Songs like Madrigals, Book 8 (Madrigali guerrieri et amorosi...libro ottavo), Madrigali amorosi, Altri canti di Marte: 'Altri canti di Marte, e di sua schiera' by Claudio Monteverdi
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Schütz
Selig sind die Toten, SWV 391
170 bpm • F Maj • 04:14 • -17db
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Prol...
170 bpm • G Maj • 07:07 • -23.44db
14% Popularity • 34% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 34% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Domine s...
171 bpm • A# min • 03:10 • -20.84db
15% Popularity • 16% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 1 Sinf...
170 bpm • G# Maj • 02:05 • -20.77db
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Consort Of Musicke
Madrigali Erotici E Spirituali: Plorat A...
169 bpm • A min • 03:59 • -26db
2% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
171 bpm • G# min • 02:58 • -23db
22% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 30, Resv...
169 bpm • E min • 05:26 • -20.14db
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 25% Energy • 27% Liveness
19% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Madrigals - Book 7: Interotte Speranze
171 bpm • D min • 03:15 • -20.91db
0% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
De profundis, LWV 62: De profundis
169 bpm • F min • 08:31 • -13.7db
7% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Credo RV 592 Crucifixus
169 bpm • E min • 02:51 • -20db
35% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Consort Of Musicke
Madrigali Erotici E Spirituali: O Stella...
172 bpm • D min • 03:34 • -24db
2% Popularity • 16% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Altri Canti D’Amor - Tu Cui Tessuta Ha...
172 bpm • D Maj • 02:19 • -20db
6% Popularity • 19% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
6% Popularity • 19% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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Orlande de Lassus
Ola, o che bon eccho!
168 bpm • C Maj • 01:14 • -25.18db
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Claudio Monteverdi
Lamento d'Arianna, SV 22: 1a parte - Las...
171 bpm • C# Maj • 03:49 • -26.56db
15% Popularity • 12% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Missa Dolorosa: IV. Sanctus
168 bpm • D# min • 01:06 • -18.49db
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: IV. La...
167 bpm • D min • 01:21 • -19db
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ritournelle et Recit chante p...
168 bpm • F# min • 06:04 • -35.26db
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: O qua...
173 bpm • G min • 01:38 • -16db
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
173 bpm • D Maj • 02:20 • -16db
28% Popularity • 12% Danceability • 23% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness
28% Popularity • 12% Danceability • 23% Energy • 7% Liveness
78% Instrumentalness • 19% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Susc...
172 bpm • D min • 01:28 • -19.17db
13% Popularity • 14% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
13% Popularity • 14% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Marin Marais
2e livre de viole: Tombeau pour Mr de Sa...
167 bpm • D# min • 07:14 • -32.36db
9% Popularity • 12% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness
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Henry Purcell
Hear My Prayer
175 bpm • B min • 02:12 • -20db
31% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Miserere: Symphonie
166 bpm • B min • 06:21 • -25db
12% Popularity • 13% Danceability • 5% Energy • 49% Liveness
4% Instrumentalness • 10% Positiveness
12% Popularity • 13% Danceability • 5% Energy • 49% Liveness
4% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: II. Vanum
167 bpm • F Maj • 01:15 • -22.46db
35% Popularity • 25% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 25% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Don Juan ou le Festin de pierre, Wq. 52:...
176 bpm • D Maj • 01:24 • -28db
24% Popularity • 19% Danceability • 6% Energy • 26% Liveness
96% Instrumentalness • 35% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 26% Liveness
96% Instrumentalness • 35% Positiveness
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Claudio Monteverdi
L'Orfeo, Favola in Musica (Opera en 5 Ac...
172 bpm • G Maj • 05:11 • -22db
18% Popularity • 26% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 26% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Girolamo Frescobaldi
Se l'aura spira tutta vezzosa, F7.15
176 bpm • G min • 03:41 • -18db
19% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Giorgio Mainerio
Gagliarda
176 bpm • D# Maj • 01:01 • -14db
33% Popularity • 37% Danceability • 21% Energy • 13% Liveness
88% Instrumentalness • 62% Positiveness
33% Popularity • 37% Danceability • 21% Energy • 13% Liveness
88% Instrumentalness • 62% Positiveness
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Jean-Baptiste Lully
Alcidiane: Recits Italiens chantes par M...
165 bpm • B Maj • 04:45 • -28.81db
21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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La Capella Reial De Catalunya
La Gamba In Basso, E Soprano (1564)
176 bpm • D min • 01:56 • -30db
27% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 40% Positiveness
27% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Agnus Dei
179 bpm • C# min • 04:36 • -27db
29% Popularity • 12% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
168 bpm • D# min • 02:43 • -22.01db
4% Popularity • 22% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Requiem in F Minor, C 8: Ia. Introitus
180 bpm • F min • 03:46 • -19.2db
10% Popularity • 9% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: In nomine a 5 IV
182 bpm • C min • 02:43 • -24.44db
16% Popularity • 8% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
16% Popularity • 8% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto terzo: II. Ecco l’atra p...
175 bpm • F Maj • 03:59 • -24.52db
12% Popularity • 20% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Claudio Monteverdi
Selva morale e spirituale, SV 252-288: D...
175 bpm • F# Maj • 07:47 • -15.47db
15% Popularity • 22% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 22% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Claudio Monteverdi
Monteverdi: Scherzi musicali a tre voci:...
150 bpm • C Maj • 02:12 • -16.24db
22% Popularity • 45% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
22% Popularity • 45% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 96% Positiveness
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Claudio Monteverdi
Madrigals, Book 9: Zefiro torna, SV 108
148 bpm • G Maj • 05:59 • -21.14db
0% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 27% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
