Songs like Lubitorium by Cosmosquad
Based on a tempo of (+/- 10%) and a similar genre
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Cosmosquad
Sangfroid
134 bpm • A min • 05:12 • -7.1db
8% Popularity • 67% Danceability • 80% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
8% Popularity • 67% Danceability • 80% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
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Greg Howe
No Place Like Home
134 bpm • B min • 04:23 • -9.42db
14% Popularity • 35% Danceability • 90% Energy • 28% Liveness
62% Instrumentalness • 40% Positiveness
14% Popularity • 35% Danceability • 90% Energy • 28% Liveness
62% Instrumentalness • 40% Positiveness
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Alex Skolnick Trio
Unbound
134 bpm • E min • 06:25 • -5.41db
9% Popularity • 39% Danceability • 84% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
9% Popularity • 39% Danceability • 84% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
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Wayne Krantz
Dove Gloria
134 bpm • A Maj • 04:56 • -10.62db
19% Popularity • 38% Danceability • 75% Energy • 13% Liveness
79% Instrumentalness • 81% Positiveness
19% Popularity • 38% Danceability • 75% Energy • 13% Liveness
79% Instrumentalness • 81% Positiveness
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Dennis Chambers
Drums Solo, Pt. 2
133 bpm • B Maj • 01:16 • -18.17db
32% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
32% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Shawn Lane
Maria
135 bpm • A Maj • 05:46 • -10.06db
13% Popularity • 53% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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Cosmosquad
El Perro Vaila
134 bpm • B min • 05:28 • -11db
25% Popularity • 57% Danceability • 83% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 83% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
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Greg Howe
2 in 1
134 bpm • B min • 06:05 • -6.53db
19% Popularity • 55% Danceability • 70% Energy • 5% Liveness
66% Instrumentalness • 80% Positiveness
19% Popularity • 55% Danceability • 70% Energy • 5% Liveness
66% Instrumentalness • 80% Positiveness
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Martin Miller
Fresh Ducks
135 bpm • D min • 05:31 • -3.76db
14% Popularity • 56% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
14% Popularity • 56% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
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Cristiano Parato
True Boys
135 bpm • D Maj • 04:38 • -4.99db
14% Popularity • 64% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 90% Positiveness
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Scott Henderson
Dolemite
133 bpm • C# Maj • 05:52 • -6db
34% Popularity • 65% Danceability • 91% Energy • 42% Liveness
92% Instrumentalness • 74% Positiveness
34% Popularity • 65% Danceability • 91% Energy • 42% Liveness
92% Instrumentalness • 74% Positiveness
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Virgil Donati
The Crack
135 bpm • F# Maj • 03:57 • -6.43db
22% Popularity • 35% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
22% Popularity • 35% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
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Cosmosquad
El Perro Vaila
134 bpm • B Maj • 06:05 • -7.92db
12% Popularity • 48% Danceability • 92% Energy • 97% Liveness
67% Instrumentalness • 70% Positiveness
12% Popularity • 48% Danceability • 92% Energy • 97% Liveness
67% Instrumentalness • 70% Positiveness
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Greg Howe
Sound Proof
133 bpm • G Maj • 06:42 • -7.26db
11% Popularity • 50% Danceability • 73% Energy • 7% Liveness
68% Instrumentalness • 48% Positiveness
11% Popularity • 50% Danceability • 73% Energy • 7% Liveness
68% Instrumentalness • 48% Positiveness
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Randy Coven
Funk Me Tender
132 bpm • D Maj • 05:15 • -5.87db
12% Popularity • 49% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 77% Positiveness
12% Popularity • 49% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 77% Positiveness
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Kiko Loureiro
Camino A Casa
132 bpm • C# Maj • 05:21 • -9.49db
13% Popularity • 46% Danceability • 84% Energy • 5% Liveness
65% Instrumentalness • 77% Positiveness
13% Popularity • 46% Danceability • 84% Energy • 5% Liveness
65% Instrumentalness • 77% Positiveness
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Niacin
Clean-up Crew - Instrumental
132 bpm • F Maj • 01:06 • -10.93db
32% Popularity • 61% Danceability • 82% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
32% Popularity • 61% Danceability • 82% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
