Songs like Madama Butterfly: Un bel dì vedremo by Montserrat Caballé
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Song My Mother Taught Me
86 bpm • D Maj • 02:55 • -15.2db
14% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Adagio from Spartacus: Onedin Line theme
86 bpm • C# Maj • 02:51 • -26.26db
24% Popularity • 10% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Aria (Cantilena)
86 bpm • A min • 07:02 • -18.54db
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
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Serrano
Marinela
86 bpm • G Maj • 02:16 • -12.63db
8% Popularity • 31% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 31% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Pietro Mascagni
Voi Lo Sapete, O Mamma
86 bpm • E min • 03:20 • -12.64db
2% Popularity • 22% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 22% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Di Stefano
Torna A Surriento
86 bpm • E Maj • 03:23 • -9.64db
15% Popularity • 18% Danceability • 29% Energy • 11% Liveness
39% Instrumentalness • 27% Positiveness
15% Popularity • 18% Danceability • 29% Energy • 11% Liveness
39% Instrumentalness • 27% Positiveness
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Georges Bizet
Les Pêcheurs de perles, Act I: Je crois...
86 bpm • A min • 03:11 • -24.35db
23% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Patricia Janečková
Kdyz mne stará matka - Zigeunerlieder, ...
86 bpm • D Maj • 02:29 • -12db
18% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
85 bpm • D# Maj • 03:40 • -18.6db
9% Popularity • 24% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Suicidio¡
86 bpm • F# min • 05:09 • -16.29db
0% Popularity • 22% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Manuel Fernandez Caballero
Yo Quiero A Un Hombre
85 bpm • A Maj • 04:33 • -10.7db
0% Popularity • 29% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 29% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Elton John
Nikita
87 bpm • G Maj • 05:43 • -9.29db
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
69% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Alfredo Kraus
Amapola
87 bpm • D# Maj • 03:31 • -8.72db
22% Popularity • 21% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 21% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Montserrat Caballé
Polonesa
87 bpm • A Maj • 04:59 • -9db
15% Popularity • 34% Danceability • 33% Energy • 51% Liveness
1% Instrumentalness • 7% Positiveness
15% Popularity • 34% Danceability • 33% Energy • 51% Liveness
1% Instrumentalness • 7% Positiveness
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Leo Nucci
Parlami d'amore Mariù
87 bpm • F Maj • 04:28 • -14.26db
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 4: Suicidio!
85 bpm • F# min • 04:53 • -19.1db
6% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Young Pavarotti
La Mia Letizia Infondere
87 bpm • A Maj • 02:02 • -15db
29% Popularity • 30% Danceability • 33% Energy • 75% Liveness
1% Instrumentalness • 57% Positiveness
29% Popularity • 30% Danceability • 33% Energy • 75% Liveness
1% Instrumentalness • 57% Positiveness
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Elton John
Nikita - UK Edit
87 bpm • G Maj • 04:52 • -10db
42% Popularity • 64% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 64% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Federico Moreno Torroba
Luisa Fernanda: Caballero del alto plume...
87 bpm • A Maj • 04:45 • -17.29db
5% Popularity • 33% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 33% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Madama Butterfly Lib. Giacosa and Illica...
85 bpm • C# Maj • 05:27 • -16.77db
17% Popularity • 29% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 29% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Montserrat Caballé
Ensueño - Monsterrat's Live Takes
85 bpm • C Maj • 05:36 • -14.87db
19% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Beniamino Gigli
O sole mio
87 bpm • G Maj • 03:04 • -11.58db
18% Popularity • 27% Danceability • 24% Energy • 19% Liveness
4% Instrumentalness • 21% Positiveness
18% Popularity • 27% Danceability • 24% Energy • 19% Liveness
4% Instrumentalness • 21% Positiveness
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Vincent Scotto
Scotto / Arr. Schifrin: Around the World...
