Songs like Magic Pig by Tonstartssbandht
Based on a tempo of (+/- 10%) and a similar genre
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Tonstartssbandht
Magic Pig
133 bpm • F# min • 02:09 • -10db
18% Popularity • 54% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 54% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Elevator To Hell
Morning Clouds
132 bpm • C# min • 02:44 • -13.73db
11% Popularity • 45% Danceability • 62% Energy • 11% Liveness
31% Instrumentalness • 10% Positiveness
11% Popularity • 45% Danceability • 62% Energy • 11% Liveness
31% Instrumentalness • 10% Positiveness
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Benny Yurco
You're the Only One
132 bpm • G Maj • 01:52 • -9db
31% Popularity • 56% Danceability • 52% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 52% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
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Linda Smith
I So Liked Spring
134 bpm • C Maj • 05:27 • -10.97db
37% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
37% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Jack Name
Watching the Willows Burn
132 bpm • G Maj • 04:25 • -13db
12% Popularity • 52% Danceability • 40% Energy • 19% Liveness
2% Instrumentalness • 29% Positiveness
12% Popularity • 52% Danceability • 40% Energy • 19% Liveness
2% Instrumentalness • 29% Positiveness
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Cindy Lee
The Limit
134 bpm • B min • 04:24 • -7.3db
29% Popularity • 23% Danceability • 54% Energy • 54% Liveness
52% Instrumentalness • 36% Positiveness
29% Popularity • 23% Danceability • 54% Energy • 54% Liveness
52% Instrumentalness • 36% Positiveness
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Tonstartssbandht
Midnite Cobras
133 bpm • D Maj • 01:58 • -9.33db
2% Popularity • 17% Danceability • 53% Energy • 30% Liveness
86% Instrumentalness • 17% Positiveness
2% Popularity • 17% Danceability • 53% Energy • 30% Liveness
86% Instrumentalness • 17% Positiveness
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The Altered Hours
Thistle
134 bpm • G min • 03:46 • -8.48db
31% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 23% Positiveness
31% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 23% Positiveness
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mark william lewis
Blue Honda
134 bpm • B min • 02:37 • -7.81db
23% Popularity • 65% Danceability • 54% Energy • 33% Liveness
32% Instrumentalness • 40% Positiveness
23% Popularity • 65% Danceability • 54% Energy • 33% Liveness
32% Instrumentalness • 40% Positiveness
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Linda Smith
I So Liked Spring - 1996 Version
134 bpm • D Maj • 04:21 • -8.81db
15% Popularity • 71% Danceability • 44% Energy • 13% Liveness
14% Instrumentalness • 50% Positiveness
15% Popularity • 71% Danceability • 44% Energy • 13% Liveness
14% Instrumentalness • 50% Positiveness
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Grandaddy
Ghost of 1672
134 bpm • C Maj • 01:35 • -12.6db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
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MJ Lenderman
Inappropriate
132 bpm • A Maj • 01:13 • -15.67db
25% Popularity • 51% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 86% Positiveness
25% Popularity • 51% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 86% Positiveness
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Drugdealer
Be Thou by My Side
134 bpm • C# Maj • 04:09 • -10.22db
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Fry
Song for Wilde
134 bpm • F# Maj • 02:33 • -16.38db
42% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
42% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Mia Joy
Saturn
131 bpm • F# min • 04:55 • -13.93db
21% Popularity • 62% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
21% Popularity • 62% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
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Stereolab
Yes Sir! I Can Moogie
134 bpm • D Maj • 01:03 • -8.64db
29% Popularity • 44% Danceability • 48% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 44% Danceability • 48% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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The Cannanes
Lamington Lane
135 bpm • A min • 03:50 • -10.7db
9% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Pet Shimmers
Super Natural Teeth
131 bpm • A Maj • 04:36 • -6.54db
20% Popularity • 57% Danceability • 91% Energy • 14% Liveness
32% Instrumentalness • 45% Positiveness
20% Popularity • 57% Danceability • 91% Energy • 14% Liveness
32% Instrumentalness • 45% Positiveness
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The American Analog Set
Trespassers in the Stereo Field
131 bpm • E min • 01:22 • -18.32db
37% Popularity • 68% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
37% Popularity • 68% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
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Chris Cohen
In a Fable
135 bpm • G min • 03:00 • -6.34db
27% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
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Peel Dream Magazine
Harmony
135 bpm • C Maj • 01:53 • -13.98db
7% Popularity • 25% Danceability • 31% Energy • 31% Liveness
9% Instrumentalness • 7% Positiveness
7% Popularity • 25% Danceability • 31% Energy • 31% Liveness
9% Instrumentalness • 7% Positiveness
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Dummy
H.V.A.C.
