Songs like Madrigals Libro 6: No. 6 Io parto e più non dissi by Carlo Gesualdo
Based on a tempo of (+/- 10%) and a similar genre
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Philippe Verdelot
Se l'ardor foss'equale
109 bpm • G# min • 02:49 • -18.69db
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Mayshuet de Joan
Arae post libamina / Nunc surgunt
109 bpm • D Maj • 01:34 • -22.95db
11% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Francesco Manelli
Acceso mio cuore (Ciaconna)
109 bpm • C Maj • 02:42 • -24.61db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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John Dowland
Can she excuse my wrongs?
109 bpm • F# min • 02:30 • -21db
9% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
17% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
17% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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A5 Vocal Ensemble
Guerrero: Beatus es
108 bpm • B Maj • 02:25 • -19.36db
14% Popularity • 19% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
14% Popularity • 19% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Gregorio Allegri
Miserere: XI. Tunc acceptabis sacrificiu...
110 bpm • B min • 01:12 • -21.23db
22% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Missa Noe Noe: I. Kyrie
108 bpm • G min • 03:15 • -25.5db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
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John Dowland
Can She Excuse My Wrongs with Virtue's C...
110 bpm • A min • 02:49 • -22.22db
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Carlo Gesualdo
Madrigals, Book 6: Beltà, poiché t'ass...
107 bpm • E min • 03:30 • -23.23db
1% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Hacomplaynt
Hacomplaynt: Salve Regina: I. Salve Regi...
111 bpm • F# Maj • 03:48 • -23.11db
8% Popularity • 20% Danceability • 12% Energy • 17% Liveness
5% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 12% Energy • 17% Liveness
5% Instrumentalness • 6% Positiveness
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Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
11% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
11% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Johannes Ockeghem
Requiem: Introitus
108 bpm • G Maj • 04:26 • -23.46db
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 5b. A...
111 bpm • B Maj • 04:17 • -26db
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Madrigals, Book 5: S'io non miro, non mo...
111 bpm • F Maj • 03:11 • -24db
2% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Three Songs, Op. 42: I. Abendständchen
106 bpm • G Maj • 02:10 • -29.93db
9% Popularity • 17% Danceability • 4% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
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Donato Baldissera
Chi la Gagliarda
106 bpm • F Maj • 02:27 • -11db
9% Popularity • 36% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 36% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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ensemble tresonare
O Bone Jesu
106 bpm • D min • 03:51 • -22.18db
9% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
113 bpm • G Maj • 03:00 • -25.04db
23% Popularity • 20% Danceability • 6% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 6% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
38% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: II. Kyrie. Chri...
105 bpm • F min • 02:01 • -34.68db
21% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Madrigals, Book 5: Poiché l'avida sete ...
105 bpm • E Maj • 02:50 • -22.45db
1% Popularity • 16% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Weelkes
O happy he
114 bpm • B min • 01:40 • -26.07db
13% Popularity • 25% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae or Seven Tears: II. Lachrimae ...
114 bpm • G# min • 03:28 • -21.22db
10% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
10% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Introitu...
103 bpm • F# Maj • 01:29 • -19.23db
20% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Deh, coprite il bel seno
104 bpm • E min • 03:15 • -20.13db
2% Popularity • 19% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
2% Popularity • 19% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Gregorian Chants
My Lord
115 bpm • G min • 05:05 • -19.53db
12% Popularity • 20% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 20% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
20% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Johannes Brahms
Three Songs, Op. 42: III. Darthulas Grab...
103 bpm • G min • 04:28 • -31.74db
7% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
No. 133, Psalm Siehe, wie fein und liebl...
115 bpm • A# Maj • 07:18 • -14.63db
11% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Cipriano de Rore
Tutti i madrigali a quattro voci, R 2513...
116 bpm • G min • 02:23 • -12.83db
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Heinrich Schütz
No. 8, Psalm, Herr unser Herrscher, SWV ...
117 bpm • G min • 07:07 • -14.59db
9% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Pierre Guédron
Airs de cour à quatre & cinq parties, L...
117 bpm • E min • 06:35 • -23db
8% Popularity • 24% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Philippe Verdelot
Gloriar mi poss io donne
101 bpm • C# min • 02:16 • -19.16db
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Zoltán Kodály
Kodály: Missa brevis: II. Kyrie
101 bpm • D Maj • 02:08 • -33.19db
8% Popularity • 14% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Antonio Lotti
Credo in F Major: II. Crucifixus à 8
101 bpm • B min • 03:12 • -16.82db
13% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
14% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Henry Purcell
Canzona, Z. 860
117 bpm • C# min • 02:24 • -30.35db
8% Popularity • 44% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 26% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 26% Positiveness
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Hildegard von Bingen
Sequentia O, Jerusalem, aurea civitas
101 bpm • C Maj • 07:11 • -24.85db
13% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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A5 Vocal Ensemble
Guerrero: Ambulans Iesus
118 bpm • D# min • 03:32 • -19.86db
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Domenicho Mazzocchi
Breve è la vita nostra
118 bpm • C Maj • 02:47 • -18db
8% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Lumen Valo
Josef Gabriel Rheinberger: Kyrie (Cantus...
100 bpm • D# Maj • 04:19 • -20.15db
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
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Orlando Gibbons
In Nomine No. 1 a 5
100 bpm • D min • 03:57 • -26.42db
8% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Gregorian Chants
Lamentations Of Jeremiah
100 bpm • F# Maj • 07:16 • -18.52db
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Mathieu Gascongne
Missa, "Myn herte heeft altyt verlanghen...
100 bpm • G min • 03:46 • -20db
10% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
► Preview
Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
26% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Robert Craft
Felicissimo Sonno
99 bpm • A# Maj • 02:31 • -18.34db
2% Popularity • 21% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 21% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Ductus est Iesus II
99 bpm • A Maj • 04:56 • -19.63db
11% Popularity • 16% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Carlo Gesualdo
Madrigals, Book 5: Deh, coprite il bel s...
98 bpm • B Maj • 02:27 • -21.72db
1% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Clément Janequin
Toutes les nuictz
98 bpm • B Maj • 02:05 • -24db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
12% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
21% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Carlo Gesualdo
Se vi duol il mio duolo
98 bpm • A# Maj • 04:40 • -19.32db
4% Popularity • 16% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Clément Janequin
O doulx regard, o parler gratieux
98 bpm • C Maj • 03:02 • -27.33db
7% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Wanning
Omnis qui se exaltat
97 bpm • G min • 01:52 • -14.46db
12% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
26% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
26% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Carlo Gesualdo
Madrigals, Book 5: O dolorosa gioia
122 bpm • A# Maj • 03:25 • -21.34db
2% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
11% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
26% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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A5 Vocal Ensemble
Guerrero: Sabes lo que heziste
96 bpm • G# min • 05:24 • -20.33db
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Volan quasi farfalle
123 bpm • A# Maj • 03:09 • -19.74db
2% Popularity • 26% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
2% Popularity • 26% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
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Lumen Valo
Robert Pearsall: Lay a garland
124 bpm • D# Maj • 03:09 • -22db
13% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
8% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
8% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
18% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Resta di darmi noia
96 bpm • G Maj • 05:15 • -21.97db
3% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
125 bpm • B min • 02:59 • -24.47db
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
14% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
14% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
