Songs like Lullaby at 1108 by Matt Frick
Based on a tempo of (+/- 10%) and a similar genre
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Score
Welcome To Dirt
136 bpm • C Maj • 00:58 • -19.02db
26% Popularity • 68% Danceability • 16% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 68% Danceability • 16% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
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Matt Frick
April Lockdown Sessions
136 bpm • D min • 05:29 • -21.7db
0% Popularity • 73% Danceability • 12% Energy • 20% Liveness
10% Instrumentalness • 34% Positiveness
0% Popularity • 73% Danceability • 12% Energy • 20% Liveness
10% Instrumentalness • 34% Positiveness
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Bill Elm
Already Dead
136 bpm • G Maj • 01:31 • -15.39db
34% Popularity • 32% Danceability • 11% Energy • 14% Liveness
24% Instrumentalness • 35% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 14% Liveness
24% Instrumentalness • 35% Positiveness
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Alejandro Jodorowsky
Starfish
136 bpm • A min • 02:19 • -17.85db
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
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Joseph Brunelle
Round To It
136 bpm • G Maj • 04:43 • -12.55db
12% Popularity • 42% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 13% Positiveness
12% Popularity • 42% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 13% Positiveness
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Jok Jau Evong
Sape Ida Lasan
137 bpm • A Maj • 08:42 • -17db
11% Popularity • 57% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
11% Popularity • 57% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
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Clannad
Fairly Shot of Her
137 bpm • E min • 02:20 • -10.81db
11% Popularity • 47% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
11% Popularity • 47% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
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Matt Frick
Lullaby at 1108
136 bpm • C Maj • 03:09 • -22.29db
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 45% Positiveness
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 45% Positiveness
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Laura Veirs
Autumn Song - Live
137 bpm • C# min • 04:37 • -17.17db
18% Popularity • 45% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 45% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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Hampshire & Foat
Out on the Side
135 bpm • E Maj • 02:25 • -30.87db
17% Popularity • 37% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Deer Tick
Pale Blue Eyes
138 bpm • F Maj • 07:03 • -9.81db
11% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sape Kayan
Sape Nyivan Daha Aleng Lakin
134 bpm • F Maj • 07:24 • -9.6db
13% Popularity • 59% Danceability • 56% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
13% Popularity • 59% Danceability • 56% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Krystal Zealot
Bisou magique
138 bpm • D# Maj • 02:29 • -14.2db
14% Popularity • 39% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
14% Popularity • 39% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Matt Frick
Sanctuary Mind
136 bpm • E min • 05:19 • -28.03db
0% Popularity • 49% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
0% Popularity • 49% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Matt Pond PA
Leggings in the Living Room
134 bpm • B Maj • 01:40 • -14.98db
29% Popularity • 74% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
29% Popularity • 74% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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JAZZPARTY
Higher Interlude
134 bpm • D Maj • 01:39 • -13.04db
8% Popularity • 69% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
8% Popularity • 69% Danceability • 34% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Stars Of St. Petersburg
Solo Gousli
134 bpm • F# min • 03:40 • -12.08db
17% Popularity • 38% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
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The Durutti Column
They Work Every Day
134 bpm • C Maj • 03:58 • -14.3db
17% Popularity • 48% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 46% Positiveness
17% Popularity • 48% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 46% Positiveness
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Will
Snowy December
133 bpm • D Maj • 01:45 • -16.37db
30% Popularity • 50% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 41% Positiveness
30% Popularity • 50% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 41% Positiveness
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Norah Jones
Visions
133 bpm • G Maj • 02:42 • -14.27db
53% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Knot Art
On Watership Down
133 bpm • G Maj • 04:49 • -16.74db
20% Popularity • 38% Danceability • 20% Energy • 8% Liveness
26% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 20% Energy • 8% Liveness
26% Instrumentalness • 6% Positiveness
