Songs like Lullaby (Schlafe, Mein Prinzchen, Schlaf Ein/Canción DE Cuna) by Sinfonia Of London
Based on a tempo of (+/- 10%) and a similar genre
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
87 bpm • F Maj • 01:38 • -19db
23% Popularity • 26% Danceability • 9% Energy • 38% Liveness
89% Instrumentalness • 38% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 38% Liveness
89% Instrumentalness • 38% Positiveness
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RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Theme by Tchaikovsky, Op...
87 bpm • E min • 01:15 • -25.09db
17% Popularity • 23% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 8% Positiveness
17% Popularity • 23% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Tosca: Vissi d'arte
87 bpm • D# Maj • 02:43 • -13.94db
22% Popularity • 21% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo Sinfoni...
87 bpm • F Maj • 02:58 • -29.32db
19% Popularity • 10% Danceability • 2% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 2% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Aurelio Scotto
Orchestral Set n.1: Counterpoints (Varia...
87 bpm • G Maj • 06:26 • -20.88db
15% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56 (1894-97): Berceuse
87 bpm • E Maj • 03:01 • -28.82db
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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Traditional
Fantasia on Greensleeves
87 bpm • C min • 04:11 • -28.74db
27% Popularity • 11% Danceability • 5% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 5% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
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Georges Bizet
The Pearl Fishers: Duet. Au fond du temp...
87 bpm • D# Maj • 04:46 • -19.27db
10% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Frederick Delius
Late Swallows
88 bpm • G Maj • 09:09 • -26db
2% Popularity • 11% Danceability • 7% Energy • 25% Liveness
90% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 7% Energy • 25% Liveness
90% Instrumentalness • 3% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schreker
Intermezzo, Op. 8
88 bpm • F# min • 06:10 • -20db
3% Popularity • 10% Danceability • 11% Energy • 39% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 11% Energy • 39% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: II. I pini presso ...
86 bpm • E min • 06:39 • -23.94db
2% Popularity • 14% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Hollers Gang
In Your Words
86 bpm • C# min • 02:11 • -18.23db
15% Popularity • 42% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 42% Danceability • 16% Energy • 24% Liveness
90% Instrumentalness • 30% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Nino Rota
Guerra e pace (Film Music Suite): Andrea...
88 bpm • F Maj • 02:50 • -27.1db
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Fontane di Roma (Fountains of Rome), P. ...
88 bpm • A Maj • 03:03 • -16.73db
3% Popularity • 12% Danceability • 32% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 32% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Margaret Bonds
Montgomery Variations: II. Prayer Meetin...
88 bpm • D min • 04:41 • -29.16db
12% Popularity • 13% Danceability • 1% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 1% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
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Debbie Wiseman
What Is the Love That Dare Not Speak It'...
88 bpm • F Maj • 01:22 • -18.64db
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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The Gerst Ensemble
41 Klavierstücke, Op. 93: No. 22 Andant...
86 bpm • D min • 01:37 • -25.76db
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Bilder einer Ausstellung (Orch. M. Ravel...
88 bpm • F Maj • 01:37 • -18db
12% Popularity • 39% Danceability • 9% Energy • 38% Liveness
96% Instrumentalness • 20% Positiveness
12% Popularity • 39% Danceability • 9% Energy • 38% Liveness
96% Instrumentalness • 20% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Johnny Mandel
Main Title from 'The Sandpiper'
88 bpm • B min • 04:46 • -26.81db
7% Popularity • 10% Danceability • 4% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 4% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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Rued Langgaard
Symphony No. 14, "Morgenen" (The Morning...
89 bpm • D Maj • 07:17 • -33.61db
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: III. Keh...
85 bpm • A min • 04:03 • -25.73db
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Frederick Loewe
Transylvanian March and Embassy Waltz fr...
