Songs like Mae by Herb Alpert & The Tijuana Brass
Based on a tempo of (+/- 10%) and a similar genre
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The Cyrkle
The Minx
136 bpm • E Maj • 02:30 • -26.97db
44% Popularity • 70% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
44% Popularity • 70% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Muzak Orchestra
Hooked on a Feeling
135 bpm • F Maj • 02:30 • -12.98db
22% Popularity • 63% Danceability • 41% Energy • 13% Liveness
79% Instrumentalness • 86% Positiveness
22% Popularity • 63% Danceability • 41% Energy • 13% Liveness
79% Instrumentalness • 86% Positiveness
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David Lindup
Little Kisses
137 bpm • D Maj • 02:00 • -18.08db
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
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Herb Alpert & The Tijuana Brass
Mae
136 bpm • E min • 02:26 • -11db
47% Popularity • 38% Danceability • 34% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
47% Popularity • 38% Danceability • 34% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Johnny Costa
It's You I Like
135 bpm • G min • 03:36 • -13.63db
19% Popularity • 41% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
19% Popularity • 41% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Alan Hawkshaw
The Feminine Scene
137 bpm • F Maj • 01:02 • -16.47db
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
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Milt Buckner
Pour toutes mes soeurs - Take 2
135 bpm • C Maj • 05:59 • -11db
22% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 57% Positiveness
22% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 57% Positiveness
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Alberto Baldan Bembo
Tema di Andrea
135 bpm • C Maj • 02:34 • -7.98db
42% Popularity • 42% Danceability • 71% Energy • 19% Liveness
95% Instrumentalness • 50% Positiveness
42% Popularity • 42% Danceability • 71% Energy • 19% Liveness
95% Instrumentalness • 50% Positiveness
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Les & Larry Elgart
Music to Watch Girls By
137 bpm • A# min • 01:43 • -16.61db
25% Popularity • 75% Danceability • 29% Energy • 11% Liveness
72% Instrumentalness • 96% Positiveness
25% Popularity • 75% Danceability • 29% Energy • 11% Liveness
72% Instrumentalness • 96% Positiveness
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Fred Bongusto
Discorsi in prospettiva
138 bpm • A Maj • 01:27 • -25.13db
45% Popularity • 38% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 34% Positiveness
45% Popularity • 38% Danceability • 14% Energy • 10% Liveness
79% Instrumentalness • 34% Positiveness
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Herb Alpert & The Tijuana Brass
A Beautiful Friend
137 bpm • C# min • 03:18 • -14.87db
11% Popularity • 78% Danceability • 34% Energy • 21% Liveness
92% Instrumentalness • 73% Positiveness
11% Popularity • 78% Danceability • 34% Energy • 21% Liveness
92% Instrumentalness • 73% Positiveness
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George Duning
Love Song From "Houseboat" (Almost in Yo...
138 bpm • G Maj • 02:58 • -12.54db
19% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Dave Terry
Strange Song
138 bpm • F Maj • 02:17 • -13.79db
21% Popularity • 57% Danceability • 27% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
21% Popularity • 57% Danceability • 27% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Alberto Baldan Bembo
Green Sea
137 bpm • A min • 02:40 • -7.45db
35% Popularity • 31% Danceability • 65% Energy • 51% Liveness
94% Instrumentalness • 48% Positiveness
35% Popularity • 31% Danceability • 65% Energy • 51% Liveness
94% Instrumentalness • 48% Positiveness
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Carroll Gibbons
It Looks Like Rain In Cherry Blossom Lan...
