Songs like Love You From a Distance by Ashley Kutcher
Based on a tempo of (+/- 10%) and a similar genre
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Taylor Edwards
Call Your Sister
149 bpm • A# Maj • 03:00 • -6.97db
47% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jenna Raine
Fade Away
150 bpm • A Maj • 02:58 • -8.71db
30% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
36% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sadie Jean
Simple Like 17
150 bpm • C Maj • 03:19 • -9.14db
50% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Mimi Webb
Before I Go
150 bpm • F# Maj • 03:07 • -5.23db
54% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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BLÜ EYES
you'd never know
150 bpm • G# Maj • 03:05 • -9.7db
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Devon Gabriella
older
150 bpm • A Maj • 02:37 • -14.57db
39% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lauren Weintraub
Before We Knew Too Much
150 bpm • D# Maj • 03:17 • -6.28db
20% Popularity • 56% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 56% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Grey Zeigler
Back To You
150 bpm • C Maj • 03:12 • -8.21db
23% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ashley Kutcher
Alone With Somebody Else
150 bpm • A# Maj • 02:26 • -7.51db
36% Popularity • 49% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 49% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Devon Gabriella
The Way That I See You
150 bpm • C# Maj • 02:43 • -7.17db
29% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Kays
Bored
148 bpm • A# Maj • 02:46 • -7.33db
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Lauren Weintraub
She's Mine
150 bpm • C Maj • 02:58 • -5.54db
40% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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JESSIA
Be Here Now
150 bpm • G# Maj • 02:33 • -11db
36% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Cat Burns
sleep at night
148 bpm • B Maj • 02:33 • -7.32db
51% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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BLÜ EYES
healing hurts
148 bpm • G# Maj • 02:56 • -7db
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Haley Joelle
Maid of Honor
147 bpm • C Maj • 02:51 • -8.22db
33% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Weintraub
Me Over You
148 bpm • A# Maj • 03:44 • -5db
27% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Grey Zeigler
cigarettes in the morning
150 bpm • A# min • 02:46 • -7.37db
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Camylio
unwanted
147 bpm • C# Maj • 02:38 • -10.06db
50% Popularity • 45% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 45% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Clendening
If I'm Being Honest
147 bpm • B Maj • 02:36 • -7db
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jessie Murph
About You
151 bpm • G Maj • 02:40 • -5db
57% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Bellah Mae
Drama King
151 bpm • C Maj • 02:37 • -4.25db
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Andi
Never Dated You
151 bpm • B Maj • 02:01 • -6db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Lillian Hepler
Strangers
147 bpm • A min • 02:55 • -10db
38% Popularity • 44% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 44% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley Kutcher
Die In Your Arms
146 bpm • C Maj • 03:47 • -7.65db
40% Popularity • 36% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Jessie Murph
How Could You
147 bpm • B Maj • 03:07 • -11db
70% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Grae
Love I've Been Jealous Of
146 bpm • G Maj • 02:49 • -7.58db
59% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Weintraub
She's Mine (Acoustic)
152 bpm • C Maj • 03:09 • -9db
19% Popularity • 48% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 48% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Jade LeMac
Car Accident
152 bpm • C min • 03:33 • -4.16db
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Haley Joelle
The Boy From Class
146 bpm • A# Maj • 02:07 • -14.06db
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Georgia Webster
First Goodbye
146 bpm • D# Maj • 03:52 • -4.99db
28% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cate
Stupid
152 bpm • C min • 02:48 • -5.26db
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Kenzie Cait
the worst part
146 bpm • C min • 03:42 • -6.37db
34% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Brady
When I Look at You
145 bpm • C# Maj • 03:55 • -8.05db
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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ROSIE
Someone You Once Had
153 bpm • C# Maj • 03:12 • -6.15db
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jessie Murph
When I'm Not Around
145 bpm • D# min • 03:21 • -11.03db
56% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Avery Anna
Two Sides Of The Story
145 bpm • B Maj • 02:48 • -6.95db
41% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Warren
Headlights
145 bpm • C# Maj • 02:53 • -7db
