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Madeleine Dring, Trio (1971): I - Drammatico - All...
Songs like
Madeleine Dring, Trio (1971): I - Drammatico - Allegro
by
Madeleine Dring
Based on a tempo of (+/- 10%) and a similar genre
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
15% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Jean-Jacques Charles
Les points cardinaux: II.
130 bpm • A min • 01:11 • -18.23db
9% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Francis Poulenc
Trio for Piano, Oboe and Bassoon: III. R...
130 bpm • C# Maj • 03:27 • -16db
11% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Madeleine Dring
Madeleine Dring, Trio (1971): I - Dramma...
130 bpm • G Maj • 05:04 • -20.46db
0% Popularity • 59% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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Johannes Brahms
Sonata for Clarinet and Piano in E-Flat ...
130 bpm • D# Maj • 08:40 • -24db
4% Popularity • 27% Danceability • 2% Energy • 24% Liveness
80% Instrumentalness • 6% Positiveness
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Aivars Kalējs
French Quadrilogy: No. 1, The Girl on a ...
131 bpm • D min • 02:39 • -23.34db
19% Popularity • 28% Danceability • 9% Energy • 9% Liveness
21% Instrumentalness • 12% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
13% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Clarinet Quintet in B-Flat Major, Op. 34...
131 bpm • F Maj • 10:31 • -13.01db
9% Popularity • 35% Danceability • 20% Energy • 17% Liveness
86% Instrumentalness • 25% Positiveness
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Leonard Bernstein
Clarinet Sonata: II. Andantino - Vivace ...
131 bpm • A min • 06:31 • -18.81db
8% Popularity • 45% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 10% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: I. All...
129 bpm • D Maj • 08:46 • -24db
25% Popularity • 31% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 7% Positiveness
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Isaac Albéniz
Iberia, Book 1: I. Evocacion
131 bpm • A# min • 05:32 • -29db
11% Popularity • 32% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
131 bpm • C min • 03:01 • -19.18db
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
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Darius Milhaud
Suite, Op. 157b: I. Ouverture
131 bpm • E min • 01:31 • -11db
17% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 75% Positiveness
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Mel Bonis
Scenes de la foret, Op. 123: No. 1. Noct...
131 bpm • G# Maj • 03:38 • -29db
15% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Manuel de Falla
Harpsichord Concerto: III. Vivace (fless...
131 bpm • D Maj • 04:16 • -23.62db
10% Popularity • 55% Danceability • 17% Energy • 10% Liveness
48% Instrumentalness • 65% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Percy Grainger
Walking Tune
128 bpm • G Maj • 04:26 • -31.5db
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
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Madeleine Dring
Valse francaise
132 bpm • F# Maj • 02:16 • -30.02db
1% Popularity • 52% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 37% Positiveness
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Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
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George Gershwin
Three Preludes: No. 2, Andante con moto ...
132 bpm • F# Maj • 03:07 • -31.11db
9% Popularity • 48% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
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Johannes Brahms
Violin Sonata No. 3 in D Minor, Op. 108:...
127 bpm • F# min • 03:05 • -19.11db
9% Popularity • 40% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 21% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Madeleine Dring
Dance Suite: I. Italian Dance (version f...
128 bpm • G Maj • 02:25 • -22.34db
0% Popularity • 48% Danceability • 20% Energy • 14% Liveness
87% Instrumentalness • 79% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 4: In Aut...
127 bpm • F# Maj • 01:36 • -30db
21% Popularity • 49% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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John Field
Nocturne No. 8 in A Major, H. 46
133 bpm • E min • 03:25 • -28.12db
10% Popularity • 22% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 10% Positiveness
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Joseph Moog
Promenade "Walking the Dog" - Version fo...
