Songs like MacLean: Rakish Paddy/ The Bucks of Oranmore/ The Mortgage Burn by Triona Marshall
Based on a tempo of (+/- 10%) and a similar genre
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Triona Marshall
Rakish Paddy/The Bucks of Oranmore/ The ...
102 bpm • G Maj • 04:15 • -13.94db
4% Popularity • 33% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
4% Popularity • 33% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Miljan Minic
Unleashed
102 bpm • E min • 02:37 • -24.55db
13% Popularity • 22% Danceability • 2% Energy • 11% Liveness
78% Instrumentalness • 5% Positiveness
13% Popularity • 22% Danceability • 2% Energy • 11% Liveness
78% Instrumentalness • 5% Positiveness
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Jakez François
Biz Bihan
102 bpm • C min • 01:59 • -16.96db
17% Popularity • 59% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 57% Positiveness
17% Popularity • 59% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 57% Positiveness
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The New England Irish Harp Orchestra
Flying to the Fleadh
102 bpm • B min • 03:01 • -16.99db
8% Popularity • 70% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
8% Popularity • 70% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
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Jennifer Pratt-Walter
Au Renouvel du Tens
103 bpm • C Maj • 02:45 • -19.58db
10% Popularity • 52% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Celia Briar
Mrs Farrell: Mrs. Farrell
101 bpm • E min • 02:31 • -23.55db
11% Popularity • 50% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
11% Popularity • 50% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
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Diane Schneider
Pachelbel Canon
103 bpm • G Maj • 05:13 • -20.26db
15% Popularity • 55% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 55% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Patrick Ball
Maurice O'Connor
103 bpm • G min • 01:37 • -16.32db
9% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ailie Robertson
Sands of Hosta
101 bpm • D# Maj • 04:04 • -13.12db
27% Popularity • 37% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
27% Popularity • 37% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Susan Scott
O'Carolan's Draft / Planxty Mrs. Judge
101 bpm • C Maj • 02:24 • -23.51db
16% Popularity • 37% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
16% Popularity • 37% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Maidens of the Celtic Harp
Mo Ghile Mear
103 bpm • G Maj • 02:25 • -20.56db
17% Popularity • 46% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 46% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Harpsibored
Hero's Theme
103 bpm • D Maj • 02:19 • -23.23db
12% Popularity • 56% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 16% Positiveness
12% Popularity • 56% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 16% Positiveness
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Donna Marie
Sad Celtic Aire
103 bpm • A min • 03:42 • -19.54db
2% Popularity • 40% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
2% Popularity • 40% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Diane Schneider
Abide With Me
100 bpm • G Maj • 01:55 • -24.68db
8% Popularity • 45% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
8% Popularity • 45% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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The New England Irish Harp Orchestra
Sleeping Tune
101 bpm • B min • 04:32 • -17.29db
8% Popularity • 59% Danceability • 14% Energy • 8% Liveness
74% Instrumentalness • 46% Positiveness
8% Popularity • 59% Danceability • 14% Energy • 8% Liveness
74% Instrumentalness • 46% Positiveness
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Cath Connelly
Veriditas
100 bpm • C min • 05:58 • -17.21db
23% Popularity • 49% Danceability • 19% Energy • 8% Liveness
79% Instrumentalness • 28% Positiveness
23% Popularity • 49% Danceability • 19% Energy • 8% Liveness
79% Instrumentalness • 28% Positiveness
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Anne Crosby Gaudet
Fading Memories
100 bpm • F Maj • 02:13 • -16.95db
34% Popularity • 49% Danceability • 9% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
34% Popularity • 49% Danceability • 9% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
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Peregrinnatti
The Blessing
104 bpm • F Maj • 02:54 • -13.14db
10% Popularity • 53% Danceability • 31% Energy • 23% Liveness
84% Instrumentalness • 41% Positiveness
10% Popularity • 53% Danceability • 31% Energy • 23% Liveness
84% Instrumentalness • 41% Positiveness
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David Woodman
Held
104 bpm • G Maj • 03:00 • -13.79db
16% Popularity • 37% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
16% Popularity • 37% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Kaleb Thrones
Mystic Fantasy Song
100 bpm • C min • 04:48 • -26.67db
10% Popularity • 56% Danceability • 1% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
10% Popularity • 56% Danceability • 1% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
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Jennifer Pratt-Walter
Loch Tay Boat Song
104 bpm • D Maj • 04:47 • -22.33db
10% Popularity • 45% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
10% Popularity • 45% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Gráinne Hambly
The Arra Mountains/La na Feise
104 bpm • G Maj • 02:56 • -18.09db
17% Popularity • 33% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
17% Popularity • 33% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
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Diane Schneider
Siciliana
100 bpm • G Maj • 03:32 • -21.7db
14% Popularity • 48% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
14% Popularity • 48% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Diana Rowan
The Cathedral Set: Lo Yisa Goi/Kol HaN's...
104 bpm • G min • 03:34 • -27.89db
22% Popularity • 58% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
22% Popularity • 58% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Maggie Sansone
Spancil Hill
100 bpm • E min • 03:37 • -18.17db
15% Popularity • 55% Danceability • 22% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
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Triona Marshall
The Spark and the Flame
104 bpm • D Maj • 09:47 • -9.47db
0% Popularity • 45% Danceability • 34% Energy • 9% Liveness
30% Instrumentalness • 33% Positiveness
0% Popularity • 45% Danceability • 34% Energy • 9% Liveness
30% Instrumentalness • 33% Positiveness
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Reuben Correa
Vigsel
100 bpm • G Maj • 02:02 • -27.16db
13% Popularity • 56% Danceability • 7% Energy • 16% Liveness
96% Instrumentalness • 94% Positiveness
13% Popularity • 56% Danceability • 7% Energy • 16% Liveness
96% Instrumentalness • 94% Positiveness
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Maidens of the Celtic Harp
Molly Mcalpin
104 bpm • A min • 02:43 • -17.45db
21% Popularity • 49% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 28% Positiveness
21% Popularity • 49% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 28% Positiveness
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Craig Austin
Hills of Heather - Haunting and Bittersw...
99 bpm • C Maj • 02:25 • -15.27db
14% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Gráinne Hambly
Jackson's Night Cap/Martin Hardiman's
104 bpm • C Maj • 03:15 • -19.27db
16% Popularity • 52% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
16% Popularity • 52% Danceability • 20% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
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Sue Richards
Da Day Dawn
99 bpm • D min • 02:43 • -25db
26% Popularity • 52% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
26% Popularity • 52% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Elizabeth Poston
3 Pieces for Flute & Harp: I. Ricordanza
105 bpm • B min • 02:17 • -25.44db
20% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Paul Machlis
Whistle on the Path
105 bpm • D Maj • 04:55 • -13.81db
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
69% Instrumentalness • 27% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
69% Instrumentalness • 27% Positiveness
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Amy Camie
Shadowdancer
99 bpm • A Maj • 03:07 • -20.59db
24% Popularity • 43% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
24% Popularity • 43% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Andrei Krylov
Flute of Medieval Bard
105 bpm • A min • 01:11 • -21.77db
13% Popularity • 66% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 98% Positiveness
13% Popularity • 66% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 98% Positiveness
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Ryan Brady
An Irish Rose
105 bpm • D Maj • 01:32 • -10.66db
9% Popularity • 66% Danceability • 25% Energy • 13% Liveness
19% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 25% Energy • 13% Liveness
19% Instrumentalness • 94% Positiveness
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Michelle Sell
Paper, Rock, Scissors
105 bpm • G Maj • 02:34 • -22.72db
9% Popularity • 59% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
9% Popularity • 59% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Francesca Romana Di Nicola
Miniature: No. 21, The Non-time of Time....
105 bpm • D min • 02:08 • -21.6db
10% Popularity • 31% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
10% Popularity • 31% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Gráinne Hambly
Amhran na Leabhar (The Song of the Books...
99 bpm • E min • 04:23 • -22db
16% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Maree Docia
Turn Hate To Love
105 bpm • A Maj • 02:07 • -24.9db
20% Popularity • 27% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 20% Positiveness
20% Popularity • 27% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 20% Positiveness
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Lynn Saoirse
Cape Clear / Drowsie Maggie / Ned McLoug...
99 bpm • E min • 02:19 • -11db
10% Popularity • 33% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Ralf Kleemann
Au sein des dunes
105 bpm • C Maj • 02:33 • -21.73db
24% Popularity • 49% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
24% Popularity • 49% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Старинная французска�...
