Songs like Lovesick (feat. The Guest and the Host) - Acoustic by Caroline Pennell
Based on a tempo of (+/- 10%) and a similar genre
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Caroline Pennell
Yellow
172 bpm • D Maj • 03:52 • -17db
43% Popularity • 57% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
43% Popularity • 57% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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The Sweeplings
Drop by Drop
172 bpm • C Maj • 04:07 • -10.37db
21% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Houlsby
Circus Child
174 bpm • G# Maj • 03:15 • -10.5db
20% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Clementine Duo
Most Girls - Acoustic
174 bpm • B Maj • 03:57 • -8.26db
37% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Woodes
Still so Young
170 bpm • B Maj • 04:33 • -9db
19% Popularity • 39% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Hannah Miller
Beauty And Pain
170 bpm • F Maj • 02:46 • -20.54db
23% Popularity • 45% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
23% Popularity • 45% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Caroline Pennell
Lovesick - Acoustic
172 bpm • A min • 03:32 • -12.25db
9% Popularity • 46% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 46% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Aron Wright
You're the Last Thing on My Mind
170 bpm • G Maj • 03:27 • -14db
37% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Holley Maher
Adventurers
170 bpm • C# Maj • 02:30 • -7db
31% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Girl Blue
Fire Under Water
170 bpm • B Maj • 03:56 • -10.68db
24% Popularity • 64% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
24% Popularity • 64% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Ryan Montbleau
Fast Car
174 bpm • A Maj • 04:32 • -13db
58% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Handsome Ghost
Brand New Colony
170 bpm • D# Maj • 03:04 • -7.88db
22% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Caroline Pennell
Blue - West Coast Massive Remix
170 bpm • A min • 02:52 • -7.02db
26% Popularity • 59% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 59% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Aron Wright
Heartbeats
176 bpm • G Maj • 03:28 • -12.18db
36% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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SHAED
Trampoline - Stripped
176 bpm • G min • 03:38 • -6.55db
32% Popularity • 37% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 37% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Daniel
Scars To Your Beautiful
168 bpm • D min • 03:57 • -9.44db
46% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mysha Didi
Bloom
167 bpm • G Maj • 03:03 • -11.65db
24% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Belle Mt.
Hollow - Acoustic
178 bpm • B Maj • 03:56 • -9.67db
51% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Imperial Mammoth
Dance Hall Days
166 bpm • C Maj • 03:27 • -10db
30% Popularity • 34% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 34% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Leeb
Are We Too Late
166 bpm • C min • 04:51 • -9db
28% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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VVE
End of the Line
178 bpm • E Maj • 04:27 • -9.68db
16% Popularity • 16% Danceability • 54% Energy • 8% Liveness
13% Instrumentalness • 14% Positiveness
16% Popularity • 16% Danceability • 54% Energy • 8% Liveness
13% Instrumentalness • 14% Positiveness
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Ria Mae
Thoughts on Fire - Stripped Down
166 bpm • D Maj • 03:28 • -8.1db
15% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Corey Kilgannon
Whale Song
179 bpm • F Maj • 02:38 • -11.5db
38% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Au/Ra
Concrete Jungle - Acoustic
166 bpm • F# Maj • 02:40 • -8db
42% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Freedom Fry
Brave
180 bpm • B min • 03:16 • -6.98db
29% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Wind and The Wave
Time After Time
180 bpm • D Maj • 04:39 • -10.26db
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Caroline Pennell
Tell Myself
180 bpm • G# min • 03:22 • -8.88db
5% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
5% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Frances
No Matter - Acoustic
164 bpm • D# Maj • 02:53 • -7db
35% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Xavier Dunn
One That I Want
160 bpm • C Maj • 03:20 • -12.17db
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Perrin Lamb
There Is No Me Without You
160 bpm • C Maj • 03:41 • -9.12db
40% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Conner Youngblood
Everyday - Edit
185 bpm • C Maj • 03:33 • -10.17db
30% Popularity • 47% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
30% Popularity • 47% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Craig Cardiff
Dirty Old Town
160 bpm • C Maj • 04:06 • -13db
53% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Rosemary & Garlic
