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Madeline
Songs like
Madeline
by
Tony MacAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Shawn Lane
One Note at a Time
95 bpm • G# Maj • 03:30 • -7.36db
16% Popularity • 58% Danceability • 73% Energy • 21% Liveness
67% Instrumentalness • 60% Positiveness
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Brian Maillard
Follow Your Dreams
95 bpm • D Maj • 04:51 • -7db
11% Popularity • 48% Danceability • 74% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Bernd Kiltz
Thieves in the Night
95 bpm • C# min • 04:04 • -6.65db
11% Popularity • 41% Danceability • 85% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
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Liquid Tension Experiment
The Passage of Time
95 bpm • B min • 07:33 • -6.73db
34% Popularity • 20% Danceability • 97% Energy • 19% Liveness
66% Instrumentalness • 35% Positiveness
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AGE OF REFLECTION
Aurora - Intro
95 bpm • E min • 01:30 • -12.45db
21% Popularity • 14% Danceability • 38% Energy • 38% Liveness
30% Instrumentalness • 13% Positiveness
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John Petrucci
Terminal Velocity
95 bpm • E Maj • 06:07 • -6.33db
37% Popularity • 47% Danceability • 97% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
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Torsten Berlinghof
Mirrors Turning Black
95 bpm • A Maj • 05:38 • -13.68db
14% Popularity • 36% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Tony MacAlpine
Salvation
96 bpm • E min • 05:25 • -7.03db
8% Popularity • 49% Danceability • 90% Energy • 18% Liveness
88% Instrumentalness • 48% Positiveness
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Reb Beach
Little Robots
94 bpm • B Maj • 03:31 • -4.12db
12% Popularity • 49% Danceability • 91% Energy • 27% Liveness
92% Instrumentalness • 77% Positiveness
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Neil Zaza
St. Valentine
94 bpm • C Maj • 03:12 • -8.19db
23% Popularity • 38% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
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Greg Howe
Red Handed
94 bpm • A# min • 05:23 • -9.95db
9% Popularity • 33% Danceability • 88% Energy • 6% Liveness
84% Instrumentalness • 40% Positiveness
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Jam Track Central
After the Rain
96 bpm • F# min • 01:46 • -6.8db
32% Popularity • 47% Danceability • 83% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
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Andromeda
Periscope
94 bpm • E Maj • 06:11 • -10.08db
32% Popularity • 47% Danceability • 82% Energy • 15% Liveness
7% Instrumentalness • 43% Positiveness
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Nili Brosh
Solace
96 bpm • G Maj • 06:24 • -12.37db
14% Popularity • 54% Danceability • 56% Energy • 24% Liveness
86% Instrumentalness • 11% Positiveness
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Michael Lee Firkins
Rain in the Tunnel
96 bpm • A Maj • 05:23 • -16db
24% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
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Neil Zaza
Big Rock
96 bpm • D Maj • 03:47 • -6.24db
19% Popularity • 49% Danceability • 82% Energy • 12% Liveness
5% Instrumentalness • 57% Positiveness
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Edu Ardanuy
Rock Will Never Die - Studio
97 bpm • A Maj • 05:55 • -3db
8% Popularity • 34% Danceability • 93% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Reb Beach
Cutting Loose
97 bpm • F# Maj • 03:28 • -4.4db
20% Popularity • 47% Danceability • 93% Energy • 34% Liveness
85% Instrumentalness • 63% Positiveness
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Impellitteri
Spanish Fire
93 bpm • G min • 03:37 • -2.82db
26% Popularity • 37% Danceability • 91% Energy • 20% Liveness
91% Instrumentalness • 43% Positiveness
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Cosmosquad
Morbid Tango
93 bpm • C# Maj • 06:23 • -6.41db
15% Popularity • 56% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
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Greg Howe
Super Unleaded
97 bpm • F min • 05:38 • -9.93db
7% Popularity • 36% Danceability • 86% Energy • 30% Liveness
92% Instrumentalness • 39% Positiveness
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Neil Zaza
Baking @ 350 Degrees
94 bpm • F# Maj • 01:06 • -16.02db
29% Popularity • 22% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 64% Positiveness
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Kiko Loureiro
Vital Signs
92 bpm • E min • 04:32 • -5db
28% Popularity • 28% Danceability • 97% Energy • 33% Liveness
83% Instrumentalness • 14% Positiveness
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Mattias IA Eklundh
There's No Money in Jazz
98 bpm • D Maj • 02:00 • -5.46db
13% Popularity • 51% Danceability • 47% Energy • 22% Liveness
55% Instrumentalness • 58% Positiveness
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Derek Sherinian
