Songs like Maddie's Lullaby by Thelma Plum
Based on a tempo of (+/- 10%) and a similar genre
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Amy Shark
Beautiful Eyes
133 bpm • A Maj • 02:49 • -3.77db
57% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Shawn Mendes
Top Of The World
133 bpm • D Maj • 02:51 • -6db
56% Popularity • 43% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 43% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Thelma Plum
Maddie's Lullaby
133 bpm • A min • 01:37 • -19.11db
48% Popularity • 25% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
48% Popularity • 25% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Andy Mason
Spring Chicken
132 bpm • C Maj • 03:44 • -7db
31% Popularity • 66% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 66% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Alan Cumming
Mistreated
132 bpm • B Maj • 02:30 • -6.74db
35% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Scarlett Johansson
Set It All Free
134 bpm • F# Maj • 03:34 • -4.44db
60% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
60% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Eleanor Tomlinson
Hushabye Mountain
132 bpm • B min • 02:59 • -13.48db
33% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 46% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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John Powell
Sid's Sing-A-Long
135 bpm • A# min • 02:08 • -12db
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
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The Lorax Singers
Thneedville
132 bpm • G Maj • 02:44 • -6.8db
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Briggs
Go To War
135 bpm • F# Maj • 03:22 • -11.21db
25% Popularity • 76% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 76% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Scarlett Johansson
Heads Will Roll
132 bpm • F# min • 03:37 • -5.61db
57% Popularity • 60% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 68% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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RiddleTM
The Sorting Hat
135 bpm • B Maj • 03:58 • -18.08db
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Dwayne Johnson
You're Welcome
135 bpm • F Maj • 02:44 • -7.09db
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Ever After High
Ever After High
136 bpm • C# Maj • 03:30 • -4.24db
49% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Karina Pasian
I'm Today (Nefer Song)
130 bpm • F Maj • 02:40 • -4.55db
33% Popularity • 64% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 64% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Auli'i Cravalho
Live Your Story
136 bpm • G# Maj • 03:26 • -7.08db
52% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Grace VanderWaal
Figure It Out
130 bpm • C Maj • 03:29 • -9.77db
26% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Haley Tju
Slow Walk
130 bpm • G# Maj • 02:30 • -8.2db
18% Popularity • 76% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
18% Popularity • 76% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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SOS from the Kids
SOS from the Kids
130 bpm • D Maj • 03:19 • -9.68db
16% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Hawes
In a Galaxy Far, Far Away
130 bpm • G# Maj • 04:04 • -6.66db
12% Popularity • 64% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 64% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Sam i
Suéltate
130 bpm • D Maj • 03:30 • -6.2db
53% Popularity • 81% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 81% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Thelma Plum
Young In Love
130 bpm • D min • 03:47 • -8.91db
14% Popularity • 54% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 54% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Kevin
How You Feel About Me
136 bpm • G# Maj • 01:09 • -10.83db
20% Popularity • 67% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Tiffany Haddish
Not Evil
130 bpm • B min • 03:33 • -4.27db
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Christopher Escalante
Faster Car
130 bpm • C# Maj • 03:49 • -12db
38% Popularity • 86% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 86% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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PattyCake
Once Upon a Time
130 bpm • D Maj • 04:22 • -7db
30% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Reese Witherspoon
Break Free
130 bpm • G Maj • 01:34 • -5.16db
61% Popularity • 72% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 72% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Alvin & The Chipmunks
Home
130 bpm • E Maj • 03:04 • -4.54db
53% Popularity • 57% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 57% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Phillipa Soo
Ultraluminary
130 bpm • F# min • 03:20 • -7.06db
43% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Tiffany Haddish
Gotham City Guys
130 bpm • F# min • 02:16 • -4.95db
45% Popularity • 75% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 75% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Gina Williams & Guy Ghouse
Bindi Bindi
130 bpm • A min • 02:58 • -8.7db
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Glyn Lehmann
I Am the Earth
130 bpm • G# Maj • 03:43 • -11.01db
23% Popularity • 44% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 44% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sarah Silverman
A Place Called Slaughter Race
129 bpm • G# Maj • 03:28 • -9.52db
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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AsapSCIENCE
The Teeth Song
137 bpm • D Maj • 02:59 • -10.42db
32% Popularity • 76% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 76% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Shiloh & Bros
Mini Crewmate
129 bpm • B min • 03:20 • -9.61db
44% Popularity • 88% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
44% Popularity • 88% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 97% Positiveness
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Meredith Bull
I Can't Help Myself (Sugar Pie Honey Bun...
129 bpm • E Maj • 03:05 • -5.48db
35% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 60% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mueller
Rider's Lullaby
129 bpm • C Maj • 01:04 • -14db
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Carly Simon
The More I Look Inside
137 bpm • G Maj • 04:22 • -12.33db
28% Popularity • 30% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
28% Popularity • 30% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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The Mudcakes
Grumpy Bum
128 bpm • D Maj • 01:07 • -8.42db
31% Popularity • 85% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 85% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Rueby Wood
Big Time
128 bpm • C# Maj • 03:05 • -6db
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Thelma Plum
How Much Does Your Love Cost? - Dugong J...
138 bpm • E min • 03:50 • -8.04db
6% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Evan Rachel Wood
I'll Never Fall in Love Again
129 bpm • C# Maj • 02:48 • -6.96db
37% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bebe Rexha
Beautiful Life
128 bpm • A Maj • 03:23 • -7.2db
50% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Phillipa Soo
Yours Forever (Reprise)
138 bpm • G min • 02:00 • -14db
38% Popularity • 28% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 28% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Samantha Bosworth
Better When I'm Dancing
128 bpm • D Maj • 02:53 • -8db
52% Popularity • 75% Danceability • 74% Energy • 12% Liveness
10% Instrumentalness • 90% Positiveness
52% Popularity • 75% Danceability • 74% Energy • 12% Liveness
10% Instrumentalness • 90% Positiveness
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Christopher Escalante
I Love U
128 bpm • F# min • 03:11 • -3.47db
34% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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James Monroe Iglehart
Bigger Than That
128 bpm • C Maj • 02:07 • -5db
31% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Aliyah Mastin
What We’ve Been Looking For
128 bpm • G# Maj • 02:46 • -8.67db
24% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Michelle Heafy
My Neighbor Totoro — Ending Theme Song
128 bpm • D Maj • 02:48 • -12.4db
28% Popularity • 55% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
28% Popularity • 55% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Cathy Ang
Wonderful
128 bpm • D Maj • 02:37 • -11db
38% Popularity • 46% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Julie Fowlis
Into The Open Air
139 bpm • D Maj • 02:40 • -7.38db
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 50% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Nicholas Galitzine
Whatta Man / Seven Nation Army
127 bpm • G Maj • 03:09 • -4.44db
47% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Cast of Roald Dahl's Matilda The Musical
Bruce
139 bpm • C min • 02:41 • -7db
45% Popularity • 43% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 43% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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toutone
That's Just My Baby Doge
127 bpm • A min • 00:59 • -9.66db
53% Popularity • 72% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
53% Popularity • 72% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Mary Lambert
Follow Me Home
140 bpm • F Maj • 03:33 • -8db
23% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mandy Moore
Next Stop Anywhere
140 bpm • G Maj • 03:29 • -4db
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Adriana Figueroa
Daughter Of The Moon
140 bpm • C# Maj • 03:43 • -17.79db
39% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Puggy
Where the Light Is
140 bpm • G# Maj • 02:52 • -10.57db
22% Popularity • 57% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 57% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mr Dooves
Through My Own Eyes - Acapella
140 bpm • A Maj • 01:20 • -5.12db
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Chandler Kinney
We Own the Night/Night Falls Mashup
140 bpm • D# min • 02:22 • -5db
48% Popularity • 61% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 61% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Puppy Songs
Amazon Man
140 bpm • C min • 01:01 • -5.72db
23% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cyn
Always Safe
140 bpm • G# Maj • 02:36 • -8.86db
36% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Chinn and Friends
Rise up!
140 bpm • E Maj • 02:38 • -8.36db
16% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Chrissy
Chrissy Wake Up - gregorybrothers & Schm...
140 bpm • F Maj • 02:34 • -14.75db
25% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Jessica Darrow
A Little More
126 bpm • G# Maj • 03:06 • -10.13db
51% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Chorus - Mulan
Lesson Number One
126 bpm • G Maj • 02:26 • -9db
46% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sierra Nelson
The Hurt Incantation
126 bpm • A# min • 01:11 • -9.16db
21% Popularity • 37% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 37% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Thelma Plum
Rosie
126 bpm • A# min • 03:34 • -9.95db
27% Popularity • 62% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 62% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Blaze n Vill
Heroes
126 bpm • A Maj • 03:26 • -7.26db
47% Popularity • 67% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 67% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Tori Kelly
Where the Streets Have No Name
126 bpm • D Maj • 02:36 • -6.69db
57% Popularity • 42% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 42% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Puggy
Other Side of Town
126 bpm • C Maj • 01:07 • -9.49db
34% Popularity • 64% Danceability • 72% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
34% Popularity • 64% Danceability • 72% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
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Madilyn Bailey
The Best Way to Deal with Hate
126 bpm • C min • 03:19 • -9.36db
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rihanna
As Real As You And Me
126 bpm • B Maj • 03:40 • -9.14db
42% Popularity • 44% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 44% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Emma Thompson
Noble Maiden Fair (A Mhaighdean Bhan Uas...
125 bpm • B min • 02:36 • -23.9db
51% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Martin Short
Be Our Guest
125 bpm • C Maj • 03:52 • -10db
38% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Stephanie Beatriz
The Family Madrigal
141 bpm • C# Maj • 04:17 • -6.35db
69% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
69% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Taron Egerton
A Sky Full of Stars
125 bpm • F# Maj • 03:26 • -7.57db
68% Popularity • 44% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
68% Popularity • 44% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Benjamin Lovett
I Will Wait
125 bpm • D Maj • 01:55 • -5.23db
49% Popularity • 65% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 65% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Young Voices Choir
Pop Medley 2024
125 bpm • C min • 06:49 • -12.64db
29% Popularity • 49% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 49% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Thelma Plum
Do You Ever Get So Sad You Can't Breathe
142 bpm • F Maj • 02:17 • -14.44db
25% Popularity • 59% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 59% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Evynne Hollens
Into the Unknown / Show Yourself
125 bpm • A# min • 03:40 • -9.37db
17% Popularity • 44% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 44% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Mandy Moore
The Girl Who Has Everything
142 bpm • C Maj • 02:38 • -7.57db
31% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
42% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Vian Izak
Call the Nightingale
142 bpm • E Maj • 01:45 • -11.19db
50% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Alisha Weir
Quiet
125 bpm • A# Maj • 03:58 • -10.78db
43% Popularity • 44% Danceability • 26% Energy • 48% Liveness
1% Instrumentalness • 15% Positiveness
43% Popularity • 44% Danceability • 26% Energy • 48% Liveness
1% Instrumentalness • 15% Positiveness
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Thelma Plum
When It Rains It Pours
124 bpm • A# min • 04:13 • -7.59db
33% Popularity • 76% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 71% Positiveness
33% Popularity • 76% Danceability • 84% Energy • 35% Liveness
2% Instrumentalness • 71% Positiveness
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Mary Lambert
Beautiful Together
124 bpm • C# Maj • 02:41 • -6db
24% Popularity • 74% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 74% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Orlando
It’s Alright
124 bpm • C# min • 03:13 • -5.74db
45% Popularity • 76% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 76% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Keeley Elise
Brown Eyes
124 bpm • B min • 03:34 • -13.47db
35% Popularity • 70% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 70% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Philip Lawrence
You Are the Magic
124 bpm • F# Maj • 03:34 • -8db
42% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Singer
Siren Song
124 bpm • F# Maj • 02:53 • -12db
37% Popularity • 52% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 52% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Thelma Plum
When It Rains It Pours - Live at #56
124 bpm • A# min • 03:59 • -5.01db
7% Popularity • 51% Danceability • 86% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
7% Popularity • 51% Danceability • 86% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
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AsapSCIENCE
The Muscle Song
143 bpm • B Maj • 02:09 • -9db
38% Popularity • 74% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 74% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Christina Aguilera
Loyal Brave True
143 bpm • F min • 02:46 • -9.29db
51% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Idina Menzel
Show Yourself
123 bpm • F# Maj • 04:20 • -7.07db
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Emily Blunt
The Place Where Lost Things Go
123 bpm • A Maj • 03:43 • -19.18db
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ricky Reed
Good Vibrations
123 bpm • B Maj • 03:18 • -4.03db
50% Popularity • 61% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 61% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
