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Low Speed
Songs like
Low Speed
by
Otto Luening
Based on a tempo of (+/- 10%) and a similar genre
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Steve Reich
Music for 18 Musicians (1976): Section I...
109 bpm • A Maj • 04:34 • -17.42db
8% Popularity • 65% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Otto Luening
Low Speed
109 bpm • A# Maj • 03:39 • -29.97db
2% Popularity • 36% Danceability • 1% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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Tod Dockstader
Piece #1
109 bpm • F# Maj • 02:00 • -27db
12% Popularity • 45% Danceability • 24% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Appalachian Grove I
109 bpm • G min • 05:22 • -19.17db
15% Popularity • 69% Danceability • 7% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Penderecki: Anaklasis, for 42 Strings an...
108 bpm • G# Maj • 06:01 • -21.9db
6% Popularity • 21% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 4% Positiveness
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Dominique Lawalrée
Musique Satieerique
110 bpm • D min • 05:07 • -16.76db
8% Popularity • 60% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Jean Michel P.s
Starry Night in the Desert
110 bpm • A min • 03:25 • -12.01db
10% Popularity • 23% Danceability • 24% Energy • 11% Liveness
13% Instrumentalness • 8% Positiveness
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Otto Luening
Sonata for Piano in Memoriam Ferruccio B...
109 bpm • G min • 03:06 • -24.24db
0% Popularity • 39% Danceability • 10% Energy • 17% Liveness
89% Instrumentalness • 15% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Karlheinz Stockhausen
Widder
110 bpm • A min • 01:34 • -19.51db
11% Popularity • 51% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 19% Positiveness
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Peter Michael Hamel
The Yellow Sound
108 bpm • F Maj • 05:26 • -34.3db
19% Popularity • 16% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 2% Positiveness
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Vladimir Ussachevsky
Incantation
110 bpm • G Maj • 02:36 • -22db
3% Popularity • 22% Danceability • 21% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Kurushimi no mise
Torn Between Desires
110 bpm • A min • 05:59 • -21.97db
10% Popularity • 53% Danceability • 8% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Otto Luening
Six Preludes: I. Slow
108 bpm • G# Maj • 01:51 • -25.12db
0% Popularity • 46% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Annea Lockwood
World Rhythms
108 bpm • G Maj • 08:30 • -31db
8% Popularity • 44% Danceability • 38% Energy • 13% Liveness
30% Instrumentalness • 12% Positiveness
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Harold Budd
That Place For Lunatics
110 bpm • B min • 01:49 • -25.56db
8% Popularity • 40% Danceability • 1% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Peter Michael Hamel
Mandala: Mandala: Opening
108 bpm • C# Maj • 07:38 • -28.44db
15% Popularity • 38% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Jürg Frey
Extended Circular Music No. 2
107 bpm • G# min • 03:45 • -39.86db
16% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Otto Luening
No Jerusalem But This: XXV. Dusk
108 bpm • G Maj • 01:14 • -36.07db
0% Popularity • 49% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Steve Reich
Music for 18 Musicians: Section IIIA
107 bpm • D Maj • 03:55 • -18db
23% Popularity • 40% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Popol Vuh
Aguirre I (L'Acrime Di Rei)
107 bpm • G min • 07:22 • -18.97db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Alejandro Jodorowsky
Trance Mutation
111 bpm • G Maj • 03:31 • -21.22db
13% Popularity • 24% Danceability • 21% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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Lorenzo Cimino
Electric Trumpet 2
111 bpm • G Maj • 02:50 • -19.23db
9% Popularity • 47% Danceability • 41% Energy • 69% Liveness
82% Instrumentalness • 51% Positiveness
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Terry Riley
The Oldtimer
112 bpm • D# Maj • 02:28 • -14.96db
9% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Otto Luening
No Jerusalem But This: XXIX. The Water o...