127 bpm • C Maj • 03:16 • -19.76db
19% Popularity • 46% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness
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Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
19% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Madeleine Dring
7 Shakespeare Songs: No. 6. Crabbed age ...
128 bpm • C min • 01:40 • -25.17db
1% Popularity • 52% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
134 bpm • A Maj • 03:39 • -23.86db
12% Popularity • 30% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 25% Positiveness
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Leonard Bernstein
Clarinet Sonata: I. Grazioso
134 bpm • D Maj • 03:54 • -19.21db
8% Popularity • 33% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor Op. 64: 3. Val...
135 bpm • A Maj • 06:19 • -25.23db
10% Popularity • 25% Danceability • 10% Energy • 48% Liveness
92% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Clarinet Sonata in E-Flat ...
126 bpm • D# Maj • 04:26 • -27db
13% Popularity • 26% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Fela Sowande
African Suite: V. Akinla
125 bpm • C Maj • 03:20 • -23.59db
9% Popularity • 46% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Madeleine Dring
Take, o take those lips away
127 bpm • B min • 03:53 • -25.89db
2% Popularity • 29% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
125 bpm • C# Maj • 06:47 • -23.06db
9% Popularity • 18% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Darius Milhaud
Scaramouche pour 2 pianos: Vif
136 bpm • C Maj • 02:47 • -18.79db
8% Popularity • 46% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
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Paul Reade
Suite from "The Victorian Kitchen Garden...
136 bpm • G min • 02:52 • -38db
9% Popularity • 22% Danceability • 0% Energy • 7% Liveness
75% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Sonate pour Clarinette et Piano, Op. 167...
135 bpm • D# Maj • 04:01 • -22db
13% Popularity • 28% Danceability • 4% Energy • 10% Liveness
57% Instrumentalness • 16% Positiveness
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William Grant Still
3 Visions: I. Dark Horsemen
137 bpm • F# Maj • 01:21 • -23db
8% Popularity • 42% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Respighi: Trittico botticelliano, P. 151...
137 bpm • A Maj • 05:40 • -13.71db
4% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Spanish Songs, Op. 100 (Arr. for Cello &...
136 bpm • D# Maj • 02:15 • -26.51db
11% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Peter Hope
Momentum
137 bpm • D Maj • 03:23 • -19db
10% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Madeleine Dring
7 Shakespeare Songs: No. 3. Come Away De...
137 bpm • F Maj • 03:10 • -28.58db
1% Popularity • 30% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 7% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Maria Theresia von Paradis
Sicilienne
137 bpm • D# Maj • 02:30 • -25db
9% Popularity • 21% Danceability • 1% Energy • 12% Liveness
48% Instrumentalness • 10% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Shiuan Chang
Farewell; Adieu - for violin piano duo
123 bpm • C# min • 05:13 • -21.31db
7% Popularity • 25% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sachiko Goto
Battement Tendu 2 - "Good News" Lucky in...
138 bpm • F Maj • 01:05 • -19.46db
11% Popularity • 71% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
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Madeleine Dring
Three Piece Suite for Oboe and Piano: I....
137 bpm • D min • 03:32 • -19.29db
2% Popularity • 44% Danceability • 16% Energy • 8% Liveness
63% Instrumentalness • 19% Positiveness
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Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: III. Rondo. Al...
122 bpm • F Maj • 03:28 • -23.03db
12% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Darius Milhaud
Scaramouche, Op. 165d (version for clari...
138 bpm • D min • 02:15 • -15db
14% Popularity • 41% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 58% Positiveness
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Alexandre Tansman
Sonatine pour basson et piano: I. Allegr...
139 bpm • C Maj • 02:12 • -23db
10% Popularity • 26% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Madeleine Dring
Trio for Flute, Oboe, and Piano: I. Alle...
124 bpm • C min • 02:42 • -18.15db
4% Popularity • 54% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Adam Carse
The Winton Suite: III. Dance
139 bpm • G Maj • 01:33 • -16.76db
15% Popularity • 52% Danceability • 23% Energy • 13% Liveness
87% Instrumentalness • 55% Positiveness
► Preview
Charles Camilleri
Malta Suite for Clarinet and Piano: III....
