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Made In Orissa
Songs like
Made In Orissa
by
Anusaya Nath
Based on a tempo of (+/- 10%) and a similar genre
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Lal Ji Shrivas
Aana Re Mor Biropan - Best Cg Song
128 bpm • E Maj • 05:11 • -8.3db
8% Popularity • 62% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Sunil Soni
Maati Tel K Tipa
128 bpm • D Maj • 01:00 • -4.47db
12% Popularity • 78% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Nilkamal Vaishnav
Sidha Prasaran Aahu - 2.0 Version
128 bpm • D Maj • 04:48 • -11.53db
14% Popularity • 47% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Ira Mohanty
Se Ta Nanda Rajara Tiki Pila
128 bpm • G# min • 05:08 • -2.8db
20% Popularity • 62% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Bhikari Bal
Shreekhtre Basichhi
128 bpm • F# min • 05:05 • -9.79db
7% Popularity • 62% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Anusaya Nath
Made In Orissa
128 bpm • F min • 05:27 • -13.66db
9% Popularity • 64% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Shahnaz Akhtar
Gaytri Mantra
129 bpm • F# Maj • 04:33 • -10.44db
8% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Narendra Chanchal
Mere Ghar Mein Aayi Maiya
127 bpm • C# Maj • 06:15 • -8.68db
12% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Nilkamal Vaishnav
Aathi Pare Pathi
128 bpm • G# Maj • 04:23 • -2.53db
8% Popularity • 77% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Deshraj Narvariya
Mela Me Bela Machal Gai Re
127 bpm • F# Maj • 09:15 • -0.79db
12% Popularity • 51% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Satrughna Luha
Malki Malki
129 bpm • G Maj • 05:25 • -5.39db
12% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Old Sambalpuri
Parda Re Parda || Sambalpuri Album: E Be...
129 bpm • G# min • 05:02 • -6.88db
10% Popularity • 42% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Sricharana
Sakhi Aasila Kartika Masa
127 bpm • C min • 05:24 • -3.88db
11% Popularity • 52% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Debasish Mohapatra
Jhum Jhum Jhumuka
129 bpm • G# Maj • 05:58 • -6.47db
9% Popularity • 71% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Kailash Dehati
Jharkhand Ke Mati Dada May Ke Saman Re -...
126 bpm • G Maj • 04:29 • -2.98db
9% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Anusaya Nath
Dudure Mala Ku
130 bpm • F# min • 04:44 • -9.49db
0% Popularity • 60% Danceability • 54% Energy • 47% Liveness
0% Instrumentalness • 91% Positiveness
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Ajay Kshirsagar
Kaljavar Ghatlas Ghav
130 bpm • A Maj • 04:48 • -5.92db
10% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Hiresh Sinha
Atka Sundar Tor Roop He Ram Ji
126 bpm • G Maj • 05:05 • -7.19db
25% Popularity • 52% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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Dukalu Yadav
Ye Diwana Bani Radha Wo - Original
130 bpm • A# Maj • 06:40 • -5db
25% Popularity • 42% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Shahnaz Akhtar
He Bhav Bhanjan He Shivnandan
130 bpm • F# Maj • 06:35 • -2.75db
12% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Anand Shinde
Aali Mastani
130 bpm • G# Maj • 04:35 • -5.55db
9% Popularity • 75% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Anusaya Nath
Bhadire Kakudi Fula
126 bpm • C min • 04:44 • -8.22db
1% Popularity • 67% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Gani
Chham Chham Nachei Gori
130 bpm • E Maj • 04:42 • -7.2db
7% Popularity • 79% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 79% Positiveness
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Kumar Bapi
Raha Raha To Bouku Kahuchi
130 bpm • G# Maj • 05:07 • -3.91db
10% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Ira Mohanty
Pattigala Pattigala
130 bpm • A min • 04:04 • -9.33db
8% Popularity • 69% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Nilkamal Vaishnav
Kaha Havaye Tor Goti
126 bpm • G# Maj • 07:38 • -2.42db
9% Popularity • 63% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Fozia Soomro
Russay Bhal Russan Qabolay
131 bpm • D Maj • 06:11 • -4.96db
9% Popularity • 62% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Anusaya Nath
Kainchi Kakudi
126 bpm • G Maj • 04:54 • -8db
5% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Nagpuri Song
