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Love Song
Songs like
Love Song
by
John Abercrombie
Based on a tempo of (+/- 10%) and a similar genre
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Anat Fort Trio
First Rays
74 bpm • F min • 02:18 • -29.96db
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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John Abercrombie
Love Song
74 bpm • E min • 04:34 • -18.54db
24% Popularity • 30% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Steve Swallow
Some Echoes
74 bpm • D Maj • 05:35 • -16.75db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Markus Stockhausen
The Waltz
74 bpm • C# Maj • 04:37 • -17.6db
31% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ogerman & Brecker
Cityscape
74 bpm • D# min • 08:46 • -16.44db
16% Popularity • 25% Danceability • 14% Energy • 14% Liveness
80% Instrumentalness • 13% Positiveness
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Carla Bley
More Brahms
74 bpm • D# min • 07:29 • -18.39db
21% Popularity • 58% Danceability • 20% Energy • 12% Liveness
41% Instrumentalness • 28% Positiveness
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Nils Petter Molvær
Kakonita
75 bpm • F min • 04:59 • -18.2db
33% Popularity • 11% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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John Abercrombie
Sargasso Sea
74 bpm • F Maj • 03:56 • -24.12db
9% Popularity • 20% Danceability • 3% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Richard Beirach
Sunday Song
73 bpm • G Maj • 05:26 • -21.01db
9% Popularity • 26% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Jack DeJohnette
Picture 6
75 bpm • G# Maj • 07:52 • -28.96db
3% Popularity • 22% Danceability • 2% Energy • 23% Liveness
46% Instrumentalness • 3% Positiveness
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Jakob Bro
Returnings
75 bpm • C Maj • 05:38 • -20db
13% Popularity • 24% Danceability • 15% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jan Garbarek Quartet
Concentus
73 bpm • D Maj • 00:50 • -26.22db
22% Popularity • 12% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 38% Positiveness
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Anouar Brahem
Blue Maqams
75 bpm • C min • 08:41 • -26db
29% Popularity • 37% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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John Abercrombie
Telegram
74 bpm • G Maj • 04:34 • -23.3db
10% Popularity • 32% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Steve Eliovson
Memories
72 bpm • E Maj • 02:11 • -26.8db
13% Popularity • 49% Danceability • 2% Energy • 10% Liveness
54% Instrumentalness • 22% Positiveness
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Stanley Clarke
Desert Song
76 bpm • A Maj • 06:52 • -24.54db
20% Popularity • 52% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
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Jan Hammer
Voyage Home
76 bpm • F Maj • 02:30 • -14.26db
12% Popularity • 44% Danceability • 45% Energy • 10% Liveness
69% Instrumentalness • 27% Positiveness
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Carla Bley
Útviklingssang
72 bpm • E min • 04:38 • -25.71db
31% Popularity • 46% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Oded Tzur
Miniature 1
72 bpm • G Maj • 01:42 • -30.85db
36% Popularity • 54% Danceability • 1% Energy • 6% Liveness
78% Instrumentalness • 7% Positiveness
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Lyle Mays
Ascent
72 bpm • F# Maj • 06:58 • -11.16db
20% Popularity • 32% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Barre Phillips
Ms. P.
76 bpm • G Maj • 04:58 • -32db
12% Popularity • 28% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Jakob Bro
View
77 bpm • G# Maj • 08:42 • -24.61db
16% Popularity • 31% Danceability • 9% Energy • 5% Liveness
88% Instrumentalness • 17% Positiveness
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Foehn Trio
A Day in Chamonix
71 bpm • D Maj • 01:58 • -20.44db
23% Popularity • 38% Danceability • 12% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
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John Surman
Undernote
71 bpm • G Maj • 02:39 • -25db
15% Popularity • 33% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Burton Quintet
Jesus Maria
77 bpm • E min • 03:44 • -27.19db
9% Popularity • 30% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Lyle Mays
Let Me Count the Ways
72 bpm • C Maj • 06:41 • -23.34db
17% Popularity • 26% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Oded Tzur
Invocation
77 bpm • C min • 01:52 • -17.2db
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Klaus Doldinger's Passport
Garden of Eden - Dawn
71 bpm • C# Maj • 01:52 • -29.02db
22% Popularity • 22% Danceability • 3% Energy • 13% Liveness
84% Instrumentalness • 9% Positiveness
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Gábor Szabó
Concerto de Aranjuez
77 bpm • E min • 04:34 • -17.56db
9% Popularity • 34% Danceability • 17% Energy • 13% Liveness
80% Instrumentalness • 28% Positiveness
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Kenny Wheeler
The forks - instrumental
77 bpm • A# min • 06:20 • -15.68db
17% Popularity • 45% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Carla Bley
Dreams So Real
71 bpm • C# Maj • 05:35 • -15.85db
24% Popularity • 40% Danceability • 25% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Brian Blade & The Fellowship Band
Down River
77 bpm • B Maj • 00:56 • -26.88db
34% Popularity • 10% Danceability • 1% Energy • 15% Liveness
