Songs like Maa Kanti by P. Susheela
Based on a tempo of (+/- 10%) and a similar genre
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Usha
Nee Tholisariga
170 bpm • A Maj • 04:50 • -9db
53% Popularity • 60% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 60% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Harini
Andagaada
170 bpm • B Maj • 05:20 • -7.86db
52% Popularity • 42% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 42% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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P. Susheela
Maa Kanti
170 bpm • F# min • 04:41 • -8.54db
35% Popularity • 48% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 48% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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K. J. Yesudas
Vrichika Raathrithan
172 bpm • A min • 03:37 • -13.45db
7% Popularity • 37% Danceability • 27% Energy • 66% Liveness
19% Instrumentalness • 70% Positiveness
7% Popularity • 37% Danceability • 27% Energy • 66% Liveness
19% Instrumentalness • 70% Positiveness
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Tippu
Langa Voni
172 bpm • G min • 03:53 • -4.29db
45% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Mallikarjun
Manmadha
172 bpm • D Maj • 05:02 • -9.73db
44% Popularity • 69% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
44% Popularity • 69% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 43% Positiveness
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Unnikrishnan
Sasivadane
172 bpm • D Maj • 06:22 • -14.81db
54% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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C. S. Jayaraman
Vinnodum Mugilodum, Pt. 1
167 bpm • E min • 03:16 • -11.05db
16% Popularity • 34% Danceability • 41% Energy • 13% Liveness
68% Instrumentalness • 89% Positiveness
16% Popularity • 34% Danceability • 41% Energy • 13% Liveness
68% Instrumentalness • 89% Positiveness
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P. Susheela
Unnai Kaanadha Kannum
168 bpm • D Maj • 05:16 • -7.18db
19% Popularity • 26% Danceability • 44% Energy • 14% Liveness
9% Instrumentalness • 45% Positiveness
19% Popularity • 26% Danceability • 44% Energy • 14% Liveness
9% Instrumentalness • 45% Positiveness
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S.P. Charan
Emantaro
174 bpm • F min • 06:18 • -7.54db
57% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Hemachandra Vedala
Vayasunami
166 bpm • D min • 04:01 • -6.64db
46% Popularity • 75% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 75% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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A. M. Rajah
Aaduvari Matalaku
166 bpm • D# Maj • 03:40 • -13.42db
12% Popularity • 57% Danceability • 44% Energy • 30% Liveness
80% Instrumentalness • 93% Positiveness
12% Popularity • 57% Danceability • 44% Energy • 30% Liveness
80% Instrumentalness • 93% Positiveness
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S. P. Balasubrahmanyam
Chukkala Thotalo
165 bpm • G# min • 03:18 • -5.22db
8% Popularity • 39% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 39% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Malaysia Vasudevan
Appakada Annakili Aadivarum
165 bpm • G Maj • 03:20 • -6.9db
27% Popularity • 39% Danceability • 61% Energy • 55% Liveness
50% Instrumentalness • 85% Positiveness
27% Popularity • 39% Danceability • 61% Energy • 55% Liveness
50% Instrumentalness • 85% Positiveness
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P. Susheela
Chinna Maata Oka
174 bpm • E Maj • 04:36 • -4.89db
8% Popularity • 40% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 40% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Rajkumar
INNU HATTIRA
175 bpm • C min • 04:07 • -7.3db
26% Popularity • 37% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 37% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
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Malavika
Untale Untale Nee Vente Untale
176 bpm • G min • 02:14 • -10.55db
41% Popularity • 38% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 38% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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A.R. Rahman
Bandenaka Bandi
177 bpm • F Maj • 04:04 • -15.06db
21% Popularity • 38% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 38% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Chitra, Shivaji
Patala Pallakilo
164 bpm • D min • 05:30 • -4.96db
21% Popularity • 57% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 57% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Hemachandra Vedala
Hrudhayam
178 bpm • D min • 03:46 • -8db
55% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Vani Jairam
Vyshnavi Bhargavi
178 bpm • F Maj • 04:13 • -12.58db
21% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Sunitha Upadrasta
Manasemo
180 bpm • E min • 04:53 • -7.28db
27% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Gopika Poornima
Laali Laali
180 bpm • E min • 04:48 • -3db
35% Popularity • 55% Danceability • 76% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 55% Danceability • 76% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
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Dhina
Pulivahana
180 bpm • D# Maj • 05:33 • -8.55db
17% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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P. Susheela
Aakasam Dinchala
180 bpm • B Maj • 04:26 • -7db
11% Popularity • 38% Danceability • 55% Energy • 37% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 38% Danceability • 55% Energy • 37% Liveness
3% Instrumentalness • 88% Positiveness
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Mallikarjun
Yeluko Nayaka
160 bpm • D Maj • 04:53 • -7.11db
45% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Vani Jairam
Poojalu Cheya
179 bpm • F min • 04:25 • -10.33db
4% Popularity • 31% Danceability • 38% Energy • 39% Liveness
1% Instrumentalness • 57% Positiveness
4% Popularity • 31% Danceability • 38% Energy • 39% Liveness
1% Instrumentalness • 57% Positiveness
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Swarnalatha, Sujatha
Sirula Nosage
182 bpm • C# Maj • 05:32 • -4.18db
40% Popularity • 49% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 49% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Kousalya, Lalitha, Subhasri, R Prasanna, Sharmila, Jama, R Sulochana, B Padma, R Suchitra, R Mahalakshmi, S N Hemamalini, R Kalpana
Meda Paina
159 bpm • C# Maj • 04:52 • -8.02db
37% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Mallikarjun, Chitra
Gundelalo
159 bpm • F min • 05:10 • -8.35db
27% Popularity • 73% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 73% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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M. M. Keeravani
Jevana Vahini
158 bpm • C Maj • 05:56 • -5.94db
34% Popularity • 62% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 62% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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P. Susheela
Pillalu Devudu
157 bpm • D Maj • 03:49 • -10.96db
5% Popularity • 39% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 39% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Shreya Ghoshal
Hey Naayak
157 bpm • D min • 04:38 • -6.84db
46% Popularity • 68% Danceability • 83% Energy • 25% Liveness
3% Instrumentalness • 67% Positiveness
46% Popularity • 68% Danceability • 83% Energy • 25% Liveness
3% Instrumentalness • 67% Positiveness
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Ilaiyaraaja
Kalaithendral Paadivarum
184 bpm • D# Maj • 04:48 • -10.51db
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
3% Instrumentalness • 60% Positiveness
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
3% Instrumentalness • 60% Positiveness
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Karunya
Evaraki Evarayya
156 bpm • A min • 04:03 • -6.6db
36% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Jamuna Rani
Na Navve Deepavali
156 bpm • D# Maj • 04:44 • -4.22db
7% Popularity • 52% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 52% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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A. M. Rajah
Thendral Urangiya Pothum
156 bpm • B min • 04:08 • -5.86db
14% Popularity • 46% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 46% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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P. Susheela
Sri Seetharamula Kalyanam
157 bpm • C# min • 05:49 • -12.15db
9% Popularity • 39% Danceability • 52% Energy • 39% Liveness
82% Instrumentalness • 86% Positiveness
9% Popularity • 39% Danceability • 52% Energy • 39% Liveness
82% Instrumentalness • 86% Positiveness
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Bhanumathi Ramakrishna
Telusukonave Yuvathi
155 bpm • F min • 02:52 • -13.5db
5% Popularity • 39% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 69% Positiveness
5% Popularity • 39% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 69% Positiveness
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Ravi Varma
Chummare Chumma
155 bpm • B min • 04:33 • -4.45db
28% Popularity • 84% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 84% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Yesudas
Kannamthaliyum
155 bpm • A min • 04:54 • -6.75db
34% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Vandemataram Srinivas
Em Piilado
188 bpm • A Maj • 04:43 • -4.72db
31% Popularity • 60% Danceability • 77% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 60% Danceability • 77% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
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Rajesh
Merupula
155 bpm • C# Maj • 04:48 • -7.58db
44% Popularity • 71% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 71% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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P. Susheela
Gorinta Poochindhi
156 bpm • F Maj • 04:03 • -5.7db
4% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Deva
Kathadikkuthu Kathadikkuthu
153 bpm • D# min • 04:17 • -8db
58% Popularity • 78% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 78% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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K.J.Yesudas, Chitra
Neevega Na Pranam
153 bpm • G# Maj • 04:54 • -11.86db
27% Popularity • 58% Danceability • 43% Energy • 35% Liveness
40% Instrumentalness • 78% Positiveness
27% Popularity • 58% Danceability • 43% Energy • 35% Liveness
40% Instrumentalness • 78% Positiveness
