Songs like Maestro Toño Garcia - Cerrero Dub de Gaita Mix by Cerrero
Based on a tempo of (+/- 10%) and a similar genre
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Las Alegres Ambulancias
Chimankongo
155 bpm • F min • 03:30 • -6.65db
9% Popularity • 59% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 59% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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King Kong
Trouble Again
155 bpm • F# min • 02:16 • -5.9db
0% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Malphino
Mono Borracho
155 bpm • A min • 02:55 • -10.53db
27% Popularity • 85% Danceability • 59% Energy • 69% Liveness
60% Instrumentalness • 90% Positiveness
27% Popularity • 85% Danceability • 59% Energy • 69% Liveness
60% Instrumentalness • 90% Positiveness
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Los Gaiteros de Ovejas
Tierra Mojá - CERO39 Remix
156 bpm • F# Maj • 02:58 • -12.7db
13% Popularity • 81% Danceability • 31% Energy • 8% Liveness
46% Instrumentalness • 56% Positiveness
13% Popularity • 81% Danceability • 31% Energy • 8% Liveness
46% Instrumentalness • 56% Positiveness
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Cerrero
Maestro Toño Garcia - Cerrero Dub de Ga...
155 bpm • A# min • 06:08 • -7.66db
10% Popularity • 50% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
10% Popularity • 50% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Pernett
Dos para Elizabeth
154 bpm • B min • 03:43 • -10.84db
16% Popularity • 72% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 58% Positiveness
16% Popularity • 72% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 58% Positiveness
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Bomba Estéreo
Agua
156 bpm • B min • 03:20 • -9.13db
39% Popularity • 58% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 58% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Canalón de Timbiquí
Tía Tortuga O.
154 bpm • F Maj • 04:37 • -7.03db
7% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Carmelo Torres & Los Toscos
La Camisola
154 bpm • D# Maj • 04:01 • -7.37db
15% Popularity • 51% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 51% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Los Gaiteros de Ovejas
Olor a Tierra Mojá
156 bpm • C# Maj • 04:54 • -5.97db
15% Popularity • 58% Danceability • 77% Energy • 59% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 58% Danceability • 77% Energy • 59% Liveness
0% Instrumentalness • 67% Positiveness
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Los Guayabo Brothers
El Mohán
156 bpm • G Maj • 07:33 • -7.58db
0% Popularity • 43% Danceability • 78% Energy • 30% Liveness
16% Instrumentalness • 36% Positiveness
0% Popularity • 43% Danceability • 78% Energy • 30% Liveness
16% Instrumentalness • 36% Positiveness
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Manzanita y su Conjunto
El Zambito Rumbero
153 bpm • A Maj • 02:44 • -3.7db
15% Popularity • 66% Danceability • 83% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
15% Popularity • 66% Danceability • 83% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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Aguaelulo Trío
Cantando Voy
153 bpm • D min • 04:20 • -9.6db
7% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Canalón de Timbiquí
Arrullando
157 bpm • F Maj • 05:56 • -7.6db
8% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Los Gaiteros de San Jacinto
Campo Alegre
152 bpm • B min • 06:03 • -6.69db
26% Popularity • 53% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Raffa Medina
Olvido
152 bpm • A# min • 03:27 • -5.85db
1% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Etelvina Maldonado
Manuelita
151 bpm • B Maj • 03:48 • -10db
8% Popularity • 74% Danceability • 75% Energy • 8% Liveness
2% Instrumentalness • 82% Positiveness
8% Popularity • 74% Danceability • 75% Energy • 8% Liveness
2% Instrumentalness • 82% Positiveness
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Rio Mira
Guarapo
151 bpm • A min • 03:50 • -6db
17% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tonada
El Golpe de Mi Tambó
150 bpm • C# Maj • 03:59 • -12.63db
30% Popularity • 60% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Sidestepper
Aunque Me Duela La Vida
160 bpm • C# Maj • 05:05 • -10.81db
16% Popularity • 79% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
16% Popularity • 79% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
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Orito Cantora y la Chalupa
Lamento de Gaita
160 bpm • F min • 03:31 • -4.69db
10% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Canalón de Timbiquí
Molino Mi Molinete
