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Lux Aeterna
Songs like
Lux Aeterna
by
Clint Mansell
Based on a tempo of (+/- 10%) and a similar genre
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Woodkid
Run Boy Run - Instrumental
134 bpm • F min • 03:34 • -6.31db
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
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Clint Mansell
Cleaning Apartment
134 bpm • D# Maj • 01:26 • -15db
33% Popularity • 43% Danceability • 28% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Benjamin Wallfisch
Hannah and Volmer
134 bpm • B min • 04:34 • -17.82db
23% Popularity • 18% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Nuvole Bianche
133 bpm • G# Maj • 05:57 • -25.4db
72% Popularity • 19% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Writing the Letter
136 bpm • C Maj • 02:00 • -25.14db
32% Popularity • 20% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Clint Mansell
Marion Barfs
134 bpm • D# Maj • 02:22 • -11.28db
35% Popularity • 45% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
In the Hall of the Mountain King
136 bpm • A# min • 02:21 • -14.01db
39% Popularity • 23% Danceability • 14% Energy • 26% Liveness
91% Instrumentalness • 7% Positiveness
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Kenji Kawai
Utai IV: Reawakening
132 bpm • F# min • 02:37 • -8.65db
39% Popularity • 25% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Mansell
Hope Overture
134 bpm • G min • 02:31 • -18.76db
27% Popularity • 65% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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James Last
Einsamer Hirte
132 bpm • D min • 04:23 • -13.34db
52% Popularity • 34% Danceability • 26% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Nicholas Britell
Adagio in C Minor
131 bpm • C min • 01:30 • -17.87db
60% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Una Mattina
131 bpm • D Maj • 03:23 • -31.54db
71% Popularity • 23% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Orff
Carmina Burana: O Fortuna
137 bpm • D min • 02:42 • -13.07db
52% Popularity • 39% Danceability • 31% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
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Clint Mansell
Lux Aeterna
134 bpm • G min • 03:54 • -13.96db
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Lorne Balfe
Assassins Creed Theme
131 bpm • C min • 04:43 • -14.53db
38% Popularity • 18% Danceability • 41% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Antonio Pinto
Ak-47 Love
131 bpm • D min • 02:00 • -14.33db
10% Popularity • 16% Danceability • 28% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Lion Theme
138 bpm • C min • 01:58 • -18.55db
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Clint Mansell
Coney Island Low
133 bpm • C# Maj • 02:13 • -39.7db
20% Popularity • 16% Danceability • 32% Energy • 35% Liveness
50% Instrumentalness • 1% Positiveness
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Henry Jackman
Safe Now
130 bpm • D min • 03:12 • -21db
44% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Audiomachine
Guardians At the Gate
138 bpm • F min • 02:05 • -9.64db
57% Popularity • 49% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Apocalyptica
Nothing Else Matters
138 bpm • D min • 04:45 • -12.21db
58% Popularity • 35% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Future World Music
Aqua Vitae
130 bpm • C min • 02:35 • -7.26db
49% Popularity • 25% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Clint Mansell
Dead Reckoning
131 bpm • A# min • 03:15 • -10.48db
22% Popularity • 36% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Ludwig Göransson
Can You Hear The Music
139 bpm • E min • 01:50 • -12.46db
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
17% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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John Williams
Anakin's Betrayal
139 bpm • A min • 04:05 • -17.38db
51% Popularity • 14% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Newman
The Starship Avalon (Main Title)
129 bpm • C min • 04:15 • -28.47db
33% Popularity • 37% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Nicholas Britell
Succession (Main Title Theme) - Extended...
139 bpm • C# Maj • 01:52 • -6.33db
48% Popularity • 33% Danceability • 37% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
30% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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2WEI
Gangsta's Paradise
140 bpm • C Maj • 02:46 • -8.38db
54% Popularity • 16% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 9% Positiveness
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Zack Hemsey
See What I've Become
128 bpm • E min • 03:54 • -9db
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Gabriel Shadid & Tobias Marberger
I Still Have a Soul (No Vocals)
140 bpm • D min • 02:09 • -8.87db
23% Popularity • 43% Danceability • 62% Energy • 11% Liveness
9% Instrumentalness • 20% Positiveness
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James Horner
A Kaleidoscope Of Mathematics
140 bpm • C# min • 04:54 • -20.97db
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Nicholas Britell
Strings + 808 + Beat
140 bpm • G# Maj • 01:11 • -8.88db
44% Popularity • 75% Danceability • 43% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
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Rupert Gregson-Williams
Your Majesty
140 bpm • A# Maj • 04:14 • -14.86db
42% Popularity • 32% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Andrew Hewitt
The Double Theme - Version 1
140 bpm • F# Maj • 03:45 • -13.94db
15% Popularity • 48% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Tyler Bates
Frank's Choice
140 bpm • E min • 03:36 • -7.92db
48% Popularity • 46% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
51% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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Nicholas Britell
Succession (Main Title Theme)
140 bpm • G# Maj • 01:42 • -6.37db
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Main Titles
128 bpm • A# Maj • 01:20 • -14.45db
40% Popularity • 51% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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James Horner
The bioluminescence of the night
128 bpm • C# min • 03:37 • -28.06db
51% Popularity • 19% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone (No Escape)
142 bpm • E min • 02:54 • -22.46db
49% Popularity • 14% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Benjamin Wallfisch
Nobody Ever Leaves
127 bpm • D# Maj • 01:49 • -13.69db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Ludovico Einaudi
Primavera
142 bpm • C min • 07:22 • -13.59db
61% Popularity • 23% Danceability • 21% Energy • 17% Liveness
86% Instrumentalness • 14% Positiveness
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Maxence Cyrin
Where Is My Mind
142 bpm • A Maj • 02:45 • -21.26db
63% Popularity • 33% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Michael Salvatori
Journey
142 bpm • G min • 07:17 • -12.71db
46% Popularity • 35% Danceability • 64% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
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Thomas Newman
Whisper Of A Thrill
126 bpm • C# Maj • 05:42 • -28.03db
41% Popularity • 17% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
19% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Max Richter
Invasion Main Title
125 bpm • A min • 01:16 • -10db
37% Popularity • 32% Danceability • 44% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
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Mychael Danna
It's a Process
144 bpm • F Maj • 01:52 • -22.57db
46% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ludovico Einaudi
Time Lapse
125 bpm • F min • 05:31 • -26db
53% Popularity • 59% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Antonio Pinto
Conscience
125 bpm • C# min • 02:06 • -19.45db
30% Popularity • 53% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Éric Serra
What's Happening Out There ?
144 bpm • D min • 03:05 • -15db
26% Popularity • 54% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 53% Positiveness
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Zbigniew Preisner
Lacrimosa
124 bpm • D min • 03:22 • -12.95db
40% Popularity • 24% Danceability • 38% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossienne: No. 1
124 bpm • F min • 03:34 • -28.35db
61% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Nightbook
124 bpm • F# min • 05:50 • -16.3db
47% Popularity • 60% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Antonio Pinto
Consequences & Loss
125 bpm • A Maj • 04:26 • -21.16db
20% Popularity • 22% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Zack Hemsey
The Way (Instrumental)
124 bpm • F min • 07:04 • -12db
47% Popularity • 31% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Christopher Lennertz
I Can Do Anything / Finale
124 bpm • A Maj • 01:05 • -9.07db
56% Popularity • 48% Danceability • 37% Energy • 42% Liveness
73% Instrumentalness • 14% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Lorne Balfe
Fight Club
123 bpm • C min • 02:05 • -13.88db
50% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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Saycet
Joseph
146 bpm • G Maj • 02:16 • -17.34db
26% Popularity • 55% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Jeremy Zuckerman
The Rules
147 bpm • G min • 03:49 • -15.31db
30% Popularity • 76% Danceability • 26% Energy • 12% Liveness
74% Instrumentalness • 72% Positiveness
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Tan Dun
For the World
122 bpm • A min • 04:18 • -20db
29% Popularity • 17% Danceability • 14% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
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Thomas Newman
Sixteen Hundred Men
122 bpm • C min • 06:32 • -19.85db
42% Popularity • 39% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Jed Kurzel
The Covenant
121 bpm • C# Maj • 03:25 • -21.33db
29% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Cho Young-Wuk
The Last Waltz
121 bpm • C min • 03:23 • -14.37db
39% Popularity • 25% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Michael McCann
Icarus - Main Theme
121 bpm • G min • 03:41 • -12.8db
44% Popularity • 25% Danceability • 68% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
37% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Carl Orff
Carmina Burana: O Fortuna
149 bpm • A# Maj • 02:24 • -19.48db
52% Popularity • 29% Danceability • 16% Energy • 23% Liveness
34% Instrumentalness • 36% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
44% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
54% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Jeff Russo
The Night Of - Main Title Screen Version...
120 bpm • B min • 01:24 • -16db
25% Popularity • 63% Danceability • 18% Energy • 16% Liveness
97% Instrumentalness • 55% Positiveness
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M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
47% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Gundry
Salem's Secret
120 bpm • A# min • 04:04 • -13.42db
45% Popularity • 51% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Clint Mansell
Shellshock (Another Day, Another Dollar!...
120 bpm • D min • 08:04 • -24.56db
7% Popularity • 20% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
24% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Secession Studios
The Untold
120 bpm • C# Maj • 03:11 • -17.06db
55% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Two Steps from Hell
Victory
120 bpm • A# Maj • 05:20 • -6.11db
63% Popularity • 50% Danceability • 92% Energy • 16% Liveness
33% Instrumentalness • 27% Positiveness
► Preview
Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Lux Aeterna