85 bpm • C min • 02:00 • -19.37db
32% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
32% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
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Igor Krutoy
Cantami
85 bpm • G# Maj • 03:37 • -7db
29% Popularity • 21% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 21% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
In Questa Reggia
87 bpm • D Maj • 05:51 • -12.55db
0% Popularity • 25% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Dmitri Hvorostovsky
Canzonetta semplice
88 bpm • F Maj • 03:40 • -9.27db
16% Popularity • 58% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 58% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Montserrat Caballé
Ave Maria of F. Schubert
85 bpm • G Maj • 04:12 • -18.6db
18% Popularity • 24% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Mario del Monaco
Love's Last Word Is Spoken
84 bpm • G Maj • 02:47 • -11db
28% Popularity • 26% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 26% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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André Previn
John Nineteen: Forty-One
88 bpm • F Maj • 02:19 • -22.06db
35% Popularity • 17% Danceability • 9% Energy • 16% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 9% Energy • 16% Liveness
63% Instrumentalness • 4% Positiveness
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Leo Nucci
Il valzer dell'organino
88 bpm • F Maj • 02:44 • -12db
37% Popularity • 36% Danceability • 21% Energy • 35% Liveness
3% Instrumentalness • 49% Positiveness
37% Popularity • 36% Danceability • 21% Energy • 35% Liveness
3% Instrumentalness • 49% Positiveness
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Joe "Bean" Esposito
Lady, Lady, Lady
84 bpm • E min • 04:09 • -14db
54% Popularity • 55% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 55% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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Jose Serrano
La Canción del Olvido
88 bpm • G Maj • 02:18 • -16db
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Tancredi: Act I: O patria, dolce e ingra...
84 bpm • D Maj • 04:26 • -17db
5% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 27% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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ABBA
Chiquitita - Live
88 bpm • A Maj • 05:34 • -14.06db
36% Popularity • 37% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 37% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Rodgers
Rodgers / Arr. Newman & Darby: Spring is...
88 bpm • F Maj • 03:15 • -16db
23% Popularity • 17% Danceability • 43% Energy • 96% Liveness
60% Instrumentalness • 34% Positiveness
23% Popularity • 17% Danceability • 43% Energy • 96% Liveness
60% Instrumentalness • 34% Positiveness
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Renata Tebaldi
Tosca
84 bpm • D# Maj • 03:24 • -10.85db
22% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi: "O mio babbino...
84 bpm • G# Maj • 02:48 • -18.64db
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Vangelis
Like A Dream
88 bpm • E Maj • 03:20 • -16.6db
13% Popularity • 21% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 22% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Madame Butterfly
Madame Butterfly, Teil 3
84 bpm • C# Maj • 04:12 • -21db
11% Popularity • 20% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Sinfonía n. 5 en mi menor
88 bpm • D Maj • 06:16 • -12.49db
16% Popularity • 14% Danceability • 27% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
16% Popularity • 14% Danceability • 27% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Ave Maria
88 bpm • G# Maj • 05:41 • -25.67db
6% Popularity • 13% Danceability • 2% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 2% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Freddie Mercury
Ensueño - New Orchestrated Version
88 bpm • C Maj • 04:22 • -14.04db
33% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Franz Lehár
Die lustige Witwe, Act II: Vilja-Lied
88 bpm • G Maj • 05:03 • -26.45db
0% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Vissi d'arte
84 bpm • D# Maj • 03:17 • -14.23db
15% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Act I: Liberamente or piangi...Oh! nel f...
88 bpm • A# Maj • 05:42 • -17.67db
0% Popularity • 22% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Franz Lehár
Warum hast du mich wachgeküsst
84 bpm • A min • 03:57 • -17.9db
0% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Antonín Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Inflammatus et accensus
84 bpm • C Maj • 05:16 • -13.04db
5% Popularity • 20% Danceability • 25% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 25% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
O letzte Rose - Martha! Herr! Sie lacht ...
84 bpm • F Maj • 06:15 • -15.71db
2% Popularity • 34% Danceability • 6% Energy • 53% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 34% Danceability • 6% Energy • 53% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Senza Mamma
83 bpm • A min • 04:55 • -16.15db
2% Popularity • 23% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 23% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Montserrat Caballé
El Majo Discreto
83 bpm • A Maj • 01:34 • -6.82db
8% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Gabriel Fauré
Pavane
83 bpm • F# min • 04:23 • -19.74db
8% Popularity • 21% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Angela Gheorghiu
Copacul
83 bpm • A# min • 04:06 • -10.26db
16% Popularity • 28% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 28% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Igor Krutoy
White Bird (Arr. Ross)
83 bpm • G# Maj • 04:38 • -11.43db
15% Popularity • 26% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
15% Popularity • 26% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Gianni Schicchi, Aria: O mio babbino car...
89 bpm • G# Maj • 02:37 • -11db
29% Popularity • 26% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
29% Popularity • 26% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
83 bpm • D Maj • 02:57 • -35db
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Freddie Mercury
Exercises In Free Love - New Orchestrate...
