Songs like Luddite by Cleric
Based on a tempo of (+/- 10%) and a similar genre
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Cleric
Blood & Oil
135 bpm • G# Maj • 04:48 • -10.47db
4% Popularity • 73% Danceability • 89% Energy • 24% Liveness
90% Instrumentalness • 26% Positiveness
4% Popularity • 73% Danceability • 89% Energy • 24% Liveness
90% Instrumentalness • 26% Positiveness
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Exium
Synchro
135 bpm • A# min • 05:29 • -6db
12% Popularity • 74% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
12% Popularity • 74% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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FJAAK
Quilmes
135 bpm • B Maj • 06:11 • -9.63db
13% Popularity • 60% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
13% Popularity • 60% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Anetha
Leftover Love
135 bpm • G Maj • 06:48 • -7.94db
17% Popularity • 59% Danceability • 97% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
17% Popularity • 59% Danceability • 97% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Rene Wise
Lakota Fox
135 bpm • E min • 06:25 • -10.56db
15% Popularity • 78% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 78% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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999999999
09 09 1999
135 bpm • C Maj • 04:39 • -6.55db
9% Popularity • 64% Danceability • 95% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 64% Danceability • 95% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Lewis Fautzi
Inwards
135 bpm • A# min • 05:23 • -10.98db
11% Popularity • 58% Danceability • 85% Energy • 13% Liveness
90% Instrumentalness • 47% Positiveness
11% Popularity • 58% Danceability • 85% Energy • 13% Liveness
90% Instrumentalness • 47% Positiveness
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Ben Sims
Carnival Part 1 - Shlomi Aber Remix
135 bpm • F# Maj • 05:14 • -11.05db
22% Popularity • 72% Danceability • 93% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 72% Danceability • 93% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Parallx
The Unseen
135 bpm • F# min • 07:10 • -8db
10% Popularity • 58% Danceability • 94% Energy • 16% Liveness
72% Instrumentalness • 38% Positiveness
10% Popularity • 58% Danceability • 94% Energy • 16% Liveness
72% Instrumentalness • 38% Positiveness
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Anetha
Virtual Ritual
135 bpm • A# min • 06:25 • -11.33db
23% Popularity • 74% Danceability • 97% Energy • 11% Liveness
79% Instrumentalness • 17% Positiveness
23% Popularity • 74% Danceability • 97% Energy • 11% Liveness
79% Instrumentalness • 17% Positiveness
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Rene Wise
Swamp Dancer
135 bpm • G Maj • 05:31 • -10db
29% Popularity • 78% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
29% Popularity • 78% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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AIROD
Strange Mind
135 bpm • F# Maj • 06:11 • -7.91db
21% Popularity • 52% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 53% Positiveness
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Kobosil
Bei Nacht H (178)
135 bpm • A# min • 05:07 • -9.47db
26% Popularity • 60% Danceability • 84% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
26% Popularity • 60% Danceability • 84% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Cleric
Luddite
135 bpm • E min • 05:44 • -6.69db
5% Popularity • 71% Danceability • 96% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
5% Popularity • 71% Danceability • 96% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Vinicius Honorio
No Love Lost - Temudo Remix
135 bpm • C# Maj • 06:47 • -12.72db
24% Popularity • 80% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
24% Popularity • 80% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Beroshima
Interplugreaction - Somewhen Remix
135 bpm • G Maj • 05:58 • -9.26db
8% Popularity • 78% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
8% Popularity • 78% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Rene Wise
Changa
135 bpm • G Maj • 05:31 • -11db
21% Popularity • 76% Danceability • 99% Energy • 11% Liveness
95% Instrumentalness • 58% Positiveness
21% Popularity • 76% Danceability • 99% Energy • 11% Liveness
95% Instrumentalness • 58% Positiveness
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Snts
ES19.3 - Blue Hour Remix
135 bpm • A min • 05:48 • -9.49db
14% Popularity • 64% Danceability • 90% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 64% Danceability • 90% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Kobosil
Per
135 bpm • G Maj • 05:36 • -13.87db
23% Popularity • 79% Danceability • 60% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 79% Danceability • 60% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Uun
Lower Norfair
135 bpm • B Maj • 05:56 • -11db
