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Lowlife
Songs like
Lowlife
by
Theory of a Deadman
Based on a tempo of (+/- 10%) and a similar genre
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Soil
Black Betty
129 bpm • B min • 02:39 • -6.79db
45% Popularity • 59% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Theory of a Deadman
Lowlife
129 bpm • C# Maj • 03:25 • -3.11db
51% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Ra
Rectifier
130 bpm • D Maj • 04:31 • -5db
34% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Buckcherry
Lit Up
129 bpm • F min • 03:35 • -3.14db
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Saving Abel
18 Days
130 bpm • C Maj • 03:51 • -4.5db
49% Popularity • 46% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Three Days Grace
The Good Life
128 bpm • A# Maj • 02:53 • -3.7db
64% Popularity • 55% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Nickelback
Something in Your Mouth
130 bpm • C Maj • 03:39 • -3.02db
67% Popularity • 66% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Theory of a Deadman
Bitch Came Back
130 bpm • C# min • 03:39 • -4.19db
61% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Staind
Not Again
130 bpm • C# Maj • 04:34 • -3.84db
30% Popularity • 55% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Hollywood Undead
Levitate
128 bpm • G min • 03:24 • -2.69db
55% Popularity • 55% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Bad Wolves
Learn To Walk Again
130 bpm • G# Maj • 02:47 • -4.79db
63% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Fozzy
Drinkin with Jesus
130 bpm • F min • 03:56 • -3db
32% Popularity • 53% Danceability • 97% Energy • 19% Liveness
17% Instrumentalness • 54% Positiveness
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Seether
Remedy
128 bpm • G# Maj • 03:27 • -4.66db
70% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Thousand Foot Krutch
Fire It Up
128 bpm • C Maj • 03:07 • -5db
48% Popularity • 56% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Theory of a Deadman
Villain - 1
131 bpm • A# Maj • 03:04 • -5.67db
31% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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10 Years
Beautiful
132 bpm • F# Maj • 03:15 • -4.68db
54% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The Showdown
Carry on My Wayward Son
127 bpm • F Maj • 04:21 • -4.76db
38% Popularity • 57% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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One Bad Son
Satellite Hotel
132 bpm • G# min • 03:57 • -5db
30% Popularity • 49% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stone Sour
Hesitate
126 bpm • A# Maj • 04:16 • -4.19db
50% Popularity • 45% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Puddle Of Mudd
Psycho
126 bpm • C# Maj • 03:30 • -3.55db
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Theory of a Deadman
Heavy
132 bpm • E Maj • 03:02 • -2.87db
31% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Seether
Fake It
132 bpm • G# Maj • 03:13 • -3.51db
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Powerman 5000
Free
132 bpm • A# min • 03:42 • -3db
48% Popularity • 51% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Rob Zombie
Never Gonna Stop (The Red, Red Kroovy)
125 bpm • C Maj • 03:09 • -4.54db
57% Popularity • 62% Danceability • 85% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Trapt
These Walls
126 bpm • C# min • 04:05 • -3.79db
42% Popularity • 63% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Glorious Sons
Heavy
125 bpm • A Maj • 02:50 • -4db
51% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Theory of a Deadman
Hurricane
132 bpm • F Maj • 04:17 • -4.64db
41% Popularity • 40% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Rise Against
From Heads Unworthy
133 bpm • F# Maj • 03:42 • -3db
53% Popularity • 28% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Wake Me
Kiss from a Rose
134 bpm • C Maj • 04:55 • -3.5db
44% Popularity • 52% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Hinder
Use Me
134 bpm • C Maj • 03:49 • -3.08db
47% Popularity • 49% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Red Sun Rising
Deathwish
135 bpm • G# min • 04:47 • -5.52db
45% Popularity • 50% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Volbeat
Heaven Nor Hell
134 bpm • D# Maj • 05:22 • -4.21db
58% Popularity • 41% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Theory of a Deadman
Gentleman
132 bpm • G Maj • 03:28 • -3.35db
34% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Heaven's Basement
Fire, Fire
123 bpm • G# min • 04:17 • -3db
34% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Bad Wolves
Better Off This Way
123 bpm • G min • 03:22 • -7db
51% Popularity • 49% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Fozzy
Lights Go Out
123 bpm • E min • 03:12 • -3.7db
33% Popularity • 59% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 51% Positiveness
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State of Mine
What Hurts the Most
136 bpm • D# min • 03:36 • -3.74db
54% Popularity • 51% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Stone Sour
Gone Sovereign
136 bpm • F# Maj • 04:03 • -4.2db
49% Popularity • 52% Danceability • 99% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Theory of a Deadman