I’m Here
160 bpm • D# Maj • 03:08 • -11.57db
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Ella Vos
You Don't Know About Me
159 bpm • C# Maj • 03:08 • -8db
32% Popularity • 57% Danceability • 41% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
32% Popularity • 57% Danceability • 41% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Mayries
Girls Just Wanna Have Fun
186 bpm • G# min • 02:52 • -11.45db
55% Popularity • 44% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 44% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The Sweeplings
Cotton Eye Joe
158 bpm • B min • 02:39 • -7.91db
37% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Wind and The Wave
My Mind Is An Endless Sea
187 bpm • C Maj • 03:36 • -7.62db
22% Popularity • 27% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 27% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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The Well Pennies
Sightings
158 bpm • F# Maj • 05:37 • -13.9db
19% Popularity • 21% Danceability • 29% Energy • 13% Liveness
27% Instrumentalness • 13% Positiveness
19% Popularity • 21% Danceability • 29% Energy • 13% Liveness
27% Instrumentalness • 13% Positiveness
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Lennon & Maisy
Boom Clap
157 bpm • E Maj • 02:55 • -7.45db
45% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Bassjackers
These Heights - Crossnaders Remix
157 bpm • F min • 03:08 • -3.96db
5% Popularity • 69% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 69% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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The Sweeplings
The Wanderers - Acoustic
188 bpm • F# min • 02:49 • -6.07db
27% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Jepettos
Inside
156 bpm • C min • 03:44 • -9.1db
22% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Armon Jay
Shine a Light
155 bpm • D Maj • 03:46 • -11.92db
10% Popularity • 45% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
10% Popularity • 45% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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Daniel Ahearn & The Jones
Sirens
152 bpm • B Maj • 03:14 • -11db
21% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Elenowen
Place from Where I Fell
152 bpm • B min • 04:25 • -12db
20% Popularity • 41% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 41% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Kate York
Bound Together
152 bpm • B min • 03:33 • -12.83db
3% Popularity • 53% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
3% Popularity • 53% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
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Shallou
Friends - Recorded at Spotify Studios NY...
152 bpm • G# Maj • 03:00 • -8.96db
33% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
33% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Molly Parden
Landslide
151 bpm • D Maj • 04:05 • -13db
51% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lissie
Best Days (Acoustic)
150 bpm • F Maj • 02:59 • -11.04db
37% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dagny
Landslide
150 bpm • A# Maj • 02:59 • -7.59db
43% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Pennell
Drive Me Home
150 bpm • C Maj • 03:17 • -6.91db
27% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Martha Bean
Take Your Time
150 bpm • D# min • 03:02 • -9db
26% Popularity • 35% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 35% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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David Benjamin
Can't Get My Head Around Loving You
150 bpm • C Maj • 03:21 • -10db
32% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Francis
Upon These Stones
149 bpm • C min • 04:18 • -14db
32% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
32% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
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Caroline Pennell
Drive Me Home - Acoustic
150 bpm • C Maj • 03:19 • -10.3db
10% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Brennan
Let Me Be
200 bpm • F# Maj • 03:46 • -8.67db
15% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Chase McBride
On the Other Side
148 bpm • F# Maj • 03:20 • -14.61db
25% Popularity • 57% Danceability • 35% Energy • 10% Liveness
8% Instrumentalness • 49% Positiveness
25% Popularity • 57% Danceability • 35% Energy • 10% Liveness
8% Instrumentalness • 49% Positiveness
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The Sweeplings
Across the Sea
148 bpm • C Maj • 03:23 • -12db
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
32% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Grace Mitchell
Maneater
146 bpm • B min • 03:54 • -10.03db
41% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rod Ladgrove
How Many Times
146 bpm • G Maj • 02:39 • -6.74db
27% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
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Bruno Merz
Into the Air
146 bpm • A min • 04:10 • -17.14db
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
