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Lullaby My Jesus
Songs like
Lullaby My Jesus
by
Peter Warlock
Based on a tempo of (+/- 10%) and a similar genre
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite *: II. Pavane
77 bpm • A# Maj • 01:55 • -24.81db
5% Popularity • 18% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VI. M...
78 bpm • A min • 02:20 • -34db
35% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Cesti
Tu mancavi a tormentarmi, crudelissima s...
78 bpm • C min • 07:01 • -28.62db
19% Popularity • 7% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Frederick Delius
2 Aquarelles: Gaily, but not quick
76 bpm • D Maj • 02:04 • -22.45db
33% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Peter Warlock
Sigh No More, Ladies
76 bpm • C min • 01:12 • -14.17db
2% Popularity • 46% Danceability • 30% Energy • 14% Liveness
3% Instrumentalness • 72% Positiveness
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Christian Sinding
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. ...
76 bpm • F min • 02:55 • -27db
31% Popularity • 15% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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William Walton
2 Pieces for Strings, C. 50j : No. 2, To...
76 bpm • C Maj • 01:27 • -38.45db
25% Popularity • 21% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
26% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
23% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Warlock
Late Summer
76 bpm • E Maj • 02:30 • -27.98db
0% Popularity • 25% Danceability • 2% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
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William Boyce
Symphony No. 6 In F Major: Larghetto
78 bpm • F Maj • 02:36 • -30.41db
19% Popularity • 19% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 32% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
36% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Peter Warlock
Capriol Suite *: II. Pavane
76 bpm • A# Maj • 02:09 • -26.42db
2% Popularity • 19% Danceability • 3% Energy • 36% Liveness
79% Instrumentalness • 4% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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William Walton
Film music for Henry V: 2 Pieces for Str...
79 bpm • E min • 03:16 • -35.44db
27% Popularity • 18% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Peter Warlock
Sleep
76 bpm • G Maj • 02:23 • -17.66db
2% Popularity • 46% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Aaron Copland
Rodeo: II. Corral Nocturne
79 bpm • C Maj • 03:46 • -27db
35% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
75 bpm • A# Maj • 01:23 • -30.62db
22% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Peter Warlock
The Night
79 bpm • A Maj • 02:10 • -24.61db
0% Popularity • 27% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Jean Sibelius
Karelia, JS 115: Tableau 4 - Karl Knutss...
75 bpm • A min • 09:13 • -32.14db
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
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Peter Warlock
Capriol Suite: Pavane
75 bpm • A# Maj • 02:04 • -24.95db
1% Popularity • 18% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga (The Winter's Tale), Op. 1...
80 bpm • F Maj • 03:24 • -27db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D: 3. Notturno
80 bpm • A Maj • 07:01 • -27db
16% Popularity • 17% Danceability • 6% Energy • 6% Liveness
43% Instrumentalness • 5% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: II. Pavane
80 bpm • D min • 01:59 • -25.37db
11% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
25% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 645
80 bpm • D Maj • 03:48 • -23.72db
43% Popularity • 36% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Peter Warlock
Sleep
80 bpm • G min • 02:37 • -21.78db
1% Popularity • 28% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
80 bpm • A# Maj • 02:05 • -24.38db
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Ralph Vaughan Williams
Norfolk Rhapsody No. 1 in E minor
80 bpm • E min • 10:42 • -26db
22% Popularity • 8% Danceability • 4% Energy • 32% Liveness
67% Instrumentalness • 4% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
30% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Nora Mercz
Menuet in E-Flat Major
74 bpm • D# Maj • 04:26 • -26.85db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Cinderella, Op. 87: 13. Summer Fairy
74 bpm • F Maj • 01:35 • -30.64db
39% Popularity • 24% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Johann Baptist Vanhal
Symphony in G Major, Bryan G6: II. Andan...
74 bpm • D Maj • 05:04 • -30db
41% Popularity • 32% Danceability • 1% Energy • 17% Liveness
40% Instrumentalness • 15% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Peter Warlock
The Singer
81 bpm • A min • 01:24 • -22.8db
1% Popularity • 37% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: Pavane
81 bpm • G min • 01:53 • -29.74db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 7% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
82 bpm • D# Maj • 01:34 • -25db
56% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
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Peter Warlock
Ha'nacker Mill
81 bpm • D min • 02:50 • -18.79db
0% Popularity • 29% Danceability • 8% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
37% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, R.630: 1. Nulla in m...
73 bpm • D# Maj • 02:48 • -14.01db
24% Popularity • 29% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 9% Positiveness
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Gustav Holst
Brook Green Suite: III. Dance
82 bpm • C Maj • 02:20 • -18.52db
28% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Peter Warlock
The Fox
73 bpm • A min • 02:54 • -19.69db
0% Popularity • 31% Danceability • 8% Energy • 23% Liveness
1% Instrumentalness • 6% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
43% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Anatoly Lyadov
8 Russian Folk Songs: 6. Cradle Song
82 bpm • A min • 02:22 • -47.4db
34% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
33% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Peter Warlock
Warlock: The Curlew, on Poems by William...
73 bpm • C# Maj • 07:15 • -30.28db
0% Popularity • 12% Danceability • 3% Energy • 9% Liveness
63% Instrumentalness • 3% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
13% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu (I)
72 bpm • A# Maj • 03:49 • -38.3db
26% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Gerald Finzi
Eclogue, Op. 10
72 bpm • F min • 11:00 • -20db
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Peter Warlock
Pieds-en-l'air from Capriol Suite for St...
82 bpm • G Maj • 02:13 • -20.72db
15% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
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Wilhelm Stenhammar
SÃ¥ngen, Op. 44: Interlude
82 bpm • D# Maj • 05:53 • -27db
20% Popularity • 14% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Gordon Jacob
Cradle Song
72 bpm • F Maj • 02:54 • -34db
23% Popularity • 18% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54 (Tran...
82 bpm • D# Maj • 04:26 • -28.05db
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Lullaby My Jesus