Songs like Love Theme from a Farewell to Arms' by Les Baxter
Based on a tempo of (+/- 10%) and a similar genre
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Robert Drasnin
Desiree
126 bpm • F min • 02:57 • -23db
19% Popularity • 78% Danceability • 28% Energy • 26% Liveness
77% Instrumentalness • 93% Positiveness
19% Popularity • 78% Danceability • 28% Energy • 26% Liveness
77% Instrumentalness • 93% Positiveness
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Eden Ahbez
Tradewind
126 bpm • G min • 03:01 • -18.03db
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
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Nino Nardini
Shere Khan
125 bpm • G Maj • 02:00 • -10db
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Dave Pell
Like Young - Remastered
125 bpm • C# Maj • 02:42 • -19.06db
21% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dudley Moore Trio
The Millionaire
125 bpm • A# min • 05:17 • -13.78db
28% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
28% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
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Nino Rota
Il Giardino Delle Fate
127 bpm • B Maj • 02:14 • -14.21db
10% Popularity • 40% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
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Esquivel And His Orchestra
Who's Sorry Now
125 bpm • A# Maj • 02:38 • -15.34db
8% Popularity • 64% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 64% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Eden Ahbez
Trade Wind
125 bpm • G min • 03:00 • -18.61db
11% Popularity • 63% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 48% Positiveness
11% Popularity • 63% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 48% Positiveness
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Leo Arnaud
Taboo - Remastered
127 bpm • D Maj • 04:00 • -17.69db
10% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Les Baxter
Amazon Falls
127 bpm • C Maj • 02:52 • -10.27db
8% Popularity • 37% Danceability • 44% Energy • 26% Liveness
61% Instrumentalness • 50% Positiveness
8% Popularity • 37% Danceability • 44% Energy • 26% Liveness
61% Instrumentalness • 50% Positiveness
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Robert Drasnin
Mirage
127 bpm • A min • 02:58 • -21.68db
20% Popularity • 60% Danceability • 37% Energy • 6% Liveness
91% Instrumentalness • 85% Positiveness
20% Popularity • 60% Danceability • 37% Energy • 6% Liveness
91% Instrumentalness • 85% Positiveness
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Lalo Schifrin
Bossa Antique
125 bpm • C min • 03:28 • -19.09db
11% Popularity • 65% Danceability • 14% Energy • 17% Liveness
63% Instrumentalness • 30% Positiveness
11% Popularity • 65% Danceability • 14% Energy • 17% Liveness
63% Instrumentalness • 30% Positiveness
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Hugo Montenegro & His Orchestra
A Martini Built for Two
125 bpm • C Maj • 02:22 • -21.76db
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
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Syd Dale
All Together
127 bpm • C Maj • 02:56 • -12.63db
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
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ÃŒxtahuele
Gardens of Mu
124 bpm • C Maj • 03:13 • -10.7db
14% Popularity • 55% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 55% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Bruno Nicolai
Servizio fotografico - Remastered 2022
128 bpm • E min • 01:59 • -10.69db
32% Popularity • 53% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 71% Positiveness
32% Popularity • 53% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 71% Positiveness
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Kenny Sasaki & The Tiki Boys
Bird Island
128 bpm • D min • 01:48 • -14.62db
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
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Robert Drasnin
Orinoco
128 bpm • E min • 02:19 • -21.4db
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
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Hugo Montenegro & His Orchestra
Solo's Samba
128 bpm • G Maj • 02:26 • -18.48db
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Lalo Schifrin
Room 26 - Movie
128 bpm • F min • 02:28 • -9db
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
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Berto Pisano
Free Hammond
124 bpm • F Maj • 02:51 • -18db
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Roberto Pregadio
Erika, Seq. 1
124 bpm • F Maj • 04:43 • -17db
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
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Kenny Sasaki & The Tiki Boys
At the Tiki Bar
124 bpm • C# Maj • 01:43 • -9.38db
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
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Les Baxter
Blue Jungle
124 bpm • F min • 03:16 • -13.97db
10% Popularity • 50% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
10% Popularity • 50% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Les & Larry Elgart
Willow Weep for Me
124 bpm • G# Maj • 02:19 • -21db
27% Popularity • 57% Danceability • 26% Energy • 14% Liveness
94% Instrumentalness • 74% Positiveness
27% Popularity • 57% Danceability • 26% Energy • 14% Liveness
94% Instrumentalness • 74% Positiveness
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Xavier Cugat & His Orchestra
One Mint Julep (Cha-Cha Twist)
128 bpm • D# Maj • 03:05 • -11.06db
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
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Sir Julian Gould
Movin' At Midnight - Remastered
124 bpm • A# Maj • 03:09 • -14db
19% Popularity • 61% Danceability • 33% Energy • 10% Liveness
9% Instrumentalness • 34% Positiveness
19% Popularity • 61% Danceability • 33% Energy • 10% Liveness
9% Instrumentalness • 34% Positiveness
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David Rose
Like Young - Remastered
124 bpm • F min • 03:39 • -15db
15% Popularity • 48% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 48% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Joe "Fingers" Carr
Istanbul (Not Constantinople) Part I/Ist...