138 bpm • G# Maj • 02:55 • -21.45db
39% Popularity • 39% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
39% Popularity • 39% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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Billy May & His Orchestra
Handful Of Stars
138 bpm • G Maj • 02:44 • -13.47db
16% Popularity • 17% Danceability • 36% Energy • 38% Liveness
81% Instrumentalness • 12% Positiveness
16% Popularity • 17% Danceability • 36% Energy • 38% Liveness
81% Instrumentalness • 12% Positiveness
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Herb Alpert & The Tijuana Brass
Winds Of Barcelona
134 bpm • C# Maj • 02:21 • -9db
21% Popularity • 68% Danceability • 61% Energy • 16% Liveness
46% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 16% Liveness
46% Instrumentalness • 96% Positiveness
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Armando Trovajoli
In Italia si chiama amore (Finale)
138 bpm • A min • 01:01 • -11.84db
36% Popularity • 58% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 28% Positiveness
36% Popularity • 58% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 28% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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Les & Larry Elgart
Little Brown Jug
138 bpm • G# Maj • 02:05 • -13db
23% Popularity • 66% Danceability • 38% Energy • 19% Liveness
23% Instrumentalness • 64% Positiveness
23% Popularity • 66% Danceability • 38% Energy • 19% Liveness
23% Instrumentalness • 64% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
54% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
54% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Trevor Duncan
Eastside Story
133 bpm • F# Maj • 01:27 • -8.87db
38% Popularity • 16% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 8% Positiveness
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Herb Alpert & The Tijuana Brass
Belz Mein Shtetele Belz (My Home Town)
139 bpm • F min • 02:14 • -12.75db
25% Popularity • 66% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
25% Popularity • 66% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Alberto Baldan Bembo
Linda
133 bpm • G Maj • 01:03 • -15.81db
63% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
63% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Antônio Carlos Jobim
Look To The Sky
132 bpm • E min • 02:20 • -22.5db
56% Popularity • 48% Danceability • 11% Energy • 9% Liveness
97% Instrumentalness • 70% Positiveness
56% Popularity • 48% Danceability • 11% Energy • 9% Liveness
97% Instrumentalness • 70% Positiveness
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Les & Larry Elgart
Meditation
133 bpm • C min • 02:52 • -17db
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Paul Mauriat
Un homme et une femme
132 bpm • F min • 02:23 • -13.97db
39% Popularity • 46% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 37% Positiveness
39% Popularity • 46% Danceability • 30% Energy • 11% Liveness
61% Instrumentalness • 37% Positiveness
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Herb Alpert & The Tijuana Brass
She Touched Me
139 bpm • A# min • 02:59 • -13.56db
7% Popularity • 76% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
7% Popularity • 76% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Laurie Johnson
Paris Honeymoon
140 bpm • D min • 01:30 • -6db
17% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness
17% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness
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Piero Umiliani
Crystal
140 bpm • C# Maj • 02:00 • -20.36db
48% Popularity • 39% Danceability • 19% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
48% Popularity • 39% Danceability • 19% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
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Stelvio Cipriani
Antla
140 bpm • G Maj • 05:20 • -21.96db
26% Popularity • 30% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 35% Positiveness
26% Popularity • 30% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 35% Positiveness
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David Carbonara
Pacific Coast Highway
140 bpm • C min • 01:34 • -13.48db
31% Popularity • 61% Danceability • 37% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Herb Alpert & The Tijuana Brass
And The Angels Sing
132 bpm • G min • 02:36 • -12.2db
23% Popularity • 59% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 69% Positiveness
23% Popularity • 59% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 69% Positiveness
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Hugo Montenegro
Theme From A Summer Place
132 bpm • C# Maj • 02:02 • -13.13db
24% Popularity • 52% Danceability • 52% Energy • 21% Liveness
97% Instrumentalness • 95% Positiveness
24% Popularity • 52% Danceability • 52% Energy • 21% Liveness
97% Instrumentalness • 95% Positiveness
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Lionel Newman
You Make It Easy To Be True
131 bpm • A min • 01:11 • -21db
26% Popularity • 55% Danceability • 12% Energy • 50% Liveness
96% Instrumentalness • 57% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 50% Liveness
96% Instrumentalness • 57% Positiveness
