Songs like Love Songs by Daryl Braithwaite
Based on a tempo of (+/- 10%) and a similar genre
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Robin Berrygold
I Keep Going to the River to Pray
105 bpm • F# min • 03:35 • -5.89db
37% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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The Wolfe Brothers
No Brakes
105 bpm • G# min • 02:37 • -5.04db
28% Popularity • 61% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 61% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Conrad Sewell
Healing Hands
105 bpm • C Maj • 04:10 • -5db
44% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Delta Goodrem
Wish You Were Here
105 bpm • D Maj • 04:36 • -4.8db
32% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Justice Crew
Que Sera - Acoustic
105 bpm • F# Maj • 02:58 • -3.62db
15% Popularity • 72% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 72% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Rubens
Masterpiece
105 bpm • F# Maj • 03:36 • -3.81db
41% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jordie Ireland
Throw Away My Number
105 bpm • F Maj • 03:29 • -6.85db
26% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Delta Goodrem
Predictable
105 bpm • E min • 03:38 • -5.99db
36% Popularity • 74% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 74% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Busby Marou
One Day at a Time
105 bpm • G Maj • 02:58 • -5.54db
16% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
23% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Daryl Braithwaite
If You Leave Me Now
104 bpm • B Maj • 03:59 • -6.22db
9% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Cold Chisel
Shipping Steel - 2011 Remastered
106 bpm • A Maj • 03:24 • -3db
39% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch James
Sunday Morning
104 bpm • G# min • 03:23 • -5.75db
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Busby Marou
Sound of Summer
104 bpm • B Maj • 03:06 • -6.03db
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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King Calaway
Rivers
106 bpm • D Maj • 02:57 • -6.34db
21% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Daryl Braithwaite
Beautiful Feeling
104 bpm • D Maj • 03:25 • -3.49db
10% Popularity • 50% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 50% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Amy Shark
Worst Day of My Life
104 bpm • F Maj • 03:01 • -4.7db
41% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Rubens
Live In Life
104 bpm • F min • 03:35 • -4.41db
46% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Wendy Matthews
Standing Strong
103 bpm • F Maj • 04:54 • -11db
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Daryl Braithwaite
Where The Famous Came Out To Play
104 bpm • A Maj • 04:28 • -16.81db
10% Popularity • 40% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 40% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Kaylee Bell
Keith
103 bpm • A Maj • 02:51 • -4.21db
60% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Melinda Schneider
9 To 5
103 bpm • F Maj • 03:27 • -7.13db
26% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Amy Shark
Everybody Rise
103 bpm • C Maj • 03:10 • -6.8db
41% Popularity • 70% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 70% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Busby Marou
Gone
106 bpm • C# min • 03:58 • -8.02db
19% Popularity • 56% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 56% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Dragon
Still In Love With You
107 bpm • C Maj • 03:24 • -14db
39% Popularity • 88% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 88% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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The Reunion of Souls
Hey Leonardo (She Likes Me for Me)
103 bpm • D Maj • 03:32 • -10.85db
20% Popularity • 65% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 65% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Ruffo
Let's Get Lost
103 bpm • G# min • 02:58 • -5.99db
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Twinnie
Chasing
103 bpm • C# min • 03:28 • -5.53db
21% Popularity • 65% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 65% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Ian Moss
Out of the Fire
103 bpm • A# min • 04:57 • -11.88db
30% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Daryl Braithwaite
All I Do
108 bpm • D Maj • 04:06 • -10db
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Stan Walker
Choose You
102 bpm • D# Maj • 03:37 • -5db
36% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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John Farnham
Reasons
108 bpm • D Maj • 04:25 • -12.91db
36% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Vanessa Amorosi
Hello Me
108 bpm • C# min • 03:27 • -4.82db
18% Popularity • 57% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 57% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Jamie McDell
Life In Sunshine
102 bpm • D Maj • 03:32 • -5.32db
26% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Daryl Braithwaite
The World As It Is
108 bpm • C# Maj • 03:50 • -4.87db
12% Popularity • 59% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 59% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Shires
Lightning Strikes
102 bpm • C# min • 02:54 • -5.51db
32% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Southbound xo
This Is Us
102 bpm • D Maj • 03:10 • -6db
16% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Noiseworks
No Lies - 2007 Remastered
102 bpm • A Maj • 03:54 • -6.64db
24% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
24% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Andre
Gimme Little Sign
109 bpm • A# min • 03:26 • -7.72db
27% Popularity • 71% Danceability • 81% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
27% Popularity • 71% Danceability • 81% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Eves Karydas
Complicated
109 bpm • A min • 03:17 • -6.78db
36% Popularity • 84% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 84% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Twinnie
Type of Girl
109 bpm • C# min • 03:18 • -3.83db
22% Popularity • 67% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 67% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Illy
Lean On Me
101 bpm • C Maj • 03:47 • -8db
23% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
28% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
38% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
42% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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ICEHOUSE
Electric Blue
110 bpm • A# Maj • 04:23 • -4.76db
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Daryl Braithwaite
Good People
110 bpm • D Maj • 03:30 • -5.05db
8% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Vanessa Amorosi
The Simple Things (Something Emotional)
110 bpm • C Maj • 04:30 • -3.57db
16% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Busby Marou
Lucky Stars
110 bpm • D Maj • 02:46 • -5.43db
24% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Callum Beattie
Talk About Love
100 bpm • G# Maj • 03:19 • -7db
22% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
41% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Daryl Braithwaite
Higher Than Hope
110 bpm • C# Maj • 04:59 • -12db
26% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Justice Crew
Que Sera
100 bpm • G# Maj • 03:32 • -4.02db
47% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Busby Marou
Someday Comes Around
100 bpm • A Maj • 03:26 • -6.94db
11% Popularity • 65% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Hilltop Hoods
Exit Sign
100 bpm • B Maj • 03:43 • -5.74db
56% Popularity • 70% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 70% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Daryl Braithwaite
Higher Than Hope - Single Edit
110 bpm • C# Maj • 04:26 • -6.37db
8% Popularity • 66% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 66% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Ceberano
Brave
100 bpm • C Maj • 05:30 • -14.98db
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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James Johnston
RAISED LIKE THAT
111 bpm • C# Maj • 03:25 • -3.91db
51% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Shane Filan
Knee Deep In My Heart
99 bpm • A Maj • 03:06 • -6db
38% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Daryl Braithwaite
See You Smile
110 bpm • A min • 03:45 • -4.68db
8% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Farnham
Pressure Down
112 bpm • F# Maj • 03:47 • -11.08db
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Busby Marou
Paint This Land
112 bpm • D Maj • 04:34 • -7.99db
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Amy Sheppard
Nothing But Wild
112 bpm • B min • 03:10 • -2.73db
24% Popularity • 61% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 61% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Rob Thomas
One Less Day (Dying Young)
112 bpm • G Maj • 03:04 • -4.71db
48% Popularity • 61% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 61% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Nikki Webster
Strawberry Kisses 2017
112 bpm • E Maj • 03:09 • -4.54db
24% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 67% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Wilson Phillips
Hold On (Today)
98 bpm • F Maj • 04:25 • -11.54db
22% Popularity • 72% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 72% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Tina Arena
You Set Fire To My Life
112 bpm • C Maj • 04:14 • -6.8db
23% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Justice Crew
Rise & Fall
98 bpm • B Maj • 03:43 • -5db
30% Popularity • 58% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 58% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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John Farnham
No Ordinary World
98 bpm • C# Maj • 03:47 • -7.5db
18% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
