Songs like Ma! She's Makin' Eyes at Me by Old School
Based on a tempo of (+/- 10%) and a similar genre
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Hullabahoos
Castle on the Hill
135 bpm • D Maj • 04:22 • -7.24db
13% Popularity • 64% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Rockapella
Can't Stop the Feeling!
135 bpm • C# Maj • 01:31 • -5.38db
29% Popularity • 74% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 74% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Da Vinci's Notebook
Shoehorn with Teeth
135 bpm • D# Maj • 01:18 • -12.13db
15% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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A Few Good Men Music Ministries
Prodigal Son
135 bpm • E Maj • 03:23 • -8.52db
10% Popularity • 33% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 33% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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The Gas House Gang
Old Hymns Medley
135 bpm • A# Maj • 08:10 • -14.09db
8% Popularity • 46% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 46% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Old School
Ma! She's Makin' Eyes at Me
135 bpm • G# Maj • 02:50 • -6.89db
1% Popularity • 43% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 43% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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3 Heath Brothers
Pray Hard
134 bpm • D Maj • 03:31 • -8.6db
9% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ruth Irving
Combat Medley
134 bpm • F# Maj • 03:35 • -6.68db
27% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Narrow Way
Alleluia, Lord!
134 bpm • E Maj • 02:36 • -10.02db
10% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Voice Male
Send Me to Glory In a Glad Bag
136 bpm • G Maj • 03:04 • -7.94db
16% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Gas House Gang
Goodbye, World, Goodbye
136 bpm • G min • 02:38 • -4.94db
13% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Slip and Tackle
Can't Quit You
136 bpm • G# Maj • 04:07 • -8.41db
12% Popularity • 75% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 75% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Glory Road
He Is Here
136 bpm • A Maj • 03:20 • -6.76db
13% Popularity • 46% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Beartones
Dirty Diana
136 bpm • C Maj • 02:52 • -6.9db
10% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Realtime
Keep Your Sunny Side Up - Yes indeed, on...
134 bpm • D# Maj • 02:38 • -9.25db
9% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Kelly Clemens
Extremely
134 bpm • G Maj • 05:25 • -8.34db
29% Popularity • 63% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 63% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Appalachian Folk Song
Black is the Color of My True Love's Hai...
137 bpm • E min • 03:07 • -15.71db
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Voice Male
Breakfast At Tiffany’s
133 bpm • B Maj • 03:26 • -7.96db
17% Popularity • 66% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 66% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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The Cat's Pajamas Vocal Band
Hooked On A Feelin'
138 bpm • G# Maj • 02:25 • -7db
16% Popularity • 48% Danceability • 63% Energy • 99% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 48% Danceability • 63% Energy • 99% Liveness
0% Instrumentalness • 72% Positiveness
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For Him Ministries
Believe
132 bpm • C Maj • 04:13 • -17.84db
9% Popularity • 44% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Realtime
Come On, Get Happy
134 bpm • F min • 01:51 • -7.61db
12% Popularity • 47% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 47% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Kelly Clemens
Dont Stop Me
138 bpm • C Maj • 04:54 • -5.84db
29% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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University of North Carolina At Greensboro Spartones
You're The Inspiration
138 bpm • C# Maj • 04:23 • -6.07db
14% Popularity • 40% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 40% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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The Brown Derbies
Gummi Bears
132 bpm • A# Maj • 01:14 • -7.38db
10% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Warp Zone
Captain Planet Theme (Acapella)
138 bpm • D Maj • 01:06 • -11.93db
12% Popularity • 87% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 87% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Rockapella
Here Comes the Sun
132 bpm • A Maj • 02:45 • -7.62db
10% Popularity • 67% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 67% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Voice of Praise
Lord, Lord
132 bpm • G# Maj • 01:29 • -11.21db
13% Popularity • 60% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Voices Of Lee
There Is A God
138 bpm • G Maj • 04:42 • -9.38db
11% Popularity • 52% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Hullabahoos
I Will Wait
132 bpm • C# Maj • 03:59 • -6.57db
16% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Bluegrass Student Union
The Auctioneer
138 bpm • B Maj • 01:57 • -11db
11% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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4TET
Love Of My Life
138 bpm • F Maj • 03:27 • -9.89db
9% Popularity • 40% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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The Virginia Gentlemen
Brandy (You're a Fine Girl)
132 bpm • E Maj • 02:54 • -4.8db
16% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Peculiar Music Ministry
Nena Za Chikondi
131 bpm • B Maj • 02:26 • -5.02db
19% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 41% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Voices Of Lee
Peace Speaker
138 bpm • C Maj • 05:35 • -10.43db