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Gary Willis
Big Time
132 bpm • D Maj • 06:56 • -12db
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
73% Instrumentalness • 19% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 7% Liveness
73% Instrumentalness • 19% Positiveness
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Cosmosquad
Lubitorium
134 bpm • F min • 06:52 • -8.08db
10% Popularity • 60% Danceability • 80% Energy • 39% Liveness
84% Instrumentalness • 50% Positiveness
10% Popularity • 60% Danceability • 80% Energy • 39% Liveness
84% Instrumentalness • 50% Positiveness
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Scott Henderson
Church Of Xotic Dance
132 bpm • G Maj • 07:20 • -9.72db
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 21% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 21% Positiveness
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Frank Gambale
Little Charmer
132 bpm • G Maj • 05:38 • -10.35db
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
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Panzerballett
Zehrfunk
132 bpm • D Maj • 06:37 • -4.57db
15% Popularity • 51% Danceability • 82% Energy • 14% Liveness
83% Instrumentalness • 59% Positiveness
15% Popularity • 51% Danceability • 82% Energy • 14% Liveness
83% Instrumentalness • 59% Positiveness
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Wayne Krantz
Don't Tell Me
132 bpm • A min • 05:30 • -14db
33% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
33% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
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Electric Outlet
Propellorhead
131 bpm • C# Maj • 06:26 • -6db
8% Popularity • 45% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 66% Positiveness
8% Popularity • 45% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 66% Positiveness
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Cosmosquad
Hindenberg
135 bpm • G Maj • 05:37 • -6.59db
7% Popularity • 48% Danceability • 83% Energy • 33% Liveness
91% Instrumentalness • 11% Positiveness
7% Popularity • 48% Danceability • 83% Energy • 33% Liveness
91% Instrumentalness • 11% Positiveness
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The Aristocrats
Blues Fuckers
137 bpm • D Maj • 04:59 • -7.52db
21% Popularity • 40% Danceability • 73% Energy • 22% Liveness
87% Instrumentalness • 54% Positiveness
21% Popularity • 40% Danceability • 73% Energy • 22% Liveness
87% Instrumentalness • 54% Positiveness
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Michael Lee Firkins
Trinity Road
137 bpm • C Maj • 05:12 • -11.01db
12% Popularity • 53% Danceability • 33% Energy • 19% Liveness
38% Instrumentalness • 19% Positiveness
12% Popularity • 53% Danceability • 33% Energy • 19% Liveness
38% Instrumentalness • 19% Positiveness
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Frank Gambale
Major Fascination
131 bpm • G# Maj • 06:40 • -9.22db
8% Popularity • 61% Danceability • 77% Energy • 21% Liveness
57% Instrumentalness • 71% Positiveness
8% Popularity • 61% Danceability • 77% Energy • 21% Liveness
57% Instrumentalness • 71% Positiveness
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Wayne Krantz
Whippersnapper
137 bpm • G Maj • 06:47 • -10db
23% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
23% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
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Dave Weckl Band
Chain Reaction
131 bpm • D Maj • 05:34 • -9db
24% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
24% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
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Richie Kotzen
Tarnished with Age
137 bpm • C# min • 05:10 • -6.39db
11% Popularity • 54% Danceability • 83% Energy • 11% Liveness
72% Instrumentalness • 33% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 11% Liveness
72% Instrumentalness • 33% Positiveness
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Tony MacAlpine
The Watcher
138 bpm • A# Maj • 03:47 • -14db
12% Popularity • 57% Danceability • 51% Energy • 16% Liveness
25% Instrumentalness • 67% Positiveness
12% Popularity • 57% Danceability • 51% Energy • 16% Liveness
25% Instrumentalness • 67% Positiveness
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Nick Johnston
Silver Tongued Devil
130 bpm • C# min • 08:14 • -5db
20% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
20% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
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Frank Gambale
Free Spirit
131 bpm • C# Maj • 05:07 • -12.17db
16% Popularity • 75% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
16% Popularity • 75% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
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Thorshammer
L.I.E.
