Songs like Lux aeterna: Lux Aeterna: O nata lux by Morten Lauridsen
Based on a tempo of (+/- 10%) and a similar genre
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Morten Lauridsen
Lux aeterna: Lux Aeterna: O nata lux
171 bpm • D Maj • 05:05 • -33.19db
20% Popularity • 8% Danceability • 1% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
171 bpm • F# Maj • 01:36 • -35db
34% Popularity • 9% Danceability • 1% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 1% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Hector Berlioz
Grande messe des morts, Op. 5, "Requiem"...
171 bpm • C Maj • 09:44 • -19.9db
5% Popularity • 11% Danceability • 15% Energy • 32% Liveness
83% Instrumentalness • 7% Positiveness
5% Popularity • 11% Danceability • 15% Energy • 32% Liveness
83% Instrumentalness • 7% Positiveness
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Matthew Larkin
Psalm 111, "I will give thanks unto the ...
171 bpm • D# Maj • 03:15 • -34db
3% Popularity • 18% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 18% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jimmy Rankin
Fare Thee Well Love (Arr. S. Calvert)
172 bpm • D# Maj • 03:52 • -30db
2% Popularity • 10% Danceability • 3% Energy • 8% Liveness
61% Instrumentalness • 8% Positiveness
2% Popularity • 10% Danceability • 3% Energy • 8% Liveness
61% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
O vos omnes
172 bpm • D min • 06:08 • -30.33db
8% Popularity • 9% Danceability • 1% Energy • 15% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 15% Liveness
2% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 30, Resv...
169 bpm • E min • 05:26 • -20.14db
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
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University of King's College Chapel Choir
Ecce Quomodo Moritur
173 bpm • D# Maj • 04:04 • -24db
23% Popularity • 12% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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William Croft
Burial Sentences, "I am the resurrection...
172 bpm • C min • 03:02 • -34db
5% Popularity • 12% Danceability • 1% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
5% Popularity • 12% Danceability • 1% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Hymn to the Eternal Flame
169 bpm • C# Maj • 02:34 • -20db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Unknown
Arvo Pärt : O Adonaï
168 bpm • C# Maj • 02:52 • -29.53db
13% Popularity • 9% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Nystedt: Immortal Bach
174 bpm • D# Maj • 04:04 • -22.08db
14% Popularity • 8% Danceability • 7% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 7% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
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James MacMillan
A New Song
168 bpm • F# min • 05:35 • -30.71db
2% Popularity • 9% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Maidan 2014 / Cycle I: III. Give Rest, O...
174 bpm • C# Maj • 02:04 • -36.46db
25% Popularity • 8% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Where Have the Actors Gone
168 bpm • G# Maj • 05:25 • -23db
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear My Prayer
175 bpm • B min • 02:12 • -20db
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Juan Ponce
Allá se me ponga el sol à 4
176 bpm • D min • 02:55 • -38.7db
22% Popularity • 8% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 8% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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![St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] cover art](https://i.scdn.co/image/ab67616d00001e022ea472c8e0b24c025a7aea28)
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1 (Exc...
176 bpm • F Maj • 01:14 • -23db
25% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
25% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Noel Edison
Psalm 121: Psalm CXXI
177 bpm • B min • 02:31 • -32.11db
1% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Esther Abrami
Serenity (O Magnum Mysterium)
165 bpm • G Maj • 05:23 • -18.01db
23% Popularity • 9% Danceability • 18% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 18% Energy • 7% Liveness
8% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Nocturnes: No. 2. Soneto de la Noche
176 bpm • F# Maj • 06:39 • -24db
2% Popularity • 8% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Henryk Górecki
Piesni koscielne (Church Songs): No. 12....
179 bpm • D Maj • 02:53 • -41.66db
18% Popularity • 7% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
Dirait-on
164 bpm • C# Maj • 04:48 • -24.82db
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 8% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 8% Positiveness
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Heinrich Poos
Auferstehn
146 bpm • A# Maj • 03:56 • -29.09db
7% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Adoramus a sei voci
146 bpm • G Maj • 03:31 • -23.1db
10% Popularity • 14% Danceability • 8% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