89 bpm • D# Maj • 03:21 • -16.65db
1% Popularity • 16% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 26% Positiveness
1% Popularity • 16% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 26% Positiveness
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Aaron Copland
Down a Country Lane
89 bpm • F Maj • 02:17 • -28db
18% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Bruce Broughton
Torquilstone Castle - Remastered 2020
85 bpm • E min • 03:19 • -17.35db
1% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
1% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Vintage Realm
Promises of Abraham
85 bpm • C# min • 02:40 • -17.07db
17% Popularity • 17% Danceability • 12% Energy • 16% Liveness
75% Instrumentalness • 9% Positiveness
17% Popularity • 17% Danceability • 12% Energy • 16% Liveness
75% Instrumentalness • 9% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Sinfonia Of London
Look at Me
85 bpm • C Maj • 02:37 • -23.89db
2% Popularity • 11% Danceability • 8% Energy • 18% Liveness
72% Instrumentalness • 4% Positiveness
2% Popularity • 11% Danceability • 8% Energy • 18% Liveness
72% Instrumentalness • 4% Positiveness
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George Enescu
Octet, Op. 7 (Arr. for String Orchestra ...
85 bpm • E Maj • 09:03 • -25.21db
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Peter Warlock
V. Pieds-en-l'air
85 bpm • G Maj • 03:38 • -26.78db
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Prelude: 49th Parallel
85 bpm • G Maj • 02:39 • -17db
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Feste romane, P. 157: I. Circenses
85 bpm • C# Maj • 04:16 • -17.21db
3% Popularity • 21% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
3% Popularity • 21% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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José Manuel Ortega Caballo
Allegro Scherzino : Flying - Orchestral ...
85 bpm • A Maj • 01:21 • -17.17db
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
85 bpm • F Maj • 04:22 • -29db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
89 bpm • E Maj • 07:28 • -21.27db
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
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John Ireland
A London Overture
85 bpm • A# Maj • 12:02 • -23.13db
2% Popularity • 24% Danceability • 8% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
2% Popularity • 24% Danceability • 8% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Fontane di Roma (Fountains of Rome), P. ...
85 bpm • C Maj • 04:16 • -38.28db
2% Popularity • 9% Danceability • 0% Energy • 30% Liveness
75% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 0% Energy • 30% Liveness
75% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Theme and Variations, Op. 42
85 bpm • F Maj • 07:55 • -23.58db
7% Popularity • 18% Danceability • 7% Energy • 5% Liveness
90% Instrumentalness • 12% Positiveness
7% Popularity • 18% Danceability • 7% Energy • 5% Liveness
90% Instrumentalness • 12% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
90 bpm • A Maj • 08:37 • -20.3db
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
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Bruce Broughton
Lady Rowena - Remastered 2020
90 bpm • A min • 02:19 • -24.41db
4% Popularity • 19% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
4% Popularity • 19% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Hollers Gang
Everyone Lies
84 bpm • C# min • 02:24 • -15.67db
16% Popularity • 14% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 17% Positiveness
16% Popularity • 14% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 17% Positiveness
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Sinfonia Of London
Reunion
90 bpm • D Maj • 01:30 • -21.12db
4% Popularity • 22% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
4% Popularity • 22% Danceability • 12% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Feste romane, P. 157: III. L'Ottobrata
84 bpm • D# min • 07:51 • -28.18db
2% Popularity • 14% Danceability • 2% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
2% Popularity • 14% Danceability • 2% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne No. 1 (Orch. Corp)
84 bpm • F min • 03:40 • -35.19db
6% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
35% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
35% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Bruce Broughton
Prelude - Remastered 2020
84 bpm • C min • 02:19 • -15.99db
7% Popularity • 18% Danceability • 28% Energy • 35% Liveness
88% Instrumentalness • 33% Positiveness
7% Popularity • 18% Danceability • 28% Energy • 35% Liveness
88% Instrumentalness • 33% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Fantasia on a Theme by...
90 bpm • C min • 05:43 • -19.01db
2% Popularity • 10% Danceability • 10% Energy • 34% Liveness
89% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 10% Energy • 34% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
84 bpm • C# Maj • 03:07 • -17.6db
12% Popularity • 14% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 21% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Feste romane, P. 157: II. Il giubileo
84 bpm • C Maj • 06:30 • -21.75db
3% Popularity • 11% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
3% Popularity • 11% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Herbert Howells
Concerto for String Orchestra: II. In Me...
