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Magic
Songs like
Magic
by
Otis McDonald
Based on a tempo of (+/- 10%) and a similar genre
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Mai Ligne
Funky Street
90 bpm • E min • 02:30 • -5.29db
11% Popularity • 79% Danceability • 84% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
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Blue Topaz
Made It to Carrollton
90 bpm • C Maj • 02:00 • -10.28db
25% Popularity • 90% Danceability • 26% Energy • 9% Liveness
65% Instrumentalness • 87% Positiveness
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Pro Reese
Hip Hop Pro
90 bpm • D# min • 02:18 • -5.62db
19% Popularity • 81% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
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LemKuuja
jude.05
90 bpm • F# Maj • 02:29 • -9.81db
9% Popularity • 76% Danceability • 79% Energy • 32% Liveness
2% Instrumentalness • 73% Positiveness
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Floppy Circus
Greetings From
90 bpm • C# min • 02:42 • -7.98db
18% Popularity • 60% Danceability • 37% Energy • 8% Liveness
88% Instrumentalness • 60% Positiveness
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Steven O'Brien
Enjoy Yourself
90 bpm • A# min • 03:32 • -9db
8% Popularity • 72% Danceability • 60% Energy • 26% Liveness
90% Instrumentalness • 61% Positiveness
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Mai Ligne
Café Mornings
90 bpm • A# Maj • 03:05 • -8db
17% Popularity • 72% Danceability • 46% Energy • 27% Liveness
1% Instrumentalness • 33% Positiveness
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Fox Morrow
I Ain't Fallin' for That
90 bpm • A Maj • 02:21 • -7.27db
24% Popularity • 74% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Kevin MacLeod
Zazie
90 bpm • E Maj • 03:33 • -12.17db
9% Popularity • 78% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 97% Positiveness
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Guy Trevino and Friends
Good Ol' Days
90 bpm • G# Maj • 02:32 • -6db
12% Popularity • 66% Danceability • 80% Energy • 14% Liveness
82% Instrumentalness • 67% Positiveness
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Ghost Beatz
90's Sidewalkin
90 bpm • C# Maj • 03:57 • -5db
12% Popularity • 79% Danceability • 62% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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Ooyy
Seona
90 bpm • G# min • 03:01 • -7.77db
15% Popularity • 58% Danceability • 79% Energy • 17% Liveness
6% Instrumentalness • 53% Positiveness
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Yellowbase
Liar's Den
90 bpm • F# Maj • 03:12 • -7.59db
13% Popularity • 71% Danceability • 61% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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.oschea
Be Mine
90 bpm • C# Maj • 03:43 • -9.3db
16% Popularity • 65% Danceability • 34% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Proleter
Slits
90 bpm • D min • 04:02 • -6.36db
19% Popularity • 62% Danceability • 74% Energy • 17% Liveness
41% Instrumentalness • 89% Positiveness
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Von Neumann Effect
Escape Theme
90 bpm • D Maj • 02:18 • -10.35db
23% Popularity • 71% Danceability • 55% Energy • 15% Liveness
49% Instrumentalness • 52% Positiveness
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Yuri Wong
Covid-19 (Blow the Wind)
90 bpm • F Maj • 04:22 • -12.32db
11% Popularity • 64% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Ooyy
Breath
90 bpm • G min • 02:54 • -9.34db
19% Popularity • 56% Danceability • 53% Energy • 5% Liveness
43% Instrumentalness • 21% Positiveness
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FrankJavCee
LoFi Hip Hop
90 bpm • F# Maj • 02:31 • -5.41db
8% Popularity • 74% Danceability • 75% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
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Yellowbase
House Of Shadows
90 bpm • G# Maj • 03:31 • -8.82db
13% Popularity • 70% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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Floppy Circus