8% Popularity • 25% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Redeemed Family Zimbabwe
Ishe Wangu
139 bpm • A Maj • 06:20 • -5.96db
16% Popularity • 25% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 25% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Surrendered
Welcome Holy Spirit
131 bpm • F Maj • 02:53 • -10.88db
9% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Acoustikats
Back At One
140 bpm • G# min • 02:53 • -6.33db
7% Popularity • 47% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 47% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Midtown
Theme from Spider-Man
130 bpm • F min • 03:17 • -7.27db
15% Popularity • 44% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Stanford Mixed Company
Downfall
140 bpm • E min • 03:49 • -7.53db
4% Popularity • 50% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 50% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Certified Vocalist
Talk to Me
140 bpm • E min • 03:53 • -7.17db
0% Popularity • 45% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 45% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Buffalo Bills
Toot, Toot, Tootsie
140 bpm • G# Maj • 01:48 • -19db
8% Popularity • 57% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 57% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
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Best Friends
Build a Boat
140 bpm • C# Maj • 02:51 • -5.75db
13% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Aquapella
West Coast
140 bpm • C# min • 02:42 • -7.66db
15% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Voices Of Lee
Goodness Of God
140 bpm • A# Maj • 05:05 • -8.31db
9% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tonic Sol-Fa
Man of Constant Sorrow
140 bpm • C# Maj • 02:30 • -8db
25% Popularity • 71% Danceability • 67% Energy • 85% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 71% Danceability • 67% Energy • 85% Liveness
0% Instrumentalness • 87% Positiveness
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Shuvo Kumar Chowdhury
Abar Shurjer Agey
140 bpm • C Maj • 04:45 • -4.52db
2% Popularity • 52% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 52% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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The Dartmouth Aires
Dark Horse
130 bpm • D# min • 03:41 • -4.87db
8% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Street Corner Symphony
Myriad of Stars
130 bpm • D Maj • 04:24 • -10.5db
9% Popularity • 60% Danceability • 52% Energy • 82% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 60% Danceability • 52% Energy • 82% Liveness
0% Instrumentalness • 45% Positiveness
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The Barbershop Four
I've Been Working On the Railroad
130 bpm • B Maj • 01:38 • -20.59db
11% Popularity • 51% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 51% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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OC Times
Fool Such As I
140 bpm • C Maj • 02:22 • -7.43db
10% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Voice Male
Danny Boy
141 bpm • F Maj • 02:21 • -12.54db
18% Popularity • 24% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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A Capella Science
William Rowan Hamilton
130 bpm • B min • 03:58 • -8.2db
12% Popularity • 58% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 58% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Assurance Acappella
Tulo Twapalwa
141 bpm • F Maj • 03:13 • -12.17db
11% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Old School
I Want a Girl (Just Like the Girl That M...
129 bpm • G# Maj • 02:52 • -9.43db
1% Popularity • 30% Danceability • 31% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 30% Danceability • 31% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Fishers of Men
Nyali
141 bpm • G Maj • 04:50 • -9.3db
11% Popularity • 30% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Ambassadors of Harmony
Seventy Six Trombones
129 bpm • C# Maj • 04:25 • -9.32db
10% Popularity • 36% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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The Other Guys
Skye Boat Song
141 bpm • G Maj • 02:38 • -7.58db
8% Popularity • 32% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 32% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Fundamentally Sound
Teeth
141 bpm • A# min • 02:52 • -7.93db
13% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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139th Street Quartet
Bowery Medley
129 bpm • C Maj • 03:02 • -12.39db
14% Popularity • 61% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 61% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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The Dartmouth Aires
Marvin Gaye Medley: Let's Get It On / Se...
129 bpm • G# Maj • 03:04 • -4.99db
8% Popularity • 39% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 39% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Gifted Ministry
Look and Live
129 bpm • G Maj • 03:44 • -7.57db
14% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Radiance Acapella
Oh How Sweet
129 bpm • F# Maj • 05:33 • -9.17db
9% Popularity • 32% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 32% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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The Buffalo Bills
A Cup Of Coffee, A Sandwich And You
129 bpm • A# Maj • 02:09 • -16db
10% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Watershed Worship
We Enter In
129 bpm • E Maj • 03:56 • -14.82db
11% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Old School
Tune 2/2
142 bpm • D# Maj • 08:28 • -10.51db
0% Popularity • 40% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 10% Positiveness
0% Popularity • 40% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 10% Positiveness
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Rockapella
The Middle / Stuck in the Middle with Yo...