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Amorphous Androgynous
Go Tell It To The Trees Egghead
133 bpm • G Maj • 04:28 • -14.16db
9% Popularity • 49% Danceability • 33% Energy • 9% Liveness
76% Instrumentalness • 30% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 9% Liveness
76% Instrumentalness • 30% Positiveness
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Tvärvägen
Känslan Efter Gråten
139 bpm • D Maj • 01:59 • -14.12db
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
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Hezekiah Asim
Sapeq Arit Ebpaq Mada
139 bpm • D Maj • 04:54 • -13.08db
18% Popularity • 33% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 30% Positiveness
18% Popularity • 33% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 30% Positiveness
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Julian Shanahan
Shotgun Farmers Theme
133 bpm • D Maj • 01:05 • -11.07db
14% Popularity • 68% Danceability • 61% Energy • 20% Liveness
79% Instrumentalness • 65% Positiveness
14% Popularity • 68% Danceability • 61% Energy • 20% Liveness
79% Instrumentalness • 65% Positiveness
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Armenian Navy Band
Broken Bridge
139 bpm • A# min • 01:03 • -27.13db
42% Popularity • 39% Danceability • 20% Energy • 19% Liveness
94% Instrumentalness • 90% Positiveness
42% Popularity • 39% Danceability • 20% Energy • 19% Liveness
94% Instrumentalness • 90% Positiveness
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Matt Frick
Headed for the Country
140 bpm • D Maj • 04:14 • -26.73db
0% Popularity • 36% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Jeff van Dyck
Paint the Town Rag
140 bpm • C min • 02:53 • -7.57db
13% Popularity • 74% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 73% Positiveness
13% Popularity • 74% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 73% Positiveness
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Ben Morfitt (SquidPhysics)
The Legend Of Zelda: The Windwaker - The...
140 bpm • D Maj • 02:31 • -6.46db
11% Popularity • 34% Danceability • 57% Energy • 55% Liveness
92% Instrumentalness • 61% Positiveness
11% Popularity • 34% Danceability • 57% Energy • 55% Liveness
92% Instrumentalness • 61% Positiveness
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Jayden Souter
Sweet Love
132 bpm • G Maj • 01:22 • -10.4db
20% Popularity • 67% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 67% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Dude's Cover
Never Meant to Belong (Acoustic Version)
140 bpm • A min • 02:58 • -23.27db
29% Popularity • 52% Danceability • 14% Energy • 34% Liveness
92% Instrumentalness • 44% Positiveness
29% Popularity • 52% Danceability • 14% Energy • 34% Liveness
92% Instrumentalness • 44% Positiveness
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Fay Lovsky
Shades of Harry
132 bpm • B min • 01:32 • -9.03db
10% Popularity • 77% Danceability • 34% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
10% Popularity • 77% Danceability • 34% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Dabu
Forgotten Beast
140 bpm • C min • 03:52 • -16.43db
28% Popularity • 62% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 61% Positiveness
28% Popularity • 62% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 61% Positiveness
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Lena Raine
Reel It In!
140 bpm • F Maj • 02:47 • -12.7db
9% Popularity • 87% Danceability • 36% Energy • 12% Liveness
92% Instrumentalness • 51% Positiveness
9% Popularity • 87% Danceability • 36% Energy • 12% Liveness
92% Instrumentalness • 51% Positiveness
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Crooked Still
Ecstasy (Instrumental Edit)
132 bpm • A min • 03:41 • -14.84db
42% Popularity • 62% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
42% Popularity • 62% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Nickelback
The Betrayal (Act I)
140 bpm • A min • 02:42 • -12.73db
34% Popularity • 61% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
34% Popularity • 61% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Christy Nockels
Pitter Patter Goes the Rain
140 bpm • A Maj • 02:20 • -17.74db
30% Popularity • 63% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 62% Positiveness
30% Popularity • 63% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 62% Positiveness
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Alexandre Desplat
Mr. and Mrs. Fox
132 bpm • D Maj • 01:06 • -15.69db
32% Popularity • 72% Danceability • 45% Energy • 32% Liveness
76% Instrumentalness • 92% Positiveness
32% Popularity • 72% Danceability • 45% Energy • 32% Liveness
76% Instrumentalness • 92% Positiveness
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Daan
The Fool
140 bpm • C Maj • 03:21 • -9.7db
9% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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司南
春日信笺 - 伴奏版
132 bpm • C Maj • 03:40 • -11.58db
12% Popularity • 75% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 23% Positiveness
12% Popularity • 75% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 23% Positiveness
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John Prine
Six O'clock News
132 bpm • G Maj • 04:36 • -16.73db
23% Popularity • 41% Danceability • 15% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
23% Popularity • 41% Danceability • 15% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
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Yiasemi
Ellie and Jakob
132 bpm • A min • 03:44 • -15.99db
4% Popularity • 58% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
4% Popularity • 58% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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Yo La Tengo
Blues Stay Away from Me
132 bpm • D Maj • 03:14 • -17.38db
12% Popularity • 55% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 47% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 47% Positiveness
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Suzie Katayama
Waltz For Hope - Instrumental
132 bpm • E min • 03:10 • -16.42db
14% Popularity • 37% Danceability • 13% Energy • 30% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 37% Danceability • 13% Energy • 30% Liveness
92% Instrumentalness • 10% Positiveness
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Mike Baggetta
Hospital Song (Intro)
132 bpm • G# min • 01:15 • -20.49db
16% Popularity • 50% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
16% Popularity • 50% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Fabio Mazzini
Goccia
131 bpm • C Maj • 01:44 • -11.74db
13% Popularity • 55% Danceability • 22% Energy • 36% Liveness
3% Instrumentalness • 11% Positiveness
13% Popularity • 55% Danceability • 22% Energy • 36% Liveness
3% Instrumentalness • 11% Positiveness
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Payung Teduh
Amy
141 bpm • C Maj • 06:16 • -16.51db
39% Popularity • 54% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 9% Positiveness
39% Popularity • 54% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 9% Positiveness
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Morphine
Miles Davis' Funeral
141 bpm • G min • 01:41 • -28.88db
33% Popularity • 41% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
33% Popularity • 41% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Matt Frick
High Voltage Improv
131 bpm • C# min • 06:16 • -23.81db
0% Popularity • 61% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
0% Popularity • 61% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
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Martha Scanlan
First Rains
141 bpm • F Maj • 01:27 • -14.67db
8% Popularity • 32% Danceability • 10% Energy • 12% Liveness
38% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 12% Liveness
38% Instrumentalness • 21% Positiveness
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Michael Kerton
Sunday Aftetnoon (Jen) - Instrumental
131 bpm • G Maj • 02:48 • -25.35db
9% Popularity • 35% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
9% Popularity • 35% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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Steve Morse
Cool Wind , Green Hills
142 bpm • E Maj • 03:54 • -16.07db
8% Popularity • 40% Danceability • 18% Energy • 13% Liveness
62% Instrumentalness • 13% Positiveness
8% Popularity • 40% Danceability • 18% Energy • 13% Liveness
62% Instrumentalness • 13% Positiveness
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Marisa Anderson
Just a Closer Walk With Thee
130 bpm • C Maj • 02:32 • -22.35db
11% Popularity • 37% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
11% Popularity • 37% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
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Man Gwanani
Kunyerekedza (The Tickle Lullaby)
130 bpm • C min • 03:12 • -9.27db
12% Popularity • 54% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
12% Popularity • 54% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Daridel
Fuflus
130 bpm • E min • 03:31 • -13.45db
8% Popularity • 79% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
8% Popularity • 79% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Nannie Derwin
Nitency
130 bpm • C Maj • 01:15 • -13.19db
11% Popularity • 69% Danceability • 30% Energy • 22% Liveness
98% Instrumentalness • 98% Positiveness
11% Popularity • 69% Danceability • 30% Energy • 22% Liveness
98% Instrumentalness • 98% Positiveness
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パスカルズ
空と道 On the Hill
130 bpm • C Maj • 01:02 • -18.76db
11% Popularity • 70% Danceability • 16% Energy • 7% Liveness
83% Instrumentalness • 40% Positiveness
11% Popularity • 70% Danceability • 16% Energy • 7% Liveness
83% Instrumentalness • 40% Positiveness
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Thomas Newman
Into Oklahoma
130 bpm • D Maj • 01:34 • -16.72db
17% Popularity • 50% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 50% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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NSS Music
Sunset
130 bpm • F# min • 03:09 • -25.39db
20% Popularity • 73% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
20% Popularity • 73% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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L'Attirail
His Latest Job
130 bpm • C Maj • 03:20 • -10.09db
12% Popularity • 75% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
12% Popularity • 75% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Adrian Von Ziegler
Ode to the Fallen
130 bpm • A min • 04:36 • -16.57db
21% Popularity • 64% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
21% Popularity • 64% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Yopi & Lotta
Water
142 bpm • G Maj • 06:45 • -9.65db
8% Popularity • 48% Danceability • 32% Energy • 35% Liveness
75% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 32% Energy • 35% Liveness
75% Instrumentalness • 32% Positiveness
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The Red carpets
WANT ME
130 bpm • D# Maj • 01:15 • -10.64db
13% Popularity • 47% Danceability • 37% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
13% Popularity • 47% Danceability • 37% Energy • 14% Liveness
95% Instrumentalness • 11% Positiveness
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Pelleas
Charlie's Theme
143 bpm • C min • 01:19 • -18.25db
14% Popularity • 50% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 66% Positiveness
14% Popularity • 50% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 66% Positiveness
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Matt Frick
Fly Away
129 bpm • E Maj • 05:24 • -19.47db
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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le Farfadet Malicieux
Piste glissante
130 bpm • A# Maj • 01:36 • -18.55db
21% Popularity • 50% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
21% Popularity • 50% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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Nickel Creek
Eveline
143 bpm • F Maj • 03:11 • -11.87db
20% Popularity • 45% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
20% Popularity • 45% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 9% Positiveness
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Adam Rodowicz
Epic
143 bpm • C# Maj • 02:36 • -10.94db
13% Popularity • 60% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 56% Positiveness
13% Popularity • 60% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 56% Positiveness
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John Keawe
Warriors
129 bpm • F Maj • 03:27 • -15.51db
15% Popularity • 62% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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Chapelier Fou
Horses - Remastered
129 bpm • D min • 01:31 • -10.58db
54% Popularity • 71% Danceability • 51% Energy • 6% Liveness
92% Instrumentalness • 74% Positiveness
54% Popularity • 71% Danceability • 51% Energy • 6% Liveness
92% Instrumentalness • 74% Positiveness
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Man Gwanani
Msasa
129 bpm • G# min • 02:54 • -15.31db
11% Popularity • 66% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 90% Positiveness
11% Popularity • 66% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 90% Positiveness
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Claus Boesser-Ferrari
Wir Sind Nur Gast Auf Erden
129 bpm • D Maj • 01:34 • -18.23db
9% Popularity • 46% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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One California Day
California Opener
144 bpm • G Maj • 01:57 • -13.51db
17% Popularity • 43% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
17% Popularity • 43% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
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Marisa Anderson
Hesitation Theme and Variation Blues
144 bpm • B min • 02:22 • -15.98db
42% Popularity • 47% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
42% Popularity • 47% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
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上野耕路
伝記
144 bpm • C# Maj • 03:08 • -21.19db
9% Popularity • 66% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
9% Popularity • 66% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
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Tajdar Junaid
What Colour Is Your Raindrop
128 bpm • F Maj • 03:06 • -15.83db
25% Popularity • 63% Danceability • 10% Energy • 13% Liveness
57% Instrumentalness • 14% Positiveness
25% Popularity • 63% Danceability • 10% Energy • 13% Liveness
57% Instrumentalness • 14% Positiveness
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Claudio Estrada
Bésame Mucho
128 bpm • A min • 02:00 • -17.12db
16% Popularity • 72% Danceability • 7% Energy • 13% Liveness
89% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 7% Energy • 13% Liveness
89% Instrumentalness • 70% Positiveness
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Johnny Towerman
Snake Shadow
128 bpm • D Maj • 00:52 • -12.2db
14% Popularity • 54% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Muhamad sound
Fight Together
145 bpm • G Maj • 01:24 • -17db
