Songs like Machhriya - From "Baap Ji" by Khesari Lal Yadav
Based on a tempo of (+/- 10%) and a similar genre
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Dk Thakur
Yoddha Rajput
130 bpm • F# Maj • 05:58 • -1.39db
22% Popularity • 72% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 72% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 89% Positiveness
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Raju Punjabi
Bholya Ke Thikane
130 bpm • D Maj • 03:51 • -3.01db
45% Popularity • 82% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 82% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Khesari Lal Yadav
Machhriya
130 bpm • G min • 03:28 • -5.54db
50% Popularity • 75% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 75% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Narender Bhagana
Villain Rhn De
130 bpm • A min • 06:08 • -2.63db
53% Popularity • 80% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 80% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Payal Dev
Current
130 bpm • G# min • 03:25 • -1.68db
39% Popularity • 75% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 75% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Awadhesh Premi Yadav
Dilwa le gail piyarki farak wali
130 bpm • B min • 04:37 • -1db
35% Popularity • 72% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Aman Anmol
Le Le Aayi Coca Cola
130 bpm • F min • 03:49 • 0.58db
34% Popularity • 77% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 77% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Arvind Akela Kallu Ji
Desi Saiyyan Ji
130 bpm • F# Maj • 03:20 • -1.88db
30% Popularity • 90% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 90% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Shilpi Raj
Raja Kajra Kasam
130 bpm • F# Maj • 02:55 • -4.18db
44% Popularity • 79% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 79% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Golu Gold
Marela Hepar
130 bpm • C# Maj • 04:05 • -1db
23% Popularity • 63% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 63% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Suresh Somarwal
Tejal Indar Na Manava
130 bpm • E Maj • 05:36 • 0.61db
20% Popularity • 64% Danceability • 99% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 64% Danceability • 99% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Ajay Hooda
Photo
130 bpm • E min • 02:57 • -1.49db
36% Popularity • 76% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 76% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Khesari Lal Yadav
Bhauji Lenge Lenge
130 bpm • F# Maj • 03:32 • -1.2db
41% Popularity • 65% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 65% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 73% Positiveness
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Masoom Sharma
Olha Mein Patola
130 bpm • D min • 03:15 • -5.79db
56% Popularity • 83% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 83% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Ankush Raja
Nathuniya Ke Daali
130 bpm • E min • 04:16 • -2db
45% Popularity • 71% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 71% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Khesari Lal Yadav
Chatta Telchatta
130 bpm • D min • 03:26 • -3.63db
33% Popularity • 78% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 78% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Tuntun Yadav
Russian Batwa Denge Rashan Me
130 bpm • C# Maj • 03:24 • -0.56db
48% Popularity • 72% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 72% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Arvind Akela Kallu Ji
Lela Nenuaa Aa-Aa-Aa
130 bpm • A min • 03:46 • -2.57db
41% Popularity • 73% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 73% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 70% Positiveness
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Khesari Lal Yadav
Saiya Ji Sabar Kari
130 bpm • G# Maj • 03:05 • -1.9db
51% Popularity • 67% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 67% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Khesri Lal Yadav
Khesari Lal Mashup
130 bpm • A# min • 08:54 • -4.82db
27% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Pawan Singh
Mehraru Milal Gaay
130 bpm • B Maj • 03:17 • -1.06db
64% Popularity • 72% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
64% Popularity • 72% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Samar Singh
Kaiili Ropaniya Nihur Nihur
130 bpm • A min • 03:26 • -2.9db
56% Popularity • 67% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 67% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Kalpana
Dilwa Mangele Gamcha Bichayike
130 bpm • D min • 05:31 • -10.47db
48% Popularity • 75% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 75% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Nitesh Singh
Ego Maal Patawni Parichhawan Mein
130 bpm • A# Maj • 03:30 • -2.23db
12% Popularity • 66% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 66% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Khesari Lal Yadav
Dure Rahi Raja Ji
130 bpm • C Maj • 03:19 • -4.25db
51% Popularity • 69% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 69% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Pramod Premi Yadav
Muhwa Se Niman Uhawa Ba
130 bpm • D# min • 02:58 • -0.97db
36% Popularity • 72% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 72% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Shivani Singh
Najare Me Kajare Ban Ke
130 bpm • F Maj • 03:30 • -2.4db
61% Popularity • 67% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 67% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Gunjan Singh
Dilawa Ke Jila Banaibu Ka
130 bpm • B Maj • 03:43 • -2.39db
31% Popularity • 66% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 66% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Preeti Rai
Balamuaa Bahake Laagal Ho
130 bpm • F# min • 03:23 • -1.03db
27% Popularity • 63% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 63% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Vijay Chauhan
Bideswa Ae Raja
130 bpm • B Maj • 03:59 • -0.69db
33% Popularity • 67% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 67% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Antra Singh Priyanka
Raja Ji Chal Gayele Sata Mein
130 bpm • C# min • 03:39 • -1.75db
33% Popularity • 73% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 73% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Pramod Premi Yadav
Jawani Fek Di Gadahi Me
130 bpm • C# Maj • 03:56 • -0.5db
18% Popularity • 58% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 58% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Toni Garg