Dhadke La Chhatiya Me Dil
125 bpm • G# min • 05:17 • -6.89db
12% Popularity • 80% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Baba Rasika Pagal
Mere Banke Bihari Se
131 bpm • A# Maj • 05:40 • -6.28db
0% Popularity • 45% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Rudal Panjiyar
Maa Bhagwati Jhumar Jhumar - Maithili
125 bpm • G# Maj • 01:23 • -6.28db
11% Popularity • 41% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Vijay Sartape
Panapanaat Kalu Tujha Naava Ga
125 bpm • G# min • 06:44 • -4.47db
10% Popularity • 55% Danceability • 86% Energy • 48% Liveness
28% Instrumentalness • 85% Positiveness
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Balwinder Binda
Bann Ke Driver
125 bpm • F# min • 04:05 • -8.32db
7% Popularity • 74% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Anusaya Nath
Gauda Ghara Ra Pua
125 bpm • G min • 04:26 • -8.16db
1% Popularity • 79% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Nagpuri Song
Guiya Hamar Lage
131 bpm • C# min • 04:59 • -5.68db
16% Popularity • 47% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Anand Shinde
Pahatechya Paryamadhe Parsu Janmla
125 bpm • D Maj • 03:51 • -3.01db
11% Popularity • 59% Danceability • 96% Energy • 69% Liveness
90% Instrumentalness • 74% Positiveness
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Mozes Barrey
Tai Mor Nai Hobe Ta Kakaro Nai Hobe Tai
132 bpm • F# min • 04:49 • -2.89db
9% Popularity • 74% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Vinay Bihari
Jutta Ke Haar Pahirao
132 bpm • F# min • 03:29 • -4.16db
18% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Kalpana
Lagve Tu Rah Hamre
132 bpm • C Maj • 04:34 • -5.1db
9% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Anusaya Nath
Khaosare Bandhi
132 bpm • F# min • 04:36 • -9.91db
1% Popularity • 60% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Vishal Mittal
Baje Kundalpur Mein Badhai
124 bpm • G# Maj • 04:57 • -7.44db
18% Popularity • 76% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Santanu Sahu
SARADA MAA
132 bpm • C# min • 08:39 • -1.67db
8% Popularity • 38% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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MANOJ TIWARI
Wife Se Hamke Mile Naahi Dela
132 bpm • G# min • 05:42 • -4.68db
9% Popularity • 63% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Viral Barot
Eva Galdhare Thi Maa Khodal Halya
124 bpm • B Maj • 06:20 • -6.09db
12% Popularity • 47% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Somnath
Maiji Khoji Khoji
132 bpm • F# Maj • 06:45 • -10.29db
8% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Anusaya Nath
Bara Patara Farafara
124 bpm • G# min • 04:54 • -8.56db
2% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Prakash Mali
Deval Futro Lage
133 bpm • F# min • 08:31 • -6.2db
12% Popularity • 58% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Kalpana
Kala Biyah Kachahriya Mein
133 bpm • F# min • 04:38 • -4.71db
12% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Raja Khan
Koyali Rani Halbi Song
123 bpm • G min • 05:14 • -7.77db
14% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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MANOJ TIWARI
Hoth Mein Apne Rang Laga Le
134 bpm • C# Maj • 06:29 • -8.84db
8% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Vinod Rathod
Holi Mein Ude Re Gulal
134 bpm • F min • 05:30 • -3.61db
12% Popularity • 58% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Mohammed Aziz
Seta Badadeulara Bada Jamidara
122 bpm • A# min • 04:36 • -5.38db
10% Popularity • 70% Danceability • 76% Energy • 78% Liveness
0% Instrumentalness • 81% Positiveness
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Prakash Mali
Amba Ji Thari Murat
122 bpm • G# Maj • 05:33 • -5.45db
11% Popularity • 63% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Anasuya Nath
Emiti Bhakata Nahin
122 bpm • G min • 04:55 • -8.2db
9% Popularity • 53% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Surykant Shinde
Bhulavle Bhulavle Harila
122 bpm • G# Maj • 05:06 • -7.28db
22% Popularity • 70% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Vijay Sartape
Aga Sutala Mazha Padar Bai Me
121 bpm • G# min • 05:14 • -7.23db
9% Popularity • 85% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Pradeep Tiwari
Kaha Jabe Kaha Jabe O - Chhattisgarhi Ge...