18% Popularity • 40% Danceability • 39% Energy • 23% Liveness
64% Instrumentalness • 47% Positiveness
18% Popularity • 40% Danceability • 39% Energy • 23% Liveness
64% Instrumentalness • 47% Positiveness
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The Red carpets
WHAT A FEELING
145 bpm • A# min • 04:40 • -10.29db
13% Popularity • 42% Danceability • 32% Energy • 18% Liveness
88% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 32% Energy • 18% Liveness
88% Instrumentalness • 15% Positiveness
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Marisa Anderson
Down Off the Mountain
145 bpm • E Maj • 02:10 • -17.25db
24% Popularity • 57% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 63% Positiveness
24% Popularity • 57% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 63% Positiveness
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Shetøs
Demo Tom 3,
127 bpm • C Maj • 01:05 • -20.1db
13% Popularity • 55% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
13% Popularity • 55% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Brontosauri
Hejna vcel
127 bpm • A# min • 02:51 • -7.54db
25% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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River Lume
Truth or Consequences
127 bpm • A# Maj • 02:51 • -12.55db
13% Popularity • 83% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
13% Popularity • 83% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
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Texas Country Group
Kentucky Sunshine
127 bpm • G# Maj • 04:00 • -16.08db
10% Popularity • 66% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
10% Popularity • 66% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Sun Kil Moon
Si, Paloma
146 bpm • F Maj • 05:32 • -13.61db
28% Popularity • 57% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
28% Popularity • 57% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
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Alexey Shelygin
Фарик - Из т/с "Бригада"
146 bpm • D Maj • 02:29 • -7.74db
8% Popularity • 63% Danceability • 55% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
8% Popularity • 63% Danceability • 55% Energy • 12% Liveness
85% Instrumentalness • 38% Positiveness
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Sven Neudecker
Misty Mountains - Instrumental Version
146 bpm • F Maj • 02:53 • -17.94db
8% Popularity • 45% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 45% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Da Sein
You Know It Too
126 bpm • F Maj • 02:24 • -14.16db
17% Popularity • 68% Danceability • 22% Energy • 14% Liveness
79% Instrumentalness • 70% Positiveness
17% Popularity • 68% Danceability • 22% Energy • 14% Liveness
79% Instrumentalness • 70% Positiveness
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DBH
Untangle the Jig
147 bpm • A min • 03:00 • -8.75db
19% Popularity • 58% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
19% Popularity • 58% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
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Penguin Cafe Orchestra
Numbers 1-4
126 bpm • A Maj • 07:45 • -16.57db
3% Popularity • 29% Danceability • 45% Energy • 70% Liveness
92% Instrumentalness • 18% Positiveness
3% Popularity • 29% Danceability • 45% Energy • 70% Liveness
92% Instrumentalness • 18% Positiveness
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![Long List - [NST] cover art](https://i.scdn.co/image/ab67616d00001e02a141778df36a80c89de82621)
Ganjhi
Long List - [NST]
126 bpm • C Maj • 03:02 • -20db
24% Popularity • 81% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 17% Positiveness
24% Popularity • 81% Danceability • 18% Energy • 14% Liveness
91% Instrumentalness • 17% Positiveness
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James Saunder
Bonfire Blues
125 bpm • D Maj • 01:27 • -16.51db
11% Popularity • 70% Danceability • 6% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
11% Popularity • 70% Danceability • 6% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Edie Doreen
Scraper
125 bpm • A Maj • 04:39 • -13.47db
30% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hubert Sumlin
Sometimes I'm Right
125 bpm • F min • 07:09 • -14db
41% Popularity • 56% Danceability • 27% Energy • 10% Liveness
30% Instrumentalness • 16% Positiveness
41% Popularity • 56% Danceability • 27% Energy • 10% Liveness
30% Instrumentalness • 16% Positiveness
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Eric Bibb
Saucer ´n`Cup
147 bpm • C# min • 03:53 • -25.41db
17% Popularity • 56% Danceability • 3% Energy • 8% Liveness
17% Instrumentalness • 38% Positiveness
17% Popularity • 56% Danceability • 3% Energy • 8% Liveness
17% Instrumentalness • 38% Positiveness
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Michael Houser
Quietude
148 bpm • D Maj • 03:06 • -14.94db
10% Popularity • 72% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 72% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Mediterranean Café Society
The Gates
125 bpm • G Maj • 01:16 • -8db
12% Popularity • 64% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