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Martin Denny
Stardust
141 bpm • C# Maj • 02:12 • -17.81db
32% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Nat King Cole Trio
Blue And Sentimental - 1947 Version
130 bpm • G# Maj • 02:35 • -24.44db
47% Popularity • 51% Danceability • 2% Energy • 12% Liveness
51% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 2% Energy • 12% Liveness
51% Instrumentalness • 33% Positiveness
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Muzak Orchestra
Volare
130 bpm • A# Maj • 02:55 • -9.02db
20% Popularity • 58% Danceability • 50% Energy • 52% Liveness
92% Instrumentalness • 73% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 52% Liveness
92% Instrumentalness • 73% Positiveness
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Herb Alpert & The Tijuana Brass
Hurt So Bad
141 bpm • C min • 02:26 • -14.79db
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
91% Instrumentalness • 53% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Eddie Condon
Nobody Knows
129 bpm • D# Maj • 02:29 • -16.73db
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 15% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
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Gary Grant
Pink Champagne
130 bpm • G Maj • 01:52 • -20.25db
31% Popularity • 26% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
31% Popularity • 26% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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Martin Denny
Beyond The Reef
143 bpm • G# min • 02:49 • -18.33db
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
47% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Herb Alpert & The Tijuana Brass
Butterball
141 bpm • D min • 02:14 • -7.61db
19% Popularity • 70% Danceability • 65% Energy • 7% Liveness
25% Instrumentalness • 89% Positiveness
19% Popularity • 70% Danceability • 65% Energy • 7% Liveness
25% Instrumentalness • 89% Positiveness
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Arthur Lyman
Kawohikukupulani
144 bpm • F Maj • 02:26 • -35.7db
29% Popularity • 32% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
29% Popularity • 32% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Blossom Dearie
They Say It's Spring
129 bpm • F min • 03:24 • -17.94db
37% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Close
129 bpm • D# Maj • 02:26 • -19db
26% Popularity • 24% Danceability • 20% Energy • 59% Liveness
86% Instrumentalness • 32% Positiveness
26% Popularity • 24% Danceability • 20% Energy • 59% Liveness
86% Instrumentalness • 32% Positiveness
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Muzak Orchestra
Birthday at the Waldorf
144 bpm • F Maj • 02:48 • -10.91db
25% Popularity • 47% Danceability • 48% Energy • 55% Liveness
7% Instrumentalness • 75% Positiveness
25% Popularity • 47% Danceability • 48% Energy • 55% Liveness
7% Instrumentalness • 75% Positiveness
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Martial Solal
New York Herald Tribune
129 bpm • A min • 01:29 • -21.35db
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Herb Alpert & The Tijuana Brass
It Was A Very Good Year
141 bpm • G min • 03:42 • -15.5db
2% Popularity • 35% Danceability • 16% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
2% Popularity • 35% Danceability • 16% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Wayne Newton
MIchelle - Digitally Remastered 99
128 bpm • F min • 01:51 • -17.5db
45% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Sasaki & The Tiki Boys
Bird Island
128 bpm • D min • 01:48 • -14.62db
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
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Nat King Cole Trio
You're Nobody 'Til Somebody Loves You
128 bpm • C min • 02:51 • -18db
43% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
43% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Fred Neil
Everybody's Talkin'
128 bpm • E Maj • 02:57 • -13.87db
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
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Hugo Montenegro & His Orchestra
Solo's Samba
128 bpm • G Maj • 02:26 • -18.48db
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Herb Alpert & The Tijuana Brass
Acapulco 1922
142 bpm • C min • 02:43 • -11.16db
14% Popularity • 69% Danceability • 37% Energy • 13% Liveness
68% Instrumentalness • 71% Positiveness
14% Popularity • 69% Danceability • 37% Energy • 13% Liveness
68% Instrumentalness • 71% Positiveness
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Stelvio Cipriani
Maquillage
145 bpm • A Maj • 01:14 • -9.17db
48% Popularity • 28% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
48% Popularity • 28% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
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Francis Lai
Thème de L'Americain
127 bpm • F Maj • 00:58 • -10.86db
33% Popularity • 18% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
33% Popularity • 18% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 13% Positiveness
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Si Zentner
Sweetheart Of Sigma Chi
147 bpm • F min • 02:11 • -12.35db
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Nat King Cole Trio
On The Sunny Side Of The Street - 1993 D...