World War Me
134 bpm • E Maj • 03:14 • -3db
46% Popularity • 53% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Shinedown
Enemies
136 bpm • C# Maj • 03:08 • -2.64db
64% Popularity • 51% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Pop Evil
Torn to Pieces
122 bpm • C Maj • 03:16 • -5.66db
57% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fozzy
SOS
123 bpm • D min • 03:17 • -4.63db
38% Popularity • 30% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Art Of Dying
Get Thru This
136 bpm • D Maj • 02:42 • -3db
35% Popularity • 61% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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My Darkest Days
Move Your Body
122 bpm • B Maj • 03:13 • -3.65db
55% Popularity • 63% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Theory of a Deadman
Panic Room
134 bpm • F min • 03:14 • -4db
38% Popularity • 55% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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In This Moment
Black Wedding
137 bpm • C# min • 04:07 • -4db
59% Popularity • 54% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 29% Positiveness
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Finger Eleven
Good Times
137 bpm • A# min • 03:55 • -4db
46% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Jackyl
Down On Me
121 bpm • C Maj • 04:03 • -7.59db
48% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Atreyu
You Give Love A Bad Name
137 bpm • G# Maj • 03:26 • -4.21db
43% Popularity • 37% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Silvertide
Devil's Daughter
121 bpm • A# Maj • 03:51 • -3db
31% Popularity • 60% Danceability • 97% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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Theory of a Deadman
Love Is Hell
124 bpm • C# Maj • 03:31 • -4db
33% Popularity • 47% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Ozzy Osbourne
I Don't Wanna Stop
138 bpm • F Maj • 03:59 • -3.93db
66% Popularity • 58% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Bad Wolves
Killing Me Slowly
138 bpm • C# min • 03:57 • -4.18db
67% Popularity • 33% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Finger Eleven
Whatever Doesn't Kill Me
138 bpm • C Maj • 03:37 • -2.71db
38% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Saving Abel
Addicted
138 bpm • G Maj • 03:42 • -4.15db
71% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Thousand Foot Krutch
Let the Sparks Fly
120 bpm • D Maj • 04:06 • -5db
62% Popularity • 64% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Theory of a Deadman
Misery of Mankind
136 bpm • E min • 03:23 • -3.32db
29% Popularity • 56% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Rob Zombie
We’re An American Band
120 bpm • C# min • 03:29 • -3.27db
46% Popularity • 51% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Crossfade
Prove You Wrong
120 bpm • F min • 03:18 • -5.61db
48% Popularity • 48% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Redlight King
Comeback
120 bpm • G min • 03:40 • -4.09db
37% Popularity • 54% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Stone Sour
Gimme Shelter
120 bpm • C# min • 04:26 • -5.87db
46% Popularity • 60% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Fozzy
Burn Me Out
120 bpm • G# Maj • 04:03 • -4.37db
39% Popularity • 62% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Theory of a Deadman
Does It Really Matter
137 bpm • D Maj • 03:40 • -3.22db
30% Popularity • 44% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Staind
So Far Away
139 bpm • F# Maj • 04:03 • -2.94db
67% Popularity • 41% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
55% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Deuce
America
139 bpm • B min • 04:05 • -3.52db
47% Popularity • 52% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Taylor
Black Eyes Blue
119 bpm • G# min • 03:22 • -3.76db
46% Popularity • 55% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Hinder
Better Than Me
140 bpm • D min • 03:43 • -5.3db
62% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Theory of a Deadman
What Was I Thinking
138 bpm • F# Maj • 03:50 • -3.94db
28% Popularity • 48% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Stone Sour
Absolute Zero
140 bpm • C# min • 03:49 • -2.56db
67% Popularity • 55% Danceability • 99% Energy • 85% Liveness
31% Instrumentalness • 62% Positiveness
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Emphatic
Remember Me
140 bpm • F min • 03:00 • -4.51db
33% Popularity • 55% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Powerman 5000
How To Be A Human
140 bpm • C# Maj • 03:27 • -1db
41% Popularity • 42% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Art Of Dying
Sorry
140 bpm • G Maj • 04:25 • -3.71db
30% Popularity • 45% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Black Veil Brides
In The End
140 bpm • G# Maj • 03:48 • -4.18db
69% Popularity • 44% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Theory of a Deadman
Rx (Medicate)
120 bpm • C# Maj • 03:53 • -7.45db
65% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Stone Sour
Do Me a Favor
140 bpm • D# min • 03:44 • -4db
44% Popularity • 51% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Evans Blue
Cold (But I'm Still Here) - Single Versi...
140 bpm • C# min • 03:53 • -3.97db
52% Popularity • 42% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Redlight King
Something For The Pain
140 bpm • G min • 03:29 • -4db
33% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tantric
Coming Undone
140 bpm • A min • 02:56 • -2.85db
36% Popularity • 64% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Chevelle
The Red
140 bpm • C# min • 03:58 • -3.32db
72% Popularity • 51% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Emphatic
Life After Anger
140 bpm • B Maj • 03:50 • -5db
35% Popularity • 54% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Stone Sour
Say You'll Haunt Me
140 bpm • B min • 04:24 • -4.74db
56% Popularity • 56% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Saint Asonia
I Don't Care Anymore
140 bpm • G# min • 05:03 • -5db
39% Popularity • 60% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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In This Moment
Blood
140 bpm • A min • 03:27 • -3db
58% Popularity • 53% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Crossfade
Dead Skin
140 bpm • F# min • 03:50 • -6.17db
40% Popularity • 46% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Seven Mary Three
Water's Edge
119 bpm • E min • 03:50 • -7.24db
49% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Creed
My Own Prison
140 bpm • A# Maj • 04:58 • -4.78db
68% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Theory of a Deadman
Easy to Love You
141 bpm • A Maj • 04:19 • -3.93db
36% Popularity • 45% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Staind
Zoe Jane
118 bpm • D# min • 04:36 • -5.17db
51% Popularity • 50% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 5% Positiveness
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Tantric
The One
118 bpm • D min • 04:08 • -3db
24% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Fozzy
Martyr No More
118 bpm • G# Maj • 04:36 • -4db
25% Popularity • 56% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Avenged Sevenfold
Hail to the King
118 bpm • D# min • 05:05 • -4.36db
77% Popularity • 58% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 68% Positiveness
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Seether
Same Damn Life
118 bpm • F Maj • 03:19 • -4.33db
60% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Theory of a Deadman
The Truth Is... (I Lied About Everything...
141 bpm • A Maj • 03:27 • -3.74db
38% Popularity • 51% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Mötley Crüe
If I Die Tomorrow
142 bpm • D min • 03:42 • -5.19db
44% Popularity • 43% Danceability • 87% Energy • 13% Liveness
69% Instrumentalness • 32% Positiveness
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Through Fire
Breathe
142 bpm • E min • 04:00 • -7.6db
42% Popularity • 46% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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New Medicine
World Class Fuck Up
117 bpm • E Maj • 02:52 • -2.36db
38% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Staind
Throw It All Away
116 bpm • A# min • 04:24 • -4.38db
27% Popularity • 49% Danceability • 73% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
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Any Given Sin
Dynamite
116 bpm • D min • 03:48 • -3.11db
49% Popularity • 52% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Theory of a Deadman
Black Hole In Your Heart
142 bpm • G min • 03:34 • -4.84db
36% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lowlife