Songs like Magic Tree And I Let Myself Go by Craig Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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Craig Armstrong
Magic Tree And I Let Myself Go
62 bpm • F min • 05:17 • -28db
38% Popularity • 6% Danceability • 2% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Guy Farley
Wake of Death - Reunited
61 bpm • C min • 02:34 • -17db
46% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
46% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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Mychael Danna
Leaving India
61 bpm • G Maj • 01:20 • -27.55db
39% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Building the Raft
63 bpm • C min • 01:59 • -23.91db
22% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Craig Armstrong
Will's Wish
63 bpm • F min • 01:57 • -26.49db
20% Popularity • 14% Danceability • 2% Energy • 15% Liveness
69% Instrumentalness • 5% Positiveness
20% Popularity • 14% Danceability • 2% Energy • 15% Liveness
69% Instrumentalness • 5% Positiveness
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George Fenton
If Only
63 bpm • G Maj • 01:06 • -20db
48% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
48% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Brian Reitzell
End Suite
60 bpm • B min • 05:29 • -24.9db
15% Popularity • 6% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Rennicks
Together Again
64 bpm • F min • 02:53 • -28.86db
54% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Journey To Dignitas
64 bpm • C min • 01:40 • -22.72db
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Mark McKenzie
Keep Looking Up
64 bpm • F Maj • 02:29 • -26db
42% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Weyland
64 bpm • C Maj • 02:04 • -28.64db
37% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
37% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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George Fenton
You Weren't There
60 bpm • G Maj • 01:40 • -23db
36% Popularity • 17% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Sim
A Ball
65 bpm • E min • 01:02 • -25.79db
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Craig Armstrong
Your Song
64 bpm • C Maj • 02:28 • -16db
40% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
40% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
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Mark McKenzie
Goodbye My Friend
65 bpm • D Maj • 02:34 • -23.19db
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Henry Jackman
The Necklace
65 bpm • D min • 01:21 • -24.31db
31% Popularity • 24% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
31% Popularity • 24% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Everyone's Gone
65 bpm • D min • 02:41 • -37.04db
36% Popularity • 7% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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George Fenton
The Proposal
65 bpm • F Maj • 01:57 • -25.74db
30% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Lou Shaves Will
65 bpm • C Maj • 01:47 • -23.06db
31% Popularity • 40% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Samuel Sim
The World Has Left Us Behind
66 bpm • G Maj • 01:41 • -28.38db
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Nicholas Britell
Little's Theme
66 bpm • G Maj • 00:59 • -24.11db
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mark McKenzie
Love Changes Everything
58 bpm • F Maj • 02:18 • -32.51db
47% Popularity • 12% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
47% Popularity • 12% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
The Dreams that Stuff is Made Of
58 bpm • C min • 01:51 • -20.41db
57% Popularity • 36% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
57% Popularity • 36% Danceability • 9% Energy • 12% Liveness
74% Instrumentalness • 8% Positiveness
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Craig Armstrong
Hotel Sayre
66 bpm • B min • 03:22 • -20.6db
46% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
46% Popularity • 20% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Trevor Yuile
An Honour
66 bpm • C Maj • 02:54 • -26.35db
11% Popularity • 20% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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George Fenton
The Ruins
66 bpm • D Maj • 04:10 • -24.7db
26% Popularity • 6% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 6% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Anne Dudley
The Blue Dress
67 bpm • D# Maj • 02:03 • -17.36db
24% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
The Anointing
58 bpm • D min • 05:13 • -29.1db
31% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Clint Mansell
Blossoming Chestnut Trees
67 bpm • D min • 04:54 • -16.81db
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Christian Henson
Open Seas
68 bpm • G Maj • 01:33 • -16.28db
33% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Head of the Family
68 bpm • D min • 02:41 • -23.87db
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Will Bates
Palimpsest
68 bpm • G# Maj • 01:55 • -30db
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Craig Armstrong
Oak Returns
68 bpm • C Maj • 02:17 • -19.62db
32% Popularity • 21% Danceability • 8% Energy • 7% Liveness
55% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 8% Energy • 7% Liveness
55% Instrumentalness • 3% Positiveness
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Jordan Seigel
Eloise
56 bpm • E Maj • 01:19 • -21.53db
59% Popularity • 29% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
59% Popularity • 29% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Rob Lane
Gwen & Arthur
68 bpm • D# min • 00:55 • -25db
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dishes Are Never a Chore
69 bpm • G Maj • 02:55 • -17db
20% Popularity • 24% Danceability • 12% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 12% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Craig Armstrong
That Night He Told Me Everything
69 bpm • C Maj • 04:50 • -26.63db
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Clinton Shorter
Sacrifice
69 bpm • G min • 01:26 • -18.88db
51% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
51% Popularity • 22% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Justin Hurwitz
Crater
69 bpm • B min • 02:00 • -21.5db
44% Popularity • 23% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
44% Popularity • 23% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Kloser
I Was Not Brave
55 bpm • G min • 01:47 • -28.4db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Calum Martin
Martyrdom (Movement 1)
70 bpm • G Maj • 02:08 • -23.85db
38% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
38% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Into the Fray
70 bpm • C Maj • 01:49 • -26.53db
40% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
40% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Anne Dudley
Love of My Life
54 bpm • B Maj • 01:59 • -13.84db
27% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
27% Popularity • 7% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Thomas Newman
Angela Undress
71 bpm • E min • 01:43 • -31.23db
37% Popularity • 22% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Britell
Lavender Oil
71 bpm • G Maj • 02:07 • -33.01db
31% Popularity • 9% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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John Debney
Mia's Decision - Score
54 bpm • A Maj • 02:18 • -20.72db
41% Popularity • 22% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
41% Popularity • 22% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Rael Jones
Green Shoots
54 bpm • E min • 01:26 • -28.79db
32% Popularity • 31% Danceability • 5% Energy • 33% Liveness
3% Instrumentalness • 8% Positiveness
32% Popularity • 31% Danceability • 5% Energy • 33% Liveness
3% Instrumentalness • 8% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Marius de Vries
Balcony Scene
72 bpm • C Maj • 05:20 • -25.68db
22% Popularity • 15% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, CD 82: III. Clair de ...
72 bpm • C# Maj • 04:46 • -32.07db
31% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Armstrong: Love Theme
72 bpm • G Maj • 02:51 • -18db
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Clint Eastwood
Blue Morgan (End Credits)
72 bpm • C Maj • 04:29 • -25.13db
31% Popularity • 25% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
31% Popularity • 25% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Take It, It's Yours
53 bpm • B min • 02:07 • -13.74db
45% Popularity • 24% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Craig Armstrong
Paris
73 bpm • B Maj • 03:26 • -18.03db
35% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
35% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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John Debney
The Princess Diaries Medley - Score
73 bpm • F Maj • 03:23 • -20db
37% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
45% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dead Myrtle
73 bpm • C# Maj • 04:07 • -27.51db
16% Popularity • 6% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 6% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Randy Edelman
Love Theme
74 bpm • G Maj • 01:46 • -19db
42% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
46% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Andrea Guerra
Alta societÃ
74 bpm • G# Maj • 02:22 • -25.2db
39% Popularity • 18% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
39% Popularity • 18% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Calum Martin
Ballantyne (Movement 5 Your Shadow)
75 bpm • D# Maj • 02:32 • -22.33db
35% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Lana Del Rey
Honeymoon
75 bpm • F min • 05:50 • -13.27db
64% Popularity • 17% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
64% Popularity • 17% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Ólafur Arnalds
Broken
75 bpm • E min • 04:19 • -21.13db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