105 bpm • D min • 01:02 • -17.81db
13% Popularity • 49% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
13% Popularity • 49% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Claire Hamilton
Come Back To Erin
99 bpm • C Maj • 01:50 • -16.98db
9% Popularity • 43% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Celestial Aeon Project
Forming Friendships
98 bpm • A min • 01:26 • -19.1db
35% Popularity • 37% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 34% Positiveness
35% Popularity • 37% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 34% Positiveness
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Kathryn Mannyng
Carolan's Cup - T. O'Carolan
106 bpm • B min • 02:06 • -24.1db
8% Popularity • 32% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
8% Popularity • 32% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Maidens of the Celtic Harp
Arrane Ghelbee
106 bpm • E min • 03:15 • -17.8db
20% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
20% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Golden Bough
My Little Boat(Irish Traditional)
106 bpm • G Maj • 03:01 • -13.22db
28% Popularity • 60% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
28% Popularity • 60% Danceability • 25% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
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Eileen Hadidian and Natalie Cox
Star of County Down (Irish Traditional)
98 bpm • B min • 03:32 • -19db
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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艾米希兒歌
メヌエット ト長調
98 bpm • G Maj • 02:27 • -23.58db
7% Popularity • 76% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 85% Positiveness
7% Popularity • 76% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 85% Positiveness
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Celia Briar
Farewell To Music
98 bpm • A min • 03:48 • -29.78db
28% Popularity • 43% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 31% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 9% Liveness
63% Instrumentalness • 31% Positiveness
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Shelley Phillips And Friends
The Faerie Queene
106 bpm • C Maj • 04:50 • -17.78db
9% Popularity • 43% Danceability • 15% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
9% Popularity • 43% Danceability • 15% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Peregrinnatti
Psalm 91
98 bpm • C Maj • 09:09 • -23.55db
17% Popularity • 38% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Anne Crosby Gaudet
Star of the County Down
98 bpm • E min • 02:36 • -22.66db
28% Popularity • 41% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
28% Popularity • 41% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Laurence Furr
Quiet Earth
107 bpm • F Maj • 04:02 • -21.85db
27% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
27% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Triona Marshall
The Butterfly/ The Morning Dew
97 bpm • E min • 04:28 • -20.04db
6% Popularity • 32% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
6% Popularity • 32% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
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Ceoltoiri
Terrence MacDonough
97 bpm • A min • 02:13 • -19db
26% Popularity • 45% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
26% Popularity • 45% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Sunita
The Lilac Flower
107 bpm • A min • 01:49 • -23.64db
13% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Mary Anderson
Rainsong
107 bpm • B min • 04:14 • -23.69db
23% Popularity • 49% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
23% Popularity • 49% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
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Paul Baker
Confidence
107 bpm • E min • 05:52 • -20.53db
13% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Claire Hamilton
Down in the Sally Gardens
97 bpm • G Maj • 02:08 • -15.57db
19% Popularity • 47% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 40% Positiveness
19% Popularity • 47% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 40% Positiveness
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Robin Huw Bowen
Llydaw
97 bpm • D# min • 03:55 • -21.55db
7% Popularity • 52% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
7% Popularity • 52% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Denny Chew
The Lonely Boat
107 bpm • A min • 03:11 • -22db
4% Popularity • 52% Danceability • 4% Energy • 88% Liveness
54% Instrumentalness • 19% Positiveness
4% Popularity • 52% Danceability • 4% Energy • 88% Liveness
54% Instrumentalness • 19% Positiveness
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Maidens of the Celtic Harp
Eleanor Plunket
107 bpm • G Maj • 02:51 • -18.64db
18% Popularity • 43% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 43% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Sue Richards
Bressay Lullaby / Don Oiche
107 bpm • C Maj • 02:27 • -13.36db
14% Popularity • 48% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
14% Popularity • 48% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
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Ken Kolodner
Father Kelly's
107 bpm • G Maj • 01:50 • -20.12db
17% Popularity • 56% Danceability • 16% Energy • 18% Liveness
6% Instrumentalness • 51% Positiveness
17% Popularity • 56% Danceability • 16% Energy • 18% Liveness
6% Instrumentalness • 51% Positiveness
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Ellen Gibling
Air: Lament for the Death of Staker Wall...
97 bpm • G Maj • 03:52 • -21.69db
26% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
26% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Nadia Birkenstock
Everywhere
97 bpm • A# Maj • 03:48 • -15.02db
31% Popularity • 37% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 18% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 18% Positiveness
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Susan Scott
Rainforest Dreams
97 bpm • C Maj • 03:22 • -21.45db
13% Popularity • 39% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Harpa
Huldrevals etter Ola Eide (Norway) - Sus...
108 bpm • D Maj • 02:16 • -15.22db
9% Popularity • 51% Danceability • 22% Energy • 12% Liveness
42% Instrumentalness • 42% Positiveness
9% Popularity • 51% Danceability • 22% Energy • 12% Liveness
42% Instrumentalness • 42% Positiveness
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Jennifer Pratt-Walter
The Rowan Tree
108 bpm • D Maj • 03:34 • -31.49db
24% Popularity • 46% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Cynthia Wyatt
The Famine Song/The Clergy's Lamentation...
