Songs like MacCunn: The Land of the Mountain and the Flood, Op. 3 by Hamish MacCunn
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In paradis...
103 bpm • D Maj • 03:52 • -22.02db
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mikhail Ippolitov-Ivanov
Caucasian Sketches, Suite No. 1, Op. 10:...
103 bpm • A Maj • 03:57 • -17db
11% Popularity • 29% Danceability • 28% Energy • 14% Liveness
18% Instrumentalness • 34% Positiveness
11% Popularity • 29% Danceability • 28% Energy • 14% Liveness
18% Instrumentalness • 34% Positiveness
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Hamish MacCunn
MacCunn: The Land of the Mountain and th...
103 bpm • B Maj • 09:09 • -20db
8% Popularity • 22% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
103 bpm • F# Maj • 03:01 • -23.15db
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a: II. Waltz
103 bpm • A Maj • 06:59 • -15.19db
28% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
28% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Paul Lewis
English Suite: Jig
104 bpm • F# min • 01:50 • -23.17db
12% Popularity • 47% Danceability • 18% Energy • 19% Liveness
92% Instrumentalness • 54% Positiveness
12% Popularity • 47% Danceability • 18% Energy • 19% Liveness
92% Instrumentalness • 54% Positiveness
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Emil Nikolaus von Reznicek
Donna Diana: Overture
102 bpm • A Maj • 05:49 • -12.24db
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
104 bpm • F Maj • 03:34 • -21db
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
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Queensland Symphony Orchestra
Adagio of Spartacus and Phrygia (The One...
104 bpm • G# Maj • 05:49 • -13.64db
9% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Act 1: XIII. Dance of the Knights
104 bpm • C Maj • 05:29 • -22.15db
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 5% Energy • 20% Liveness
75% Instrumentalness • 10% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
41% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
41% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Percy Grainger
Shepherd's Hey
105 bpm • G Maj • 02:18 • -18.72db
6% Popularity • 64% Danceability • 21% Energy • 4% Liveness
73% Instrumentalness • 81% Positiveness
6% Popularity • 64% Danceability • 21% Energy • 4% Liveness
73% Instrumentalness • 81% Positiveness
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John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
24% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Edward German
3 Dances from Henry VIII: Morris Dance
105 bpm • C Maj • 02:24 • -19.52db
14% Popularity • 52% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
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Giacomo Puccini
Crisantemi
101 bpm • F# min • 07:11 • -29.91db
11% Popularity • 14% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hamish MacCunn
The Land of the Mountain and the Flood, ...
101 bpm • D Maj • 02:52 • -19.56db
0% Popularity • 27% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
0% Popularity • 27% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 16% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Aaron Copland
Appalachian Spring: VIII. Coda. Moderato
106 bpm • C Maj • 03:40 • -31db
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
100 bpm • E Maj • 09:07 • -23.48db
15% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
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William Walton
Orb and Sceptre
106 bpm • E Maj • 07:14 • -15.62db
8% Popularity • 27% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
8% Popularity • 27% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Frederick Delius
2 Pieces for Small Orchestra: No. 1. On ...
107 bpm • E min • 05:52 • -31.19db
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
15% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Hamish MacCunn
Cycle of Six Love-Lyrics: VI. They Are R...
107 bpm • D Maj • 06:05 • -16.43db
0% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Legends, Op. 59, B. 122: VI. Allegro con...
99 bpm • G# Maj • 05:47 • -31.51db
23% Popularity • 13% Danceability • 1% Energy • 12% Liveness
28% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 1% Energy • 12% Liveness
28% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
108 bpm • G Maj • 02:08 • -26db
29% Popularity • 43% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 22% Positiveness
29% Popularity • 43% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 22% Positiveness
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Frederick Delius
Florida Suite: At Night
107 bpm • A Maj • 08:09 • -29db
13% Popularity • 15% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
107 bpm • C# Maj • 02:07 • -13.49db
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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George Walker
Lyric for Strings
99 bpm • F# Maj • 05:23 • -31.05db
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24: Act III Scene 1: ...
108 bpm • G Maj • 04:22 • -23.03db
7% Popularity • 54% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 39% Positiveness
7% Popularity • 54% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 39% Positiveness
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Frederic Curzon
The Boulevardier
98 bpm • A# Maj • 03:56 • -25.67db
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
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Hamish MacCunn
Land of the Mountain and the Flood, Op. ...
108 bpm • A Maj • 09:52 • -23.35db
2% Popularity • 22% Danceability • 3% Energy • 15% Liveness
45% Instrumentalness • 11% Positiveness
2% Popularity • 22% Danceability • 3% Energy • 15% Liveness
45% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
108 bpm • C Maj • 07:26 • -13db
18% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 36% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: II. Danza Rustica: ...
98 bpm • A Maj • 03:56 • -21.71db
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
16% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
17% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Edward Elgar
Pomp And Circumstance March No 4
108 bpm • G Maj • 05:16 • -15.26db
25% Popularity • 32% Danceability • 30% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
25% Popularity • 32% Danceability • 30% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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Hamish MacCunn
The Land of the Mountain and the Flood, ...
108 bpm • B Maj • 09:10 • -18.48db
13% Popularity • 27% Danceability • 8% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 08:08 • -14.11db
11% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Zoltán Kodály
Hary Janos Suite: Háry János Suite: V....
109 bpm • D min • 05:01 • -22.3db
13% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
13% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
97 bpm • D# Maj • 08:38 • -11.04db
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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Ronald Binge
Miss Melanie
109 bpm • A Maj • 02:49 • -28.04db
16% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
► Preview
Gioachino Rossini
The Thieving Magpie Overture
97 bpm • E Maj • 09:00 • -9db
8% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Camille Saint-Saëns
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsin...
98 bpm • C Maj • 07:57 • -19db
16% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
16% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Young Prince
97 bpm • G Maj • 04:12 • -28.57db
30% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
► Preview
Hamish MacCunn
Jeanie Deans, Opera: XIII. That Shout! (...
110 bpm • F Maj • 03:02 • -16.69db
0% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
96 bpm • F# Maj • 02:58 • -23.64db
20% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
20% Popularity • 12% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
![Ancient Airs And Dances, Suite No. 3, [P. 172]: 1. Italiana cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, [P...
96 bpm • A# Maj • 02:49 • -24.52db
22% Popularity • 15% Danceability • 10% Energy • 69% Liveness
79% Instrumentalness • 21% Positiveness
22% Popularity • 15% Danceability • 10% Energy • 69% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Zadok the Priest (Coronation Anthem No. ...
96 bpm • C# Maj • 05:23 • -15.76db
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
37% Popularity • 37% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
► Preview
Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
► Preview
Hamish MacCunn
Land of the Mountain and the Flood, Op. ...
110 bpm • B Maj • 09:22 • -21.19db
3% Popularity • 29% Danceability • 3% Energy • 35% Liveness
61% Instrumentalness • 12% Positiveness
3% Popularity • 29% Danceability • 3% Energy • 35% Liveness
61% Instrumentalness • 12% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Bedřich Smetana
Má vlast (My Country): No. 3, Šárka
95 bpm • A Maj • 10:05 • -20db
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: 3 Preludes Founded on ...
112 bpm • G Maj • 03:59 • -22.63db
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Hamish MacCunn
Jeanie Deans, Opera: X. Oh! Would That I...
96 bpm • B Maj • 03:20 • -22.34db
0% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
25% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Edward Elgar
Nimrod From Enigma Variations
112 bpm • D# Maj • 03:46 • -19.98db
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Schmidt
Notre Dame: Intermezzo
112 bpm • C# Maj • 04:40 • -15db
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music Suite No. 2 in D Major, HWV ...
112 bpm • C# Maj • 04:12 • -16.22db
32% Popularity • 67% Danceability • 15% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 15% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
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Hamish MacCunn
Jeanie Deans, Opera: VIII. O Father, Fat...
111 bpm • G min • 01:26 • -20.06db
0% Popularity • 33% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 33% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
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Peter Warlock
Serenade for Strings
94 bpm • D Maj • 07:42 • -21.54db
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
112 bpm • G Maj • 02:20 • -19.81db
28% Popularity • 40% Danceability • 4% Energy • 18% Liveness
40% Instrumentalness • 17% Positiveness
28% Popularity • 40% Danceability • 4% Energy • 18% Liveness
40% Instrumentalness • 17% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: II. Children's Intermez...
113 bpm • F Maj • 03:45 • -26.66db
16% Popularity • 17% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Hamish MacCunn
6 Scottish Dances, Op. 28: No. 1. Welcom...
95 bpm • A Maj • 02:50 • -20.69db
0% Popularity • 35% Danceability • 12% Energy • 20% Liveness
91% Instrumentalness • 40% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 20% Liveness
91% Instrumentalness • 40% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Aaron Copland
Fanfare for the Common Man
113 bpm • A# Maj • 02:03 • -12.2db
24% Popularity • 30% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 30% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Wedding Day of Troldhaugen op. 65 Tempo ...
113 bpm • D Maj • 05:55 • -23.12db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
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George Butterworth
A Shropshire Lad - Rhapsody
94 bpm • F min • 10:18 • -19db
15% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Philip Lane
Pantomime: Vivace
113 bpm • G min • 02:02 • -22db
15% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
15% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
► Preview
Hamish MacCunn
Jeanie Deans, Opera: I. Introduction
114 bpm • G Maj • 03:34 • -21.04db
0% Popularity • 40% Danceability • 11% Energy • 9% Liveness
17% Instrumentalness • 17% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 9% Liveness
17% Instrumentalness • 17% Positiveness
► Preview
Arthur Bliss
March From Things To Come
114 bpm • C Maj • 03:57 • -15db
18% Popularity • 31% Danceability • 45% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
18% Popularity • 31% Danceability • 45% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
93 bpm • D Maj • 03:57 • -18.46db
26% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
26% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
► Preview
Leonard Bernstein
On the Town: I. The Great Lover
114 bpm • C Maj • 01:59 • -20db
15% Popularity • 53% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 24% Positiveness
15% Popularity • 53% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 24% Positiveness
► Preview
Ralph Vaughan Williams
Three Preludes Founded on Welsh Hymn Tun...
93 bpm • G Maj • 04:13 • -24.55db
8% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
8% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
93 bpm • C Maj • 01:54 • -40db
17% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
17% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
► Preview
Gerald Finzi
Romance, Op. 11
93 bpm • G# Maj • 07:34 • -20.97db
16% Popularity • 13% Danceability • 11% Energy • 33% Liveness
79% Instrumentalness • 8% Positiveness
16% Popularity • 13% Danceability • 11% Energy • 33% Liveness
79% Instrumentalness • 8% Positiveness