Gurjar Ka Kharcha, Pt. 1
130 bpm • B min • 03:26 • -0.77db
52% Popularity • 73% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 73% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Samar Singh
Kamar Ke Darad Sah Na Payibu
130 bpm • E min • 03:35 • -3.69db
38% Popularity • 71% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 71% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Pawan Singh
Ehi Khaatir Aara Aile
130 bpm • C# Maj • 02:41 • -1.17db
47% Popularity • 75% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 75% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Deepak Raj Yadav
Hamar Piyaba Chalave Diesel Gadiya
130 bpm • A# Maj • 03:32 • -4.82db
50% Popularity • 72% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 72% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 85% Positiveness
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Khesari Lal Yadav
Sutaal Tani Kora Mein
130 bpm • A# min • 03:26 • -2.32db
57% Popularity • 61% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 61% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Rohit Sardhana
UP Ke Shooter
130 bpm • G# Maj • 04:03 • -4.01db
43% Popularity • 74% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 74% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Akash Bhamla
Singhasan
130 bpm • G# min • 04:35 • -0.64db
44% Popularity • 67% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 67% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Deepak Tiwari
Balab Barat Rahe Ho
130 bpm • C Maj • 03:14 • -1.56db
28% Popularity • 58% Danceability • 97% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 58% Danceability • 97% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
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Priyanka Singh Chauhan
Kala Gamachhiya
130 bpm • D Maj • 03:44 • -0.68db
41% Popularity • 62% Danceability • 97% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 62% Danceability • 97% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Parmod Premi Yadav
Heat Kare Vala Heater Hiya
130 bpm • B Maj • 03:36 • -1.52db
36% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Pawan Singh
Choliya Chhot Laila Ae Pahuna
130 bpm • F min • 04:28 • -1.82db
48% Popularity • 40% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 40% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Akshara Singh
Falanwa Ke Beta Sapanwa Me Aata Hai
130 bpm • F min • 03:21 • -3.79db
43% Popularity • 81% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 81% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Priyanka Singh
Sarkari Naukari
129 bpm • F# min • 02:57 • -3.6db
44% Popularity • 75% Danceability • 99% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 75% Danceability • 99% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Neha Raj
Devra Dhodi Ke Pujari Ba
131 bpm • F# min • 03:20 • -1.77db
37% Popularity • 69% Danceability • 97% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 69% Danceability • 97% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
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Khesari Lal Yadav
Horha Ke Chana
129 bpm • B min • 03:28 • -3.13db
33% Popularity • 71% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 71% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Shubham Mahi
Ghoom Ghagra Remix
132 bpm • F min • 02:25 • -0.4db
36% Popularity • 70% Danceability • 100% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 70% Danceability • 100% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Pawan Singh
Hathiyar
132 bpm • A min • 03:07 • 0.04db
61% Popularity • 66% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 66% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Gagan Haryanvi
Saint
132 bpm • C Maj • 03:05 • -2.21db
54% Popularity • 78% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 78% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Priyanka Singh
Banarasi Panwa
132 bpm • E Maj • 03:13 • -2.66db
30% Popularity • 74% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 74% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Kalpana
Jab Se Chadhal Jawani
132 bpm • G# Maj • 03:52 • -5.58db
41% Popularity • 73% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 73% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Khesari Lal Yadav
Dil Laage Na Ab
132 bpm • A# min • 03:57 • -5.2db
37% Popularity • 61% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 61% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Dinesh Lal Yadav
Patar Kamariya
132 bpm • C Maj • 03:10 • -3.73db
36% Popularity • 76% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 76% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Golu Gazipuri
Dhodhiya Me 32 GB Ram Ba
132 bpm • A min • 03:41 • -3.08db
30% Popularity • 67% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 67% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
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Indu Sonali
Kamar Hilela Ho Kamar Hilela
128 bpm • C# Maj • 04:16 • -4.16db
48% Popularity • 74% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 74% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Pawan Singh
Raja Ji
132 bpm • F# min • 03:01 • -1.38db
69% Popularity • 70% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 70% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Arvind Akela Kallu
Tu Meri Tala Chabhi
128 bpm • C min • 03:49 • -0.59db
30% Popularity • 75% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 75% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Khesari Lal Yadav
Dadiya Badiya Lagela
132 bpm • D# min • 03:43 • -1.49db
49% Popularity • 63% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 63% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Pramod Premi Yadav
Jhulufiya Ae Balam
128 bpm • D Maj • 03:41 • -1db
55% Popularity • 68% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 68% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Karishma Kakkar
Cooler Lagwadi Ae Raja
128 bpm • C# Maj • 03:24 • -1.65db
27% Popularity • 70% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 70% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Sulabh Kumar
Kular Lagawadi
128 bpm • G# Maj • 03:35 • -3.91db
16% Popularity • 75% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 75% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Sanoj Rajbhar
Coolar Lagwa Di Raja Ji
128 bpm • C# Maj • 03:35 • -3db
44% Popularity • 75% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 75% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 95% Positiveness
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Pravesh Lal Yadav
Abhiyo Kunwar Lagti Ho
128 bpm • A min • 03:27 • -4.74db