7 Years of Good Luck
90 bpm • D# min • 03:04 • -9.73db
19% Popularity • 64% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
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Blue Topaz
Wasted Education
90 bpm • G# Maj • 01:57 • -6db
28% Popularity • 88% Danceability • 52% Energy • 32% Liveness
58% Instrumentalness • 83% Positiveness
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Oskar Mike
Fancy
90 bpm • G min • 01:50 • -5.46db
11% Popularity • 83% Danceability • 75% Energy • 26% Liveness
40% Instrumentalness • 96% Positiveness
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Jordyn Edmonds
I Cared
90 bpm • G# min • 02:56 • -5.64db
20% Popularity • 79% Danceability • 62% Energy • 24% Liveness
76% Instrumentalness • 74% Positiveness
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SINY
Detroit
90 bpm • C Maj • 02:50 • -7.03db
16% Popularity • 91% Danceability • 46% Energy • 10% Liveness
54% Instrumentalness • 74% Positiveness
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Yellowbase
Slow Food
90 bpm • D Maj • 03:06 • -7db
20% Popularity • 70% Danceability • 71% Energy • 16% Liveness
84% Instrumentalness • 41% Positiveness
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Floppy Circus
Lost Souls Club
90 bpm • A# Maj • 03:06 • -7.98db
12% Popularity • 54% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 68% Positiveness
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Ben Morfitt (SquidPhysics)
GTA Vice City Inspired Theme
90 bpm • A min • 02:07 • -15.44db
9% Popularity • 68% Danceability • 56% Energy • 38% Liveness
91% Instrumentalness • 52% Positiveness
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Bensound
Happy Rock
90 bpm • G Maj • 01:45 • -4.91db
11% Popularity • 53% Danceability • 69% Energy • 7% Liveness
60% Instrumentalness • 85% Positiveness
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Tekvision
spunky town
90 bpm • E min • 02:32 • -5.57db
11% Popularity • 88% Danceability • 69% Energy • 3% Liveness
74% Instrumentalness • 64% Positiveness
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SINY
Detroit (Aldous Young Remix)
90 bpm • D min • 02:50 • -5.75db
18% Popularity • 90% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 59% Positiveness
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Marcus D
Tengu
90 bpm • G# Maj • 03:55 • -5.98db
15% Popularity • 71% Danceability • 56% Energy • 41% Liveness
77% Instrumentalness • 53% Positiveness
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Not the King
Wanderlust
90 bpm • F# min • 02:30 • -6.71db
11% Popularity • 74% Danceability • 89% Energy • 79% Liveness
79% Instrumentalness • 46% Positiveness
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Anton Vlasov
I Will Wait
90 bpm • F min • 02:12 • -3.62db
10% Popularity • 74% Danceability • 82% Energy • 9% Liveness
21% Instrumentalness • 66% Positiveness
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Otis McDonald
Magic
90 bpm • B min • 02:13 • -6.45db
13% Popularity • 76% Danceability • 80% Energy • 23% Liveness
75% Instrumentalness • 95% Positiveness
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Smith The Mister
Riviera
90 bpm • F min • 02:53 • -8db
20% Popularity • 83% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
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Kontekst
Freestyle Beat 4.2
89 bpm • E min • 01:58 • -13.4db
13% Popularity • 74% Danceability • 62% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
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Grolok Panicrum
Decouverte
91 bpm • A min • 02:18 • -3db
29% Popularity • 51% Danceability • 61% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Jesse James
Chi
91 bpm • G Maj • 04:34 • -10.6db
22% Popularity • 65% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Tennyson
Violet Alturas
89 bpm • C# Maj • 02:55 • -4.78db
8% Popularity • 68% Danceability • 72% Energy • 25% Liveness
24% Instrumentalness • 60% Positiveness
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Otis McDonald