135 bpm • D Maj • 05:39 • -9.01db
10% Popularity • 20% Danceability • 77% Energy • 13% Liveness
38% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 77% Energy • 13% Liveness
38% Instrumentalness • 3% Positiveness
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Parsley Sound
Ocean House
135 bpm • C Maj • 03:00 • -14.01db
13% Popularity • 34% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 34% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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The 6ths
Aging Spinsters
135 bpm • C Maj • 02:19 • -12.35db
29% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
29% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
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Smog
Ex-Con
131 bpm • C Maj • 03:35 • -11.81db
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
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Women
Locust Valley
131 bpm • A min • 04:14 • -7.62db
25% Popularity • 62% Danceability • 76% Energy • 20% Liveness
95% Instrumentalness • 70% Positiveness
25% Popularity • 62% Danceability • 76% Energy • 20% Liveness
95% Instrumentalness • 70% Positiveness
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Ulrika Spacek
Black Mould
136 bpm • E Maj • 04:15 • -10.34db
19% Popularity • 64% Danceability • 52% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
19% Popularity • 64% Danceability • 52% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Dummy
Daffodils
135 bpm • B Maj • 02:48 • -6db
20% Popularity • 36% Danceability • 74% Energy • 33% Liveness
86% Instrumentalness • 18% Positiveness
20% Popularity • 36% Danceability • 74% Energy • 33% Liveness
86% Instrumentalness • 18% Positiveness
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Papa M
Krusty
130 bpm • D min • 03:54 • -10.89db
32% Popularity • 49% Danceability • 68% Energy • 56% Liveness
24% Instrumentalness • 61% Positiveness
32% Popularity • 49% Danceability • 68% Energy • 56% Liveness
24% Instrumentalness • 61% Positiveness
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Jessica Pratt
Greycedes
130 bpm • D Maj • 02:38 • -11db
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Iji
Bound 2 Glory
130 bpm • E Maj • 03:53 • -7.49db
20% Popularity • 62% Danceability • 55% Energy • 27% Liveness
3% Instrumentalness • 77% Positiveness
20% Popularity • 62% Danceability • 55% Energy • 27% Liveness
3% Instrumentalness • 77% Positiveness
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Fievel Is Glauque
Hit Me Now
130 bpm • G# min • 01:21 • -10.24db
44% Popularity • 59% Danceability • 44% Energy • 30% Liveness
22% Instrumentalness • 62% Positiveness
44% Popularity • 59% Danceability • 44% Energy • 30% Liveness
22% Instrumentalness • 62% Positiveness
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Mega Bog
Aurora/99
130 bpm • A# Maj • 04:48 • -11.18db
10% Popularity • 26% Danceability • 48% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
10% Popularity • 26% Danceability • 48% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
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Maston
The Doors Are Opening
136 bpm • C# min • 03:11 • -13.07db
24% Popularity • 58% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
24% Popularity • 58% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Ulrika Spacek
Airportism
136 bpm • E min • 02:06 • -10.59db
18% Popularity • 50% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
18% Popularity • 50% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Jessica Pratt
Strange Melody
130 bpm • D Maj • 05:02 • -10.26db
34% Popularity • 49% Danceability • 45% Energy • 28% Liveness
13% Instrumentalness • 8% Positiveness
34% Popularity • 49% Danceability • 45% Energy • 28% Liveness
13% Instrumentalness • 8% Positiveness
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Patti Whipp
Walkin'
136 bpm • E Maj • 02:34 • -18db
36% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
36% Popularity • 46% Danceability • 23% Energy • 11% Liveness
59% Instrumentalness • 63% Positiveness
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Black Moth Super Rainbow
Smile The Day After Today
136 bpm • C# Maj • 02:33 • -9.83db
18% Popularity • 70% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
18% Popularity • 70% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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Mikaela Davis
Leave It Alone (Demo)
130 bpm • F Maj • 02:09 • -10.27db
22% Popularity • 39% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 39% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 51% Positiveness
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Dummy
Aluminum In Retrograde
130 bpm • B Maj • 02:39 • -17.82db
9% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Cleaners From Venus
I Can't Stop (Holding On)
136 bpm • C# Maj • 02:20 • -5.25db
44% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
44% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
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Horsegirl
Sea Life Sandwich Boy
130 bpm • E Maj • 04:44 • -4.72db