139 bpm • A min • 01:55 • -19.44db
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
11% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
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Charles Griffes
Charles Griffes- Poem for flute and pian...
140 bpm • A Maj • 09:52 • -20.75db
8% Popularity • 27% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Violin Concerto in D Major: IV. Capricci...
121 bpm • D Maj • 06:18 • -19.87db
8% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
11% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Béla Kovács
Hommage à J Sebastian Bach
120 bpm • B min • 03:44 • -17.06db
8% Popularity • 48% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 50% Positiveness
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Robert Schumann
3 Romanzen, Op. 94: I. Nicht schnell
139 bpm • A min • 03:30 • -22db
18% Popularity • 23% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": IV. Asp...
141 bpm • F# Maj • 08:36 • -21.71db
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
13% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
120 bpm • C# Maj • 06:34 • -37.5db
8% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
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Madeleine Dring
Trio for Flute, Oboe and Piano: III. All...
142 bpm • C Maj • 02:42 • -19.39db
4% Popularity • 40% Danceability • 19% Energy • 47% Liveness
90% Instrumentalness • 34% Positiveness
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Benjamin Britten
Britten: Simple Symphony, Op. 4: I. Bois...
119 bpm • A min • 02:58 • -19.82db
4% Popularity • 58% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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Leonard Bernstein
Candide: Overture
142 bpm • D# Maj • 04:42 • -22.6db
9% Popularity • 35% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 42% Positiveness
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Michael Torke
Bright Blue Music
118 bpm • D Maj • 09:07 • -18.69db
10% Popularity • 31% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Madeleine Dring
Danza gaya
142 bpm • G Maj • 02:38 • -28.84db
2% Popularity • 46% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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Willson Osborne
Rhapsody for Clarinet
143 bpm • C# Maj • 05:28 • -24.91db
14% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 27% Positiveness
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William Mathias
Serenade: Allegretto
118 bpm • E min • 02:14 • -35db
13% Popularity • 31% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 13% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
12% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
► Preview
Madeleine Dring
Sonata for 2 Pianos: II. Élégie. Sotto...
119 bpm • B Maj • 04:02 • -32.67db
0% Popularity • 58% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Francis Poulenc
Oboe Sonata, FP 185: I. Elégie
117 bpm • G Maj • 05:30 • -19db
12% Popularity • 28% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Nikolai Kapustin
Concerto No. 2, Op. 14: II. Andante
117 bpm • F min • 05:52 • -20.6db
14% Popularity • 49% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
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Marina Dranishnikova
Poem for Oboe & Piano
145 bpm • B Maj • 08:06 • -17.3db
10% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: VII. Second Int...
116 bpm • E Maj • 02:22 • -26.03db
20% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
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Madeleine Dring
3 Fantastic Variations on "Lilliburlero"...
142 bpm • G Maj • 01:40 • -21.91db
0% Popularity • 38% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 50% Positiveness
► Preview
Aivars Kalējs
French Quadrilogy: No. 4, Toccata
146 bpm • A min • 03:56 • -21.88db
17% Popularity • 19% Danceability • 9% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
► Preview
Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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Ralph Vaughan Williams
Suite de Ballet: Passepied
148 bpm • C min • 01:58 • -21db
9% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 60% Positiveness
► Preview
Paul Le Flem
7 Pieces enfantines (7 Children's Pieces...
115 bpm • A# Maj • 02:34 • -34.07db
22% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Madeleine Dring
There's No Such Thing as a Perfect Crime
142 bpm • A# Maj • 00:54 • -14.14db
0% Popularity • 67% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Maurice Ravel
String Quartet in F Major: II. Assez vif...
148 bpm • C Maj • 06:32 • -27db
27% Popularity • 29% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Serenata, P. 54
114 bpm • C min • 04:34 • -23.04db
9% Popularity • 24% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Madeleine Dring, Trio (1971): I - Drammatico - All...