149 bpm • D Maj • 05:58 • -9db
11% Popularity • 45% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 45% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Etelvina Maldonado
Que se Quema el Monte
159 bpm • A# min • 03:47 • -6.92db
26% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Combo Chimbita
No Regreso
149 bpm • E min • 05:36 • -10.39db
26% Popularity • 37% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Ray Barretto
Guajira Y Tambó
149 bpm • F min • 03:13 • -6.93db
13% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Robinson & The Lazy Hill Band
Lazy Driving - Cerrero Dub Mix
149 bpm • G Maj • 03:34 • -7.14db
3% Popularity • 78% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
3% Popularity • 78% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Orito Cantora y la Chalupa
Bullerengue para un Ángel
160 bpm • B Maj • 04:06 • -7.2db
18% Popularity • 73% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 73% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 70% Positiveness
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Los Gaiteros de Ovejas
Dolores
162 bpm • F# Maj • 05:14 • -6.71db
8% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Jaguar
Contra la Corriente
162 bpm • E min • 04:23 • -9.48db
22% Popularity • 71% Danceability • 59% Energy • 17% Liveness
3% Instrumentalness • 96% Positiveness
22% Popularity • 71% Danceability • 59% Energy • 17% Liveness
3% Instrumentalness • 96% Positiveness
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Gaiteros de Pueblo Santo
La Pasionaria
148 bpm • C# min • 04:02 • -8.87db
18% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Combo Chimbita
Santo Fuerte
162 bpm • G Maj • 03:07 • -6.82db
18% Popularity • 56% Danceability • 80% Energy • 14% Liveness
5% Instrumentalness • 85% Positiveness
18% Popularity • 56% Danceability • 80% Energy • 14% Liveness
5% Instrumentalness • 85% Positiveness
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Son De Madera
El Amanecer
148 bpm • D min • 09:25 • -11db
30% Popularity • 54% Danceability • 58% Energy • 12% Liveness
14% Instrumentalness • 95% Positiveness
30% Popularity • 54% Danceability • 58% Energy • 12% Liveness
14% Instrumentalness • 95% Positiveness
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Agrupacion Changó
Oroí Oroá
163 bpm • E min • 03:00 • -3.69db
14% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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La Cumbia Chicharra
Mapalé
147 bpm • C# Maj • 04:21 • -9.63db
18% Popularity • 60% Danceability • 63% Energy • 9% Liveness
21% Instrumentalness • 89% Positiveness
18% Popularity • 60% Danceability • 63% Energy • 9% Liveness
21% Instrumentalness • 89% Positiveness
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Grupo Bahia
Ya Se Liberó
148 bpm • C Maj • 05:53 • -9.44db
9% Popularity • 76% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 76% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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King Coya
Pachama
164 bpm • D Maj • 04:02 • -6.07db
10% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Foxy Brown
Fast Car Dub - Dub By Cerrero
146 bpm • C# Maj • 02:43 • -4.91db
0% Popularity • 71% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
0% Popularity • 71% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Semblanzas del Rio Guapi
Voy Pa Allá
146 bpm • C# min • 05:03 • -8.68db
15% Popularity • 59% Danceability • 54% Energy • 8% Liveness
51% Instrumentalness • 74% Positiveness
15% Popularity • 59% Danceability • 54% Energy • 8% Liveness
51% Instrumentalness • 74% Positiveness
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Malphino
Looking for Kiwanos
165 bpm • F min • 04:01 • -9.95db
29% Popularity • 81% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 84% Positiveness
29% Popularity • 81% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 84% Positiveness
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Canalón de Timbiquí
La Juana
146 bpm • C Maj • 07:16 • -9.11db
13% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Los Gaiteros de Ovejas
A Mi Me Gustan las Mujeres
146 bpm • A min • 03:18 • -5.64db
7% Popularity • 56% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 56% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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King Coya
Villa Donde
164 bpm • C# min • 04:44 • -5.06db
28% Popularity • 86% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 46% Positiveness
28% Popularity • 86% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 46% Positiveness
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Glen Ricks
Sitting In The Back Seat Dub - Dub By Ce...