130 bpm • D Maj • 07:39 • -9db
13% Popularity • 31% Danceability • 79% Energy • 70% Liveness
72% Instrumentalness • 24% Positiveness
13% Popularity • 31% Danceability • 79% Energy • 70% Liveness
72% Instrumentalness • 24% Positiveness
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Dave Weckl Band
101 Shuffle
131 bpm • D Maj • 06:18 • -9.69db
23% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
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Cosmosquad
Jam Forjason
130 bpm • C# min • 08:05 • -7.9db
9% Popularity • 56% Danceability • 89% Energy • 14% Liveness
80% Instrumentalness • 58% Positiveness
9% Popularity • 56% Danceability • 89% Energy • 14% Liveness
80% Instrumentalness • 58% Positiveness
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Tony MacAlpine
Cab
130 bpm • C# min • 07:16 • -11db
16% Popularity • 40% Danceability • 70% Energy • 34% Liveness
89% Instrumentalness • 76% Positiveness
16% Popularity • 40% Danceability • 70% Energy • 34% Liveness
89% Instrumentalness • 76% Positiveness
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Virgil Donati
Eleven
130 bpm • D Maj • 05:52 • -5db
20% Popularity • 61% Danceability • 77% Energy • 20% Liveness
88% Instrumentalness • 51% Positiveness
20% Popularity • 61% Danceability • 77% Energy • 20% Liveness
88% Instrumentalness • 51% Positiveness
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Morglbl
Morglbl Circus
130 bpm • D min • 04:21 • -7.38db
7% Popularity • 47% Danceability • 86% Energy • 32% Liveness
87% Instrumentalness • 48% Positiveness
7% Popularity • 47% Danceability • 86% Energy • 32% Liveness
87% Instrumentalness • 48% Positiveness
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Niacin
I Miss You (Like I Miss The Sun) - Instr...
130 bpm • E min • 04:53 • -10db
12% Popularity • 70% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
12% Popularity • 70% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
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Adam Nitti
The Renaissance Man/Rebirth
138 bpm • A min • 06:45 • -8db
9% Popularity • 56% Danceability • 78% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
9% Popularity • 56% Danceability • 78% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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The John Scofield Band
Ãœberjam
138 bpm • C# Maj • 06:52 • -10db
18% Popularity • 72% Danceability • 81% Energy • 39% Liveness
67% Instrumentalness • 67% Positiveness
18% Popularity • 72% Danceability • 81% Energy • 39% Liveness
67% Instrumentalness • 67% Positiveness
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Guthrie Govan
Slidey Boy
130 bpm • G Maj • 04:35 • -6.61db
31% Popularity • 62% Danceability • 82% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
31% Popularity • 62% Danceability • 82% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
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Cosmosquad
Jam For Jason
130 bpm • C# min • 06:29 • -6.63db
7% Popularity • 56% Danceability • 95% Energy • 51% Liveness
61% Instrumentalness • 70% Positiveness
7% Popularity • 56% Danceability • 95% Energy • 51% Liveness
61% Instrumentalness • 70% Positiveness
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Virgil Donati
Castle Bastards
130 bpm • D Maj • 04:50 • -8db
21% Popularity • 44% Danceability • 70% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
21% Popularity • 44% Danceability • 70% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Cristiano Parato
Cosmical
130 bpm • B min • 05:07 • -5.59db
24% Popularity • 64% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
24% Popularity • 64% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Owane
Intergalactic Drive-by
130 bpm • F# min • 03:40 • -11db
21% Popularity • 36% Danceability • 67% Energy • 37% Liveness
82% Instrumentalness • 66% Positiveness
21% Popularity • 36% Danceability • 67% Energy • 37% Liveness
82% Instrumentalness • 66% Positiveness
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Frank Gambale
Loch Ness Monster
130 bpm • A Maj • 05:16 • -9.14db
8% Popularity • 58% Danceability • 81% Energy • 8% Liveness
71% Instrumentalness • 87% Positiveness
8% Popularity • 58% Danceability • 81% Energy • 8% Liveness
71% Instrumentalness • 87% Positiveness
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Adam Nitti
Not of This World
130 bpm • G Maj • 05:59 • -8.75db
