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Lovely - Bonus Track
Songs like
Lovely - Bonus Track
by
Twenty One Pilots
Based on a tempo of (+/- 10%) and a similar genre
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Little Sea
Kiss Kiss Bang Bang
120 bpm • B min • 03:20 • -3db
10% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Twenty One Pilots
We Don't Believe What's on TV
120 bpm • A Maj • 02:57 • -4.02db
65% Popularity • 55% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The LaFontaines
All She Knows
120 bpm • D# Maj • 03:33 • -4db
15% Popularity • 62% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Tom Law
Never Met You
120 bpm • G Maj • 03:01 • -7db
22% Popularity • 97% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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The Midnight Beast
Sextape
120 bpm • C Maj • 02:58 • -8db
14% Popularity • 76% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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4 Minutes Later
Can You Feel My Bones
120 bpm • A# min • 03:08 • -6db
15% Popularity • 86% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Gerard Way
No Shows
120 bpm • C# min • 04:12 • -4.36db
41% Popularity • 52% Danceability • 96% Energy • 42% Liveness
28% Instrumentalness • 68% Positiveness
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Twenty One Pilots
Message Man
120 bpm • D min • 04:00 • -6.08db
64% Popularity • 72% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Anarbor
Freaking Out!
120 bpm • F min • 03:29 • -4db
29% Popularity • 65% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Artist Vs Poet
Unbreakable
120 bpm • F min • 04:32 • -6.24db
21% Popularity • 73% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The Midnight Beast
Better Than Sex
120 bpm • B min • 02:33 • -4db
27% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Patrick Stump
Love, Selfish Love
120 bpm • D Maj • 03:53 • -5db
29% Popularity • 68% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Gerard Way
Baby You're a Haunted House
120 bpm • C# Maj • 02:46 • -3.28db
53% Popularity • 48% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Twenty One Pilots
Fall Away
120 bpm • F Maj • 03:02 • -5.18db
62% Popularity • 82% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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A Summer High
Pretty Little Liar
120 bpm • F# Maj • 02:54 • -4db
19% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The LaFontaines
Paper Chase
120 bpm • G# Maj • 03:08 • -3.86db
16% Popularity • 60% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Paramore
Hard Times
120 bpm • F min • 03:02 • -5.38db
74% Popularity • 70% Danceability • 82% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Stump
As Long As I Know I'm Getting Paid
120 bpm • C Maj • 03:42 • -4.17db
24% Popularity • 64% Danceability • 97% Energy • 84% Liveness
0% Instrumentalness • 53% Positiveness
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Saint Motel
Getaway
120 bpm • G# Maj • 03:01 • -4.7db
47% Popularity • 69% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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lovelytheband
don't worry, you will
120 bpm • A min • 03:17 • -4db
45% Popularity • 75% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Jessarae
Fishbowl
120 bpm • F# Maj • 03:09 • -3.84db
12% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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SIAMES
No Honey
120 bpm • A min • 04:04 • -7.52db
36% Popularity • 57% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 21% Positiveness
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Twenty One Pilots
Tear in My Heart
120 bpm • D Maj • 03:08 • -4.8db
76% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Vesperteen
It Will Never Be Enough
120 bpm • C Maj • 03:23 • -7db
13% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Close
Maestro
120 bpm • A Maj • 03:15 • -11db
14% Popularity • 60% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Choke
120 bpm • E min • 03:15 • -3.91db
70% Popularity • 52% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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The Cab
That '70s Song
119 bpm • A min • 03:33 • -2db
34% Popularity • 52% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 60% Positiveness
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Twenty One Pilots
Truce
120 bpm • G Maj • 02:22 • -14.41db
59% Popularity • 54% Danceability • 2% Energy • 15% Liveness
5% Instrumentalness • 34% Positiveness
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fun.
I Wanna Be The One
119 bpm • C Maj • 03:36 • -4.79db
39% Popularity • 77% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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The Brobecks
All Of The Drugs
122 bpm • G Maj • 01:59 • -18.66db
42% Popularity • 73% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Anarbor
I Don't Love You Anymore
122 bpm • C# Maj • 03:14 • -3.02db
27% Popularity • 56% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Sugar Pills
122 bpm • A# min • 03:07 • -4.46db
52% Popularity • 63% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Bo Burnham
Words, Words, Words (Studio)
122 bpm • B min • 04:00 • -4.72db
55% Popularity • 84% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Declan McKenna
The Kids Don't Wanna Come Home - Single ...