28% Popularity • 38% Danceability • 96% Energy • 18% Liveness
85% Instrumentalness • 29% Positiveness
28% Popularity • 38% Danceability • 96% Energy • 18% Liveness
85% Instrumentalness • 29% Positiveness
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Good Sad Happy Bad
Pyro
136 bpm • C# min • 02:36 • -7.35db
20% Popularity • 46% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
20% Popularity • 46% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Cory Hanson
Flu Moon
130 bpm • D# Maj • 03:26 • -8.71db
16% Popularity • 33% Danceability • 77% Energy • 9% Liveness
25% Instrumentalness • 50% Positiveness
16% Popularity • 33% Danceability • 77% Energy • 9% Liveness
25% Instrumentalness • 50% Positiveness
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Frog
RIP to the Empire State Flea Market
137 bpm • D# min • 02:53 • -9.98db
32% Popularity • 70% Danceability • 51% Energy • 14% Liveness
6% Instrumentalness • 42% Positiveness
32% Popularity • 70% Danceability • 51% Energy • 14% Liveness
6% Instrumentalness • 42% Positiveness
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Dummy
X-Static Blanket
130 bpm • G Maj • 02:16 • -8.91db
14% Popularity • 55% Danceability • 84% Energy • 14% Liveness
65% Instrumentalness • 70% Positiveness
14% Popularity • 55% Danceability • 84% Energy • 14% Liveness
65% Instrumentalness • 70% Positiveness
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Acetone
Germs
129 bpm • B Maj • 04:44 • -12.47db
35% Popularity • 62% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
35% Popularity • 62% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Black Tambourine
By Tomorrow
137 bpm • E Maj • 03:04 • -8.55db
31% Popularity • 24% Danceability • 58% Energy • 84% Liveness
90% Instrumentalness • 28% Positiveness
31% Popularity • 24% Danceability • 58% Energy • 84% Liveness
90% Instrumentalness • 28% Positiveness
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Eola
No Getting
129 bpm • E Maj • 02:55 • -14.13db
13% Popularity • 23% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
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Chris Weisman
Thorn
129 bpm • G# Maj • 02:59 • -12.77db
15% Popularity • 56% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 56% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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DRINKS
Greasing Up
137 bpm • D Maj • 02:50 • -11.61db
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
24% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Sluice
Centurion
137 bpm • A# Maj • 03:14 • -10.01db
33% Popularity • 68% Danceability • 56% Energy • 13% Liveness
90% Instrumentalness • 60% Positiveness
33% Popularity • 68% Danceability • 56% Energy • 13% Liveness
90% Instrumentalness • 60% Positiveness
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MJ Lenderman
Big Money
137 bpm • A Maj • 03:39 • -13.39db
19% Popularity • 40% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 51% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 51% Positiveness
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Charlie Megira
Fear and Joy
129 bpm • C Maj • 05:06 • -6db
27% Popularity • 45% Danceability • 99% Energy • 6% Liveness
52% Instrumentalness • 45% Positiveness
27% Popularity • 45% Danceability • 99% Energy • 6% Liveness
52% Instrumentalness • 45% Positiveness
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Eola
Future Hymns
128 bpm • G# Maj • 02:55 • -10.42db
17% Popularity • 18% Danceability • 37% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 37% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Wand
Growing Up Boys
129 bpm • C Maj • 03:46 • -6.6db
34% Popularity • 48% Danceability • 46% Energy • 65% Liveness
10% Instrumentalness • 12% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 65% Liveness
10% Instrumentalness • 12% Positiveness
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Surface To Air Missive
Surfacing
128 bpm • A Maj • 01:43 • -6.39db
11% Popularity • 32% Danceability • 90% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 32% Danceability • 90% Energy • 24% Liveness
1% Instrumentalness • 60% Positiveness
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Jack Name
Sacred Place
138 bpm • A# Maj • 03:51 • -12.96db
8% Popularity • 61% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
8% Popularity • 61% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
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Floatie
In the Night
138 bpm • C Maj • 04:18 • -11.28db
20% Popularity • 65% Danceability • 48% Energy • 32% Liveness
86% Instrumentalness • 45% Positiveness
20% Popularity • 65% Danceability • 48% Energy • 32% Liveness
86% Instrumentalness • 45% Positiveness
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Tonstartssbandht
Sorcerer
138 bpm • F# Maj • 09:30 • -8.53db
10% Popularity • 30% Danceability • 58% Energy • 20% Liveness
3% Instrumentalness • 12% Positiveness
10% Popularity • 30% Danceability • 58% Energy • 20% Liveness
3% Instrumentalness • 12% Positiveness
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Eola
Someone's Got a Secret
138 bpm • B min • 05:14 • -10.4db