96 bpm • E min • 02:53 • -14.5db
10% Popularity • 67% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Karen Gottleib
Reverie
96 bpm • C Maj • 03:09 • -28.01db
13% Popularity • 44% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
13% Popularity • 44% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
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Sarah Marie Mullen
The Hole in the Wall
108 bpm • G Maj • 03:03 • -17.67db
12% Popularity • 53% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
12% Popularity • 53% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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HarpMagic
Hewlett
108 bpm • D Maj • 02:48 • -11.53db
22% Popularity • 76% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
22% Popularity • 76% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Celia Briar
The Parting Glass
96 bpm • B min • 02:19 • -28.23db
37% Popularity • 42% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
37% Popularity • 42% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
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Harper Kirk
Carolan's Dream
108 bpm • E min • 05:03 • -18.57db
23% Popularity • 39% Danceability • 13% Energy • 12% Liveness
48% Instrumentalness • 15% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 12% Liveness
48% Instrumentalness • 15% Positiveness
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Gráinne Yeats
Ruairí Ó Mórdha
96 bpm • C Maj • 02:33 • -16.78db
2% Popularity • 41% Danceability • 22% Energy • 6% Liveness
9% Instrumentalness • 14% Positiveness
2% Popularity • 41% Danceability • 22% Energy • 6% Liveness
9% Instrumentalness • 14% Positiveness
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Triona Marshall
Elegy
96 bpm • D Maj • 03:40 • -14.49db
0% Popularity • 33% Danceability • 14% Energy • 7% Liveness
36% Instrumentalness • 21% Positiveness
0% Popularity • 33% Danceability • 14% Energy • 7% Liveness
36% Instrumentalness • 21% Positiveness
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Georgina Graham
Complete
108 bpm • G Maj • 08:15 • -22.88db
7% Popularity • 40% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 40% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Anna Duff
Ceilito Lindo
96 bpm • A Maj • 03:24 • -15.46db
9% Popularity • 56% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
9% Popularity • 56% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Celia Briar
Her Mantle So Green
96 bpm • A min • 03:37 • -29.59db
20% Popularity • 32% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 39% Positiveness
20% Popularity • 32% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 39% Positiveness
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Mark Grobner & Ken Kolodner
Missouri
96 bpm • E min • 02:56 • -14.47db
9% Popularity • 39% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
9% Popularity • 39% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Maggie Sansone
St. Kilda Aire
96 bpm • G Maj • 02:17 • -19.44db
8% Popularity • 36% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
8% Popularity • 36% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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RoseWynde
Idir Derghic Gus Breo
96 bpm • D Maj • 02:20 • -12.33db
12% Popularity • 31% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
12% Popularity • 31% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
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Marianne Gubri
Embrasse-toi
96 bpm • A Maj • 05:37 • -19.14db
24% Popularity • 40% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 40% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Peregrinnatti
The Promise
109 bpm • F Maj • 03:31 • -13.34db
10% Popularity • 49% Danceability • 34% Energy • 11% Liveness
68% Instrumentalness • 58% Positiveness
10% Popularity • 49% Danceability • 34% Energy • 11% Liveness
68% Instrumentalness • 58% Positiveness
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Ensemble Galilei
Jamieson's Farewell
95 bpm • E min • 03:19 • -18.46db
16% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Jennifer Pratt-Walter
The Wish/A New Day has Dawned
109 bpm • A min • 04:32 • -35.35db
27% Popularity • 54% Danceability • 0% Energy • 8% Liveness
79% Instrumentalness • 10% Positiveness
27% Popularity • 54% Danceability • 0% Energy • 8% Liveness
79% Instrumentalness • 10% Positiveness
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Celia Briar
Lament For Frances Duthie
95 bpm • A min • 02:45 • -31.73db
15% Popularity • 33% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
15% Popularity • 33% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Aibhlínn McCrann
McCrann: Anna Mhic Dhiarmada Rua
95 bpm • E min • 02:28 • -18.63db
18% Popularity • 55% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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HarpMagic
Carolan's Welcome
95 bpm • A min • 02:11 • -8.7db
27% Popularity • 58% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
27% Popularity • 58% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
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Lori Pappajohn
Seikilos' Song
95 bpm • C Maj • 04:31 • -19.44db
10% Popularity • 36% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
10% Popularity • 36% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
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Ensemble Galilei
Banish Misfortune - Langstrom's Pony
95 bpm • G Maj • 03:38 • -11.58db
13% Popularity • 39% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 62% Positiveness
13% Popularity • 39% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 62% Positiveness
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Jennifer Pratt-Walter
Galician Waltz
109 bpm • C Maj • 03:04 • -18.36db
26% Popularity • 52% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
26% Popularity • 52% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
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Stephanie Claussen
The Parting Glass
95 bpm • E min • 03:46 • -18.76db
25% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Lisa Lynne
Ashgrove
95 bpm • D Maj • 03:47 • -17.36db
10% Popularity • 72% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 40% Positiveness
10% Popularity • 72% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 40% Positiveness
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Peregrinnatti
Psalm 103
110 bpm • D min • 10:28 • -23.05db
16% Popularity • 44% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
16% Popularity • 44% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