124 bpm • F min • 04:11 • -14.02db
18% Popularity • 62% Danceability • 46% Energy • 8% Liveness
65% Instrumentalness • 58% Positiveness
18% Popularity • 62% Danceability • 46% Energy • 8% Liveness
65% Instrumentalness • 58% Positiveness
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Piero Umiliani
Notte di mezza estate
129 bpm • F min • 02:34 • -8.9db
11% Popularity • 45% Danceability • 45% Energy • 39% Liveness
33% Instrumentalness • 46% Positiveness
11% Popularity • 45% Danceability • 45% Energy • 39% Liveness
33% Instrumentalness • 46% Positiveness
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Esquivel And His Orchestra
Night and Day
123 bpm • D# Maj • 02:38 • -8.65db
8% Popularity • 40% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 40% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Xavier Cugat & His Orchestra
Manhattan (Cha-Cha)
128 bpm • G min • 02:21 • -12.2db
22% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
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Jackie Davis
Easy Does It
123 bpm • C# Maj • 02:41 • -15.89db
12% Popularity • 72% Danceability • 28% Energy • 8% Liveness
34% Instrumentalness • 67% Positiveness
12% Popularity • 72% Danceability • 28% Energy • 8% Liveness
34% Instrumentalness • 67% Positiveness
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Arthur Lyman
Taboo Tu
123 bpm • F Maj • 02:08 • -19.82db
33% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 72% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Martini Kings
Las Nuedas
129 bpm • D# Maj • 02:18 • -12.7db
21% Popularity • 74% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
21% Popularity • 74% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
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Enoch Light
Perhaps, Perhaps, Perhaps
123 bpm • C Maj • 02:40 • -11.04db
29% Popularity • 76% Danceability • 80% Energy • 34% Liveness
16% Instrumentalness • 76% Positiveness
29% Popularity • 76% Danceability • 80% Energy • 34% Liveness
16% Instrumentalness • 76% Positiveness
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Nino Rota
Rosa Aurata
129 bpm • G# Maj • 02:41 • -20.18db
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Xavier Cugat & His Orchestra
Brazil
124 bpm • A# Maj • 02:40 • -17db
19% Popularity • 34% Danceability • 51% Energy • 25% Liveness
84% Instrumentalness • 65% Positiveness
19% Popularity • 34% Danceability • 51% Energy • 25% Liveness
84% Instrumentalness • 65% Positiveness
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Leroy Holmes
Search For The Vulcan - Remastered
123 bpm • F# Maj • 02:52 • -12.69db
26% Popularity • 75% Danceability • 48% Energy • 24% Liveness
50% Instrumentalness • 84% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 24% Liveness
50% Instrumentalness • 84% Positiveness
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Barney Kessel
Moon River Cha Cha
130 bpm • F Maj • 02:32 • -14.05db
32% Popularity • 88% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
32% Popularity • 88% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
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George Shearing
If I Should Lose You - 1996 Digital Rema...
122 bpm • G min • 02:39 • -18.23db
24% Popularity • 66% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 66% Positiveness
24% Popularity • 66% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 66% Positiveness
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Enoch Light
Good Night Sweetheart
122 bpm • D# Maj • 02:42 • -10.65db
19% Popularity • 82% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 93% Positiveness
19% Popularity • 82% Danceability • 80% Energy • 12% Liveness
92% Instrumentalness • 93% Positiveness
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Xavier Cugat
Perfidia
122 bpm • A# Maj • 03:25 • -8.72db
19% Popularity • 48% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 65% Positiveness
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Joe Bucci Trio
Topsy - Remastered
122 bpm • F min • 02:31 • -22.79db
22% Popularity • 63% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 48% Positiveness
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Kenny Sasaki & The Tiki Boys
Erotica Exotica
130 bpm • A min • 04:30 • -8.79db
28% Popularity • 74% Danceability • 56% Energy • 8% Liveness
88% Instrumentalness • 68% Positiveness
28% Popularity • 74% Danceability • 56% Energy • 8% Liveness
88% Instrumentalness • 68% Positiveness
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Les Baxter
Love Dance
122 bpm • F Maj • 02:19 • -17.95db
13% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 28% Positiveness
13% Popularity • 31% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 28% Positiveness
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Shay Torrent
Flying Fiddles - Remastered
130 bpm • G Maj • 01:55 • -11.27db
9% Popularity • 52% Danceability • 56% Energy • 38% Liveness
6% Instrumentalness • 76% Positiveness
9% Popularity • 52% Danceability • 56% Energy • 38% Liveness
6% Instrumentalness • 76% Positiveness
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Esquivel And His Orchestra
My Blue Heaven
130 bpm • C Maj • 02:56 • -12.02db
10% Popularity • 62% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 62% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Elmer Bernstein
Staccato's Theme
122 bpm • A# min • 02:56 • -10.29db
10% Popularity • 40% Danceability • 46% Energy • 18% Liveness
36% Instrumentalness • 47% Positiveness
10% Popularity • 40% Danceability • 46% Energy • 18% Liveness
36% Instrumentalness • 47% Positiveness
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Combustible Edison
Intermission
122 bpm • C min • 03:56 • -10.34db
14% Popularity • 66% Danceability • 45% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
14% Popularity • 66% Danceability • 45% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
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Roberto Pregadio
Erika, Seq. 3
122 bpm • A min • 03:07 • -23.21db
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
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Les Baxter
Mozambique - Remastered
122 bpm • F min • 04:09 • -13.58db
14% Popularity • 63% Danceability • 39% Energy • 10% Liveness
39% Instrumentalness • 41% Positiveness
14% Popularity • 63% Danceability • 39% Energy • 10% Liveness
39% Instrumentalness • 41% Positiveness
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Robert Drasnin
Enchantment
122 bpm • G Maj • 02:45 • -21.63db
30% Popularity • 72% Danceability • 20% Energy • 9% Liveness
74% Instrumentalness • 87% Positiveness
30% Popularity • 72% Danceability • 20% Energy • 9% Liveness
74% Instrumentalness • 87% Positiveness
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Eden Ahbez
Banana Boy
131 bpm • F Maj • 02:50 • -15db
20% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Surfmen
Bamboo
131 bpm • C min • 02:40 • -18.01db
12% Popularity • 49% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
12% Popularity • 49% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
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Dave Pike
Sunny
131 bpm • F Maj • 03:20 • -9.04db
27% Popularity • 78% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 78% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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The Out Islanders
Moon Mist - Digitally Remastered 1996
121 bpm • G min • 03:06 • -16db
24% Popularity • 25% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 10% Positiveness
24% Popularity • 25% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 10% Positiveness
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Les Baxter
Acapulco - Remastered
122 bpm • A min • 03:41 • -19.39db
17% Popularity • 41% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 46% Positiveness
17% Popularity • 41% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 46% Positiveness
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Don Baker
The Third Man Theme - Remastered
131 bpm • C# Maj • 02:05 • -18.03db
14% Popularity • 67% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
14% Popularity • 67% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 54% Positiveness
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Gordon Rees
Soft Lights and Music
131 bpm • A min • 02:20 • -13.84db
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Billy May & His Orchestra
Hernando's Hideaway
121 bpm • C Maj • 02:17 • -8db
35% Popularity • 74% Danceability • 38% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
35% Popularity • 74% Danceability • 38% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Dominic Frontiere & His Orchestra
Jaguar God (Balam)
131 bpm • F Maj • 03:11 • -17.04db
10% Popularity • 55% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
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Tak Shindo
Safari to Kenya
121 bpm • F Maj • 02:21 • -19.02db
11% Popularity • 58% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 65% Positiveness
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Les Baxter
Maracaibo
131 bpm • F min • 02:54 • -9.39db
13% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Don Ralke
Head Hunter
121 bpm • A# Maj • 03:03 • -26.71db
24% Popularity • 59% Danceability • 66% Energy • 5% Liveness
48% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 66% Energy • 5% Liveness
48% Instrumentalness • 40% Positiveness
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Dorothy Ashby
Theme From "Valley Of The Dolls"
132 bpm • D# Maj • 03:33 • -15db
38% Popularity • 61% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
38% Popularity • 61% Danceability • 38% Energy • 14% Liveness
86% Instrumentalness • 70% Positiveness
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Syd Dale
Alone at Last
120 bpm • F# Maj • 02:32 • -11.27db
33% Popularity • 48% Danceability • 50% Energy • 40% Liveness
93% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 50% Energy • 40% Liveness
93% Instrumentalness • 27% Positiveness
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Jackie Davis
'Round Midnight
120 bpm • G min • 03:17 • -21.65db
9% Popularity • 39% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
9% Popularity • 39% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Martini Kings
The Girl from Ipanema
132 bpm • F Maj • 04:01 • -16.23db
8% Popularity • 68% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
8% Popularity • 68% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Dean Elliott And His Big Band
You're The Top - Remastered
120 bpm • A min • 02:36 • -13.28db
12% Popularity • 71% Danceability • 26% Energy • 4% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 71% Danceability • 26% Energy • 4% Liveness
2% Instrumentalness • 37% Positiveness
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Alfred Newman
Inez' Theme
120 bpm • A Maj • 01:31 • -23.56db
15% Popularity • 60% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
15% Popularity • 60% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Warren Barker Orchestra
Caper At the Coffee House
132 bpm • D min • 02:10 • -16.18db
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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The Tikiyaki Orchestra
Return to Orchid Isle
120 bpm • C Maj • 03:24 • -10.37db
19% Popularity • 69% Danceability • 68% Energy • 6% Liveness
86% Instrumentalness • 73% Positiveness
19% Popularity • 69% Danceability • 68% Energy • 6% Liveness
86% Instrumentalness • 73% Positiveness
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Les Baxter
Coffee Bean / Calabash Annie
132 bpm • F Maj • 02:15 • -15.15db
30% Popularity • 59% Danceability • 50% Energy • 11% Liveness
43% Instrumentalness • 95% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 11% Liveness
43% Instrumentalness • 95% Positiveness
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Cy Coleman
Playboy's Theme - Remastered
120 bpm • F min • 02:50 • -15.5db
23% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Kenny Sasaki & The Tiki Boys
Tiki Diva
120 bpm • F# min • 04:54 • -11.7db
27% Popularity • 72% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 67% Positiveness
27% Popularity • 72% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 67% Positiveness
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Enoch Light & The Light Brigade
Lover's Concerto
132 bpm • C Maj • 02:56 • -17.56db
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
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Martini Kings
Return to Moorea
133 bpm • G# Maj • 03:14 • -11db
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
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Les Baxter
Bird of Paradise
120 bpm • F Maj • 02:59 • -20.37db
19% Popularity • 29% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
19% Popularity • 29% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
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Sandro Brugnolini
Silvana
119 bpm • G min • 03:53 • -17db
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Jack Fascinato
Aba Da Aba Du
119 bpm • D min • 02:21 • -7db
13% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Piero Umiliani
Le isole dell'amore
119 bpm • D# Maj • 02:29 • -11.12db
15% Popularity • 27% Danceability • 32% Energy • 22% Liveness
85% Instrumentalness • 46% Positiveness
15% Popularity • 27% Danceability • 32% Energy • 22% Liveness
85% Instrumentalness • 46% Positiveness
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Arthur Lyman
Yellow Bird
119 bpm • D Maj • 02:43 • -26db
42% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
42% Popularity • 55% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Nino Nardini
Tropical Call
119 bpm • D# Maj • 02:35 • -12.64db
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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John Buzon Trio
Squatty Roo - Remastered
133 bpm • D Maj • 02:05 • -15db
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
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Warren Barker Orchestra
77 Sunset Strip Cha Cha
119 bpm • C Maj • 02:06 • -10db
26% Popularity • 85% Danceability • 67% Energy • 14% Liveness
82% Instrumentalness • 96% Positiveness
26% Popularity • 85% Danceability • 67% Energy • 14% Liveness
82% Instrumentalness • 96% Positiveness
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Tito Rodriguez & His Orchestra
Theme from 'the Apartment'
119 bpm • D min • 02:27 • -14db
30% Popularity • 89% Danceability • 40% Energy • 8% Liveness
25% Instrumentalness • 73% Positiveness
30% Popularity • 89% Danceability • 40% Energy • 8% Liveness
25% Instrumentalness • 73% Positiveness
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Piero Umiliani
Luna d'agosto - Con clavicembalo
119 bpm • C# Maj • 02:36 • -17.84db
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Hugo Montenegro & His Orchestra
Goldfinger
119 bpm • F Maj • 01:55 • -5.68db
15% Popularity • 45% Danceability • 60% Energy • 8% Liveness
77% Instrumentalness • 55% Positiveness
15% Popularity • 45% Danceability • 60% Energy • 8% Liveness
77% Instrumentalness • 55% Positiveness
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Johnny Pearson
Exotica
134 bpm • D min • 02:44 • -15.18db
13% Popularity • 66% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 69% Positiveness
13% Popularity • 66% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 69% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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ÃŒxtahuele
Mohidji Lullaby
119 bpm • D min • 03:38 • -8.23db
9% Popularity • 68% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 53% Positiveness
9% Popularity • 68% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 53% Positiveness
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Alain Goraguer
Sur la plage
134 bpm • E min • 03:19 • -18.37db
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Piero Umiliani
Tema Dell'addio
119 bpm • F min • 02:32 • -19.32db
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
20% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
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Les Baxter
Acapulco
118 bpm • A min • 03:42 • -14.91db
14% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Alain Romans
Pianissimo - Les vacances de M. Hulot
118 bpm • D# Maj • 01:20 • -21.74db
19% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
19% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