18% Popularity • 48% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
18% Popularity • 48% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Chris Cohen
Green Eyes
138 bpm • C Maj • 03:18 • -7db
29% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Cleaners From Venus
Winter in the Country
128 bpm • C Maj • 02:24 • -11.63db
36% Popularity • 62% Danceability • 44% Energy • 15% Liveness
73% Instrumentalness • 76% Positiveness
36% Popularity • 62% Danceability • 44% Energy • 15% Liveness
73% Instrumentalness • 76% Positiveness
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Gap Dream
Go Ahead
138 bpm • D Maj • 02:22 • -6.97db
31% Popularity • 41% Danceability • 69% Energy • 32% Liveness
98% Instrumentalness • 74% Positiveness
31% Popularity • 41% Danceability • 69% Energy • 32% Liveness
98% Instrumentalness • 74% Positiveness
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Cola
So Excited
138 bpm • G min • 03:00 • -6.87db
41% Popularity • 57% Danceability • 74% Energy • 11% Liveness
78% Instrumentalness • 83% Positiveness
41% Popularity • 57% Danceability • 74% Energy • 11% Liveness
78% Instrumentalness • 83% Positiveness
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Tonstartssbandht
Rodas 1916
128 bpm • C# Maj • 04:41 • -9.33db
4% Popularity • 17% Danceability • 70% Energy • 32% Liveness
80% Instrumentalness • 7% Positiveness
4% Popularity • 17% Danceability • 70% Energy • 32% Liveness
80% Instrumentalness • 7% Positiveness
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Jon McKiel
Secret Mana
139 bpm • G Maj • 02:18 • -12.15db
14% Popularity • 48% Danceability • 36% Energy • 12% Liveness
20% Instrumentalness • 38% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 12% Liveness
20% Instrumentalness • 38% Positiveness
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Laetitia Sadier
The Natural Child
139 bpm • B min • 04:00 • -8.03db
21% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jeff Cowell
We All Know
127 bpm • E Maj • 03:17 • -8.17db
16% Popularity • 53% Danceability • 48% Energy • 18% Liveness
81% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 48% Energy • 18% Liveness
81% Instrumentalness • 44% Positiveness
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Jessica Pratt
I've Got A Feeling
127 bpm • F# Maj • 03:50 • -9.77db
33% Popularity • 29% Danceability • 47% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
33% Popularity • 29% Danceability • 47% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
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Cola
Met Resistance
127 bpm • A Maj • 03:12 • -7.66db
30% Popularity • 64% Danceability • 77% Energy • 9% Liveness
40% Instrumentalness • 61% Positiveness
30% Popularity • 64% Danceability • 77% Energy • 9% Liveness
40% Instrumentalness • 61% Positiveness
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Dick Stusso
Up The Stream
139 bpm • D Maj • 02:43 • -18.72db
25% Popularity • 55% Danceability • 8% Energy • 11% Liveness
43% Instrumentalness • 16% Positiveness
25% Popularity • 55% Danceability • 8% Energy • 11% Liveness
43% Instrumentalness • 16% Positiveness
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caroline
IWR
140 bpm • G Maj • 06:29 • -10.25db
25% Popularity • 32% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
25% Popularity • 32% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Jack Name
Waiting for Another Moon
140 bpm • C Maj • 02:12 • -9.05db
32% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
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Sun City Girls
Vine Street Piano (Orchestral)
140 bpm • C Maj • 03:51 • -14.5db
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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DRINKS
You Could Be Better
126 bpm • F min • 05:00 • -8.93db
10% Popularity • 79% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 79% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Chris Cohen
Don't Look Today
140 bpm • E Maj • 03:58 • -6db
14% Popularity • 39% Danceability • 71% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
14% Popularity • 39% Danceability • 71% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
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Brittle Brian
The Trout Drive
126 bpm • F Maj • 02:41 • -17.69db
13% Popularity • 45% Danceability • 24% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
13% Popularity • 45% Danceability • 24% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
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Peel Dream Magazine
Upper Body Calaesthetics
140 bpm • F Maj • 02:10 • -9.13db
23% Popularity • 47% Danceability • 58% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
23% Popularity • 47% Danceability • 58% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Stereolab
I'm Going Out Of My Way - Demo
126 bpm • B Maj • 01:45 • -13.04db
8% Popularity • 54% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
8% Popularity • 54% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
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Tonstartssbandht
Tonstartssbandht?