Atlantis Part 2. - Sea of Antiquity
98 bpm • A Maj • 04:18 • -13.54db
10% Popularity • 32% Danceability • 42% Energy • 52% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Romeo
Introduction
98 bpm • A Maj • 03:41 • -8.69db
21% Popularity • 35% Danceability • 76% Energy • 11% Liveness
85% Instrumentalness • 9% Positiveness
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Shawn Lane
Tri-7\5
92 bpm • C Maj • 04:19 • -8db
23% Popularity • 53% Danceability • 75% Energy • 16% Liveness
80% Instrumentalness • 50% Positiveness
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Joe Stump
Psycho 2nd Movement
92 bpm • A# min • 04:46 • -4.45db
16% Popularity • 40% Danceability • 97% Energy • 9% Liveness
84% Instrumentalness • 48% Positiveness
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A.C.T
Dance of Mr. Gumble
92 bpm • F Maj • 02:09 • -6.61db
33% Popularity • 53% Danceability • 78% Energy • 11% Liveness
82% Instrumentalness • 82% Positiveness
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Tony MacAlpine
The Violin Song
98 bpm • A Maj • 06:00 • -10.69db
11% Popularity • 40% Danceability • 89% Energy • 10% Liveness
38% Instrumentalness • 36% Positiveness
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Dave Martone
Bossa Dorado
92 bpm • D min • 03:42 • -7db
23% Popularity • 50% Danceability • 87% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
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Kiko Loureiro
Dreamlike
92 bpm • D Maj • 03:49 • -6db
32% Popularity • 34% Danceability • 82% Energy • 11% Liveness
80% Instrumentalness • 47% Positiveness
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George Lynch
I Will Remember
99 bpm • D# min • 04:18 • -7db
27% Popularity • 55% Danceability • 63% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Michael Angelo Batio
Hands Without Shadows
99 bpm • A# Maj • 05:27 • -6.72db
23% Popularity • 50% Danceability • 90% Energy • 35% Liveness
80% Instrumentalness • 70% Positiveness
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Greg Howe
Kick It All Over
99 bpm • F# min • 05:03 • -9.87db
16% Popularity • 36% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Mattias IA Eklundh
Lisa's Passion for Heavy Metal
99 bpm • D min • 02:04 • -7.45db
29% Popularity • 57% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 84% Positiveness
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Reb Beach
Train of Thought
99 bpm • B min • 05:41 • -9.31db
19% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
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Tony MacAlpine
Ghost of Versailles
91 bpm • C# Maj • 04:30 • -11.75db
9% Popularity • 40% Danceability • 79% Energy • 20% Liveness
77% Instrumentalness • 70% Positiveness
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The Aristocrats
Boing!... I'm In the Back
91 bpm • D Maj • 04:59 • -6.89db
25% Popularity • 34% Danceability • 76% Energy • 4% Liveness
77% Instrumentalness • 43% Positiveness
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Vitalij Kuprij
Opus 1 (Theme by Paganini)
100 bpm • A Maj • 05:35 • -5.76db
17% Popularity • 50% Danceability • 93% Energy • 12% Liveness
60% Instrumentalness • 36% Positiveness
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Explorers Club
Impact 3 - No Returning
100 bpm • E min • 08:20 • -6.73db
9% Popularity • 28% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 32% Positiveness
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Mattias IA Eklundh
Minor Swing
100 bpm • A Maj • 03:05 • -6.47db
23% Popularity • 67% Danceability • 76% Energy • 45% Liveness
2% Instrumentalness • 77% Positiveness
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Rupert Huggins
Change Money
90 bpm • F# Maj • 04:31 • -11.97db
29% Popularity • 45% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 83% Positiveness
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Daniele Gottardo
Piccions
90 bpm • A# min • 01:10 • -7db
35% Popularity • 50% Danceability • 65% Energy • 22% Liveness
10% Instrumentalness • 50% Positiveness
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Cosmosquad
The Crosses
100 bpm • E Maj • 05:55 • -6.71db
9% Popularity • 58% Danceability • 92% Energy • 8% Liveness
83% Instrumentalness • 68% Positiveness
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Jam Track Central
Breaking Through
100 bpm • D min • 01:45 • -3.81db
27% Popularity • 38% Danceability • 93% Energy • 33% Liveness
86% Instrumentalness • 54% Positiveness
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Patrik Carlsson
T-Zone Rhythm
100 bpm • D Maj • 04:42 • -3.87db
14% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Tony MacAlpine
Synthetic Serenity
100 bpm • C# min • 04:57 • -5.66db
19% Popularity • 50% Danceability • 92% Energy • 43% Liveness
71% Instrumentalness • 7% Positiveness
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Buckethead
Ghost Host
100 bpm • C# min • 03:12 • -7.21db
34% Popularity • 57% Danceability • 89% Energy • 71% Liveness
87% Instrumentalness • 25% Positiveness