83 bpm • C Maj • 03:57 • -13.96db
27% Popularity • 12% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 18% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Queen
Queen Closer : Somebody to Love, We Are ...
83 bpm • G# Maj • 02:22 • -6.09db
8% Popularity • 13% Danceability • 77% Energy • 71% Liveness
92% Instrumentalness • 52% Positiveness
8% Popularity • 13% Danceability • 77% Energy • 71% Liveness
92% Instrumentalness • 52% Positiveness
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Franz Lehár
Meine Lippen, die küssen so heiss
83 bpm • E Maj • 05:38 • -16db
20% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Franco Corelli
Core 'ngrato
89 bpm • D# Maj • 03:31 • -10db
20% Popularity • 19% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
20% Popularity • 19% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème: Act I: O soave fanciulla
83 bpm • G Maj • 03:55 • -19.73db
8% Popularity • 19% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Joan Manuel Serrat
Mediterráneo
83 bpm • A min • 03:36 • -11.83db
2% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Freddie Mercury
Guide Me Home - New Orchestrated Version
89 bpm • A# Maj • 02:50 • -10db
40% Popularity • 22% Danceability • 24% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 22% Danceability • 24% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
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Stanley Meyers
Cavatina (Theme from "The Deer Hunter")
83 bpm • E Maj • 04:16 • -28db
19% Popularity • 38% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
19% Popularity • 38% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Armida - Act I - D'amore al dolce impero
90 bpm • F Maj • 05:51 • -16.72db
7% Popularity • 34% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Vangelis
Prayer
83 bpm • E Maj • 03:37 • -14db
17% Popularity • 14% Danceability • 21% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 21% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Divinités du Styx
90 bpm • F Maj • 04:34 • -13.78db
3% Popularity • 31% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 31% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum'
90 bpm • F Maj • 04:27 • -17.94db
11% Popularity • 12% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 12% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Queen
It's A Hard Life - Remastered 2011
82 bpm • D# Maj • 04:06 • -6.19db
57% Popularity • 42% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 42% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Mireille Mathieu
Non, je ne regrette rien - Version alter...
82 bpm • A# Maj • 02:25 • -6.66db
32% Popularity • 36% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 36% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Freddie Mercury
How Can I Go On - New Orchestrated Versi...
82 bpm • G Maj • 03:49 • -5.78db
50% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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All Angels
Offenbach: Barcarolle
90 bpm • D Maj • 03:25 • -10.52db
44% Popularity • 18% Danceability • 27% Energy • 22% Liveness
34% Instrumentalness • 8% Positiveness
44% Popularity • 18% Danceability • 27% Energy • 22% Liveness
34% Instrumentalness • 8% Positiveness
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Leo Nucci
Il tango delle capinere
82 bpm • D Maj • 02:37 • -11.21db
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Andrew Lloyd Webber
Wishing You Were Somehow Here Again
82 bpm • A# Maj • 03:18 • -12.43db
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Polish Radio Symphony Orchestra
Bach: Air on G String
82 bpm • D Maj • 03:19 • -23db
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Freddie Mercury
How Can I Go On - New Orchestrated Versi...
82 bpm • G Maj • 03:57 • -6.71db
32% Popularity • 45% Danceability • 60% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 45% Danceability • 60% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Charlotte Perrelli
Evita: Don't Cry for Me Argentina
82 bpm • C# Maj • 05:36 • -12db
15% Popularity • 23% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 23% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Otello: Act III: Assisa a' piè d'un sal...
91 bpm • G min • 08:03 • -19.29db
3% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Va pensiero (Gefangenenchor)
82 bpm • C# Maj • 04:46 • -19db
8% Popularity • 21% Danceability • 5% Energy • 21% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 5% Energy • 21% Liveness
1% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen: L'amour est un oiseau reb...
82 bpm • D Maj • 04:18 • -20.7db
32% Popularity • 24% Danceability • 20% Energy • 32% Liveness
6% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 20% Energy • 32% Liveness
6% Instrumentalness • 21% Positiveness
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Queen
Save Me - Remastered 2011
82 bpm • G Maj • 03:49 • -6.8db
59% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Freddie Mercury
How Can I Go On - Single Version
82 bpm • G Maj • 04:02 • -8.1db
47% Popularity • 38% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 38% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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M.F. Caballéro
Canción Andaluza
81 bpm • A min • 03:15 • -18.24db
3% Popularity • 28% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 28% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