126 bpm • A# Maj • 01:14 • -6.62db
23% Popularity • 22% Danceability • 95% Energy • 87% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 95% Energy • 87% Liveness
89% Instrumentalness • 4% Positiveness
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Parsley Sound
Find the Heat
126 bpm • D Maj • 03:10 • -14.49db
12% Popularity • 47% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 47% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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mark william lewis
Angel Investor
126 bpm • D Maj • 03:00 • -9db
18% Popularity • 70% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 44% Positiveness
18% Popularity • 70% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 44% Positiveness
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The Sea and Cake
The Argument
140 bpm • D Maj • 05:02 • -9db
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 94% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 94% Positiveness
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Jessica Pratt
Game That I Play
126 bpm • G# Maj • 04:15 • -12db
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
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Chanel Beads
Ef
141 bpm • D Maj • 02:58 • -7.74db
40% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
40% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
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Tonstartssbandht
Shot to La Parc
141 bpm • D min • 04:43 • -6.61db
7% Popularity • 20% Danceability • 89% Energy • 24% Liveness
3% Instrumentalness • 20% Positiveness
7% Popularity • 20% Danceability • 89% Energy • 24% Liveness
3% Instrumentalness • 20% Positiveness
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Cate Le Bon
Sad Nudes
125 bpm • C Maj • 03:08 • -8.77db
24% Popularity • 66% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 54% Positiveness
24% Popularity • 66% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 54% Positiveness
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The Cleaners From Venus
The Artichoke That Loved Me
125 bpm • G min • 03:12 • -9db
42% Popularity • 65% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 76% Positiveness
42% Popularity • 65% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 76% Positiveness
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Jonnine
I Put a Little Thing in Your Pocket
125 bpm • G Maj • 01:04 • -16.42db
37% Popularity • 66% Danceability • 19% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
37% Popularity • 66% Danceability • 19% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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The Clean
Golden Crown
125 bpm • C Maj • 01:39 • -11.01db
40% Popularity • 70% Danceability • 34% Energy • 36% Liveness
11% Instrumentalness • 67% Positiveness
40% Popularity • 70% Danceability • 34% Energy • 36% Liveness
11% Instrumentalness • 67% Positiveness
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Good Sad Happy Bad
Honey
124 bpm • C# min • 02:21 • -10db
19% Popularity • 75% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
19% Popularity • 75% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Tonstartssbandht
Subtropic Gleme Rock
125 bpm • F Maj • 03:22 • -9.28db
3% Popularity • 18% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 2% Positiveness
3% Popularity • 18% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 2% Positiveness
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Yves Jarvis
Bootstrap Jubilee
124 bpm • G Maj • 02:32 • -5.61db
21% Popularity • 65% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Chanel Beads
Male Friendship
125 bpm • D Maj • 04:15 • -12.22db
29% Popularity • 49% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 49% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 35% Positiveness
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Chris Cohen
Yesterday’s On My Mind
124 bpm • D min • 03:17 • -7db
32% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
32% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
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Stereolab
Super Falling Star
124 bpm • B min • 03:16 • -15db
37% Popularity • 37% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
37% Popularity • 37% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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Art Feynman
Win Win
143 bpm • D Maj • 02:16 • -18.08db
33% Popularity • 72% Danceability • 16% Energy • 10% Liveness
68% Instrumentalness • 38% Positiveness
33% Popularity • 72% Danceability • 16% Energy • 10% Liveness
68% Instrumentalness • 38% Positiveness