90 bpm • C Maj • 08:53 • -30db
2% Popularity • 16% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gabriel Andrés Gallegos
La doña del hotel
84 bpm • E Maj • 02:07 • -22db
10% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
11% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
11% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
91 bpm • C# Maj • 08:49 • -26.45db
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Agathe Backer Grøndahl
Fantasy Pieces, Op. 45: Summer Song
91 bpm • G Maj • 02:25 • -30.64db
15% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Sinfonia Of London
Fantasy
91 bpm • D Maj • 01:10 • -24.31db
4% Popularity • 19% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
4% Popularity • 19% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Gabrieli String Quartet
Irene Adler (A Scandal In Bohemia)
91 bpm • E Maj • 04:46 • -28.68db
11% Popularity • 12% Danceability • 5% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
A Moorside Suite, H. 173: Nocturne
91 bpm • B min • 07:05 • -32db
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Zdeněk Fibich
Poeme, Op. 41 No. 6
91 bpm • C# Maj • 04:25 • -21db
12% Popularity • 11% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Milo Paulus
Scarlett in the Mist: II. Leaving Home
83 bpm • F# Maj • 01:40 • -13.32db
16% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
16% Popularity • 24% Danceability • 28% Energy • 25% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Benjamin Britten
Variations on a Theme of Frank Bridge, O...
83 bpm • A Maj • 01:11 • -17.63db
1% Popularity • 44% Danceability • 31% Energy • 12% Liveness
60% Instrumentalness • 41% Positiveness
1% Popularity • 44% Danceability • 31% Energy • 12% Liveness
60% Instrumentalness • 41% Positiveness
► Preview
Anonymous
Tosca (arr. for orchestra): Tosca, Act I...
83 bpm • D# Maj • 03:11 • -26db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
The Phantom Melody
91 bpm • D# Maj • 03:58 • -27.55db
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
91 bpm • G Maj • 07:09 • -15.79db
3% Popularity • 23% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness
3% Popularity • 23% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness
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Bruce Broughton
The Intruder - Remastered 2020
83 bpm • A# Maj • 03:45 • -20.75db
2% Popularity • 10% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
2% Popularity • 10% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
83 bpm • F min • 07:18 • -28.86db
12% Popularity • 9% Danceability • 3% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
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John Ireland
A Downland Suite: II. Elegy
91 bpm • C min • 04:35 • -32db
5% Popularity • 10% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Johannes Brahms
Brahms / Orch Gamley: 5 Lieder, Op. 49: ...
83 bpm • D# Maj • 02:22 • -28db
11% Popularity • 18% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Sinfonia Of London
Young Romance
82 bpm • C Maj • 02:25 • -19.08db
2% Popularity • 13% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
2% Popularity • 13% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Pan Voyevoda, Op. 59: III. Nocturne: Cla...
82 bpm • E Maj • 04:22 • -31db
19% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Margaret Bonds
Montgomery Variations: Montgomery Variat...
82 bpm • D min • 01:41 • -22.95db
13% Popularity • 14% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
13% Popularity • 14% Danceability • 7% Energy • 21% Liveness
94% Instrumentalness • 27% Positiveness
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Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: IV. Andante - ...
82 bpm • A Maj • 11:11 • -20.8db
12% Popularity • 15% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 9% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 11% Liveness
66% Instrumentalness • 9% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Edward Elgar
Elgar: Serenade for Strings in E Minor, ...
82 bpm • C Maj • 05:59 • -24.12db
2% Popularity • 8% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sirenas Celestiales
Fantasias Solitarias
92 bpm • B min • 02:11 • -18.9db
12% Popularity • 24% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
12% Popularity • 24% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Helena Semanov
Passacaglia In F Major
82 bpm • C Maj • 02:20 • -38.24db
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Rigoletto Act. III, Prelude
92 bpm • A min • 00:55 • -28.09db
19% Popularity • 18% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Bruce Broughton
Rebecca - Remastered 2020
82 bpm • C Maj • 01:03 • -17.9db
3% Popularity • 20% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
3% Popularity • 20% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Giacomo Cataldo
Piccola reminiscenza
92 bpm • A# min • 06:11 • -26.88db
16% Popularity • 11% Danceability • 6% Energy • 14% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 6% Energy • 14% Liveness
70% Instrumentalness • 4% Positiveness