14% Popularity • 62% Danceability • 88% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 62% Danceability • 88% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Randomer
Stigma
135 bpm • B min • 05:41 • -4.94db
15% Popularity • 67% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 67% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Boston 168
Mind Field
135 bpm • A# min • 07:08 • -11db
15% Popularity • 58% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
15% Popularity • 58% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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A.Paul
Confined
135 bpm • G Maj • 05:11 • -7.57db
11% Popularity • 77% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
11% Popularity • 77% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Vladimir Dubyshkin
Belissimo
135 bpm • A Maj • 05:59 • -9.93db
26% Popularity • 64% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 64% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Kobosil
40000 L
135 bpm • G Maj • 05:25 • -7.42db
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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FJAAK
Drugs
135 bpm • B min • 06:10 • -9.56db
21% Popularity • 76% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 76% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Rene Wise
Pleasure Note
135 bpm • E min • 05:15 • -10.05db
27% Popularity • 78% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
27% Popularity • 78% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Under Black Helmet
Misbehavior
135 bpm • G Maj • 05:29 • -9.71db
9% Popularity • 71% Danceability • 70% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
9% Popularity • 71% Danceability • 70% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
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Héctor Oaks
Breaking Point (Héctor Oaks Emergency P...
135 bpm • G# Maj • 05:48 • -12.87db
7% Popularity • 65% Danceability • 94% Energy • 23% Liveness
76% Instrumentalness • 48% Positiveness
7% Popularity • 65% Danceability • 94% Energy • 23% Liveness
76% Instrumentalness • 48% Positiveness
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Boston 168
Flee From Hate
135 bpm • F# min • 06:13 • -8.18db
8% Popularity • 72% Danceability • 98% Energy • 14% Liveness
85% Instrumentalness • 41% Positiveness
8% Popularity • 72% Danceability • 98% Energy • 14% Liveness
85% Instrumentalness • 41% Positiveness
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Kobosil
Derange
135 bpm • A# Maj • 06:13 • -6.36db
10% Popularity • 65% Danceability • 94% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
10% Popularity • 65% Danceability • 94% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Tim Tama
Teflon Love
135 bpm • G# Maj • 06:49 • -7.93db
11% Popularity • 61% Danceability • 95% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 61% Danceability • 95% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Cleric
Acid Reflux
135 bpm • A Maj • 06:16 • -8.51db
5% Popularity • 73% Danceability • 72% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
5% Popularity • 73% Danceability • 72% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Phara
Great Attractor - Setaoc Mass Remix
135 bpm • G Maj • 05:46 • -9.47db
19% Popularity • 74% Danceability • 86% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
19% Popularity • 74% Danceability • 86% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
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Raffaele Attanasio
Gundam
135 bpm • A# min • 05:23 • -8.56db
17% Popularity • 56% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
17% Popularity • 56% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Parallx
Aureus
135 bpm • C Maj • 06:57 • -9.18db
9% Popularity • 71% Danceability • 88% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
9% Popularity • 71% Danceability • 88% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
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Jon Hopkins
Collider - Karenn Remix
135 bpm • G Maj • 06:39 • -7.21db
19% Popularity • 77% Danceability • 75% Energy • 34% Liveness
89% Instrumentalness • 55% Positiveness
19% Popularity • 77% Danceability • 75% Energy • 34% Liveness
89% Instrumentalness • 55% Positiveness
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Endlec
Fearful Symmetry
135 bpm • F# min • 04:53 • -8.49db
7% Popularity • 81% Danceability • 95% Energy • 13% Liveness
91% Instrumentalness • 21% Positiveness
7% Popularity • 81% Danceability • 95% Energy • 13% Liveness
91% Instrumentalness • 21% Positiveness
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Planetary Assault Systems
Shine
135 bpm • D Maj • 05:33 • -10.52db
12% Popularity • 79% Danceability • 95% Energy • 12% Liveness
92% Instrumentalness • 43% Positiveness
12% Popularity • 79% Danceability • 95% Energy • 12% Liveness
92% Instrumentalness • 43% Positiveness
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UVB
Mixtion - Original Mix
135 bpm • C# Maj • 06:30 • -8.33db
25% Popularity • 63% Danceability • 95% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
25% Popularity • 63% Danceability • 95% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
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Jeroen Search
Escape Velocity
135 bpm • C# Maj • 04:24 • -12.97db
15% Popularity • 74% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
15% Popularity • 74% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Border One
Split
134 bpm • F# min • 05:46 • -11.25db
11% Popularity • 62% Danceability • 73% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 62% Danceability • 73% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Setaoc Mass
Thin Blue Line
134 bpm • G Maj • 06:02 • -9.64db
9% Popularity • 66% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
9% Popularity • 66% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Endlec
Sleep Garden
135 bpm • B min • 06:14 • -8.86db
8% Popularity • 76% Danceability • 70% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
8% Popularity • 76% Danceability • 70% Energy • 11% Liveness
83% Instrumentalness • 52% Positiveness
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P.E.A.R.L.
We Will Not All Fall - Matrixxman Remix
136 bpm • F# Maj • 05:17 • -6.14db
8% Popularity • 78% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
8% Popularity • 78% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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UVB
Zakajen - Original Mix
135 bpm • A# min • 05:05 • -6.85db
8% Popularity • 78% Danceability • 100% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
8% Popularity • 78% Danceability • 100% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
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Tadeo
The Big Step (Function Remix)
134 bpm • B min • 05:06 • -9.97db
9% Popularity • 64% Danceability • 91% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 91% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
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Héctor Oaks
Bringing Down Their System
134 bpm • D Maj • 06:19 • -10.12db
16% Popularity • 66% Danceability • 89% Energy • 20% Liveness
80% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 89% Energy • 20% Liveness
80% Instrumentalness • 65% Positiveness
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Remco Beekwilder
Universe Of Memories - Original Mix
136 bpm • C# Maj • 05:03 • -6.99db
10% Popularity • 66% Danceability • 84% Energy • 19% Liveness
81% Instrumentalness • 34% Positiveness
10% Popularity • 66% Danceability • 84% Energy • 19% Liveness
81% Instrumentalness • 34% Positiveness
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Setaoc Mass
Thin Blue Line - Mixed
134 bpm • G Maj • 02:56 • -11.89db
27% Popularity • 68% Danceability • 92% Energy • 16% Liveness
78% Instrumentalness • 7% Positiveness
27% Popularity • 68% Danceability • 92% Energy • 16% Liveness
78% Instrumentalness • 7% Positiveness
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Planetary Assault Systems
Screen - 2018 Re-edit
134 bpm • F# Maj • 08:12 • -10.38db
9% Popularity • 70% Danceability • 81% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
9% Popularity • 70% Danceability • 81% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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UVB
Rebirth
134 bpm • B Maj • 06:01 • -11.89db
17% Popularity • 56% Danceability • 96% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
17% Popularity • 56% Danceability • 96% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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I Hate Models
Warehouse Memories
136 bpm • C min • 07:26 • -6.54db
28% Popularity • 64% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
28% Popularity • 64% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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MATRiXXMAN
Hong Kong - Night
134 bpm • A# min • 05:27 • -15db
19% Popularity • 78% Danceability • 67% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
19% Popularity • 78% Danceability • 67% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
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Cadency
In Your Mind
134 bpm • C Maj • 05:23 • -7.69db
8% Popularity • 77% Danceability • 99% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
8% Popularity • 77% Danceability • 99% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Parallx
Red Clouds - Somewhen Falling Ashes Mix
134 bpm • B min • 05:57 • -9.53db
15% Popularity • 72% Danceability • 79% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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Kaiser (K S R)
Driving In A Fast Tool
134 bpm • B min • 05:48 • -10.26db
9% Popularity • 66% Danceability • 94% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
9% Popularity • 66% Danceability • 94% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Exos
Time To Time
136 bpm • G Maj • 05:34 • -8.23db
23% Popularity • 73% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
23% Popularity • 73% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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SHDW & Obscure Shape
Die Illusion
136 bpm • D Maj • 05:59 • -5.98db
15% Popularity • 76% Danceability • 97% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
15% Popularity • 76% Danceability • 97% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Alien Rain
1995
134 bpm • F# min • 06:05 • -12.09db
8% Popularity • 70% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 70% Danceability • 89% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Truncate
The Bell
136 bpm • G Maj • 05:15 • -8.81db
8% Popularity • 78% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 78% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Kwartz
Show me that light - Cleric Remix
134 bpm • E min • 06:24 • -13.56db
19% Popularity • 74% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 74% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Parallx
Lost in Time - Original Mix
134 bpm • C Maj • 07:01 • -8db
12% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
12% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Amotik
Barah
134 bpm • C# Maj • 06:19 • -7.52db
23% Popularity • 64% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
23% Popularity • 64% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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James Ruskin
Solex - Original Mix
136 bpm • A# min • 05:15 • -7.61db
12% Popularity • 64% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Talismann
Germany
136 bpm • C# Maj • 06:34 • -16.3db
7% Popularity • 84% Danceability • 59% Energy • 14% Liveness
86% Instrumentalness • 42% Positiveness
7% Popularity • 84% Danceability • 59% Energy • 14% Liveness
86% Instrumentalness • 42% Positiveness
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Under Black Helmet
To Wander On The Moon
136 bpm • A# min • 05:28 • -10.43db
8% Popularity • 67% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
8% Popularity • 67% Danceability • 94% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Kwartz
Balance of power - Orginal track
136 bpm • B Maj • 05:16 • -9db
8% Popularity • 74% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 74% Danceability • 91% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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The Lady Machine
Collide
136 bpm • B Maj • 05:43 • -7db
15% Popularity • 78% Danceability • 98% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
15% Popularity • 78% Danceability • 98% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Charles Fenckler
Distant Light
136 bpm • G Maj • 06:23 • -8.65db
13% Popularity • 70% Danceability • 82% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
13% Popularity • 70% Danceability • 82% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
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Troy
Redshift
134 bpm • C# Maj • 05:23 • -9.95db
7% Popularity • 78% Danceability • 69% Energy • 30% Liveness
90% Instrumentalness • 23% Positiveness
7% Popularity • 78% Danceability • 69% Energy • 30% Liveness
90% Instrumentalness • 23% Positiveness
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Endlec
Force of Future
134 bpm • A# min • 06:30 • -7.31db
12% Popularity • 72% Danceability • 94% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
12% Popularity • 72% Danceability • 94% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Ansome
Dragons Dynamite - Perc Remix
134 bpm • C# Maj • 06:00 • -6.64db
11% Popularity • 63% Danceability • 91% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
11% Popularity • 63% Danceability • 91% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
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Sebastian Lopez aka Flug
Non Stop - Original Mix
136 bpm • G Maj • 07:38 • -6.84db
11% Popularity • 74% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 74% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Under Black Helmet
Jagged
134 bpm • E Maj • 06:05 • -11.49db
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Amotik
Baya
134 bpm • G Maj • 05:52 • -10.89db
16% Popularity • 74% Danceability • 69% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
16% Popularity • 74% Danceability • 69% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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The Lady Machine
Resilience
134 bpm • C# Maj • 06:22 • -9.44db
12% Popularity • 76% Danceability • 94% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 76% Danceability • 94% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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UVB
I Will Always Hate You
136 bpm • B Maj • 06:33 • -6.8db
8% Popularity • 60% Danceability • 88% Energy • 62% Liveness
70% Instrumentalness • 12% Positiveness
8% Popularity • 60% Danceability • 88% Energy • 62% Liveness
70% Instrumentalness • 12% Positiveness