Truckee, CA
91 bpm • D Maj • 02:48 • -7.32db
9% Popularity • 80% Danceability • 51% Energy • 28% Liveness
86% Instrumentalness • 61% Positiveness
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Loxbeats
Finally
91 bpm • F# min • 02:09 • -8.74db
21% Popularity • 77% Danceability • 34% Energy • 14% Liveness
87% Instrumentalness • 64% Positiveness
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Mitch Geist
Love Doesn't Grow in Massachusetts
89 bpm • A min • 02:25 • -2.27db
10% Popularity • 71% Danceability • 69% Energy • 42% Liveness
68% Instrumentalness • 38% Positiveness
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Jobii
Duck in a Box
91 bpm • A# min • 02:20 • -8.22db
33% Popularity • 72% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 53% Positiveness
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Omari Jazz
One 4 Galactus
91 bpm • F min • 01:59 • -9.04db
11% Popularity • 46% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Marcus D
Dreamscape
91 bpm • A# min • 04:39 • -5.04db
11% Popularity • 77% Danceability • 68% Energy • 13% Liveness
8% Instrumentalness • 36% Positiveness
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Melv
Super
91 bpm • G min • 01:34 • -6.65db
13% Popularity • 70% Danceability • 82% Energy • 37% Liveness
17% Instrumentalness • 62% Positiveness
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Oh No
Welcome To Los Santos
89 bpm • E min • 02:34 • -9db
54% Popularity • 68% Danceability • 43% Energy • 10% Liveness
18% Instrumentalness • 39% Positiveness
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SINY
Out of Love
89 bpm • A min • 02:34 • -11db
12% Popularity • 79% Danceability • 36% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
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Guggenz
Next Stop
89 bpm • F# Maj • 01:57 • -6.22db
8% Popularity • 75% Danceability • 80% Energy • 12% Liveness
16% Instrumentalness • 83% Positiveness
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Otis McDonald
Drive
91 bpm • E min • 02:37 • -8.66db
14% Popularity • 74% Danceability • 52% Energy • 6% Liveness
82% Instrumentalness • 85% Positiveness
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George Georgia
Silver Sunrays
91 bpm • F min • 04:10 • -13.04db
14% Popularity • 34% Danceability • 47% Energy • 13% Liveness
74% Instrumentalness • 11% Positiveness
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Jesse James
Poncho
91 bpm • B Maj • 03:14 • -9.97db
16% Popularity • 86% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Kiefer
Superhero
88 bpm • A min • 02:46 • -9.1db
40% Popularity • 55% Danceability • 51% Energy • 9% Liveness
65% Instrumentalness • 61% Positiveness
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Go Yama
Space Dandy Bump
92 bpm • C Maj • 03:07 • -10db
12% Popularity • 56% Danceability • 55% Energy • 44% Liveness
4% Instrumentalness • 80% Positiveness
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Justnormal
Still Here Waiting
88 bpm • G# min • 02:28 • -9.04db
22% Popularity • 75% Danceability • 52% Energy • 10% Liveness
74% Instrumentalness • 23% Positiveness
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Otis McDonald
Celebration
92 bpm • G# Maj • 02:45 • -8.04db
16% Popularity • 87% Danceability • 74% Energy • 11% Liveness
78% Instrumentalness • 94% Positiveness
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Bensound
Sci-Fi
88 bpm • A Maj • 04:44 • -13.24db
15% Popularity • 53% Danceability • 77% Energy • 12% Liveness
94% Instrumentalness • 21% Positiveness
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Jesse James
Blue Shado
88 bpm • G# min • 04:42 • -7.06db
8% Popularity • 81% Danceability • 42% Energy • 13% Liveness
77% Instrumentalness • 40% Positiveness
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Blue Topaz
Without a Doubt
92 bpm • F min • 02:05 • -9db
11% Popularity • 67% Danceability • 55% Energy • 13% Liveness
82% Instrumentalness • 60% Positiveness
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Guggenz
Let You Go Away
92 bpm • B min • 04:02 • -3.31db
