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Love You The Most
Songs like
Love You The Most
by
Lloyd Clarke
Based on a tempo of (+/- 10%) and a similar genre
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Lloyd Clarke
Most Love
131 bpm • C# Maj • 02:33 • -5.71db
0% Popularity • 54% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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The Hippy Boys
Moon Walk
131 bpm • C Maj • 03:35 • -15.47db
14% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
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Desmond Dekker & The Four Aces
Soldering
132 bpm • C# Maj • 02:32 • -8.35db
11% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Charmers
Soul Of England
130 bpm • C Maj • 02:32 • -8.83db
11% Popularity • 74% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Niney & Slim Smith (feat. The Destroyers)
No Money, No Honey/ Nevada Joe
132 bpm • E Maj • 05:39 • -8.3db
7% Popularity • 74% Danceability • 68% Energy • 10% Liveness
62% Instrumentalness • 90% Positiveness
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Lloyd Clarke
Love You The Most
131 bpm • C# Maj • 02:37 • -10.82db
5% Popularity • 52% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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Roy & Yvonne
Two Roads
132 bpm • G# Maj • 02:22 • -8.72db
9% Popularity • 88% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Winston Francis
Honey Don't Go
130 bpm • F# min • 02:08 • -9.45db
7% Popularity • 85% Danceability • 58% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Owen Gray
Please Let Me Go
132 bpm • D Maj • 02:47 • -2.4db
7% Popularity • 50% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Clarke
Love You the Most
130 bpm • C# Maj • 02:35 • -10.47db
1% Popularity • 54% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Lord Creator
Man To Man
130 bpm • A# Maj • 02:28 • -13db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Baba Brooks
River Bank, Pt. 2
130 bpm • C Maj • 02:55 • -8.49db
13% Popularity • 88% Danceability • 56% Energy • 26% Liveness
66% Instrumentalness • 82% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
26% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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Dandy
Raining in My Heart
133 bpm • G min • 03:20 • -8.72db
14% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
36% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Kingstonians
Nice Nice
133 bpm • C Maj • 02:45 • -11.06db
17% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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The Aggro Band
Sweet Like Candy
133 bpm • C# Maj • 03:42 • -10db
3% Popularity • 76% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Don Drummond & The Skatalites
Rain Or Shine
129 bpm • D# min • 04:16 • -7.69db
9% Popularity • 71% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
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Owen Gray
Running Around
134 bpm • A# Maj • 02:11 • -4.94db
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Lord Creator
I'm Wasting Time
134 bpm • G# Maj • 02:34 • -13db
12% Popularity • 69% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Movers
Jo Ann
134 bpm • F Maj • 02:12 • -10.99db
8% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Lord Tanamo
You Belong to My Heart
128 bpm • D# Maj • 02:24 • -10.38db
26% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Count Sticky
Dry Acid
128 bpm • G# min • 02:54 • -11.35db
16% Popularity • 91% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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The Crashers
Hurry Come Up
128 bpm • F# Maj • 02:15 • -6.34db
11% Popularity • 91% Danceability • 60% Energy • 6% Liveness
58% Instrumentalness • 98% Positiveness
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Don Drummond
Don Cosmic
128 bpm • F Maj • 02:32 • -10.66db
23% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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Harry J Allstars
Spyrone
134 bpm • A# min • 02:12 • -9.61db
14% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
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The Upsetters
A Live Injection
134 bpm • A Maj • 03:30 • -7.73db
16% Popularity • 57% Danceability • 79% Energy • 36% Liveness
90% Instrumentalness • 82% Positiveness
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Lord Tanamo
If You Were Mine
128 bpm • G Maj • 03:00 • -8.13db
12% Popularity • 66% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Keith Lyn & Ken Lazarus
I Don't Love You Anymore
128 bpm • G Maj • 02:04 • -2.33db
8% Popularity • 78% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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The Blues Busters
Donna
135 bpm • G Maj • 01:49 • -9.47db
23% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Lord Creator
Wicked Lady
128 bpm • C Maj • 02:37 • -12.24db
9% Popularity • 85% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Harry J Allstars
Jay Moonwalk
135 bpm • B Maj • 02:56 • -11.09db
10% Popularity • 92% Danceability • 57% Energy • 33% Liveness
15% Instrumentalness • 94% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
15% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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Baba Brooks
Night Food
127 bpm • C Maj • 02:47 • -8.09db
13% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Freddie Notes
Shanghai
127 bpm • D# Maj • 02:37 • -7.24db
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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Baba Brooks & His Band
One Eyed Giant
127 bpm • A min • 03:07 • -5.66db
13% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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Lloyd Clarke
Oh What a Love
135 bpm • D# Maj • 02:17 • -9.02db
0% Popularity • 66% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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The Ethiopians
Woman a Capture Man
127 bpm • C Maj • 02:22 • -5.84db
13% Popularity • 84% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Don Drummond
That Man Is Back
127 bpm • A min • 01:52 • -9.57db
7% Popularity • 72% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 85% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Millie
Honey Hush
126 bpm • C# Maj • 02:46 • -7.63db
9% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Des All Stars
Night Food Reggae
136 bpm • C Maj • 02:40 • -6.33db
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
13% Instrumentalness • 90% Positiveness
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The Blues Busters
There's Always Sunshine
126 bpm • A Maj • 02:43 • -12db
19% Popularity • 53% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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The Ethiopians