23% Popularity • 56% Danceability • 86% Energy • 16% Liveness
91% Instrumentalness • 80% Positiveness
23% Popularity • 56% Danceability • 86% Energy • 16% Liveness
91% Instrumentalness • 80% Positiveness
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Cosmosquad
Galactic Voyage
130 bpm • C min • 05:42 • -13.05db
13% Popularity • 74% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 66% Positiveness
13% Popularity • 74% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 66% Positiveness
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Virgil Donati
Eleven Pt. 2
130 bpm • G Maj • 06:37 • -7.73db
16% Popularity • 60% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Martin Miller
Plush Door
130 bpm • B Maj • 04:40 • -4.76db
11% Popularity • 44% Danceability • 91% Energy • 14% Liveness
66% Instrumentalness • 64% Positiveness
11% Popularity • 44% Danceability • 91% Energy • 14% Liveness
66% Instrumentalness • 64% Positiveness
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Liquid Tension Experiment
Liquid Evolution
139 bpm • B min • 03:22 • -10.8db
32% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
32% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Frank Gambale
The Italian Job
130 bpm • G Maj • 05:29 • -9db
16% Popularity • 56% Danceability • 80% Energy • 21% Liveness
92% Instrumentalness • 56% Positiveness
16% Popularity • 56% Danceability • 80% Energy • 21% Liveness
92% Instrumentalness • 56% Positiveness
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Gary Willis
Emancipation
129 bpm • G Maj • 04:52 • -12.77db
12% Popularity • 49% Danceability • 39% Energy • 6% Liveness
6% Instrumentalness • 47% Positiveness
12% Popularity • 49% Danceability • 39% Energy • 6% Liveness
6% Instrumentalness • 47% Positiveness
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Allen Hinds
Little White Lies
129 bpm • F# Maj • 04:45 • -7.02db
11% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
11% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
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Virgil Donati
The Fall of Dreams
130 bpm • G# Maj • 04:17 • -6.24db
17% Popularity • 59% Danceability • 70% Energy • 20% Liveness
83% Instrumentalness • 20% Positiveness
17% Popularity • 59% Danceability • 70% Energy • 20% Liveness
83% Instrumentalness • 20% Positiveness
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Mattias IA Eklundh
The Road Less Traveled
129 bpm • G min • 02:48 • -4.38db
20% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dean Brown
Takethis!
139 bpm • B min • 06:32 • -7db
11% Popularity • 55% Danceability • 82% Energy • 4% Liveness
85% Instrumentalness • 80% Positiveness
11% Popularity • 55% Danceability • 82% Energy • 4% Liveness
85% Instrumentalness • 80% Positiveness
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Thiago E. Santo
Miró
139 bpm • G Maj • 04:58 • -9.97db
10% Popularity • 62% Danceability • 60% Energy • 11% Liveness
58% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 60% Energy • 11% Liveness
58% Instrumentalness • 14% Positiveness
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Cosmosquad
In Loving Memory
129 bpm • F min • 05:06 • -9db
11% Popularity • 59% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Greg Howe
Key to Open
139 bpm • G min • 01:50 • -14.06db
21% Popularity • 45% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
21% Popularity • 45% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Tony MacAlpine
So There Is Love
139 bpm • A# Maj • 03:41 • -12db
12% Popularity • 42% Danceability • 74% Energy • 8% Liveness
75% Instrumentalness • 53% Positiveness
12% Popularity • 42% Danceability • 74% Energy • 8% Liveness
75% Instrumentalness • 53% Positiveness
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Mohini Dey
Kick'B'ass
139 bpm • B min • 05:29 • -6.75db
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
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Tony Grey
Free Fall
129 bpm • C Maj • 07:11 • -12.08db
8% Popularity • 39% Danceability • 76% Energy • 38% Liveness
80% Instrumentalness • 37% Positiveness
8% Popularity • 39% Danceability • 76% Energy • 38% Liveness
80% Instrumentalness • 37% Positiveness
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Snarky Puppy
Bent Nails
129 bpm • C# min • 05:02 • -8.24db
29% Popularity • 47% Danceability • 80% Energy • 69% Liveness
90% Instrumentalness • 88% Positiveness