97% Instrumentalness • 29% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
36% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Ogerman & Brecker
Habanera
77 bpm • C min • 08:07 • -18.54db
14% Popularity • 39% Danceability • 29% Energy • 35% Liveness
88% Instrumentalness • 35% Positiveness
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Jan Hammer
Ethereggae
78 bpm • C Maj • 08:23 • -13.65db
7% Popularity • 53% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 29% Positiveness
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Kenny Wheeler
Sea Lady
77 bpm • D min • 08:31 • -20.64db
11% Popularity • 28% Danceability • 13% Energy • 34% Liveness
52% Instrumentalness • 9% Positiveness
► Preview
John Abercrombie
Evensong
70 bpm • A# Maj • 07:38 • -27.85db
7% Popularity • 17% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 3% Positiveness
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Don Cherry
What Reason Could I Give
78 bpm • F Maj • 03:47 • -25.02db
22% Popularity • 31% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Aaron Parks
Toward Awakening
70 bpm • F# min • 06:16 • -21.76db
10% Popularity • 39% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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John Surman
At Dusk
78 bpm • A min • 02:20 • -19.45db
15% Popularity • 17% Danceability • 12% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
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Wayne Krantz
For Susan
70 bpm • E min • 03:41 • -26.91db
35% Popularity • 39% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Kenny Wheeler
3/4 In The Afternoon
70 bpm • C# Maj • 05:50 • -17db
9% Popularity • 28% Danceability • 16% Energy • 11% Liveness
73% Instrumentalness • 32% Positiveness
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Joe Zawinul
In a Silent Way
70 bpm • A Maj • 04:45 • -14.89db
20% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
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John Abercrombie
Parable
78 bpm • B min • 10:39 • -21.79db
12% Popularity • 32% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Jon Balke
the suspension
70 bpm • C min • 02:16 • -22db
32% Popularity • 37% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Lyle Mays
Street Dreams 3
78 bpm • A min • 03:08 • -17.8db
12% Popularity • 8% Danceability • 19% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Anouar Brahem
La nuit
78 bpm • C min • 10:28 • -27.61db
26% Popularity • 23% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
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Marcin Wasilewski Trio
Diamonds And Pearls
78 bpm • G Maj • 05:45 • -21.58db
39% Popularity • 30% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Jacob Young
Bounce
79 bpm • G Maj • 07:46 • -15.04db
21% Popularity • 55% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Oded Tzur
Warrior Elephants Flying
79 bpm • G Maj • 02:20 • -30.3db
34% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Kenny Wheeler
Part 2 - For H. / Part 3 - For Jan
79 bpm • A min • 10:07 • -16.57db
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Claus Ogerman
Nightwings
79 bpm • A min • 07:45 • -17.55db
14% Popularity • 24% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Lyle Mays
Street Dreams 4
79 bpm • F Maj • 04:50 • -18db
18% Popularity • 35% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 55% Positiveness
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Kenny Barron
Ringo Oiwake
79 bpm • D min • 05:59 • -25.9db
17% Popularity • 48% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
► Preview
John Abercrombie
Waiting
79 bpm • D Maj • 02:10 • -32.32db
25% Popularity • 44% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 15% Positiveness
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Brian Blade & The Fellowship Band
Shenandoah
79 bpm • E Maj • 01:49 • -24.13db
33% Popularity • 15% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 1
80 bpm • C# Maj • 04:35 • -29.85db
15% Popularity • 31% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Marcin Wasilewski Trio
Vignette
79 bpm • B min • 08:05 • -23.3db
20% Popularity • 42% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Soft Machine
Carol Ann
69 bpm • F Maj • 03:44 • -36db
12% Popularity • 12% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Ketil Bjørnstad
Remembrance IV
80 bpm • C Maj • 04:13 • -20.76db
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Mark Isham
We Begin
80 bpm • C Maj • 06:19 • -23.33db
9% Popularity • 11% Danceability • 5% Energy • 30% Liveness
84% Instrumentalness • 4% Positiveness
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Bill Bruford
If Summer Had Its Ghosts
81 bpm • D Maj • 06:21 • -18.75db
13% Popularity • 53% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 70% Positiveness
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Carla Bley
Healing Power
81 bpm • F# min • 06:22 • -15.82db
16% Popularity • 52% Danceability • 37% Energy • 17% Liveness
63% Instrumentalness • 68% Positiveness
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Rainer Brüninghaus
Strahlenspur
81 bpm • G Maj • 04:52 • -16db
11% Popularity • 32% Danceability • 48% Energy • 21% Liveness
39% Instrumentalness • 44% Positiveness
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Nils Petter Molvær
Kingfish Castle
81 bpm • B min • 04:53 • -19.93db
16% Popularity • 17% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Barre Phillips
A-i-a
81 bpm • D min • 09:39 • -17.98db
9% Popularity • 26% Danceability • 26% Energy • 10% Liveness