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S. P. Balasubrahmanyam
Karigipoyanu
153 bpm • A min • 04:29 • -8.67db
48% Popularity • 58% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 58% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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M. M. Keeravani
Nunugu Misalodu
151 bpm • G# Maj • 05:02 • -11.14db
58% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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R. P. Patnaik
Rathalu Rathalu
150 bpm • C# Maj • 04:14 • -5.59db
37% Popularity • 62% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 62% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Mallikarjun
Joole Joole
150 bpm • A Maj • 05:03 • -3.72db
45% Popularity • 83% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 83% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Unni Menon
Vaalu Kanuladaanaa
150 bpm • G min • 05:51 • -15.46db
34% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Kunal Ganjawala
Spider Man
149 bpm • A Maj • 06:03 • -9.12db
34% Popularity • 50% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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S. P. Balasubrahmanyam
Ghallu Ghallu
150 bpm • G# min • 05:00 • -4.82db
45% Popularity • 62% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 62% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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M. M. Keeravani
O Lilly
150 bpm • F Maj • 04:27 • -8.89db
32% Popularity • 56% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 56% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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R. P. Patnaik
Enduko (Male)
150 bpm • F min • 04:54 • -5.2db
40% Popularity • 76% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 76% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Vijay Yesudas
Veeche Galulalo
149 bpm • A Maj • 05:01 • -10.18db
19% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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P. Susheela
Thirupparangundrathil
148 bpm • C min • 03:36 • -13.22db
16% Popularity • 40% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
16% Popularity • 40% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Sukhwinder Singh
Aata Kaavala
148 bpm • A# min • 04:35 • -11.06db
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Ghantasala
Eenaati Ee Bandham
147 bpm • C# Maj • 04:25 • -12db
7% Popularity • 50% Danceability • 26% Energy • 11% Liveness
34% Instrumentalness • 67% Positiveness
7% Popularity • 50% Danceability • 26% Energy • 11% Liveness
34% Instrumentalness • 67% Positiveness
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Sri Ram Prabhu
Meghala Pallakilona
147 bpm • D Maj • 04:31 • -7.84db
33% Popularity • 72% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 72% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Chakri
Lunchkostava
148 bpm • F# min • 04:55 • -7.23db
51% Popularity • 81% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 81% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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R. P. Patnaik
Masthu Masthu
146 bpm • G Maj • 04:30 • -7.43db
38% Popularity • 78% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 78% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rajesh
Ammai Nachesindhi
147 bpm • D Maj • 05:31 • -7.2db
35% Popularity • 75% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 75% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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Ilaiyaraaja
Solai Pushpangale
146 bpm • C Maj • 04:18 • -6.79db
5% Popularity • 50% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 50% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Ghantasala
Manasu Parimalinchene
146 bpm • G Maj • 04:16 • -5.21db
10% Popularity • 42% Danceability • 79% Energy • 16% Liveness
55% Instrumentalness • 88% Positiveness
10% Popularity • 42% Danceability • 79% Energy • 16% Liveness
55% Instrumentalness • 88% Positiveness
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P. Susheela
Jalakaalaatalalo
146 bpm • C min • 02:35 • -3.55db
10% Popularity • 47% Danceability • 63% Energy • 61% Liveness
58% Instrumentalness • 95% Positiveness
10% Popularity • 47% Danceability • 63% Energy • 61% Liveness
58% Instrumentalness • 95% Positiveness
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Rajeethram
Idi Yekkadi Sundara Roopam
145 bpm • G# Maj • 07:17 • -12.16db
18% Popularity • 44% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
18% Popularity • 44% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Gopika Poornima
Hrudayam Anu -Female
145 bpm • A# min • 01:35 • -7.79db
38% Popularity • 64% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 64% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Ramana Gogula
Pedhavi Daatani
145 bpm • G min • 04:36 • -5db
57% Popularity • 66% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 66% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Sagar
Jabilammavo
145 bpm • C# min • 04:34 • -7db
53% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Vijay Yesudas
Samayaniki
144 bpm • F min • 04:38 • -7.26db
33% Popularity • 74% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 74% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness