void Dance
102 bpm • E min • 06:15 • -11.26db
8% Popularity • 28% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 28% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Paul Haslinger
Macmillan Utility
102 bpm • D min • 01:51 • -21.82db
36% Popularity • 57% Danceability • 29% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 57% Danceability • 29% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Shook
Back to You
117 bpm • G# Maj • 05:03 • -16.69db
24% Popularity • 66% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 66% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Henry Saiz
Hymn to Nowhere
117 bpm • G# Maj • 05:38 • -10.13db
10% Popularity • 49% Danceability • 44% Energy • 39% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 49% Danceability • 44% Energy • 39% Liveness
79% Instrumentalness • 4% Positiveness
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Jordan F
Let’s Cruise
117 bpm • G# Maj • 04:27 • -8.91db
34% Popularity • 51% Danceability • 94% Energy • 8% Liveness
27% Instrumentalness • 16% Positiveness
34% Popularity • 51% Danceability • 94% Energy • 8% Liveness
27% Instrumentalness • 16% Positiveness
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Pilotpriest
The Stranger
102 bpm • E Maj • 06:47 • -10.32db
12% Popularity • 57% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 57% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Makeup And Vanity Set
Blood Oath
117 bpm • G# Maj • 04:20 • -8.52db
21% Popularity • 61% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
21% Popularity • 61% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
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We Plants Are Happy Plants
Wind of Intuition
117 bpm • B Maj • 03:22 • -8.79db
10% Popularity • 47% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 47% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Solar Fields
Life - 2014 Remaster
101 bpm • F# Maj • 06:37 • -13.02db
27% Popularity • 32% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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William Orbit
Cavalleria Rusticana
118 bpm • F Maj • 03:19 • -18.99db
25% Popularity • 46% Danceability • 16% Energy • 18% Liveness
91% Instrumentalness • 38% Positiveness
25% Popularity • 46% Danceability • 16% Energy • 18% Liveness
91% Instrumentalness • 38% Positiveness
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Beyond The Wizards Sleeve
Diagram Girl - Beyond the Wizards Sleeve...
101 bpm • E Maj • 07:21 • -12.36db
24% Popularity • 54% Danceability • 71% Energy • 61% Liveness
73% Instrumentalness • 3% Positiveness
24% Popularity • 54% Danceability • 71% Energy • 61% Liveness
73% Instrumentalness • 3% Positiveness
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Pilotpriest
The Last Goodbye
101 bpm • G min • 05:27 • -8.74db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
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Cinnamon Chasers
Jupiters Orbit
118 bpm • G# Maj • 05:28 • -10.22db
13% Popularity • 75% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
13% Popularity • 75% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