51% Instrumentalness • 34% Positiveness
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Anat Fort Trio
Paul Motian (1)
81 bpm • G Maj • 04:02 • -23.83db
28% Popularity • 24% Danceability • 11% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Jan Garbarek Quartet
MYB
81 bpm • G Maj • 01:51 • -30.24db
20% Popularity • 34% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 19% Positiveness
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Wayne Krantz
Two Of Two
81 bpm • A min • 03:17 • -19.71db
34% Popularity • 41% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Tomasz Stanko Quintet
Dirge For Europe
81 bpm • F Maj • 05:29 • -17.41db
11% Popularity • 37% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Carla Bley
Life Goes On: Life Goes On
67 bpm • C# Maj • 06:00 • -20db
30% Popularity • 49% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Kit Downes
Circinus
81 bpm • C min • 04:15 • -23.01db
10% Popularity • 14% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Oded Tzur
Miniature 3
67 bpm • A# min • 02:30 • -37db
24% Popularity • 12% Danceability • 0% Energy • 14% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Enrico Rava
Katcharpari
82 bpm • C# Maj • 04:11 • -13db
13% Popularity • 44% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
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Lyle Mays
Close to Home
67 bpm • G min • 06:13 • -21.85db
29% Popularity • 26% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Tomasz Stanko Quintet
So Nice
82 bpm • F min • 05:52 • -16.7db
20% Popularity • 32% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
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Jack DeJohnette
Blue In Green
66 bpm • D min • 05:57 • -25.89db
11% Popularity • 44% Danceability • 1% Energy • 8% Liveness
60% Instrumentalness • 27% Positiveness
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Steve Tibbetts
My Last Chance
82 bpm • D# Maj • 04:03 • -25.03db
10% Popularity • 48% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 11% Positiveness
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Kenny Wheeler
Kind folk - instrumental
83 bpm • G Maj • 05:42 • -15.69db
23% Popularity • 38% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Bobo Stenson Trio
Oktoberhavet
83 bpm • G Maj • 05:52 • -22.16db
33% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Ted Greene
Send In The Clowns
66 bpm • G# Maj • 04:59 • -27.25db
40% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Markus Stockhausen
Gio
83 bpm • A min • 09:00 • -16.02db
13% Popularity • 40% Danceability • 17% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Larry Coryell
The Dream Thing
66 bpm • A min • 02:27 • -22.62db
32% Popularity • 63% Danceability • 12% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
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Oded Tzur
Here Be Dragons
83 bpm • G min • 08:29 • -25.05db
31% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Mats Eilertsen
Albatross
83 bpm • A# min • 04:28 • -26db
29% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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Ketil Bjørnstad
Remembrance III
83 bpm • C Maj • 04:57 • -20.2db
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
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Marcin Wasilewski Trio
New York 2007
83 bpm • A Maj • 02:46 • -30.07db
25% Popularity • 23% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Billy Cobham
To the Women in My Life
83 bpm • A# min • 00:50 • -22.8db
40% Popularity • 35% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Esbjörn Svensson Trio
Ballad for the Unborn
84 bpm • G min • 05:32 • -20.26db
26% Popularity • 38% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 12% Positiveness
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Jan Hammer
Night Talk
84 bpm • E min • 02:45 • -16.54db
23% Popularity • 61% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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John Surman
Another Reflection
66 bpm • D# Maj • 01:33 • -14db
43% Popularity • 29% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Andy Sheppard Quartet
And A Day ...
84 bpm • A min • 08:06 • -22.28db
10% Popularity • 22% Danceability • 4% Energy • 17% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Nels Cline
For Each, A Flower
84 bpm • E Maj • 02:55 • -19.79db
16% Popularity • 35% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Archie Shepp
Kalimba
84 bpm • A# min • 03:39 • -25.11db
9% Popularity • 43% Danceability • 17% Energy • 66% Liveness
61% Instrumentalness • 36% Positiveness
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John Abercrombie
Hippittyville
84 bpm • B min • 08:20 • -19.77db
8% Popularity • 64% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
Jakob Bro
Gefion
85 bpm • D Maj • 10:33 • -21.99db
12% Popularity • 26% Danceability • 16% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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John Surman
Caithness To Kerry
85 bpm • F Maj • 03:50 • -17.59db
10% Popularity • 61% Danceability • 5% Energy • 25% Liveness
94% Instrumentalness • 98% Positiveness
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Larry Grenadier
Oceanic
86 bpm • F# min • 02:26 • -23.47db
24% Popularity • 22% Danceability • 6% Energy • 36% Liveness
91% Instrumentalness • 11% Positiveness
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Jamie Saft
Clarissa
64 bpm • G min • 04:07 • -17.81db
17% Popularity • 49% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Love Song