29% Popularity • 47% Danceability • 80% Energy • 69% Liveness
90% Instrumentalness • 88% Positiveness
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Cosmosquad
Chinese Eyes
129 bpm • A Maj • 04:19 • -7.25db
9% Popularity • 64% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
9% Popularity • 64% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
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Adam Nitti
Antisocialmedia
140 bpm • E min • 06:48 • -8db
22% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
22% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Richard Hallebeek
Wristkiller
140 bpm • D Maj • 05:19 • -12db
20% Popularity • 46% Danceability • 83% Energy • 7% Liveness
78% Instrumentalness • 65% Positiveness
20% Popularity • 46% Danceability • 83% Energy • 7% Liveness
78% Instrumentalness • 65% Positiveness
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Drift Lab
Japanese Experiment
140 bpm • A min • 07:05 • -14.26db
20% Popularity • 58% Danceability • 60% Energy • 5% Liveness
91% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 5% Liveness
91% Instrumentalness • 44% Positiveness
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Daniele Gottardo
Frenzy of Ecstasy
140 bpm • F Maj • 05:21 • -5.99db
19% Popularity • 38% Danceability • 65% Energy • 21% Liveness
40% Instrumentalness • 26% Positiveness
19% Popularity • 38% Danceability • 65% Energy • 21% Liveness
40% Instrumentalness • 26% Positiveness
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Tony MacAlpine
Night Splash
128 bpm • F Maj • 05:20 • -11db
14% Popularity • 46% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 90% Positiveness
14% Popularity • 46% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 90% Positiveness
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Cosmosquad
In Loving Memory
129 bpm • F min • 05:12 • -10.34db
5% Popularity • 56% Danceability • 55% Energy • 71% Liveness
57% Instrumentalness • 30% Positiveness
5% Popularity • 56% Danceability • 55% Energy • 71% Liveness
57% Instrumentalness • 30% Positiveness
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Scott Henderson
Transatlantic
140 bpm • C# Maj • 08:08 • -10.6db
14% Popularity • 60% Danceability • 55% Energy • 17% Liveness
65% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 55% Energy • 17% Liveness
65% Instrumentalness • 26% Positiveness
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Virgil Donati
In This Life
140 bpm • C Maj • 08:26 • -4db
15% Popularity • 55% Danceability • 88% Energy • 36% Liveness
48% Instrumentalness • 32% Positiveness
15% Popularity • 55% Danceability • 88% Energy • 36% Liveness
48% Instrumentalness • 32% Positiveness
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Gavin Harrison
Atonic Water
140 bpm • C# Maj • 04:50 • -12.75db
10% Popularity • 63% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 26% Positiveness
10% Popularity • 63% Danceability • 47% Energy • 15% Liveness
90% Instrumentalness • 26% Positiveness
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Marco Minnemann
Streets
140 bpm • A Maj • 05:47 • -5.36db
12% Popularity • 31% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
12% Popularity • 31% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
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Garaj Mahal
The Shadow
140 bpm • G Maj • 09:15 • -6.97db
12% Popularity • 42% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 64% Positiveness
12% Popularity • 42% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 64% Positiveness
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Cosmosquad
Chinese Eyes
129 bpm • A Maj • 04:20 • -6.44db
7% Popularity • 43% Danceability • 88% Energy • 68% Liveness
47% Instrumentalness • 64% Positiveness
7% Popularity • 43% Danceability • 88% Energy • 68% Liveness
47% Instrumentalness • 64% Positiveness
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Scott Henderson
Dr. Hee
128 bpm • A min • 06:51 • -13db
13% Popularity • 58% Danceability • 74% Energy • 7% Liveness
65% Instrumentalness • 48% Positiveness
13% Popularity • 58% Danceability • 74% Energy • 7% Liveness
65% Instrumentalness • 48% Positiveness
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Tomo Fujita
Confidence Cat
128 bpm • G min • 05:35 • -6.41db
12% Popularity • 65% Danceability • 90% Energy • 7% Liveness
34% Instrumentalness • 86% Positiveness