12% Popularity • 56% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Sarah, the Illstrumentalist
Oak City
92 bpm • F# Maj • 02:47 • -7.26db
22% Popularity • 84% Danceability • 49% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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junior state
Shelter
92 bpm • F# min • 03:22 • -5.64db
13% Popularity • 67% Danceability • 69% Energy • 17% Liveness
64% Instrumentalness • 46% Positiveness
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Maxwell Young
Constellations
92 bpm • F# Maj • 02:18 • -9.14db
8% Popularity • 70% Danceability • 46% Energy • 14% Liveness
99% Instrumentalness • 44% Positiveness
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The New Fools
Pandora
88 bpm • A min • 03:14 • -10.64db
9% Popularity • 85% Danceability • 54% Energy • 21% Liveness
78% Instrumentalness • 64% Positiveness
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AQUA STONE THRONE
Just Begun
92 bpm • A Maj • 03:19 • -6.86db
12% Popularity • 59% Danceability • 86% Energy • 35% Liveness
14% Instrumentalness • 29% Positiveness
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Matt Large
Better Days Will Come
88 bpm • C# min • 02:47 • -9.1db
15% Popularity • 72% Danceability • 75% Energy • 29% Liveness
87% Instrumentalness • 63% Positiveness
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Amber Spill
Who Dat
88 bpm • B Maj • 02:17 • -7.49db
25% Popularity • 69% Danceability • 47% Energy • 20% Liveness
82% Instrumentalness • 47% Positiveness
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Floppy Circus
U Don't Understand
88 bpm • B min • 02:19 • -7.39db
20% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Maxwell Young
Should I?
92 bpm • D min • 01:57 • -5.49db
19% Popularity • 67% Danceability • 65% Energy • 9% Liveness
8% Instrumentalness • 39% Positiveness
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J3PO
The Crab
92 bpm • G# Maj • 02:45 • -9.89db
16% Popularity • 68% Danceability • 49% Energy • 10% Liveness
78% Instrumentalness • 55% Positiveness
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Tennyson
Like What
88 bpm • A min • 03:47 • -10.94db
28% Popularity • 62% Danceability • 42% Energy • 30% Liveness
90% Instrumentalness • 22% Positiveness
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Broke For Free
Juparo
88 bpm • C Maj • 04:08 • -7.76db
28% Popularity • 64% Danceability • 82% Energy • 38% Liveness
93% Instrumentalness • 63% Positiveness
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Amber Spill
Woop
88 bpm • E min • 02:35 • -7.11db
18% Popularity • 84% Danceability • 44% Energy • 59% Liveness
78% Instrumentalness • 87% Positiveness
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Otis McDonald
Ever Felt, Pt. 2
92 bpm • D min • 02:20 • -6.94db
23% Popularity • 80% Danceability • 56% Energy • 60% Liveness
65% Instrumentalness • 81% Positiveness
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Matt Large
The Wait Is Over
88 bpm • D Maj • 02:19 • -10.43db
27% Popularity • 68% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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SINY
Woke
88 bpm • C# Maj • 02:27 • -8db
20% Popularity • 67% Danceability • 38% Energy • 16% Liveness
91% Instrumentalness • 41% Positiveness
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Otxhello
free from these chains
92 bpm • G# min • 03:09 • -5.04db
11% Popularity • 86% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Maker
Circle of Success
88 bpm • F# min • 03:19 • -12.46db
14% Popularity • 70% Danceability • 64% Energy • 15% Liveness
36% Instrumentalness • 46% Positiveness
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Loxbeats
Underground Stars
88 bpm • E min • 02:46 • -10.44db
23% Popularity • 84% Danceability • 34% Energy • 10% Liveness
71% Instrumentalness • 68% Positiveness
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Steven O'Brien
If Anyone Dies - Instrumental
92 bpm • G# Maj • 02:52 • -8.22db
13% Popularity • 79% Danceability • 32% Energy • 15% Liveness