108 bpm • F Maj • 02:16 • -23.1db
0% Popularity • 22% Danceability • 59% Energy • 64% Liveness
35% Instrumentalness • 11% Positiveness
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Steve Reich
It's Gonna Rain, Pt. II (1965)
111 bpm • F Maj • 09:55 • -17.57db
10% Popularity • 34% Danceability • 69% Energy • 60% Liveness
1% Instrumentalness • 54% Positiveness
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Les Structures Sonores
La Danse Du Cristal
107 bpm • A Maj • 01:44 • -18.99db
3% Popularity • 33% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jon Hassell
Hex
112 bpm • C# Maj • 06:24 • -12.62db
17% Popularity • 44% Danceability • 54% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
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Dept. Mind
Boundary
106 bpm • G# Maj • 02:26 • -13.07db
14% Popularity • 19% Danceability • 53% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
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Simon Fisher Turner
Light and Dark
112 bpm • B min • 02:07 • -22.6db
9% Popularity • 24% Danceability • 31% Energy • 76% Liveness
86% Instrumentalness • 15% Positiveness
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Otto Luening
Fantasy in Space
108 bpm • A min • 02:48 • -23.8db
1% Popularity • 38% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Paul Bonneau
Preambule no.37
112 bpm • A min • 01:47 • -27.08db
13% Popularity • 35% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Noah Creshevsky
Favorite Encores
106 bpm • A# min • 06:45 • -15.56db
8% Popularity • 38% Danceability • 21% Energy • 15% Liveness
12% Instrumentalness • 26% Positiveness
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Cluster
Für die Katz'
105 bpm • G min • 03:05 • -15.61db
13% Popularity • 30% Danceability • 69% Energy • 10% Liveness
48% Instrumentalness • 14% Positiveness
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Alejandro Jodorowsky
Alchemical Room
105 bpm • G Maj • 04:14 • -17.19db
7% Popularity • 16% Danceability • 14% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Meredith Monk
Mapping
113 bpm • C Maj • 02:07 • -21.27db
8% Popularity • 48% Danceability • 22% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
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Otto Luening
Joyce Cycle: Sleep Now
107 bpm • D min • 02:16 • -34.29db
0% Popularity • 29% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Louis and Bebe Barron
Main Titles (Overture)
105 bpm • C Maj • 02:21 • -21.31db
16% Popularity • 26% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Martien van der Knijff
Fear of the dark
105 bpm • A# Maj • 04:26 • -21db
9% Popularity • 26% Danceability • 28% Energy • 26% Liveness
93% Instrumentalness • 3% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Bernard Parmegiani
Témoignages - 1972
104 bpm • C# Maj • 01:22 • -16.05db
16% Popularity • 34% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Otto Luening
Concerted Piece for Tape Recorder and Or...
107 bpm • C Maj • 08:41 • -18.48db
0% Popularity • 28% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Karlheinz Stockhausen
Fische
114 bpm • F min • 01:50 • -27.03db
21% Popularity • 23% Danceability • 7% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Brian Hodgson
Liquid Energy
114 bpm • A# min • 01:52 • -10.87db
8% Popularity • 71% Danceability • 93% Energy • 11% Liveness
61% Instrumentalness • 33% Positiveness
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Oren Ambarchi
en
104 bpm • G Maj • 09:32 • -13.17db
18% Popularity • 60% Danceability • 78% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Steve Reich
Sextet: 1st Movement
104 bpm • F min • 10:29 • -22.03db
8% Popularity • 54% Danceability • 23% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
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Alejandro Jodorowsky
Drink It
114 bpm • C Maj • 01:36 • -13.11db
9% Popularity • 67% Danceability • 36% Energy • 24% Liveness
73% Instrumentalness • 94% Positiveness
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Otto Luening
Fantasy in Speed
106 bpm • E min • 02:46 • -19.16db
1% Popularity • 37% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Eduard Artemyev
Картина Питера Брейге...
104 bpm • F min • 05:40 • -33.87db
10% Popularity • 15% Danceability • 12% Energy • 7% Liveness
61% Instrumentalness • 3% Positiveness
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Brian Hodgson
Liquid Energy - Underscore Version
114 bpm • B min • 01:04 • -30.08db
19% Popularity • 63% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
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Raymond Scott
Space Mystery
104 bpm • F# Maj • 05:11 • -18.58db
9% Popularity • 32% Danceability • 23% Energy • 45% Liveness
39% Instrumentalness • 3% Positiveness
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John Lurie
Car Florida
114 bpm • D Maj • 03:04 • -21.66db
10% Popularity • 86% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
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Alejandro Jodorowsky
Rainbow Room
104 bpm • G Maj • 04:40 • -23.17db
10% Popularity • 33% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Otto Luening
Gargoyles
114 bpm • G Maj • 09:22 • -16.27db
0% Popularity • 38% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Igor Stravinsky
The Firebird: Berceuse (Arr. For theremi...
104 bpm • B Maj • 03:10 • -27.78db
11% Popularity • 14% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 8% Positiveness
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Brian Eno
The Lost Day - Remastered 2004
115 bpm • B Maj • 09:12 • -34.1db
30% Popularity • 18% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Laurie Spiegel
Three Sonic Spaces II
104 bpm • A# Maj • 03:22 • -15.95db
16% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Terry Riley
Cadenza on the Night Plain: Captain Jack...
115 bpm • C# Maj • 01:44 • -31db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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John Cage
Music of Changes: I
115 bpm • A# min • 04:10 • -20db
11% Popularity • 73% Danceability • 3% Energy • 8% Liveness
30% Instrumentalness • 27% Positiveness
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Otto Luening
Three Fantasias for solo Baroque Flute: ...
