Songs like Lover (arr. String Quartet (inspired by Bridgerton)) by Music Lab Collective

173 bpm • C Maj • 02:27 • -27.68db

43% Popularity • 37% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 40% Positiveness

172 bpm • F Maj • 01:30 • -18.27db

36% Popularity • 30% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness

172 bpm • A min • 02:01 • -25db

39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness

172 bpm • F Maj • 02:54 • -20.53db

31% Popularity • 29% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 12% Positiveness

174 bpm • F Maj • 03:24 • -35db

53% Popularity • 44% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness

172 bpm • A# min • 01:09 • -20.32db

45% Popularity • 22% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness

174 bpm • A# Maj • 04:50 • -22.99db

6% Popularity • 24% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness

171 bpm • G Maj • 03:49 • -17.78db

22% Popularity • 12% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness

175 bpm • D Maj • 01:42 • -25db

36% Popularity • 30% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness

174 bpm • B min • 02:43 • -22.44db

30% Popularity • 34% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 32% Positiveness

171 bpm • C# Maj • 02:37 • -23.18db

47% Popularity • 31% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness

170 bpm • E Maj • 03:04 • -18.55db

33% Popularity • 12% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness

176 bpm • A# Maj • 03:57 • -24.85db

23% Popularity • 38% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness

170 bpm • C Maj • 02:53 • -21.38db

55% Popularity • 40% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness

170 bpm • G Maj • 03:44 • -23.63db

38% Popularity • 50% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness

170 bpm • C Maj • 02:21 • -23db

49% Popularity • 35% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness

170 bpm • F# min • 02:57 • -11.28db

41% Popularity • 62% Danceability • 24% Energy • 8% Liveness
68% Instrumentalness • 67% Positiveness

177 bpm • C Maj • 02:17 • -19.34db

43% Popularity • 28% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness

168 bpm • F# min • 02:12 • -27.8db

48% Popularity • 46% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 38% Positiveness

168 bpm • G# Maj • 03:58 • -10.31db

47% Popularity • 24% Danceability • 18% Energy • 38% Liveness
56% Instrumentalness • 16% Positiveness

168 bpm • F Maj • 06:22 • -18.18db

34% Popularity • 43% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness

168 bpm • D Maj • 03:12 • -20.55db

4% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness

176 bpm • F Maj • 02:25 • -19.95db

20% Popularity • 30% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness

179 bpm • D Maj • 01:09 • -24.96db

39% Popularity • 36% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness

180 bpm • G Maj • 03:43 • -20.4db

15% Popularity • 14% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness

167 bpm • C Maj • 03:04 • -24.25db

11% Popularity • 12% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 11% Positiveness

167 bpm • D min • 02:38 • -22.99db

38% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness

180 bpm • G Maj • 03:35 • -21.87db

29% Popularity • 48% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness

167 bpm • F# min • 03:08 • -27.16db

28% Popularity • 43% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness

166 bpm • E min • 02:39 • -29.52db

3% Popularity • 37% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness

180 bpm • D Maj • 02:44 • -18.62db

41% Popularity • 45% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 46% Positiveness

180 bpm • C# Maj • 03:33 • -23.57db

46% Popularity • 42% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness

180 bpm • A Maj • 03:09 • -13.37db

50% Popularity • 53% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness

166 bpm • F Maj • 03:44 • -24.3db

7% Popularity • 26% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness

182 bpm • C Maj • 02:26 • -26.84db

50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness

163 bpm • D min • 03:01 • -19.39db

43% Popularity • 20% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness

162 bpm • C min • 01:42 • -18.04db

39% Popularity • 41% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness

184 bpm • F Maj • 02:32 • -20.88db

58% Popularity • 17% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness

186 bpm • E Maj • 03:01 • -21.26db

52% Popularity • 45% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness

186 bpm • D# Maj • 04:05 • -21.04db

50% Popularity • 43% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness

191 bpm • C Maj • 03:26 • -17.35db

27% Popularity • 26% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness

158 bpm • C Maj • 03:49 • -15.19db

25% Popularity • 15% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness

193 bpm • F min • 03:22 • -22.41db

34% Popularity • 39% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness

154 bpm • C Maj • 01:04 • -13db

59% Popularity • 35% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness

156 bpm • A min • 03:26 • -18.46db

49% Popularity • 58% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness

154 bpm • E min • 05:17 • -23.63db

41% Popularity • 18% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness

153 bpm • E min • 04:03 • -11db

38% Popularity • 34% Danceability • 59% Energy • 79% Liveness
43% Instrumentalness • 14% Positiveness

153 bpm • B Maj • 01:28 • -17.61db

41% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness

151 bpm • D min • 03:51 • -17db

31% Popularity • 32% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness

199 bpm • G Maj • 03:27 • -27.78db

37% Popularity • 29% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 20% Positiveness

150 bpm • A Maj • 03:51 • -9.86db

41% Popularity • 30% Danceability • 21% Energy • 6% Liveness
10% Instrumentalness • 29% Positiveness

201 bpm • C# Maj • 03:32 • -23.71db

55% Popularity • 39% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness

201 bpm • F Maj • 01:40 • -22.1db

50% Popularity • 36% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness

202 bpm • D# min • 03:05 • -20.77db

45% Popularity • 40% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness

202 bpm • E Maj • 02:46 • -22.54db

17% Popularity • 25% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness

202 bpm • A Maj • 03:10 • -24.92db

52% Popularity • 28% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness

148 bpm • A min • 02:19 • -9db

28% Popularity • 36% Danceability • 40% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness

148 bpm • C Maj • 02:09 • -18db

51% Popularity • 48% Danceability • 23% Energy • 13% Liveness
83% Instrumentalness • 34% Positiveness

147 bpm • A# min • 02:49 • -22.04db

31% Popularity • 35% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness

147 bpm • D# Maj • 02:56 • -18db

43% Popularity • 31% Danceability • 15% Energy • 25% Liveness
85% Instrumentalness • 20% Positiveness

205 bpm • G# Maj • 03:47 • -22.84db

49% Popularity • 32% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness

210 bpm • F# Maj • 03:10 • -22.18db

51% Popularity • 48% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness

210 bpm • A min • 02:06 • -18.61db

44% Popularity • 40% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness