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Lupus Brains
Songs like
Lupus Brains
by
Zebu!
Based on a tempo of (+/- 10%) and a similar genre
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PBAJ
Shoes
125 bpm • E Maj • 02:10 • -9.94db
17% Popularity • 44% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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As Particles Collide
Suburban Android
125 bpm • D Maj • 02:40 • -4db
13% Popularity • 58% Danceability • 89% Energy • 21% Liveness
70% Instrumentalness • 35% Positiveness
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I and Others
Telefunken
125 bpm • C# min • 01:13 • -10.86db
12% Popularity • 22% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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The Lovesick Club
Jaded
125 bpm • G Maj • 01:47 • -11.71db
8% Popularity • 46% Danceability • 49% Energy • 67% Liveness
88% Instrumentalness • 34% Positiveness
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Moron Parade
Riptape
125 bpm • G# Maj • 01:40 • -13.63db
9% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Zebu!
Lupus Brains
125 bpm • A min • 01:57 • -15.9db
0% Popularity • 32% Danceability • 85% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
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ALVAREZ
Motor Without A Face (Goodbye)
125 bpm • A Maj • 03:53 • -6.05db
9% Popularity • 30% Danceability • 71% Energy • 11% Liveness
22% Instrumentalness • 32% Positiveness
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Berg Lucius
Children
124 bpm • G Maj • 03:49 • -12.98db
28% Popularity • 53% Danceability • 64% Energy • 8% Liveness
16% Instrumentalness • 39% Positiveness
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Marcel Gidote's Holy Crab
Dedina
124 bpm • A Maj • 04:12 • -24.64db
17% Popularity • 40% Danceability • 4% Energy • 36% Liveness
87% Instrumentalness • 6% Positiveness
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Basement, PA
Femme Fatale
124 bpm • C Maj • 01:48 • -10.08db
22% Popularity • 50% Danceability • 86% Energy • 14% Liveness
90% Instrumentalness • 74% Positiveness
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Nom de Pomme
Passing Goats Again Two
126 bpm • E Maj • 01:01 • -9.6db
22% Popularity • 24% Danceability • 55% Energy • 8% Liveness
69% Instrumentalness • 57% Positiveness
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Jenny Haniver
Post Youth
126 bpm • G# Maj • 05:13 • -9.62db
8% Popularity • 49% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Onceweresixty
All That Glitter
124 bpm • B min • 05:26 • -14.9db
12% Popularity • 52% Danceability • 43% Energy • 16% Liveness
74% Instrumentalness • 16% Positiveness
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Hayden Walker
Black Rose
126 bpm • A Maj • 02:59 • -8.58db
15% Popularity • 46% Danceability • 81% Energy • 55% Liveness
86% Instrumentalness • 42% Positiveness
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Clarence Rinaldi
Your Manufacturer
126 bpm • B Maj • 02:44 • -12.54db
16% Popularity • 23% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Bohle Neil
At The Beginning
124 bpm • G# min • 04:02 • -14.84db
20% Popularity • 27% Danceability • 44% Energy • 17% Liveness
2% Instrumentalness • 14% Positiveness
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Psyched Up Janis
The Wallet Song
123 bpm • D min • 03:01 • -9.43db
8% Popularity • 26% Danceability • 46% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Eden Bertrand
Employee
123 bpm • C# Maj • 02:29 • -11.58db
32% Popularity • 84% Danceability • 71% Energy • 34% Liveness
90% Instrumentalness • 88% Positiveness
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Bruce Bones
Ruptured Rails
123 bpm • C Maj • 01:02 • -17.48db
11% Popularity • 37% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Charisa Ossewaarde
Foreign
123 bpm • C Maj • 02:09 • -11.06db
34% Popularity • 77% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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dnyl rDyy
Cut
123 bpm • B min • 02:21 • -11.37db
33% Popularity • 75% Danceability • 91% Energy • 17% Liveness
88% Instrumentalness • 82% Positiveness
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Neline Van der gaag
Defense
123 bpm • B Maj • 02:16 • -13.17db
31% Popularity • 82% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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Goran Stepanovic
Court
123 bpm • D Maj • 02:27 • -12.34db
33% Popularity • 78% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
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Pamela Perry
Building
123 bpm • C# Maj • 02:27 • -11.28db
32% Popularity • 83% Danceability • 70% Energy • 11% Liveness
84% Instrumentalness • 70% Positiveness
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Gerardo Herrero
Animal
123 bpm • G# Maj • 02:31 • -12.6db
32% Popularity • 80% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 83% Positiveness
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Samu Hamalainen
Down
123 bpm • F# Maj • 02:21 • -12.62db
31% Popularity • 82% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 87% Positiveness
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Emilia Pakkala
Follow
123 bpm • C# Maj • 02:03 • -11.99db
31% Popularity • 83% Danceability • 64% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
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Gonca Tuglu
Career
123 bpm • F# Maj • 02:08 • -11.59db
32% Popularity • 79% Danceability • 82% Energy • 12% Liveness