70% Instrumentalness • 16% Positiveness
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Marcus D
Lady Luck
92 bpm • F min • 03:38 • -8.35db
12% Popularity • 85% Danceability • 62% Energy • 12% Liveness
30% Instrumentalness • 54% Positiveness
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Kevin MacLeod
The Cannery
93 bpm • G min • 03:01 • -8db
25% Popularity • 31% Danceability • 87% Energy • 7% Liveness
77% Instrumentalness • 74% Positiveness
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Slacker
Orange Juice
93 bpm • A# min • 01:51 • -13.5db
15% Popularity • 64% Danceability • 45% Energy • 8% Liveness
66% Instrumentalness • 71% Positiveness
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Otis McDonald
We Made It
93 bpm • A min • 02:34 • -10.19db
10% Popularity • 52% Danceability • 89% Energy • 12% Liveness
80% Instrumentalness • 69% Positiveness
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SINY
Detroit Vibes
93 bpm • F# Maj • 02:33 • -9.36db
11% Popularity • 81% Danceability • 33% Energy • 10% Liveness
17% Instrumentalness • 40% Positiveness
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Henyao
Rainy Sunday
93 bpm • A Maj • 02:28 • -8.59db
30% Popularity • 78% Danceability • 36% Energy • 5% Liveness
33% Instrumentalness • 51% Positiveness
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Marcus D
Apparition in the Night
93 bpm • G# Maj • 04:18 • -6.03db
11% Popularity • 70% Danceability • 51% Energy • 6% Liveness
19% Instrumentalness • 65% Positiveness
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Sarah, the Illstrumentalist
Sunset In The Maldives
93 bpm • E min • 02:47 • -4.01db
16% Popularity • 73% Danceability • 72% Energy • 14% Liveness
88% Instrumentalness • 59% Positiveness
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xIParano
Stop
93 bpm • G Maj • 03:21 • -7.88db
11% Popularity • 70% Danceability • 79% Energy • 14% Liveness
88% Instrumentalness • 20% Positiveness
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Drizzle
Roots of Legend
93 bpm • A# min • 01:01 • -7.88db
13% Popularity • 71% Danceability • 75% Energy • 14% Liveness
84% Instrumentalness • 68% Positiveness
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SINY
Don't Break
93 bpm • F min • 02:34 • -10.76db
10% Popularity • 78% Danceability • 43% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
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akihabara!
up and down
93 bpm • G Maj • 03:05 • -13db
12% Popularity • 75% Danceability • 35% Energy • 16% Liveness
79% Instrumentalness • 50% Positiveness
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Yellowbase
Blue Hills
93 bpm • D Maj • 03:23 • -4.52db
24% Popularity • 72% Danceability • 85% Energy • 28% Liveness
87% Instrumentalness • 33% Positiveness
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Jordyn Edmonds
Rough
93 bpm • C Maj • 03:05 • -5.24db
29% Popularity • 81% Danceability • 45% Energy • 10% Liveness
30% Instrumentalness • 63% Positiveness
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Densky9
Food
93 bpm • D min • 02:34 • -4.92db
19% Popularity • 68% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
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Matt Large
Thru the Wall
87 bpm • E min • 02:28 • -4.83db
16% Popularity • 82% Danceability • 62% Energy • 7% Liveness
87% Instrumentalness • 56% Positiveness
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Guggenz
Miles Apart
87 bpm • F# min • 04:27 • -3.71db
8% Popularity • 61% Danceability • 74% Energy • 30% Liveness
17% Instrumentalness • 25% Positiveness
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Otis McDonald
Livin' Up
87 bpm • G Maj • 02:06 • -8db
9% Popularity • 72% Danceability • 82% Energy • 7% Liveness
74% Instrumentalness • 92% Positiveness
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layo
werdieflinteinskornwirftsollteaufpassend...
93 bpm • C# Maj • 02:44 • -13.69db
16% Popularity • 75% Danceability • 30% Energy • 6% Liveness
96% Instrumentalness • 71% Positiveness
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Magic