164 bpm • A Maj • 02:32 • -5.24db
0% Popularity • 69% Danceability • 65% Energy • 26% Liveness
4% Instrumentalness • 77% Positiveness
0% Popularity • 69% Danceability • 65% Energy • 26% Liveness
4% Instrumentalness • 77% Positiveness
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Tonada
Mariana
146 bpm • C# Maj • 03:53 • -12.46db
14% Popularity • 40% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 40% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Raúl Monsalve y los Forajidos
Pa' los Maestros
145 bpm • G Maj • 05:20 • -6.21db
19% Popularity • 85% Danceability • 83% Energy • 7% Liveness
17% Instrumentalness • 96% Positiveness
19% Popularity • 85% Danceability • 83% Energy • 7% Liveness
17% Instrumentalness • 96% Positiveness
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Pernett
Cumbia Soy
166 bpm • G Maj • 04:43 • -13.88db
12% Popularity • 65% Danceability • 47% Energy • 13% Liveness
15% Instrumentalness • 78% Positiveness
12% Popularity • 65% Danceability • 47% Energy • 13% Liveness
15% Instrumentalness • 78% Positiveness
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Carl Dawkins
Dj All Over The World - Version Dub 1 by...
167 bpm • G Maj • 02:04 • -8.24db
2% Popularity • 66% Danceability • 51% Energy • 94% Liveness
53% Instrumentalness • 75% Positiveness
2% Popularity • 66% Danceability • 51% Energy • 94% Liveness
53% Instrumentalness • 75% Positiveness
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Tamafri
Soy Negra
167 bpm • D Maj • 05:18 • -7.74db
11% Popularity • 56% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 56% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Foxy Brown
Fast Car
146 bpm • C# Maj • 02:44 • -5.1db
0% Popularity • 84% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 84% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Abelardo Carbonó y su Conjunto
Quiero a Mi Gente
143 bpm • F min • 03:48 • -12.48db
23% Popularity • 75% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 75% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Ngwaka Son Systeme
Zanga Mbongo (Cerrero Dub)
143 bpm • A min • 04:29 • -8.78db
2% Popularity • 64% Danceability • 82% Energy • 67% Liveness
67% Instrumentalness • 95% Positiveness
2% Popularity • 64% Danceability • 82% Energy • 67% Liveness
67% Instrumentalness • 95% Positiveness
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Pernett
Fantasía Tropical
166 bpm • D Maj • 05:35 • -9.34db
17% Popularity • 45% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
17% Popularity • 45% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Carl Dawkins
Dj All Over The World - Version Dub 2 by...
167 bpm • G Maj • 01:59 • -8.62db
0% Popularity • 73% Danceability • 43% Energy • 58% Liveness
49% Instrumentalness • 53% Positiveness
0% Popularity • 73% Danceability • 43% Energy • 58% Liveness
49% Instrumentalness • 53% Positiveness
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Canalón de Timbiquí
De Mar y Río
168 bpm • F Maj • 04:45 • -9.24db
17% Popularity • 65% Danceability • 52% Energy • 24% Liveness
45% Instrumentalness • 96% Positiveness
17% Popularity • 65% Danceability • 52% Energy • 24% Liveness
45% Instrumentalness • 96% Positiveness
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Glen Ricks
Sitting In The Backseat
164 bpm • A Maj • 02:28 • -4.53db
0% Popularity • 71% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 71% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Los Soneros De Gamero
Katunga
142 bpm • G Maj • 03:24 • -12.3db
8% Popularity • 67% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 93% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 93% Positiveness
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Radio Jarocho
Conga Le Lé
142 bpm • G min • 04:07 • -8.44db
12% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Meridian Brothers
Salsa Caliente - Versión Aumentada
143 bpm • G# Maj • 04:43 • -7.46db
33% Popularity • 73% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 73% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Simón Díaz
Tonada Del Cabestrero
169 bpm • E min • 03:39 • -17.04db
29% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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King Kong
Champetaman a Kill Dem
169 bpm • C# Maj • 02:11 • -7.94db
2% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Glen Ricks
Sitting In The Backseat Dub - Dub by Cer...