82% Instrumentalness • 57% Positiveness
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Esma Numanoglu
Energy
123 bpm • F min • 02:25 • -11.24db
34% Popularity • 79% Danceability • 72% Energy • 14% Liveness
89% Instrumentalness • 63% Positiveness
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Adelina Zhezherin
Charge
123 bpm • D# Maj • 02:27 • -12.68db
32% Popularity • 81% Danceability • 91% Energy • 22% Liveness
91% Instrumentalness • 76% Positiveness
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Reina Zavala
At
123 bpm • D# min • 02:50 • -12.56db
33% Popularity • 83% Danceability • 72% Energy • 8% Liveness
88% Instrumentalness • 72% Positiveness
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Dylan Powell
Commercial
123 bpm • F# Maj • 02:22 • -11.71db
31% Popularity • 81% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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Hugh Species
Endless Summer
127 bpm • G Maj • 04:16 • -10.4db
10% Popularity • 50% Danceability • 69% Energy • 14% Liveness
84% Instrumentalness • 39% Positiveness
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Delia Hume
Tired Of Fun
123 bpm • G# min • 03:27 • -11.36db
25% Popularity • 50% Danceability • 52% Energy • 31% Liveness
18% Instrumentalness • 25% Positiveness
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Nom de Pomme
Passing Goats Again Ten
123 bpm • B min • 01:00 • -9.79db
19% Popularity • 27% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Joseph Church
Sasquatch
122 bpm • D min • 04:37 • -11.02db
16% Popularity • 28% Danceability • 64% Energy • 8% Liveness
47% Instrumentalness • 34% Positiveness
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JimBaumerMe
Out of the Mainstream
122 bpm • E min • 04:05 • -13.51db
13% Popularity • 63% Danceability • 71% Energy • 10% Liveness
17% Instrumentalness • 81% Positiveness
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Dylan&Brian
Mountains Fall
128 bpm • B min • 03:37 • -28.35db
14% Popularity • 78% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 73% Positiveness
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Edgar Hearst
Flash Of Light
122 bpm • D Maj • 04:49 • -13.77db
24% Popularity • 49% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Lute
Omnia Quaecumque Habes Salva Perdet Illa...
122 bpm • D Maj • 04:24 • -7.36db
17% Popularity • 22% Danceability • 83% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
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Zebu!
Pain and Sorrow
129 bpm • E Maj • 03:25 • -13.76db
0% Popularity • 40% Danceability • 37% Energy • 14% Liveness
47% Instrumentalness • 34% Positiveness
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Clarence Rinaldi
Sight
122 bpm • F# min • 04:20 • -13.9db
16% Popularity • 21% Danceability • 59% Energy • 19% Liveness
78% Instrumentalness • 19% Positiveness
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Fruveegsea
Gruffnesses
122 bpm • G# Maj • 02:12 • -11.77db
24% Popularity • 70% Danceability • 58% Energy • 7% Liveness
86% Instrumentalness • 47% Positiveness
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Anasatassiya Semyonova
Range Motion
121 bpm • D# min • 01:55 • -11.57db
32% Popularity • 71% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 52% Positiveness
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Half Eye
Cardiacs
121 bpm • D min • 03:11 • -9.69db
8% Popularity • 64% Danceability • 70% Energy • 34% Liveness
93% Instrumentalness • 97% Positiveness
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Track Star
Removable Parts
129 bpm • F Maj • 04:53 • -7.98db
10% Popularity • 55% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 7% Positiveness
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Stanton Moore
When the Levee Breaks
129 bpm • E min • 05:39 • -10.4db
15% Popularity • 47% Danceability • 35% Energy • 8% Liveness
88% Instrumentalness • 32% Positiveness
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Horace Wilcox
On The Wharf
121 bpm • D# Maj • 02:17 • -16.81db
21% Popularity • 67% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
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Chester Thomas
Surrender
129 bpm • C min • 03:19 • -11.37db
26% Popularity • 39% Danceability • 57% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Depend Woman
Scatter Drawing
121 bpm • B Maj • 03:00 • -10.58db
17% Popularity • 68% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Boilermaker
Midnight Manager
129 bpm • A min • 04:09 • -5.5db
15% Popularity • 48% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 70% Positiveness
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Ward Katte
Silent
121 bpm • A# min • 04:39 • -11.64db
25% Popularity • 61% Danceability • 38% Energy • 11% Liveness
20% Instrumentalness • 7% Positiveness
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Motorpsycho
Heaven and Hell
130 bpm • C Maj • 03:54 • -5.97db
9% Popularity • 39% Danceability • 90% Energy • 34% Liveness
13% Instrumentalness • 32% Positiveness
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Mossgatherers
Don't Worry, It's My Carpet
130 bpm • E min • 03:36 • -6.63db
14% Popularity • 28% Danceability • 92% Energy • 10% Liveness
67% Instrumentalness • 45% Positiveness
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Introvoid
Stoned Broke
130 bpm • E Maj • 02:22 • -11.57db
17% Popularity • 53% Danceability • 78% Energy • 16% Liveness
92% Instrumentalness • 68% Positiveness
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iFill
I Want to Eat U
120 bpm • G Maj • 01:03 • -12.91db
18% Popularity • 57% Danceability • 60% Energy • 8% Liveness
77% Instrumentalness • 68% Positiveness
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Timehole
Song 6
120 bpm • A min • 04:49 • -7.6db
9% Popularity • 17% Danceability • 76% Energy • 34% Liveness
92% Instrumentalness • 29% Positiveness
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Spurts
Jeff Tweedy
120 bpm • G Maj • 01:56 • -8.24db
15% Popularity • 64% Danceability • 45% Energy • 32% Liveness
15% Instrumentalness • 25% Positiveness
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empty parking lot
super ultimate krav maga
120 bpm • F# Maj • 01:07 • -10.07db
20% Popularity • 41% Danceability • 55% Energy • 20% Liveness
87% Instrumentalness • 15% Positiveness
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A Letter For Ashley
Through You
130 bpm • A Maj • 04:55 • -13.67db
9% Popularity • 47% Danceability • 49% Energy • 6% Liveness
90% Instrumentalness • 30% Positiveness
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Jashan Sokhi
Cobalt Rush
120 bpm • E min • 00:59 • -29.25db
29% Popularity • 55% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Ras Nemo
Hot Psychedelic
120 bpm • F Maj • 01:24 • -19.71db
8% Popularity • 75% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 93% Positiveness
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Anthony Driscoll
Very Own Apocalypse
120 bpm • C min • 04:55 • -13.7db
10% Popularity • 60% Danceability • 26% Energy • 24% Liveness
2% Instrumentalness • 4% Positiveness
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Ok Nova
Ledgers
120 bpm • E Maj • 01:43 • -12.27db
11% Popularity • 71% Danceability • 36% Energy • 15% Liveness
84% Instrumentalness • 55% Positiveness
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MELOW MUSIC
Mentari Hati - Acoustic
120 bpm • G Maj • 03:12 • -9.21db
23% Popularity • 67% Danceability • 48% Energy • 52% Liveness
98% Instrumentalness • 8% Positiveness
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Lucifer
Ferrari
120 bpm • A# Maj • 01:12 • -14.83db
16% Popularity • 70% Danceability • 86% Energy • 32% Liveness
86% Instrumentalness • 90% Positiveness
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Wasteland strider
Across the Isle of Skye
120 bpm • C Maj • 01:02 • -14.5db
30% Popularity • 43% Danceability • 23% Energy • 12% Liveness
99% Instrumentalness • 40% Positiveness
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High-Tide Game Studio
Flying High
120 bpm • G Maj • 01:10 • -10.08db
12% Popularity • 47% Danceability • 56% Energy • 79% Liveness
93% Instrumentalness • 17% Positiveness
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Tycho
In The End
120 bpm • C Maj • 04:32 • -9.93db
23% Popularity • 74% Danceability • 45% Energy • 11% Liveness
47% Instrumentalness • 12% Positiveness
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Bayrides
Cover Me With Tar
120 bpm • D Maj • 06:34 • -8.85db
26% Popularity • 69% Danceability • 54% Energy • 18% Liveness
76% Instrumentalness • 23% Positiveness
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JCRB
Trakipo
120 bpm • G# Maj • 02:24 • -19.3db
10% Popularity • 70% Danceability • 23% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
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Patronize The Pine
Coveys
120 bpm • B min • 03:00 • -17.05db
12% Popularity • 46% Danceability • 28% Energy • 23% Liveness
78% Instrumentalness • 44% Positiveness
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Colectivo Roto
Bondojito
120 bpm • D Maj • 04:19 • -8.38db
11% Popularity • 63% Danceability • 83% Energy • 11% Liveness
72% Instrumentalness • 51% Positiveness
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High-Tide Game Studio
Loadout Select
120 bpm • D min • 01:10 • -10.62db
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
86% Instrumentalness • 64% Positiveness
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Dread
beauty of fog
120 bpm • D Maj • 02:32 • -17.17db
15% Popularity • 54% Danceability • 28% Energy • 29% Liveness
92% Instrumentalness • 10% Positiveness
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Circuito 36
Map of the World
120 bpm • A Maj • 05:24 • -4.28db
10% Popularity • 45% Danceability • 87% Energy • 18% Liveness
54% Instrumentalness • 33% Positiveness
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King Dodo
From a Watering Can
120 bpm • G Maj • 03:41 • -8.18db
23% Popularity • 54% Danceability • 61% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
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MELOW MUSIC
Musim Bunga - Acoustic
120 bpm • G Maj • 03:14 • -8.94db
23% Popularity • 56% Danceability • 63% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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YASUMACS
heaven's x blood guitar v
120 bpm • E min • 03:10 • -4.72db
12% Popularity • 51% Danceability • 91% Energy • 14% Liveness
74% Instrumentalness • 45% Positiveness
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YelleKrome
Starman
120 bpm • D min • 01:10 • -16.9db
24% Popularity • 53% Danceability • 70% Energy • 52% Liveness
81% Instrumentalness • 73% Positiveness
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Vervein
Pelican
120 bpm • E min • 03:08 • -10.88db
9% Popularity • 28% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Hedda Wesley
Projection
120 bpm • F# Maj • 04:01 • -14.88db
18% Popularity • 52% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Zebu!