142 bpm • G min • 03:21 • -6.7db
18% Popularity • 71% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 71% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Boston College Dynamics
Golden
142 bpm • G# Maj • 03:23 • -7.26db
14% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tonic Sol-Fa
Cecilia
128 bpm • A# Maj • 01:47 • -5.3db
27% Popularity • 76% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 76% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Hullabahoos
Ain't No Mountain High Enough
128 bpm • G min • 02:34 • -3.93db
26% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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For Him Ministries
Greatest Love of All
128 bpm • F# Maj • 03:54 • -9.01db
8% Popularity • 62% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 62% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 69% Positiveness
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Old School
Take It Back - Acapella / Version 2
128 bpm • G min • 00:31 • -14.33db
0% Popularity • 98% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 98% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Fundamentally Sound
Wrong
128 bpm • D# Maj • 01:27 • -9.7db
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Firm Faith Zimbabwe
This Is My Plea
143 bpm • D# Maj • 03:37 • -22.61db
11% Popularity • 28% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 28% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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United Voice Worship
For The One
128 bpm • D# Maj • 03:15 • -10.21db
11% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 48% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Max Q
Royal Garden Blues
127 bpm • A Maj • 03:26 • -6.56db
8% Popularity • 54% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 54% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Northwestern Undertones
Lips Are Movin'
143 bpm • C Maj • 02:29 • -5.18db
9% Popularity • 61% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Old School
Take It Back - Acapella / Version 1
128 bpm • C Maj • 00:46 • -18.85db
0% Popularity • 98% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 98% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dealer's Choice
Coney Island Washboard Roundelay
143 bpm • E Maj • 01:39 • -15.11db
10% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bluegrass Student Union
The Chordbusters' March
143 bpm • B Maj • 01:31 • -12.71db
16% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Da Vinci's Notebook
Jump In the Line
127 bpm • F# Maj • 03:22 • -10.76db
23% Popularity • 87% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 87% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Luminos
715 - CR∑∑KS
127 bpm • G# Maj • 03:15 • -13.33db
8% Popularity • 42% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Washington University Stereotypes
Locked out of Heaven
144 bpm • F min • 03:34 • -6.23db
14% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Lemon Squeezy
Steppin' Out with My Baby
144 bpm • G# Maj • 03:05 • -5.68db
11% Popularity • 44% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 44% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Mixed Company of Yale
Let It Go
144 bpm • A# Maj • 04:20 • -11.35db
7% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bluegrass Student Union
When It's Darkness on the Delta
144 bpm • A min • 01:14 • -15.82db
13% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Unaccompanied
bad idea
144 bpm • D# min • 02:50 • -5.93db
9% Popularity • 66% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 66% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Luigi Corkery
The Abilene
127 bpm • F min • 04:14 • -12.85db
10% Popularity • 58% Danceability • 41% Energy • 27% Liveness
3% Instrumentalness • 60% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 27% Liveness
3% Instrumentalness • 60% Positiveness
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The Kings Messenger Quartet
I Won't Have to Cross Jordan Alone
126 bpm • C# Maj • 02:23 • -15.22db
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Realtime
When The Saints Go Marchin' In - Arrange...
126 bpm • A min • 01:40 • -10.68db
11% Popularity • 49% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 49% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Taji
I Need Thee, Precious Jesus
126 bpm • G# Maj • 03:07 • -11.31db
15% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Juxtaposition
Little Lies
126 bpm • D min • 03:12 • -6.54db
0% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Hullabahoos
Too Close
126 bpm • A# min • 03:46 • -5.89db
14% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Acappella
Jesus Is Your Ticket
126 bpm • G# Maj • 02:55 • -16.77db
8% Popularity • 82% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 82% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Acoustikats
Amazed
145 bpm • C# Maj • 02:20 • -6.77db
12% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Max Q
Moondance
126 bpm • D# Maj • 03:13 • -14.43db
7% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Voice Male
Farmer Tan
145 bpm • A# Maj • 02:22 • -7.81db
21% Popularity • 72% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Glad
May the Glory of the Lord
145 bpm • F Maj • 02:21 • -10.04db
7% Popularity • 57% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 57% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Gifted Ministry
No Abiding City
125 bpm • G# Maj • 02:42 • -8.09db
18% Popularity • 34% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 34% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