126 bpm • F min • 03:00 • -17db
40% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
40% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
57% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Herb Alpert & The Tijuana Brass
El Garbanzo
146 bpm • G Maj • 02:13 • -10.05db
15% Popularity • 61% Danceability • 67% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
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Frank Samuels
Hollywood Holiday
147 bpm • F min • 01:42 • -14.97db
28% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
28% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Piero Umiliani
Autostop Per Rio
148 bpm • C Maj • 03:33 • -14.74db
37% Popularity • 48% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Lelio Luttazzi
Non dimenticar le mie parole
125 bpm • C min • 01:01 • -13.78db
44% Popularity • 66% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
44% Popularity • 66% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
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Nora Orlandi
Uccidere in silenzio 3
125 bpm • G Maj • 01:31 • -22db
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Hugo Montenegro & His Orchestra
A Martini Built for Two
125 bpm • C Maj • 02:22 • -21.76db
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
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Lester Lanin
The Hukilau Song - Hula
125 bpm • G Maj • 01:59 • -16.78db
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 88% Positiveness
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Les & Larry Elgart
Brazil (Bossa Nova)
148 bpm • G Maj • 02:14 • -15db
33% Popularity • 65% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 92% Positiveness
33% Popularity • 65% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 92% Positiveness
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Piero Umiliani
Piano Bossa Nova
148 bpm • A# min • 01:34 • -11.27db
48% Popularity • 47% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
48% Popularity • 47% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Kenny Sasaki & The Tiki Boys
At the Tiki Bar
124 bpm • C# Maj • 01:43 • -9.38db
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
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Frank Valdor & His Orchestra
I Got Lucky In The Rain
124 bpm • G Maj • 02:38 • -13.42db
22% Popularity • 46% Danceability • 33% Energy • 46% Liveness
7% Instrumentalness • 80% Positiveness
22% Popularity • 46% Danceability • 33% Energy • 46% Liveness
7% Instrumentalness • 80% Positiveness
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Carroll Gibbons
Goodnight My Love
123 bpm • C min • 03:25 • -19db
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 10% Energy • 10% Liveness
75% Instrumentalness • 24% Positiveness
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Herb Alpert & The Tijuana Brass
Whipped Cream
150 bpm • C# Maj • 02:34 • -9db
33% Popularity • 75% Danceability • 55% Energy • 7% Liveness
79% Instrumentalness • 97% Positiveness
33% Popularity • 75% Danceability • 55% Energy • 7% Liveness
79% Instrumentalness • 97% Positiveness
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Les & Larry Elgart
Willow Weep for Me
124 bpm • G# Maj • 02:19 • -21db
27% Popularity • 57% Danceability • 26% Energy • 14% Liveness
94% Instrumentalness • 74% Positiveness
27% Popularity • 57% Danceability • 26% Energy • 14% Liveness
94% Instrumentalness • 74% Positiveness
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Edmundo Ros & His Orchestra
A Felicidade
123 bpm • C min • 03:12 • -14db
39% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
39% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
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Wayne Newton
But Not For Me - Digitally Remastered 99
123 bpm • C min • 02:23 • -15db
43% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Muzak Orchestra
Environs
123 bpm • F Maj • 02:45 • -7.41db
20% Popularity • 38% Danceability • 59% Energy • 24% Liveness
82% Instrumentalness • 44% Positiveness
20% Popularity • 38% Danceability • 59% Energy • 24% Liveness
82% Instrumentalness • 44% Positiveness
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Don Shirley
Happy Talk
151 bpm • D Maj • 01:49 • -28.86db
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
38% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Carroll Gibbons
So Rare
122 bpm • C Maj • 03:03 • -20.49db
44% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
44% Popularity • 54% Danceability • 12% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Pepe Jaramillo
Green Eyes
122 bpm • D min • 02:19 • -14.7db
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
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Hollyridge Strings
Don't Worry, Baby
122 bpm • A min • 02:24 • -9.23db
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
32% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Si Zentner
Mr. Lucky - Remastered
121 bpm • D# Maj • 02:39 • -12.71db
32% Popularity • 48% Danceability • 34% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
32% Popularity • 48% Danceability • 34% Energy • 16% Liveness
90% Instrumentalness • 77% Positiveness
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Sergio Pérez
Tema de la Zorra
121 bpm • C min • 02:17 • -22db
22% Popularity • 41% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
22% Popularity • 41% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Benny Goodman Trio
Someday, Sweetheart - 1996 Remastered
153 bpm • D min • 02:47 • -14.55db
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
29% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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The Out Islanders
Moon Mist - Digitally Remastered 1996
121 bpm • G min • 03:06 • -16db
24% Popularity • 25% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 10% Positiveness
24% Popularity • 25% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 10% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
40% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
40% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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Gil Melle
Memento
120 bpm • D min • 01:56 • -24.64db
43% Popularity • 45% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 43% Positiveness
43% Popularity • 45% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 43% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Syd Dale
Alone at Last
120 bpm • F# Maj • 02:32 • -11.27db
32% Popularity • 48% Danceability • 50% Energy • 40% Liveness
93% Instrumentalness • 27% Positiveness
32% Popularity • 48% Danceability • 50% Energy • 40% Liveness
93% Instrumentalness • 27% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
