Songs like Madame Guillotine by The Scarlet Pimpernel
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Jeremy Jordan
This World Will Remember Us
119 bpm • E min • 03:34 • -10db
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Neil Patrick Harris
Slipping
119 bpm • D# Maj • 02:05 • -8db
38% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Scarlet Pimpernel
Madame Guillotine
119 bpm • E min • 02:50 • -6.96db
36% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Original Cast of Starship
Kick It Up A Notch
120 bpm • B min • 06:57 • -10db
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cast of Galavant
Secret Mission
120 bpm • D Maj • 03:08 • -8db
13% Popularity • 56% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Bill Moseley
At the Opera Tonight
118 bpm • E Maj • 02:10 • -4db
33% Popularity • 36% Danceability • 98% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 98% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Shapera
Act 1: S4 - Annabel Has a Doll
120 bpm • D Maj • 05:18 • -10db
19% Popularity • 73% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 73% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Emilie Autumn
Nothing (Dr. Stockill, Emily)
120 bpm • D# Maj • 03:20 • -15.36db
45% Popularity • 79% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 79% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Neil Patrick Harris
Brand New Day
120 bpm • C# Maj • 01:49 • -7.73db
44% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cast of Galavant
Hero's Journey
120 bpm • F Maj • 01:49 • -6db
15% Popularity • 63% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 63% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Original Off-Broadway Cast of Nevermore
The Raven
120 bpm • A# Maj • 06:50 • -7.26db
12% Popularity • 50% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 50% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Sorvino
Things You See in a Graveyard
120 bpm • C# Maj • 03:12 • -6.26db
32% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Shapera
Act 1: S2 - New Albion 1
120 bpm • G min • 03:12 • -11db
29% Popularity • 69% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 69% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Jorge Rivera-Herrans
The Horse and the Infant
120 bpm • C min • 03:53 • -7.7db
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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George Salazar
Michael in the Bathroom
120 bpm • E Maj • 05:07 • -6.9db
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Christine Allado
Dance to The Day
117 bpm • C# min • 02:23 • -9.32db
31% Popularity • 41% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 41% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Shapera
Act 2: S2 - Edgar Gets His Heart Broken
120 bpm • F Maj • 02:49 • -8.74db
16% Popularity • 65% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
16% Popularity • 65% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Anthony Crivello
My Dead Gay Son
121 bpm • C# Maj • 03:42 • -6.42db
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Aaron Tveit
El Tango De Roxanne
117 bpm • A min • 03:37 • -4.56db
52% Popularity • 53% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sherie Rene Scott
Lovesick
121 bpm • F# Maj • 03:16 • -6.85db
27% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Frankenstein World Premiere Cast
These Hands
117 bpm • F min • 01:56 • -5.18db
26% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Liam Tamne
The Plagues
121 bpm • G min • 06:14 • -8.66db
35% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Brandi Burkhardt
All This Time
117 bpm • G# Maj • 02:59 • -9.07db
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Tony Jay
Heaven's Light/Hellfire
117 bpm • A# Maj • 05:23 • -17.81db
39% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Anthony Warlow
No One Must Ever Know
117 bpm • G min • 04:30 • -9.89db
29% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 38% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Leslie Odom Jr.
The World Was Wide Enough
117 bpm • F Maj • 05:02 • -12.78db
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
122 bpm • F Maj • 02:55 • -11db
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Alli Mauzey
Screw Loose
116 bpm • G Maj • 02:46 • -7db
46% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Ethan Slater
(I Guess I) Miss You
116 bpm • A# Maj • 03:41 • -9.57db
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Warlow
It's a Dangerous Game
116 bpm • E min • 04:16 • -9.62db
32% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Gere
Razzle Dazzle
122 bpm • D Maj • 03:45 • -12db
31% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Carrie Cimma
The House of Borden
116 bpm • B min • 04:02 • -6db
23% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Gregg Edelman
You're Nothing Without Me
122 bpm • C Maj • 03:22 • -13.12db
39% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Frankenstein World Premiere Cast
Another Like Him
116 bpm • A Maj • 01:21 • -6.43db
19% Popularity • 42% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Kristen Mencucci
Heavenly Shower
116 bpm • C# Maj • 02:44 • -13.26db
10% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Anthony Warlow
Alive
122 bpm • F Maj • 04:36 • -8.76db
41% Popularity • 42% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 42% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Terrance Zdunich
21st Century Cure
116 bpm • E Maj • 03:41 • -5.96db
34% Popularity • 38% Danceability • 93% Energy • 67% Liveness
3% Instrumentalness • 31% Positiveness
34% Popularity • 38% Danceability • 93% Energy • 67% Liveness
3% Instrumentalness • 31% Positiveness
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Joey Richter
Somebody's Gotta Do It
122 bpm • G# Maj • 03:21 • -13.98db
32% Popularity • 82% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 82% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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The Manhattan Singers
Big and Loud
116 bpm • C# Maj • 01:37 • -6.71db
30% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Rannells
All-American Prophet
116 bpm • C# Maj • 06:14 • -9.89db
47% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Reeve Carney
If it's True
116 bpm • A# min • 04:13 • -6.9db
48% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Steve Martin
Playing With The Big Boys
123 bpm • E Maj • 02:52 • -16.58db
46% Popularity • 43% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 43% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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StarKid Productions
Our Doors Are Open
115 bpm • A Maj • 03:27 • -10.63db
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Crazy Ex-Girlfriend Cast
Horny Angry Tango
123 bpm • A Maj • 01:49 • -6.44db
38% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Scarlet Pimpernel
The Duel - Instrumental
123 bpm • E min • 01:19 • -10.93db
14% Popularity • 42% Danceability • 32% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 32% Energy • 23% Liveness
94% Instrumentalness • 16% Positiveness
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John Bolton
A Rumor in St. Petersburg
123 bpm • C Maj • 05:39 • -10db
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Guy Who Didn't Like Musicals Cast
La Dee Dah Dah Day
115 bpm • D Maj • 03:17 • -6.23db
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Stephen Sondheim
Prelude: The Ballad of Sweeney Todd: "At...