12% Popularity • 65% Danceability • 90% Energy • 7% Liveness
34% Instrumentalness • 86% Positiveness
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Jeff Berlin
Porky & Beans
128 bpm • C Maj • 06:24 • -9db
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
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Alex Hutchings
And Then She Was Gone
128 bpm • A# min • 05:38 • -6.21db
22% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Kiko Loureiro
Havana
140 bpm • B min • 05:27 • -8.91db
17% Popularity • 34% Danceability • 73% Energy • 18% Liveness
24% Instrumentalness • 55% Positiveness
17% Popularity • 34% Danceability • 73% Energy • 18% Liveness
24% Instrumentalness • 55% Positiveness
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Richie Kotzen
Contusion
128 bpm • D Maj • 06:25 • -6.07db
9% Popularity • 51% Danceability • 96% Energy • 9% Liveness
83% Instrumentalness • 54% Positiveness
9% Popularity • 51% Danceability • 96% Energy • 9% Liveness
83% Instrumentalness • 54% Positiveness
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Scott Henderson
Manic Carpet
140 bpm • E min • 07:25 • -9.65db
10% Popularity • 39% Danceability • 82% Energy • 27% Liveness
59% Instrumentalness • 51% Positiveness
10% Popularity • 39% Danceability • 82% Energy • 27% Liveness
59% Instrumentalness • 51% Positiveness
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Doug Johns
Gig Shirt
128 bpm • G Maj • 03:29 • -8.49db
19% Popularity • 64% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
19% Popularity • 64% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
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Project Z
Augusta's Ankle
140 bpm • F Maj • 04:23 • -7.45db
11% Popularity • 45% Danceability • 88% Energy • 13% Liveness
84% Instrumentalness • 82% Positiveness
11% Popularity • 45% Danceability • 88% Energy • 13% Liveness
84% Instrumentalness • 82% Positiveness
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Cosmosquad
The Scene
128 bpm • F min • 05:49 • -15db
19% Popularity • 54% Danceability • 56% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
19% Popularity • 54% Danceability • 56% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
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Virgil Donati
Out of the Dirt
140 bpm • G Maj • 02:57 • -8db
29% Popularity • 32% Danceability • 80% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
29% Popularity • 32% Danceability • 80% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
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Dennis Chambers
Past and Future
128 bpm • E min • 04:42 • -7db
21% Popularity • 40% Danceability • 90% Energy • 32% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 40% Danceability • 90% Energy • 32% Liveness
3% Instrumentalness • 51% Positiveness
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Vital Techtones
Catch Me If U Can
141 bpm • C# min • 04:24 • -5db
24% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
24% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
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Vital Information
Listen Up!
141 bpm • A# Maj • 04:54 • -9.37db
15% Popularity • 69% Danceability • 59% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
15% Popularity • 69% Danceability • 59% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Anika Nilles
Dark Chocolate
141 bpm • G min • 06:06 • -7.18db
18% Popularity • 38% Danceability • 75% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
18% Popularity • 38% Danceability • 75% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
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Bozzio Levin Stevens
Tragic
141 bpm • G Maj • 06:59 • -8.5db
13% Popularity • 29% Danceability • 77% Energy • 25% Liveness
71% Instrumentalness • 19% Positiveness
13% Popularity • 29% Danceability • 77% Energy • 25% Liveness
71% Instrumentalness • 19% Positiveness
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Chad Smith's Bombastic Meatbats
Moby Dick
127 bpm • F min • 03:28 • -7.03db
10% Popularity • 52% Danceability • 74% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
10% Popularity • 52% Danceability • 74% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
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The Aristocrats
ZZ Top
127 bpm • A Maj • 05:14 • -8db
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