112 bpm • F# Maj • 03:56 • -28.39db
0% Popularity • 44% Danceability • 1% Energy • 41% Liveness
1% Instrumentalness • 62% Positiveness
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Steve Reich
Music for 18 Musicians: Pulses II
103 bpm • F# min • 06:10 • -21.14db
12% Popularity • 58% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Giacinto Scelsi
Ohoi
116 bpm • A# Maj • 08:33 • -21.71db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
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Cristiansen84
la merdenda
103 bpm • C# min • 01:05 • -22.43db
19% Popularity • 38% Danceability • 19% Energy • 44% Liveness
90% Instrumentalness • 52% Positiveness
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Brian Eno
Aragon - Remastered 2005
103 bpm • G min • 01:37 • -33.6db
34% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Nam June Paik
Hommage À John Cage - 1958-59
116 bpm • C# Maj • 04:13 • -17.56db
7% Popularity • 46% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 21% Positiveness
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Otto Luening
First Short Piano Sonata: II. Grave
115 bpm • C# min • 03:07 • -22.21db
0% Popularity • 66% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Cluster
Plas
102 bpm • D Maj • 06:16 • -18.04db
14% Popularity • 14% Danceability • 32% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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John Cage
The Seasons: 1. Prelude I
116 bpm • C Maj • 02:01 • -39.33db
16% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Steve Reich
Vermont Counterpoint
116 bpm • A min • 09:36 • -19db
10% Popularity • 67% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 69% Positiveness
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Edgard Varèse
Ionisation
116 bpm • A Maj • 05:21 • -18.74db
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
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Oren Ambarchi
fyra
117 bpm • E min • 09:42 • -13.55db
17% Popularity • 65% Danceability • 57% Energy • 28% Liveness
89% Instrumentalness • 26% Positiveness
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Otto Luening
Sonority Forms II for Piano ("The Right ...
103 bpm • G Maj • 04:00 • -25.74db
0% Popularity • 39% Danceability • 2% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Janet Beat
Echoes From Bali
102 bpm • C min • 07:31 • -23.97db
8% Popularity • 58% Danceability • 19% Energy • 7% Liveness
62% Instrumentalness • 16% Positiveness
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Louis Hardin
Fujiyama 1 - Instrumental
102 bpm • G min • 04:43 • -22.75db
8% Popularity • 20% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 6% Positiveness
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Harry Partch
2 Studies on Ancient Greek Scales (Arr. ...
117 bpm • G min • 01:13 • -24.14db
22% Popularity • 56% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Benge
1968 Moog Modular
117 bpm • F Maj • 03:26 • -23.72db
8% Popularity • 73% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Otto Luening
Fantasia Etudes for Piano: II. Allegro m...
116 bpm • A# Maj • 04:55 • -23.25db
0% Popularity • 39% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
22% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Maurice Ravel
Piece en forme de habanera: Vocalise-etu...
101 bpm • G min • 02:45 • -28.58db
12% Popularity • 25% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Wladimir Magnuschevsky
Incantation For Tape
118 bpm • C Maj • 00:44 • -11.88db
0% Popularity • 23% Danceability • 62% Energy • 75% Liveness
22% Instrumentalness • 36% Positiveness
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Cluster
Es war einmal
117 bpm • G Maj • 05:25 • -20.07db
21% Popularity • 64% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
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Philip Glass
Cloudscape
101 bpm • F Maj • 04:32 • -23.77db
9% Popularity • 51% Danceability • 22% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Nuno Canavarro
O Fundo Escuro De Alsee
118 bpm • A min • 01:57 • -24.61db
13% Popularity • 29% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Serene Rose
Small Windchime
100 bpm • F min • 01:21 • -41.51db
15% Popularity • 34% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Maddalena Fagandini
Interval Signal
118 bpm • F min • 01:39 • -21.51db
13% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Otto Luening
Cello Sonata No. 1: II. Allegro moderato
100 bpm • F min • 02:02 • -24.91db
0% Popularity • 24% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Iannis Xenakis
Pithoprakta
100 bpm • C Maj • 10:40 • -25db
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Popol Vuh
Ich Mache Einen Spiegel - Dream Part 4
100 bpm • C min • 08:44 • -17.22db
8% Popularity • 27% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
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Pierre Schaeffer
Etudes Instrumentales: b) Flute Mexicain...
100 bpm • G# Maj • 03:08 • -22db
11% Popularity • 41% Danceability • 44% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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Daphne Oram
Under the Sand
100 bpm • D# Maj • 01:28 • -20.16db
14% Popularity • 52% Danceability • 28% Energy • 14% Liveness
97% Instrumentalness • 23% Positiveness
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Dominique Lawalrée
Post-Scriptum
100 bpm • D Maj • 04:43 • -17.72db
8% Popularity • 13% Danceability • 5% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Song of Grusia (Arr. For theremin and pi...
100 bpm • F Maj • 04:19 • -24.14db
9% Popularity • 15% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
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Popol Vuh
Love, Life, Death
119 bpm • A Maj • 01:30 • -25.66db
8% Popularity • 62% Danceability • 2% Energy • 7% Liveness
60% Instrumentalness • 13% Positiveness
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Raymond Scott
The Bass-Line Generator
119 bpm • A# min • 03:10 • -24.17db
14% Popularity • 57% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 49% Positiveness
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Jean Michel P.s
Alpine Peaks and Cosmic Dust
119 bpm • F Maj • 03:25 • -17.6db
12% Popularity • 25% Danceability • 64% Energy • 70% Liveness
89% Instrumentalness • 11% Positiveness
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