135 bpm • B Maj • 05:17 • -5.07db
11% Popularity • 72% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Devi
Pardesiya
135 bpm • G# Maj • 06:18 • -9.96db
9% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Nilkamal Vaishnav
Holi Khele
135 bpm • G# Maj • 03:51 • 0.36db
15% Popularity • 59% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Kumar Bapi
Sabu Sukha Sabu Punya
135 bpm • A# min • 03:29 • -4.68db
11% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Subhasish Mahakud
Sholati Phaguna
121 bpm • C min • 05:28 • -6.41db
14% Popularity • 63% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Arabinda Muduli
Kalia Baaide Re
121 bpm • F# Maj • 06:33 • -9.49db
10% Popularity • 61% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Anusuya Nath
Kalasire Ganga Jala
121 bpm • G min • 04:36 • -10.74db
10% Popularity • 57% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Balwinder Binda
Jija Ve Gall Rishte Di
121 bpm • C# Maj • 04:44 • -4.22db
11% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Aman Sharma
Jag Me Aaram Kahan Re
136 bpm • C# Maj • 06:29 • -8.12db
15% Popularity • 64% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Bijender Chauhan
Damru Bajate Hain Bhole
136 bpm • G Maj • 05:15 • -3.16db
8% Popularity • 70% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Miraj Khan
Poran Rubi Re
136 bpm • C Maj • 06:37 • -8.36db
12% Popularity • 82% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Anand Shinde
Lungad Sodaln
120 bpm • G# Maj • 05:40 • -5.66db
12% Popularity • 78% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Surendra
Dekhtera
120 bpm • C# Maj • 05:22 • -13.45db
17% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Devisis
Maa Tarini
120 bpm • B min • 06:13 • -6.49db
8% Popularity • 54% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Kavita Vasnik
Gadi Ma Chadhke
136 bpm • F# min • 04:37 • -4.35db
9% Popularity • 78% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Bijender Chauhan
Jinke Bin Pujan Ke
136 bpm • C# Maj • 07:09 • -1.97db
7% Popularity • 65% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Anusaya Nath
Andhara Rati Re
120 bpm • F# min • 04:20 • -10.47db
0% Popularity • 83% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Jaysree
Nali Nali Muhan
120 bpm • F# min • 04:59 • -9.27db
3% Popularity • 46% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Namita Agrawal
Maa Tarini Pakhe Mo Mana
120 bpm • F min • 04:03 • -3.41db
10% Popularity • 72% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Sawan
Aam Sanow
120 bpm • A# Maj • 05:17 • -5.37db
5% Popularity • 51% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Dinesh Verma
Karma Nachay Duhu
120 bpm • E min • 04:33 • -8.21db
18% Popularity • 70% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Dr Vivek Kareer
Charna De Naal
120 bpm • B Maj • 05:47 • -5.43db
11% Popularity • 70% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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AbhiShek Mannade
Lage Lagan Satnam ke
120 bpm • E Maj • 05:43 • -1.5db
15% Popularity • 62% Danceability • 92% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Sartape
Bagh Bagh Sakhu Mazha Jotiba Ga Doltoy
120 bpm • F min • 05:30 • -8.46db
10% Popularity • 73% Danceability • 69% Energy • 79% Liveness
0% Instrumentalness • 93% Positiveness
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Jaswant Choudhary
Laal Chunni Odh Ke
137 bpm • G# min • 06:16 • -7.83db
7% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Arabinda Muduli
Kalia Rasika Raja
137 bpm • F# Maj • 03:52 • -3.98db
17% Popularity • 69% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dukhishyam Tripathy
Sankata Nadira Kule
137 bpm • D# min • 04:12 • -6.8db
10% Popularity • 72% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Lovely Nirman
Pardesiyan De Vallo
137 bpm • B Maj • 05:53 • -12db
16% Popularity • 58% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Udit Narayan
Amere Kalakoat Bala
137 bpm • G# Maj • 04:38 • -11.1db
12% Popularity • 49% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Lalita Ghodadra
Vanla Re Vaaya Kanuda
119 bpm • A# Maj • 08:52 • -8.15db
8% Popularity • 48% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Anusaya Nath
Hati Ne Ghoda Nay
119 bpm • A# min • 04:52 • -9.46db
1% Popularity • 72% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Pankaj Jal
One Plus One Two
137 bpm • A Maj • 06:34 • -2.65db
7% Popularity • 53% Danceability • 98% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
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Rakesh Tiwari
Aao Aao Ji
138 bpm • G# Maj • 06:36 • -6.98db
11% Popularity • 43% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Bijender Chauhan
Tere Naam Ke Diwane
119 bpm • F# min • 06:59 • -2.23db
7% Popularity • 47% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
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Nagpuri Song
Dil Laga Ke Dekh Le
138 bpm • F min • 05:35 • -5.88db
9% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Gorelal Barman
Wo Dhadhakat Aagi Ma
118 bpm • C min • 04:18 • -7.55db
12% Popularity • 80% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Bali
Paan Patare Marucha Tira
138 bpm • F# Maj • 04:47 • -7.12db
12% Popularity • 65% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Sunil Soni
Tor Aaghu Ma Kahathanv Jor Se
138 bpm • C Maj • 04:00 • -0.29db
14% Popularity • 51% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Various Artists
Emiti Jhia Ku Mun
118 bpm • G# min • 06:06 • -9.88db
9% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Raju Patel
Ho Gai Mori Bahiya Gajariya Ke Jog Re
118 bpm • D Maj • 03:33 • -1.4db
12% Popularity • 48% Danceability • 91% Energy • 40% Liveness
1% Instrumentalness • 72% Positiveness
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Uttara Kelkar
Maitrinino Navrila Halad Lawa Ga
118 bpm • A# Maj • 05:45 • -8.88db
7% Popularity • 76% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Gorelal Berman
Tola Man Ma
139 bpm • E Maj • 04:05 • -7.34db
11% Popularity • 49% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sarswati Hansdah
Kadam Gupi Kanam
118 bpm • G# Maj • 04:36 • -2.41db
11% Popularity • 44% Danceability • 84% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Anusaya Nath
Kali Rati Re Kiye
117 bpm • G Maj • 04:44 • -11.29db
0% Popularity • 64% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Made In Orissa