Songs like Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes - Mouvement de Marche by Maurice Ravel
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
134 bpm • G# min • 03:07 • -34db
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Prelude in E Minor, BWV 855 (Arr. Piano ...
134 bpm • B min • 03:00 • -34db
34% Popularity • 23% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
34% Popularity • 23% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
135 bpm • A# min • 04:04 • -20db
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 60: III. Laideronnett...
134 bpm • C# Maj • 03:06 • -24.43db
15% Popularity • 43% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
15% Popularity • 43% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Mily Balakirev
A Farewell to Saint Petersburg: No. 10, ...
136 bpm • A# min • 05:57 • -25.56db
15% Popularity • 33% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Takashi Yoshimatsu
Noel in Midnight
136 bpm • A# Maj • 02:43 • -30.94db
16% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
16% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 13 in C Minor, Op. ...
136 bpm • C Maj • 06:36 • -23.99db
26% Popularity • 34% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 34% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: N...
134 bpm • D Maj • 02:48 • -33.74db
20% Popularity • 49% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 49% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 60: II. Petit Poucet
132 bpm • D# Maj • 02:57 • -35.62db
26% Popularity • 43% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
26% Popularity • 43% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
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Béla Bartók
Roumanian Folk Dances For Orchestra, Sz....
138 bpm • D Maj • 06:26 • -21.44db
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
139 bpm • G# Maj • 07:09 • -30.69db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Alberto Ginastera
Suite de danzas criollas, Op. 15 (2nd ve...
129 bpm • C Maj • 01:56 • -40db
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: IV. Les entretien...
137 bpm • C Maj • 03:50 • -40.06db
10% Popularity • 27% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
10% Popularity • 27% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
24% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
130 bpm • D# min • 03:11 • -26.34db
30% Popularity • 38% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 38% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi, SC 88: "O mio babbino c...
124 bpm • G# Maj • 02:49 • -24db
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, BWV 8...
121 bpm • C Maj • 03:53 • -25.76db
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
► Preview
François Couperin
Couperin, F: Second livre de pièces de ...
150 bpm • A# Maj • 02:33 • -25db
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ravel / Arr. Grainger: Miroirs, M. 43: V...
140 bpm • C# Maj • 05:27 • -28.18db
20% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
William Bolcom
3 Ghost Rags: No. 1. The Graceful Ghost
116 bpm • A# min • 04:34 • -26.77db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Philip Glass
Études: No. 9
114 bpm • F min • 02:32 • -25.27db
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
John Adams
China Gates
161 bpm • D# min • 04:39 • -30.9db
14% Popularity • 25% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Franz Schubert
Schwanengesang, D. 957: No. 4, Ständche...
169 bpm • D Maj • 03:09 • -27.86db
38% Popularity • 21% Danceability • 2% Energy • 7% Liveness
68% Instrumentalness • 19% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 7% Liveness
68% Instrumentalness • 19% Positiveness
► Preview
Sergei Rachmaninoff
Piano Sonata No. 2 in B-Flat Minor, Op. ...
169 bpm • A Maj • 06:54 • -26db
25% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Maurice Ravel
Ravel: String Quartet, M. 35: II. Assez ...
144 bpm • F Maj • 06:29 • -24.74db
12% Popularity • 30% Danceability • 4% Energy • 15% Liveness
55% Instrumentalness • 9% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 15% Liveness
55% Instrumentalness • 9% Positiveness
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Robert Schumann
Waldszenen, Op. 82: VII. Vogel als Proph...
170 bpm • G min • 02:57 • -41.94db
28% Popularity • 29% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 14% Positiveness
28% Popularity • 29% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
40% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet
123 bpm • C# Maj • 03:01 • -30.17db
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Francis Poulenc
Poulenc: Piano Concerto in C-Sharp Minor...
175 bpm • D# Maj • 05:35 • -23.6db
14% Popularity • 12% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: I. ...
174 bpm • D min • 06:37 • -24db
31% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
54% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: I. Allegro...
118 bpm • F Maj • 08:50 • -23.88db
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du temps (Quartet fo...
189 bpm • E Maj • 07:03 • -32db
6% Popularity • 7% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
6% Popularity • 7% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
179 bpm • C min • 05:33 • -30db
18% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Johannes Brahms
Intermezzo No. 2 in B-Flat Minor, Op. 11...
203 bpm • A# min • 05:27 • -28.09db
25% Popularity • 21% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
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Maurice Ravel
String Quartet in F Major, M. 35: II. As...
160 bpm • C Maj • 06:06 • -24.06db
25% Popularity • 29% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