Woman Capture Man
127 bpm • C Maj • 02:24 • -6.49db
21% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
18% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 02:56 • -14.73db
10% Popularity • 80% Danceability • 43% Energy • 38% Liveness
3% Instrumentalness • 96% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Dobby Dobson
Cry A Little Cry
126 bpm • C Maj • 03:18 • -11.48db
8% Popularity • 74% Danceability • 48% Energy • 60% Liveness
6% Instrumentalness • 98% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Riots
Yeah Yeah
126 bpm • A# Maj • 02:19 • -6.22db
10% Popularity • 86% Danceability • 92% Energy • 14% Liveness
78% Instrumentalness • 66% Positiveness
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Roland Alphonso
Rude Boy
126 bpm • C min • 02:48 • -10.1db
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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Lord Creator
Don't Stay Out Late
126 bpm • D# Maj • 02:43 • -10.58db
15% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 03:17 • -12.55db
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Val Bennett
Serious Joke
137 bpm • C Maj • 02:24 • -8.03db
8% Popularity • 78% Danceability • 60% Energy • 25% Liveness
72% Instrumentalness • 98% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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Lyn Taitt
Skalarama (The Magnificent Seven Theme)
126 bpm • F Maj • 02:52 • -6.64db
14% Popularity • 87% Danceability • 74% Energy • 7% Liveness
57% Instrumentalness • 99% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
11% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Lloyd Clarke
Fool's Day
125 bpm • C# Maj • 02:24 • -11.49db
4% Popularity • 62% Danceability • 48% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
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Owen Gray
Darling Patricia
125 bpm • D# Maj • 02:50 • -3.53db
7% Popularity • 70% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Reggae Boys
What Is This (Ba Ba)
125 bpm • C# Maj • 02:39 • -11.18db
13% Popularity • 95% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 98% Positiveness
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Lord Creator
Evening News
125 bpm • C Maj • 02:31 • -9.75db
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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The Sound Dimension
Jamaica Underground
138 bpm • C Maj • 03:15 • -8.98db
13% Popularity • 89% Danceability • 71% Energy • 9% Liveness
69% Instrumentalness • 97% Positiveness
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Frank Cosmo
Lollipop I'm in Love (Take 1)
124 bpm • F Maj • 03:05 • -8.19db
3% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Lloyd Clarke
Parapinto Boogie
125 bpm • C Maj • 02:43 • -9.41db
2% Popularity • 68% Danceability • 49% Energy • 15% Liveness
27% Instrumentalness • 87% Positiveness
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Hortense Ellis
Midnight Train (Take 1)
124 bpm • G# Maj • 02:26 • -10.2db
8% Popularity • 71% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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The Silvertones
True Confession
124 bpm • G Maj • 02:41 • -5.02db
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Lord Brynner
Congo War
124 bpm • G# Maj • 02:53 • -13.36db
7% Popularity • 90% Danceability • 37% Energy • 3% Liveness
1% Instrumentalness • 74% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Don Cornell
Let's Start Again
124 bpm • A Maj • 02:59 • -7.08db
19% Popularity • 83% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lloyd Clarke
I Love You Most of All
138 bpm • D# Maj • 02:22 • -8.06db
1% Popularity • 59% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Clancy Eccles
Dance Beat
139 bpm • G# Maj • 03:09 • -12.22db
14% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Blues Busters
Wings Of A Dove
123 bpm • G# Maj • 02:40 • -11.71db
25% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Kingstonians
I'll Be Around
139 bpm • E Maj • 02:26 • -10.37db
13% Popularity • 68% Danceability • 55% Energy • 16% Liveness
5% Instrumentalness • 97% Positiveness
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The Tennors
Baff Boom
123 bpm • C Maj • 03:02 • -11.16db
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dandy
Reggae in Your Jeggae
139 bpm • D min • 02:57 • -7.41db
28% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Lloyd Clarke
Fool's Day
125 bpm • C# Maj • 02:22 • -6.49db
1% Popularity • 68% Danceability • 65% Energy • 15% Liveness
4% Instrumentalness • 68% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
22% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Harry J Allstars
Jack the Ripper
140 bpm • B min • 03:32 • -10.17db
15% Popularity • 72% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
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Baba Brooks & His Band
Guns Fever
123 bpm • F Maj • 02:53 • -5.21db
21% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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The Viceroys
Work It
140 bpm • G Maj • 01:59 • -10.68db
11% Popularity • 86% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Lloyd Clarke
Girl´s Rush
125 bpm • F Maj • 02:36 • -3.69db
1% Popularity • 61% Danceability • 50% Energy • 29% Liveness
87% Instrumentalness • 96% Positiveness
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Boy Friday
Version Girl
123 bpm • A Maj • 03:03 • -8.47db
18% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd Charmers
In the Spirit
140 bpm • B min • 02:48 • -10.35db
17% Popularity • 76% Danceability • 68% Energy • 16% Liveness
93% Instrumentalness • 94% Positiveness
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The Gaylads
River Jordan
123 bpm • F Maj • 02:05 • -7.07db
9% Popularity • 77% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Baba Brooks & His Band
Faberge
123 bpm • F Maj • 02:52 • -11.87db
12% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Cuttings
Duck Soup
140 bpm • C min • 02:32 • -5.33db
14% Popularity • 86% Danceability • 81% Energy • 28% Liveness
9% Instrumentalness • 95% Positiveness
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Lloyd Clarke
You're a Cheat
123 bpm • E Maj • 02:22 • -11.22db
1% Popularity • 67% Danceability • 70% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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King Stitt
Oh Yeah
122 bpm • F Maj • 02:48 • -12.34db
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Owen Gray
Next Door Neighbour
123 bpm • C min • 02:28 • -10.15db
14% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Rico
Jumping the Gun
140 bpm • F# Maj • 03:15 • -14.9db
14% Popularity • 74% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Love You The Most