23% Popularity • 80% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 80% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Khesari Lal Yadav
Up Bihar
128 bpm • B min • 03:31 • -3db
52% Popularity • 80% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 80% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Samar Singh
Kamariya Ko Touch Karne Na Dungi
128 bpm • F# min • 03:06 • -2.87db
57% Popularity • 73% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 73% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ashish Verma
Kukura Chahet Dela
132 bpm • F# Maj • 03:10 • -1.98db
33% Popularity • 65% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 65% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
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Javed-Mohsin
Teri Laal Chunariya
128 bpm • G# Maj • 04:22 • -3.05db
56% Popularity • 77% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 77% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Akshara Singh
Bas Yehi Khati Aara Jaane
132 bpm • C# Maj • 03:06 • 0.84db
37% Popularity • 78% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 78% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Indu Sonali
Meri Jawani Hai Made in Bihar
128 bpm • F# min • 03:18 • -4db
42% Popularity • 76% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 76% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Khesari Lal Yadav
Mitha Mitha Baat
128 bpm • B min • 03:21 • -3.19db
27% Popularity • 73% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 73% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Masoom Sharma
Jap Naam Bhole Ka
128 bpm • G# min • 03:28 • -3.09db
49% Popularity • 76% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 76% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Ashish Verma
Laika Double Hoi (Maa Ke Parsadi)
132 bpm • D# min • 03:10 • -4.2db
26% Popularity • 58% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 58% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Bullet Raja
Aaj Bhar Dheel Da Dhori Jan Chhil Da
128 bpm • C min • 04:05 • -1.58db
51% Popularity • 72% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 72% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Vijay Chauhan
Patabe Ki Na ???
127 bpm • C# Maj • 03:03 • -1.54db
38% Popularity • 70% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 70% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Raju Punjabi
Sandal
134 bpm • A# min • 03:24 • -2.85db
58% Popularity • 59% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 59% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Gyanendra Sardhana
Mood Garam
126 bpm • F# min • 04:45 • -0.55db
50% Popularity • 70% Danceability • 95% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 70% Danceability • 95% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
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Ankush Raja
Mehfil Me Badnam
134 bpm • A min • 04:13 • 0.56db
45% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Khesari Lal Yadav
Cooler Kurti Me Laga La
134 bpm • C# Maj • 04:23 • -6.17db
47% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 71% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Pradeep Pandey
Nahi Gor Nahi Kariya
134 bpm • F# Maj • 02:38 • -4.13db
22% Popularity • 77% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 77% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Om Jha
Sab Hisab Hoga Tera
134 bpm • F# Maj • 03:43 • -3.17db
33% Popularity • 76% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 76% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Masoom Sharma
Gandaas Hori Se
126 bpm • A min • 04:25 • -4.05db
41% Popularity • 83% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 83% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Sunny Pandey
Dhodhi Dudh Ke Katori
126 bpm • C# Maj • 03:10 • -2.66db
45% Popularity • 77% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 77% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Ankush Raja
Dhak Dhak Karata Karej
126 bpm • C min • 04:30 • -3db
44% Popularity • 67% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 67% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Khesari Lal Yadav
Meetha Meetha Bathela
126 bpm • B min • 03:25 • -0.81db
49% Popularity • 66% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 66% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Monu Singh
Babuaan
126 bpm • C min • 03:24 • -2db
50% Popularity • 73% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 73% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Monu Albela
Panditain
126 bpm • C# Maj • 04:27 • -2db
23% Popularity • 74% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Anupama Yadav
Jawaniya
126 bpm • B min • 03:41 • -1.98db
23% Popularity • 70% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Dhannjay Shivay
Chali Samiyana Me Aaj Tohre Chalte Goli
126 bpm • A# min • 03:27 • -4.84db
37% Popularity • 71% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 71% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Ankush Raja
Chala Garda Kabare
126 bpm • A# min • 02:53 • -1.28db
55% Popularity • 71% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 71% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Pawan Singh
Ka Lebu Ho...?
126 bpm • C Maj • 02:51 • -1.66db
60% Popularity • 76% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 76% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Monu Singh
Babuaan
126 bpm • A# Maj • 03:08 • -1db
35% Popularity • 74% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 74% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Priyanka Singh
Dekhe Khatir Tarse Iyaar
126 bpm • C# min • 03:35 • -2.91db
44% Popularity • 75% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 75% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Shivani Singh
Hamra Mein Basela Paran Hamra Raja Ke
126 bpm • C# Maj • 02:36 • -0.48db
43% Popularity • 71% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 71% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Antra Singh Priyanka
Hasina Malham
135 bpm • C# Maj • 03:54 • -1.01db
11% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ankush Raja
Tikuliya Laiha Sasaram Se
126 bpm • D# min • 02:59 • -0.54db
32% Popularity • 62% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 62% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Khushbu Tiwari KT
Aisan Marad Naahi Mile
135 bpm • F# min • 03:13 • -0.58db
40% Popularity • 60% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 60% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Monu Singh
Mafiya Majanuwa
126 bpm • A# Maj • 03:18 • -2db
56% Popularity • 73% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 73% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