165 bpm • A Maj • 02:25 • -5.49db
0% Popularity • 70% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 70% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Alberto Pacheco y su Conjunto
Sembrando Café
141 bpm • D Maj • 02:49 • -8.73db
24% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Animal Chuki
Capicúa
170 bpm • E min • 04:33 • -3db
26% Popularity • 62% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 29% Positiveness
26% Popularity • 62% Danceability • 88% Energy • 7% Liveness
79% Instrumentalness • 29% Positiveness
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Contento
Lo Bueno Está Aquí
170 bpm • E min • 04:22 • -7.77db
25% Popularity • 82% Danceability • 87% Energy • 6% Liveness
61% Instrumentalness • 93% Positiveness
25% Popularity • 82% Danceability • 87% Energy • 6% Liveness
61% Instrumentalness • 93% Positiveness
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King Coya
Tierra de King Coya
170 bpm • C# Maj • 04:57 • -6.33db
23% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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King Kong
Champetaman a Kill Dem - Dub by Cerrero
170 bpm • F# Maj • 02:16 • -8.55db
2% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Meridian Brothers
En Teusaquillo Te Pueden Partir la Cara
170 bpm • C Maj • 04:11 • -5.69db
15% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Manzanita y su Conjunto
El Hueleguiso
141 bpm • G Maj • 03:03 • -5.65db
18% Popularity • 58% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 88% Positiveness
18% Popularity • 58% Danceability • 78% Energy • 12% Liveness
92% Instrumentalness • 88% Positiveness
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Bulla en el Barrio
Escudo De Tambo
140 bpm • A# min • 06:18 • -9.62db
14% Popularity • 58% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 58% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Grupo Bahia
Una Razón
140 bpm • D min • 07:05 • -8.48db
24% Popularity • 54% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
24% Popularity • 54% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
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Los Gaiteros de San Jacinto
Tengo amores con la gaita
171 bpm • B Maj • 04:27 • -7.23db
8% Popularity • 54% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 54% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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King Kong
Murder Clash Dub - Dub By Cerrero
144 bpm • A Maj • 02:20 • -8.44db
1% Popularity • 61% Danceability • 57% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
1% Popularity • 61% Danceability • 57% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Cerrero
Saguanni
140 bpm • F min • 04:08 • -9.72db
0% Popularity • 85% Danceability • 75% Energy • 27% Liveness
8% Instrumentalness • 54% Positiveness
0% Popularity • 85% Danceability • 75% Energy • 27% Liveness
8% Instrumentalness • 54% Positiveness
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Petrona Martinez
La Vida Vale la Pena
140 bpm • G# min • 04:19 • -5.44db
32% Popularity • 70% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 70% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Contento
Donde esta mi gente
140 bpm • C Maj • 03:12 • -7.95db
8% Popularity • 89% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 89% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mitú
Suto
140 bpm • E Maj • 02:02 • -6.75db
28% Popularity • 90% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 90% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Magín Díaz
Por el Norte, Por el Sur
139 bpm • E Maj • 04:30 • -8.41db
9% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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King Kong
Murder Clash Syrene Version - Dub by Cer...