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Nili Brosh
Eli
100 bpm • C# min • 03:33 • -5.87db
21% Popularity • 43% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 36% Positiveness
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Reb Beach
Hawkdance
100 bpm • C Maj • 04:05 • -4.67db
8% Popularity • 49% Danceability • 92% Energy • 40% Liveness
92% Instrumentalness • 47% Positiveness
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Pete Thorn
Life on Venus
90 bpm • C Maj • 04:30 • -8.68db
11% Popularity • 52% Danceability • 87% Energy • 42% Liveness
92% Instrumentalness • 56% Positiveness
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Virgil Donati
Rhythm Zero
90 bpm • A# min • 07:47 • -4.6db
21% Popularity • 30% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 40% Positiveness
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Andy Wood
Imagine Love
90 bpm • A Maj • 04:52 • -6.45db
23% Popularity • 58% Danceability • 76% Energy • 24% Liveness
90% Instrumentalness • 24% Positiveness
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Patrik Carlsson
Lost Soul
90 bpm • B min • 05:22 • -8.05db
13% Popularity • 60% Danceability • 50% Energy • 38% Liveness
82% Instrumentalness • 25% Positiveness
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Nili Brosh
Lavender Mountains
100 bpm • C Maj • 05:05 • -7.07db
18% Popularity • 56% Danceability • 72% Energy • 14% Liveness
87% Instrumentalness • 55% Positiveness
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Alicate
Monday
90 bpm • E min • 03:56 • -8.93db
10% Popularity • 47% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Pete Thorn
À l’avenir
90 bpm • G min • 03:31 • -8db
26% Popularity • 39% Danceability • 86% Energy • 36% Liveness
85% Instrumentalness • 44% Positiveness
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Tony MacAlpine
Oludeniz
90 bpm • G# Maj • 05:15 • -4.21db
12% Popularity • 34% Danceability • 95% Energy • 19% Liveness
90% Instrumentalness • 44% Positiveness
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Stephan Forté
Moonsand
90 bpm • A min • 05:38 • -8.49db
9% Popularity • 27% Danceability • 78% Energy • 10% Liveness
64% Instrumentalness • 18% Positiveness
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Liquid Tension Experiment
View from the Mountaintop
90 bpm • B min • 05:23 • -10.2db
22% Popularity • 39% Danceability • 74% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Derek Sherinian
Crab Nebulae
101 bpm • E min • 04:07 • -11.18db
11% Popularity • 24% Danceability • 80% Energy • 8% Liveness
92% Instrumentalness • 21% Positiveness
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Mattias IA Eklundh
Fletch Theme
101 bpm • B min • 03:47 • -8.58db
14% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 87% Positiveness
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Pete Thorn
Into The Ether
101 bpm • C Maj • 03:59 • -6.33db
14% Popularity • 55% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
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Michael Lee Firkins
Laughing Stacks
101 bpm • A Maj • 04:21 • -13.66db
21% Popularity • 44% Danceability • 67% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
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Daniele Gottardo
Apocalypse Ape
102 bpm • E min • 04:55 • -8.3db
18% Popularity • 45% Danceability • 75% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Nili Brosh
Never Be Enough
88 bpm • C Maj • 04:34 • -6.44db
12% Popularity • 42% Danceability • 95% Energy • 31% Liveness
85% Instrumentalness • 18% Positiveness
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Vinnie Moore
Hero Without Honor
102 bpm • E min • 07:19 • -12.58db
17% Popularity • 17% Danceability • 88% Energy • 11% Liveness
66% Instrumentalness • 34% Positiveness
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Mattias IA Eklundh
Apparatus
102 bpm • C# Maj • 03:38 • -6.48db
21% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
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Pete Thorn
All Is Not Lost
102 bpm • A min • 05:13 • -8.33db
14% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Liquid Tension Experiment
Beating the Odds
88 bpm • D Maj • 06:08 • -6.49db
31% Popularity • 22% Danceability • 95% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Michael Lee Firkins
Hula Hoops
103 bpm • F Maj • 03:50 • -14.49db
11% Popularity • 35% Danceability • 62% Energy • 23% Liveness
26% Instrumentalness • 64% Positiveness
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Nili Brosh
The Chase
88 bpm • A# min • 04:03 • -5.95db
17% Popularity • 33% Danceability • 87% Energy • 20% Liveness
86% Instrumentalness • 66% Positiveness
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John Petrucci
Glasgow Kiss
104 bpm • E Maj • 07:48 • -4.43db
40% Popularity • 18% Danceability • 95% Energy • 12% Liveness
89% Instrumentalness • 37% Positiveness
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Kiko Loureiro
Edm (E-Dependent Mind)
87 bpm • B min • 04:25 • -6.51db
30% Popularity • 43% Danceability • 78% Energy • 6% Liveness
