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Lucky
Songs like
Lucky
by
Chelsea Cutler
Based on a tempo of (+/- 10%) and a similar genre
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Josie Dunne
Same
92 bpm • A Maj • 02:41 • -9.16db
30% Popularity • 68% Danceability • 52% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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JUNG
Call Me Up
92 bpm • D Maj • 02:44 • -10.09db
34% Popularity • 82% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Simons
Dust
92 bpm • C# Maj • 03:18 • -10db
41% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Shawn Mendes
Fallin' All In You
92 bpm • G# Maj • 03:55 • -6.7db
69% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Chelsea Cutler
Lucky
92 bpm • D Maj • 02:28 • -9.61db
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Charlotte Lawrence
Just the Same
92 bpm • G Maj • 03:31 • -5db
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Maisie Peters
Stay Young
93 bpm • A Maj • 03:22 • -4.67db
41% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Orlando
See You
93 bpm • F# Maj • 02:55 • -4.71db
48% Popularity • 67% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
Too Much I Miss You
91 bpm • D Maj • 03:10 • -10.63db
31% Popularity • 40% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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Grey
Want You Back
93 bpm • C min • 02:56 • -6db
40% Popularity • 76% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Lost Kings
Too Far Gone
93 bpm • G Maj • 03:16 • -4.94db
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Gabriel Conte
I'm Not Sorry
93 bpm • G# Maj • 03:00 • -7.02db
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Christian French
good things take time
93 bpm • C Maj • 02:36 • -7.86db
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Chelsea Cutler
You're Not Missing Me
91 bpm • D Maj • 03:33 • -6db
43% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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A R I Z O N A
Hold the Line - Acoustic
91 bpm • F# min • 03:15 • -10.85db
35% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Marshmello
Be Kind [Stripped]
94 bpm • E Maj • 02:53 • -10.48db
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Greyson Chance
Twenty One
94 bpm • F min • 03:12 • -8db
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 04:24 • -13.53db
64% Popularity • 64% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Alexander Stewart
Best Damn Thing
94 bpm • C# Maj • 03:52 • -3db
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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LANY
sad
94 bpm • A Maj • 03:19 • -7.77db
48% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Conor Maynard
Waste Your Time
94 bpm • B Maj • 03:08 • -6.06db
44% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ruel
Face To Face
90 bpm • A Maj • 03:23 • -4.35db
57% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
48% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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LANY
you!
94 bpm • A# Maj • 04:34 • -7.53db
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Gentle Bones
Why Do We?
90 bpm • A Maj • 02:56 • -7db
32% Popularity • 65% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Finding Hope
Daydream
90 bpm • G# Maj • 02:44 • -8.32db
35% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
Deserve This
94 bpm • D Maj • 03:44 • -8db
32% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Pink Sweat$
Coke & Henny Pt. 2
90 bpm • C# min • 02:37 • -10db
54% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Chainsmokers
Push My Luck
90 bpm • D Maj • 03:01 • -6.42db
52% Popularity • 56% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Greyson Chance
Honeysuckle
90 bpm • B Maj • 02:22 • -9.15db
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Xuitcasecity
Need Somebody
90 bpm • A Maj • 03:08 • -6.56db
45% Popularity • 42% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Chelsea Cutler
You Can Have It
94 bpm • G# Maj • 02:51 • -7.85db
28% Popularity • 86% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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joan
love somebody like you
95 bpm • G Maj • 03:47 • -3.75db
46% Popularity • 58% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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JST FRNDS
All Night Long
95 bpm • D# Maj • 03:35 • -7.96db
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Peach Tree Rascals
I'm Sorry
95 bpm • E Maj • 02:44 • -7.39db
43% Popularity • 75% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Chelsea Cutler
I Miss You
94 bpm • A Maj • 04:20 • -8.65db
31% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Soran
Stop Myself
95 bpm • A Maj • 03:10 • -10db
26% Popularity • 59% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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New Rules
Pasta
89 bpm • C# Maj • 02:57 • -4db
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sam DeRosa
Pill for This
96 bpm • G Maj • 02:53 • -5.34db
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Talia Jean Perez
Conflicted
96 bpm • A# min • 04:02 • -10.21db
19% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chelsea Cutler
The Reason
90 bpm • D Maj • 03:04 • -9db
48% Popularity • 41% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Max Landry
Back to Sleep
88 bpm • C# Maj • 03:27 • -12db
30% Popularity • 56% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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LANY
ex i never had
96 bpm • A# Maj • 03:21 • -7.07db
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Virginia To Vegas
what are we
96 bpm • F# Maj • 03:20 • -6db
44% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Chelsea Cutler
Are You Listening
90 bpm • D Maj • 02:52 • -6.13db
32% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Zach Paradis
Parking Lot
96 bpm • F# Maj • 02:57 • -6.96db
25% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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CaRter
Jasper Avenue
88 bpm • A Maj • 04:34 • -10.66db
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mason Murphy
Save Me - Acoustic
97 bpm • G Maj • 04:00 • -11.64db
23% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Chelsea Cutler
Sixteen
90 bpm • C# min • 03:44 • -7.42db
40% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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JP Saxe
Women Who Look Like You
87 bpm • G min • 03:06 • -7db
29% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Alexander 23
Dirty AF1s
87 bpm • G# Maj • 02:17 • -6db
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Christian French
sweet home
87 bpm • F Maj • 02:46 • -8db
35% Popularity • 67% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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ASTN
Flowers
87 bpm • D# min • 03:01 • -11.87db
42% Popularity • 68% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Heather Sommer
We Used To
98 bpm • C# min • 02:38 • -12.01db
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Chelsea Cutler
Someone Else
95 bpm • A# Maj • 03:36 • -8.53db
32% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander 23
Caught in the Middle
98 bpm • G Maj • 02:42 • -8db
37% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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A R I Z O N A
Problems
98 bpm • D Maj • 02:51 • -7.41db
49% Popularity • 72% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 13% Positiveness
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Cadmium
Feel It Too
98 bpm • F# min • 03:18 • -5.78db
38% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Bryce Vine
La La Land - Acoustic
98 bpm • C# min • 02:17 • -8.59db
47% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Chelsea Cutler
Sleeping with Roses
88 bpm • D Maj • 01:20 • -14.07db
39% Popularity • 46% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
62% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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James TW
Suitcase
86 bpm • C Maj • 03:35 • -9db
46% Popularity • 69% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Avicii
Hold The Line
98 bpm • A Maj • 02:51 • -7.01db
57% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Chelsea Cutler
Strangers Again
96 bpm • D Maj • 03:12 • -7.43db
33% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Rhys Lewis
Hold On To Happiness
86 bpm • B min • 03:38 • -10db
38% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jacob Lee
Reality
86 bpm • G Maj • 03:55 • -6db
36% Popularity • 60% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
49% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
60% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
You Make Me
98 bpm • C Maj • 03:34 • -6.38db
36% Popularity • 58% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Evan Blum
Hurt The Ones We Love The Most
99 bpm • E Maj • 03:23 • -12db
30% Popularity • 80% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Conor Matthews
Older
85 bpm • E Maj • 03:20 • -4.6db
52% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
53% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Greyson Chance
Good As Gold
85 bpm • D Maj • 03:25 • -5db
34% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Olivia O'Brien
Love Myself
100 bpm • D Maj • 03:33 • -5.7db
51% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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HAYL
Wire
100 bpm • G Maj • 03:35 • -9db
14% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Lucky