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MATRiXXMAN
Tango Down
134 bpm • A Maj • 06:27 • -13.98db
7% Popularity • 78% Danceability • 84% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
7% Popularity • 78% Danceability • 84% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Chris Liebing
Sambal Olek
136 bpm • C# min • 06:15 • -4.28db
13% Popularity • 50% Danceability • 100% Energy • 62% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 50% Danceability • 100% Energy • 62% Liveness
80% Instrumentalness • 4% Positiveness
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Blue Hour
Solace - Héctor Oaks 'To the Core' Mix
134 bpm • B min • 06:44 • -5.96db
6% Popularity • 68% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 50% Positiveness
6% Popularity • 68% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 50% Positiveness
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Lewis Fautzi
State Of Pressure
134 bpm • B min • 05:48 • -9.13db
11% Popularity • 69% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 69% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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I Hate Models
Emerald - Original Mix
136 bpm • B min • 06:38 • -8.27db
20% Popularity • 50% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 32% Positiveness
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SHDW & Obscure Shape
Tränen Der Sonne
134 bpm • F Maj • 05:37 • -6.93db
9% Popularity • 79% Danceability • 96% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 79% Danceability • 96% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Subjected
Tropfmeise
134 bpm • F# min • 06:41 • -10.44db
8% Popularity • 79% Danceability • 84% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
8% Popularity • 79% Danceability • 84% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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Amotik
Solah
134 bpm • C# Maj • 07:13 • -7.47db
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Sept
Mental Statement
134 bpm • C# Maj • 06:01 • -8.63db
9% Popularity • 68% Danceability • 80% Energy • 13% Liveness
85% Instrumentalness • 9% Positiveness
9% Popularity • 68% Danceability • 80% Energy • 13% Liveness
85% Instrumentalness • 9% Positiveness
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Jeroen Search
Presentism - Original mix
134 bpm • A min • 05:53 • -14.47db
8% Popularity • 46% Danceability • 74% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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LSD
Process 1
134 bpm • A# min • 05:08 • -10.59db
10% Popularity • 59% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
10% Popularity • 59% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Cleric
Pretty Poison
136 bpm • C# Maj • 06:10 • -8.53db
9% Popularity • 78% Danceability • 90% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
9% Popularity • 78% Danceability • 90% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Remco Beekwilder
Nightlife
134 bpm • F# min • 06:05 • -5.98db
13% Popularity • 68% Danceability • 96% Energy • 60% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 68% Danceability • 96% Energy • 60% Liveness
89% Instrumentalness • 4% Positiveness
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SHDW
Wächter der Nacht
134 bpm • G Maj • 05:29 • -6.98db
17% Popularity • 77% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 77% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Chris Liebing
Acid Trezcore
134 bpm • C# min • 04:48 • -4.61db
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
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David Löhlein
Altai - Rene Wise Remix
134 bpm • G Maj • 05:38 • -6.79db
19% Popularity • 68% Danceability • 97% Energy • 27% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 68% Danceability • 97% Energy • 27% Liveness
86% Instrumentalness • 22% Positiveness
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Scalameriya
Crucible
134 bpm • A# min • 04:49 • -6.29db
9% Popularity • 71% Danceability • 97% Energy • 39% Liveness
95% Instrumentalness • 60% Positiveness
9% Popularity • 71% Danceability • 97% Energy • 39% Liveness
95% Instrumentalness • 60% Positiveness
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Cleric
The 6th Day - Wrong Assessment Remix
134 bpm • E min • 05:32 • -10db
2% Popularity • 57% Danceability • 93% Energy • 20% Liveness
80% Instrumentalness • 16% Positiveness
2% Popularity • 57% Danceability • 93% Energy • 20% Liveness
80% Instrumentalness • 16% Positiveness
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Rene Wise
Raptor
136 bpm • G Maj • 04:57 • -9db
31% Popularity • 78% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
31% Popularity • 78% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Sinfol
Drum Spirit
136 bpm • A# min • 06:20 • -7.95db
9% Popularity • 71% Danceability • 91% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 71% Danceability • 91% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