82% Instrumentalness • 54% Positiveness
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Tony MacAlpine
The Stranger
87 bpm • G Maj • 03:59 • -10db
22% Popularity • 32% Danceability • 88% Energy • 14% Liveness
71% Instrumentalness • 17% Positiveness
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John Norum
Shimmering Highs
104 bpm • A# min • 06:09 • -8.06db
21% Popularity • 36% Danceability • 53% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
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Uli Jon Roth
Prelude to the Seasons
104 bpm • F# min • 01:44 • -13.02db
25% Popularity • 24% Danceability • 58% Energy • 36% Liveness
94% Instrumentalness • 24% Positiveness
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Steve Morse
Tumeni Notes
105 bpm • C Maj • 04:10 • -9.32db
28% Popularity • 52% Danceability • 93% Energy • 38% Liveness
91% Instrumentalness • 71% Positiveness
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Andy Wood
City Life
105 bpm • G min • 02:56 • -4.97db
23% Popularity • 55% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Derek Sherinian
Empyrean Sky
105 bpm • A# Maj • 03:56 • -6.6db
9% Popularity • 52% Danceability • 84% Energy • 20% Liveness
65% Instrumentalness • 78% Positiveness
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Liquid Tension Experiment
Key to the Imagination
105 bpm • E min • 13:14 • -7.15db
27% Popularity • 35% Danceability • 94% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Dallas Perkins
Jagwired
105 bpm • C min • 06:51 • -6.35db
10% Popularity • 52% Danceability • 90% Energy • 16% Liveness
79% Instrumentalness • 24% Positiveness
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Werekraken
Through the Valley
105 bpm • A# min • 05:23 • -3.77db
0% Popularity • 49% Danceability • 98% Energy • 35% Liveness
79% Instrumentalness • 55% Positiveness
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Jan Cyrka
Hope Fear and Faith
105 bpm • A min • 03:42 • -8.38db
25% Popularity • 42% Danceability • 47% Energy • 14% Liveness
55% Instrumentalness • 29% Positiveness
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Neil Zaza
Prelude
86 bpm • A min • 01:03 • -8.76db
37% Popularity • 16% Danceability • 51% Energy • 12% Liveness
99% Instrumentalness • 10% Positiveness
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Michael Lee Firkins
Cactus Cruz
105 bpm • G# min • 03:28 • -13.86db
18% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
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John Norum
Endica
105 bpm • C# min • 02:44 • -6.17db
29% Popularity • 40% Danceability • 82% Energy • 31% Liveness
84% Instrumentalness • 72% Positiveness
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Cosmosquad
The Spy Who Ate Her
106 bpm • G Maj • 05:53 • -6.14db
11% Popularity • 55% Danceability • 89% Energy • 64% Liveness
94% Instrumentalness • 26% Positiveness
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Richie Kotzen
Present-Moment
106 bpm • F min • 04:42 • -6.93db
9% Popularity • 62% Danceability • 86% Energy • 6% Liveness
85% Instrumentalness • 57% Positiveness
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Kiko Loureiro
Overflow
106 bpm • G min • 05:35 • -6db
27% Popularity • 25% Danceability • 91% Energy • 12% Liveness
43% Instrumentalness • 15% Positiveness
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Joe Stump
Hostile Takeover
106 bpm • C# min • 05:41 • -3.27db
18% Popularity • 41% Danceability • 98% Energy • 42% Liveness
89% Instrumentalness • 8% Positiveness
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Greg Howe
Button Up
107 bpm • G Maj • 06:15 • -8.41db
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
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Mattias IA Eklundh
The Grey Hat of Compromise
85 bpm • D min • 03:45 • -8.85db
14% Popularity • 64% Danceability • 53% Energy • 14% Liveness
56% Instrumentalness • 35% Positiveness
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John Petrucci
Out Of The Blue
107 bpm • F min • 05:46 • -6.31db
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
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Al Joseph
Eve in Flow
107 bpm • D Maj • 06:13 • -8.69db
15% Popularity • 45% Danceability • 88% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Andromeda
The Words Unspoken
107 bpm • D min • 05:28 • -7.77db
24% Popularity • 37% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Shawn Lane
Illusions - Live
107 bpm • F# min • 04:19 • -8.31db
13% Popularity • 47% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 40% Positiveness
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Liquid Tension Experiment
Solid Resolution Theory
107 bpm • A min • 10:01 • -8.84db
21% Popularity • 34% Danceability • 87% Energy • 13% Liveness
82% Instrumentalness • 57% Positiveness
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Andy James
Exit Through Ashes
84 bpm • A Maj • 03:13 • -11db
18% Popularity • 14% Danceability • 54% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Madeline