144 bpm • B min • 02:25 • -6.03db
1% Popularity • 50% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 50% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Los Cotopla Boyz
Dame Tu Wasap
172 bpm • A# min • 05:20 • -6.97db
15% Popularity • 39% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 39% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Gildardo Montoya y Conjunto Los Rumberos
Fabiola
139 bpm • B min • 02:56 • -9.55db
29% Popularity • 78% Danceability • 63% Energy • 5% Liveness
34% Instrumentalness • 96% Positiveness
29% Popularity • 78% Danceability • 63% Energy • 5% Liveness
34% Instrumentalness • 96% Positiveness
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El Dragón Criollo
Guajira Con Arpa
139 bpm • E min • 03:07 • -10.34db
27% Popularity • 60% Danceability • 56% Energy • 14% Liveness
6% Instrumentalness • 85% Positiveness
27% Popularity • 60% Danceability • 56% Energy • 14% Liveness
6% Instrumentalness • 85% Positiveness
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Semblanzas del Rio Guapi
Los Guasangú - (Cerrero Remix)
173 bpm • D min • 05:11 • -13.48db
33% Popularity • 47% Danceability • 60% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
33% Popularity • 47% Danceability • 60% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Tambor Hembra
El Camino Es el Amor
173 bpm • C# min • 04:32 • -5.81db
15% Popularity • 59% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Los Gaiteros de San Jacinto
El Corcovado (The Wood-Quail)
173 bpm • A Maj • 03:54 • -22.65db
11% Popularity • 39% Danceability • 30% Energy • 19% Liveness
7% Instrumentalness • 77% Positiveness
11% Popularity • 39% Danceability • 30% Energy • 19% Liveness
7% Instrumentalness • 77% Positiveness
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Son Rompe Pera
Pájaro Cenzontle
173 bpm • D min • 03:40 • -5.34db
42% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Grupo Bahia
Caderona
173 bpm • G min • 05:00 • -7.92db
21% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Augusto Bracho
Canto al Niño del Toche
138 bpm • G# Maj • 03:26 • -9db
24% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Semblanzas del Rio Guapi
Los Guasangú
173 bpm • D min • 03:41 • -9db
11% Popularity • 48% Danceability • 69% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
11% Popularity • 48% Danceability • 69% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
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Cerrero
Cumbia de las Almas Extrañas
138 bpm • F# Maj • 06:03 • -7.52db
5% Popularity • 55% Danceability • 59% Energy • 13% Liveness
73% Instrumentalness • 29% Positiveness
5% Popularity • 55% Danceability • 59% Energy • 13% Liveness
73% Instrumentalness • 29% Positiveness
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Kou Keri Kou
Maravillas del Pasado
174 bpm • C Maj • 03:12 • -7.55db
7% Popularity • 67% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
7% Popularity • 67% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
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Estrellas Del Caribe
Sube Que Sube
138 bpm • C Maj • 03:29 • -8.05db
10% Popularity • 66% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 66% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Chancha Via Circuito
Bosques Via Temperley
175 bpm • F min • 04:45 • -7db
20% Popularity • 82% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
20% Popularity • 82% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Los Destellos
Pasión Oriental
138 bpm • C# min • 04:12 • -6.33db
14% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Frente Cumbiero
Aguanegra
176 bpm • F min • 04:37 • -8db
10% Popularity • 55% Danceability • 70% Energy • 26% Liveness
4% Instrumentalness • 97% Positiveness
10% Popularity • 55% Danceability • 70% Energy • 26% Liveness
4% Instrumentalness • 97% Positiveness
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dante Mendizabal
guajira
137 bpm • B min • 03:28 • -12.57db
30% Popularity • 78% Danceability • 74% Energy • 13% Liveness
87% Instrumentalness • 84% Positiveness
30% Popularity • 78% Danceability • 74% Energy • 13% Liveness
87% Instrumentalness • 84% Positiveness
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Ondatrópica
Mambo Loco Especial
136 bpm • A min • 03:10 • -8.61db
15% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Grupo Naidy
El botellón (The jug)
136 bpm • D Maj • 04:20 • -9.39db
16% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Magín Díaz
La Rama de Tamarindo
136 bpm • G Maj • 04:27 • -8.16db
10% Popularity • 49% Danceability • 76% Energy • 26% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 49% Danceability • 76% Energy • 26% Liveness
1% Instrumentalness • 88% Positiveness