Aspa Delpap Pah
120 bpm • A# min • 04:54 • -8.38db
0% Popularity • 46% Danceability • 87% Energy • 18% Liveness
86% Instrumentalness • 5% Positiveness
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David John Ricci
Belle Noche
119 bpm • F# min • 03:09 • -10.48db
10% Popularity • 47% Danceability • 49% Energy • 5% Liveness
88% Instrumentalness • 36% Positiveness
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Wlison Yiorenze
It So Much
119 bpm • F# min • 02:50 • -10.98db
24% Popularity • 39% Danceability • 76% Energy • 39% Liveness
88% Instrumentalness • 67% Positiveness
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HUSKY STRUTTERS
Leap
119 bpm • D Maj • 02:50 • -13.74db
23% Popularity • 35% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Pitch Doctor
Unique Glo (take me home)
119 bpm • A min • 03:26 • -12.94db
0% Popularity • 37% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Harmonia
Harmoniumm
119 bpm • D Maj • 05:49 • -13.19db
20% Popularity • 42% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 69% Positiveness
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Execute Fragile
Print Revenue
131 bpm • A min • 03:55 • -11.36db
17% Popularity • 44% Danceability • 67% Energy • 11% Liveness
36% Instrumentalness • 18% Positiveness
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Horace Wilcox
Rogena
131 bpm • C# Maj • 02:36 • -16.41db
21% Popularity • 59% Danceability • 27% Energy • 17% Liveness
12% Instrumentalness • 7% Positiveness
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Opportunity Pick
No Connection
131 bpm • C# Maj • 03:55 • -12.82db
17% Popularity • 44% Danceability • 57% Energy • 10% Liveness
67% Instrumentalness • 20% Positiveness
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THE AXE
THREAT RESPONSE
132 bpm • G min • 04:30 • -12.8db
12% Popularity • 34% Danceability • 68% Energy • 34% Liveness
82% Instrumentalness • 33% Positiveness
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I and Others
Jupiter pt. 3
132 bpm • A# Maj • 01:37 • -11.16db
11% Popularity • 26% Danceability • 73% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
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Jenny Walker
Beat
118 bpm • A# min • 03:23 • -14.74db
26% Popularity • 62% Danceability • 52% Energy • 61% Liveness
1% Instrumentalness • 56% Positiveness
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Johnnie Hessel
Chain
118 bpm • C Maj • 04:11 • -16.99db
28% Popularity • 57% Danceability • 58% Energy • 12% Liveness
95% Instrumentalness • 55% Positiveness
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Antonio Dewar
Revolution
132 bpm • B min • 04:07 • -6.12db
20% Popularity • 20% Danceability • 90% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
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God of Delusions
God is in Our Walls
132 bpm • F# Maj • 02:43 • -12.04db
15% Popularity • 42% Danceability • 83% Energy • 43% Liveness
89% Instrumentalness • 69% Positiveness
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Ebony McLaughlin
Wiley Hansen
132 bpm • C# Maj • 02:34 • -14.24db
23% Popularity • 52% Danceability • 60% Energy • 17% Liveness
88% Instrumentalness • 37% Positiveness
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"Just Leif"
Riding Rapture
132 bpm • E min • 04:20 • -3.41db
4% Popularity • 55% Danceability • 90% Energy • 42% Liveness
82% Instrumentalness • 62% Positiveness
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I and Others
Beugois
118 bpm • G Maj • 02:40 • -12.34db
7% Popularity • 45% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Lupus Brains