122 bpm • G Maj • 04:20 • -5.67db
38% Popularity • 52% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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fun.
At Least I'm Not As Sad (As I Used To Be...
119 bpm • D Maj • 04:06 • -5.3db
38% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Beach Weather
Bad Seed
118 bpm • E min • 03:31 • -5.96db
37% Popularity • 76% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Gerard Way
Happy Together
122 bpm • G Maj • 02:59 • -4.08db
55% Popularity • 62% Danceability • 82% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Ricky Montgomery
Get Used to It
122 bpm • A Maj • 03:55 • -5.68db
53% Popularity • 71% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Twenty One Pilots
Never Take It
118 bpm • A Maj • 03:32 • -5.72db
57% Popularity • 75% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Declan McKenna
The Kids Don't Wanna Come Home
122 bpm • G Maj • 05:16 • -7.41db
47% Popularity • 56% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The LaFontaines
Pull Me Back
123 bpm • C# min • 04:26 • -6.83db
11% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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fun.
Out on the Town - Bonus Track
121 bpm • E Maj • 04:21 • -7db
34% Popularity • 49% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Saint Motel
You're Nobody Till Somebody Wants You De...
117 bpm • G Maj • 03:42 • -6.33db
44% Popularity • 69% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Anarbor
Rock To My Roll
123 bpm • D# Maj • 02:47 • -3.96db
35% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Justice
Neverender
117 bpm • F# min • 04:26 • -10.01db
60% Popularity • 56% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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YUNGBLUD
King Charles
117 bpm • G Maj • 02:44 • -3.59db
11% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Saint Raymond
Bonfires
117 bpm • G# Maj • 03:40 • -7.11db
24% Popularity • 56% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Chapel
Cindy White
124 bpm • A# Maj • 03:01 • -5.25db
16% Popularity • 46% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Forever The Sickest Kids
Kick It!
117 bpm • C Maj • 03:37 • -3.95db
17% Popularity • 43% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Midnight Beast
Everybody Loves You (When You're Dead)
124 bpm • E Maj • 03:03 • -4.41db
17% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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lovelytheband
i like the way
124 bpm • G Maj • 03:00 • -6db
37% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Canary Swing
Second Star to the Right
124 bpm • B Maj • 04:24 • -4.96db
12% Popularity • 68% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Thirty Seconds To Mars
Up In The Air
124 bpm • B min • 04:35 • -4db
55% Popularity • 48% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Absinthe
124 bpm • A min • 03:03 • -4.94db
60% Popularity • 61% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Cemetery Sun
Sleeping It Off
116 bpm • B min • 03:43 • -3.35db
25% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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YUNGBLUD
cotton candy
124 bpm • A Maj • 02:47 • -3db
55% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Gerard Way
Getting Down the Germs
116 bpm • C Maj • 04:50 • -5.55db
33% Popularity • 72% Danceability • 74% Energy • 7% Liveness
31% Instrumentalness • 88% Positiveness
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Fly Away Hero
Storm on the Sea
116 bpm • E Maj • 03:41 • -9.03db
16% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Pegasus Bridge
While We're Young
125 bpm • G min • 03:11 • -4db
20% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Ashton Irwin
Perfect Lie
116 bpm • A Maj • 04:14 • -9db
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Twenty One Pilots
March To The Sea
125 bpm • G Maj • 05:31 • -10.15db
53% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Fort Hope
Tears
125 bpm • A# min • 02:52 • -7.17db
12% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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BØRNS
Fool
125 bpm • B min • 03:38 • -5db
50% Popularity • 68% Danceability • 80% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Anarbor
Dopamine
125 bpm • A# min • 03:01 • -4db
37% Popularity • 62% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
SATANIC PANIC
125 bpm • F Maj • 03:06 • -2.31db
50% Popularity • 57% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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More Amor
Beach Bones
125 bpm • F# min • 03:25 • -5.47db
36% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Ricky Montgomery
Dont Know How
125 bpm • C# Maj • 03:03 • -5db
49% Popularity • 65% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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Hey Violet
Can’t Take Back The Bullet
125 bpm • B min • 02:52 • -7db
25% Popularity • 69% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Declan McKenna
Humongous
115 bpm • A min • 05:21 • -7.36db
49% Popularity • 35% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Gerard Way
Zero Zero
125 bpm • A Maj • 02:49 • -4.09db
38% Popularity • 42% Danceability • 100% Energy • 25% Liveness
6% Instrumentalness • 25% Positiveness
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Twenty One Pilots
Fake You Out
115 bpm • F# Maj • 03:51 • -6.18db
63% Popularity • 84% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Paramore
Rose-Colored Boy
115 bpm • F Maj • 03:32 • -4.9db
65% Popularity • 77% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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BANNERS
Into The Storm
115 bpm • A Maj • 03:40 • -4db
41% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Never Shout Never
Red Balloon
115 bpm • A Maj • 03:30 • -4.54db
28% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Bo Burnham
30
115 bpm • G min • 02:34 • -6.58db
53% Popularity • 81% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Nekokat
I Believe in What You Are
115 bpm • F Maj • 03:18 • -4.47db
12% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Twenty One Pilots
Not Today
115 bpm • D Maj • 03:58 • -4.71db
61% Popularity • 77% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Declan McKenna
Why Do You Feel So Down
115 bpm • G Maj • 03:40 • -5.85db
62% Popularity • 56% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Of Monsters and Men
Human
126 bpm • E min • 03:57 • -5.41db
52% Popularity • 52% Danceability • 73% Energy • 16% Liveness
57% Instrumentalness • 18% Positiveness
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My Chemical Romance
The Only Hope for Me Is You
126 bpm • F# Maj • 04:32 • -4.13db
53% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Larkins
Hit and Run - Demo
126 bpm • C# min • 03:12 • -4.08db
20% Popularity • 69% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Twenty One Pilots
Fairly Local
115 bpm • F# min • 03:27 • -5.99db
65% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Saint Motel
Puzzle Pieces
114 bpm • F Maj • 03:51 • -5.19db
54% Popularity • 54% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Jack and Dean
Consent
127 bpm • F# min • 02:51 • -10.08db
10% Popularity • 72% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Never Shout Never
Awkward Conversations (Best Day)
127 bpm • F Maj • 03:28 • -3.88db
22% Popularity • 66% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jay Joseph
Heart Break Kid
113 bpm • G Maj • 03:30 • -6.01db
15% Popularity • 83% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Larkins
Wasted Years
113 bpm • A Maj • 03:48 • -4.93db
11% Popularity • 69% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Twenty One Pilots
House of Gold
115 bpm • C Maj • 02:43 • -7.23db
70% Popularity • 68% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Airways
Mate
128 bpm • B min • 03:28 • -4.45db
7% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Ghost Club
This Bird Has Flown
128 bpm • C Maj • 03:45 • -9db
38% Popularity • 66% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Sanchez
The Other Side
128 bpm • D# Maj • 03:16 • -7.31db
55% Popularity • 41% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Kodaline
Human Again
128 bpm • C# Maj • 03:47 • -6.02db
26% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bad Suns
Defeated
128 bpm • A# Maj • 03:37 • -5.23db
24% Popularity • 63% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Twenty One Pilots
Johnny Boy
115 bpm • C Maj • 04:39 • -4.31db
59% Popularity • 56% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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The Midnight Beast
Badass
128 bpm • B min • 02:52 • -7.28db
14% Popularity • 69% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Lower Than Atlantis
Stays the Same
128 bpm • F# Maj • 03:40 • -6db
19% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Catfish and the Bottlemen
Sidewinder
128 bpm • F# min • 03:26 • -5.22db
48% Popularity • 41% Danceability • 69% Energy • 40% Liveness
4% Instrumentalness • 24% Positiveness
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Frank Hamilton
A.O.T.C
112 bpm • B Maj • 02:39 • -7.91db
16% Popularity • 78% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Lovely - Bonus Track