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Hanniou
too good to be true
154 bpm • C# Maj • 03:04 • -11db
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jenna Raine
Crickets
154 bpm • D Maj • 02:51 • -7.63db
32% Popularity • 54% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Jillian Rossi
NFL
144 bpm • A Maj • 02:52 • -6.29db
37% Popularity • 53% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
37% Popularity • 53% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
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Jade LeMac
Let Me
154 bpm • C# min • 03:23 • -7db
39% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lauren Weintraub
Not Like I’m In Love With You
154 bpm • B Maj • 03:05 • -6db
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Warren
Headlights - Acoustic
144 bpm • C# Maj • 02:53 • -7.99db
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
51% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andi
Crazier Best Friend
154 bpm • A# Maj • 02:51 • -5.47db
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Rachel Grae
Friend Like Me
154 bpm • F# Maj • 02:32 • -5.82db
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Conrique
Gatekeeper
144 bpm • D Maj • 03:26 • -6.8db
36% Popularity • 54% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 54% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Alex Warren
Change Your Mind
144 bpm • D# min • 02:54 • -6.78db
60% Popularity • 41% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 41% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Avery Anna
Narcissist - Piano Version
144 bpm • C# Maj • 02:33 • -8db
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Mimi Webb
Lonely In Love
143 bpm • A# Maj • 03:06 • -5db
43% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Warren
Give You Love
155 bpm • C# Maj • 03:03 • -4.09db
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jessie Murph
While You're At It
142 bpm • G Maj • 02:07 • -7db
68% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
68% Popularity • 63% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Avery Anna
Worst In Me
156 bpm • D Maj • 02:29 • -6.36db
42% Popularity • 43% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 43% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Camylio
foolish
142 bpm • C Maj • 03:00 • -8.54db
42% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Haley Joelle
Something To Do
157 bpm • E Maj • 03:13 • -9.12db
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Bellah Mae
Feels Like You Died
141 bpm • F# Maj • 03:38 • -6.23db
35% Popularity • 37% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 37% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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ROSIE
Idk you at all
141 bpm • C Maj • 02:41 • -13db
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Dylan Conrique
last one to love me (sped up)
158 bpm • G# Maj • 01:58 • -5.93db
21% Popularity • 53% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 53% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Day
Come Home
158 bpm • E Maj • 03:18 • -6.98db
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Rosie Darling
Lost On You
140 bpm • D Maj • 02:14 • -8.69db
45% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Haley Joelle
DNA
141 bpm • D Maj • 02:39 • -8.77db
37% Popularity • 51% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 51% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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JESSIA
Care About Me
140 bpm • E Maj • 02:45 • -5.05db
59% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 13% Positiveness
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Devon Gabriella
afraid of heights
140 bpm • A# Maj • 02:34 • -15.06db
37% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
28% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Britton
do you even miss me at all?
140 bpm • F min • 04:12 • -8.5db
35% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Avery Anna
Self Love
140 bpm • D Maj • 02:51 • -5db
49% Popularity • 65% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 65% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Brynn Cartelli
Gemini
140 bpm • C Maj • 03:11 • -5.52db
34% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sofia Camara
Never Be Yours - Acoustic Version
140 bpm • C# Maj • 03:50 • -5.48db
33% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Britton
Happy Being Me
140 bpm • F Maj • 03:03 • -11db
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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ken xox
ruthless
159 bpm • A# Maj • 03:06 • -9.34db
21% Popularity • 39% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 39% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Liv Harland
What a Lie
160 bpm • E Maj • 03:39 • -6.62db
41% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Britton
To My Younger Self
139 bpm • G# min • 02:52 • -10.38db
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 63% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Bellah Mae
Boyfriend Of The Year
159 bpm • C# Maj • 03:05 • -5db
49% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