124 bpm • D Maj • 03:34 • -12.37db
31% Popularity • 38% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 38% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Alex Brightman
Invisible (Reprise) / On the Roof
114 bpm • F Maj • 01:48 • -10db
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Lillian Castillo
Sugar Cloud
124 bpm • G Maj • 03:53 • -13db
46% Popularity • 55% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Emilie Autumn
Private Practice (Dr. Sharp, Emilie)
114 bpm • G Maj • 03:32 • -15.52db
20% Popularity • 54% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 54% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Stephen Sondheim
The Ballad of Sweeney Todd
124 bpm • D Maj • 02:49 • -8.94db
23% Popularity • 51% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 51% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Matthew Morrison
Stronger - Original Broadway Cast Record...
114 bpm • G Maj • 03:23 • -7.51db
31% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Ralph Fiennes
The Plagues
114 bpm • C min • 02:40 • -14.07db
55% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Lin-Manuel Miranda
We Know
114 bpm • B Maj • 02:22 • -10.38db
62% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Shapera
Act 4: S3 - Priscilla and Jasper Play Ca...
125 bpm • G# Maj • 04:50 • -10.39db
15% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Original StarKid Cast of Twisted
No One Remembers Achmed
125 bpm • F Maj • 03:39 • -8db
35% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Gregg Edelman
I'm Nothing Without You
125 bpm • B Maj • 02:15 • -10.79db
18% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Amber Gray
We Raise Our Cups
126 bpm • C# min • 02:05 • -11.06db
45% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Douglas Sills
Into the Fire - Reprise
113 bpm • G# Maj • 00:54 • -9.51db
17% Popularity • 43% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 43% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 86% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Shapera
Act 4: S2 - New Albion 4
125 bpm • G min • 02:39 • -10.11db
15% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Scott Oliver
My Life With R. H. Macy
112 bpm • A min • 04:12 • -6.3db
9% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sophia Anne Caruso
Jump in the Line / Dead Mom - Reprise
112 bpm • C Maj • 02:05 • -6.16db
47% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Michelle Duffy
Shine a Light
112 bpm • A Maj • 02:31 • -4.96db
49% Popularity • 75% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 75% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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'Falsettos' 2016 Broadway Company
Falsettoland / About Time
111 bpm • F min • 04:12 • -7.21db
41% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Redmayne
ABC Café / Red & Black
112 bpm • B Maj • 04:21 • -13.43db
42% Popularity • 46% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Shapera
Act 4: S5 - The Day They Come
125 bpm • C min • 04:04 • -9.43db
15% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Eric William Morris
Be More Chill - Pt. 1
111 bpm • A Maj • 03:49 • -8.59db
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Patrick Page
Hey, Little Songbird
127 bpm • C min • 03:32 • -12.85db
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Grace McLean
In My House
111 bpm • B min • 03:07 • -8.79db
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Stephen Sondheim
The Ballad of Czolgosz
111 bpm • G Maj • 02:44 • -9.27db
26% Popularity • 78% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 78% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Kelsey Grammer
Live By The Hook - Original Broadway Cas...
127 bpm • D Maj • 03:47 • -8.5db
25% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jessica Keenan Wynn
The Me Inside of Me
111 bpm • A# min • 05:15 • -9.33db
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Terry Mann
Where's the Girl?
111 bpm • G# min • 03:21 • -12.31db
27% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Grace McLean
A Call to Pierre
111 bpm • E min • 02:22 • -7.25db
34% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Megan Hilty
Nowhere King Battle
128 bpm • A min • 02:07 • -9db
29% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Pays to Be an Animal
128 bpm • F# Maj • 03:55 • -9.84db
28% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Pirates Of Penzance
With Cat-Like Tread, Upon Our Prey We St...
128 bpm • D Maj • 03:22 • -10.79db
25% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
32% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Lucy, Ensemble
Good 'n' Evil
128 bpm • C# min • 03:10 • -10.35db
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Kelsey Grammer
Play - Original Broadway Cast Recording
128 bpm • D Maj • 04:33 • -7.24db
28% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking (Reprise)
110 bpm • G# Maj • 02:46 • -7.29db
59% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness