Songs like Magical Gus - From The Motion Picture Soundtrack "Cats" by Andrew Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tracy Nicole Chapman
Chow Down
141 bpm • E Maj • 03:17 • -9.57db
37% Popularity • 54% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 54% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
Magical Gus
141 bpm • F# min • 00:36 • -32.47db
21% Popularity • 14% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Mersisters - The Little Mermaid Original Broadway Cast
Daughters of Triton
140 bpm • C Maj • 01:19 • -18db
36% Popularity • 59% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 59% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Marius de Vries
I Wanna Dance With Somebody (Who Loves M...
142 bpm • F Maj • 01:00 • -13.27db
28% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
28% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Sutton Foster
Morning Person
140 bpm • B Maj • 03:24 • -8.55db
42% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Lloyd Webber
Bathing Beauty
140 bpm • G Maj • 04:03 • -11.95db
18% Popularity • 54% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 54% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
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Marc Shaiman
Off to Topsy’s
140 bpm • F# Maj • 02:53 • -15.89db
29% Popularity • 42% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 30% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 30% Positiveness
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Burke Moses
The Mob Song
143 bpm • A min • 03:02 • -17.03db
33% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
The Launching: The 1st Class Roster
139 bpm • G min • 02:34 • -18.64db
23% Popularity • 54% Danceability • 15% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 54% Danceability • 15% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
37% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
Jacob & Sons / Joseph's Coat
142 bpm • A Maj • 05:37 • -16.26db
39% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Lin-Manuel Miranda
(Underneath the) Lovely London Sky
143 bpm • C Maj • 03:46 • -13.94db
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Original London Cast
Let's Play A Love Scene - Reprise From T...
139 bpm • F# Maj • 02:46 • -13.28db
17% Popularity • 36% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 36% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Vicki Simon
I Cain't Say No
139 bpm • F Maj • 02:53 • -10db
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Meryl Streep
Changing Lives - Reprise
144 bpm • E min • 01:54 • -6.57db
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Tveit
Elephant Love Medley
144 bpm • D# Maj • 05:25 • -4.9db
49% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Lloyd Webber
Bathing Beauty
143 bpm • C Maj • 03:39 • -11.45db
16% Popularity • 49% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 49% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
26% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
26% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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Fiddler on the Roof 2016 Broadway Orchestra
The Departure
138 bpm • C Maj • 01:30 • -19.1db
17% Popularity • 40% Danceability • 7% Energy • 14% Liveness
71% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 7% Energy • 14% Liveness
71% Instrumentalness • 12% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Over the Top
138 bpm • C Maj • 03:02 • -5db
33% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Joel Hatch
Screech In
138 bpm • G Maj • 04:03 • -6db
40% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Megan Mullally
Deep Love
144 bpm • G# Maj • 03:13 • -7.3db
21% Popularity • 39% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 39% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Lloyd Webber
Only For Him / Only For You
139 bpm • C Maj • 03:53 • -13.23db
19% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Original Broadway Cast Of School Of Rock
Queen of the Night
144 bpm • D Maj • 01:58 • -8.1db
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
29% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
My Man, Your Boy
138 bpm • A min • 02:29 • -8db
31% Popularity • 35% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Nathan Taylor as Valentine
Temper, Temper - London Cast Recording
137 bpm • A# Maj • 04:15 • -15.01db
21% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
The Ball
143 bpm • A# min • 09:35 • -13.59db
15% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Caissie Levy
Let It Go
137 bpm • G Maj • 03:46 • -5.36db
43% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Cast of Ghost - The Musical
More
137 bpm • C Maj • 02:24 • -7.7db
19% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Strouse
NYC Reprise/Lullaby (Oliver Warbucks) - ...
136 bpm • C Maj • 01:08 • -19.07db
19% Popularity • 21% Danceability • 13% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
19% Popularity • 21% Danceability • 13% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
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Original Cast of Billy Elliot
The Letter
146 bpm • C Maj • 03:47 • -17.32db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Andrew Lloyd Webber
The Cinderella Waltz
138 bpm • G# Maj • 02:58 • -10.75db
17% Popularity • 20% Danceability • 40% Energy • 82% Liveness
89% Instrumentalness • 26% Positiveness
17% Popularity • 20% Danceability • 40% Energy • 82% Liveness
89% Instrumentalness • 26% Positiveness
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Rodgers & Hammerstein
Entr'acte
136 bpm • F Maj • 02:03 • -11.99db
8% Popularity • 38% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 35% Positiveness
8% Popularity • 38% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 35% Positiveness
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Angela Christian
How the Other Half Lives
136 bpm • A Maj • 02:42 • -13.98db
23% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Gary Beach
Be Our Guest
146 bpm • G Maj • 06:55 • -15db
38% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Christy Altomare
Once Upon a December (Reprise)
136 bpm • A min • 00:57 • -19.79db
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Chester Gregory II
Who Better Than Me - Broadway Cast Recor...
136 bpm • C# min • 01:50 • -4.34db
20% Popularity • 80% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 80% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Andrew Lloyd Webber
Growltiger's Last Stand / The Ballad Of ...
138 bpm • E Maj • 09:40 • -13.05db
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sally Dexter
As Long As He Needs Me - Reprise
146 bpm • F Maj • 02:16 • -13.35db
26% Popularity • 30% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 30% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Oompa-Loompas
Juicy!
136 bpm • F Maj • 02:18 • -6db
31% Popularity • 76% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 76% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Charlotte Spencer as Jane Banks
The Perfect Nanny - London Cast Recordin...
136 bpm • D Maj • 01:14 • -17.77db
27% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Finale
147 bpm • F min • 02:19 • -5.17db
31% Popularity • 48% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 48% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Original London Cast
Let's Play A Love Scene
136 bpm • B Maj • 03:55 • -14db
23% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Lloyd Webber
Go, Go, Go Joseph
145 bpm • D Maj • 05:28 • -17.34db
37% Popularity • 43% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 43% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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John Riddle
Hans of the Southern Isles
147 bpm • G Maj • 01:35 • -16.54db
35% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up / Naughty (Reprise)
147 bpm • F Maj • 02:10 • -7db
38% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Jared Grimes
Eddie's Tap
135 bpm • C Maj • 01:54 • -9.91db
20% Popularity • 69% Danceability • 81% Energy • 35% Liveness
67% Instrumentalness • 39% Positiveness
20% Popularity • 69% Danceability • 81% Energy • 35% Liveness
67% Instrumentalness • 39% Positiveness
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Original Cast of Billy Elliot
Grandma's Song
147 bpm • A# Maj • 04:40 • -16.14db
28% Popularity • 48% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 48% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Lloyd Webber
Pharaoh's Dream Explained
145 bpm • E Maj • 01:21 • -18.72db
33% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Terrence Mann
How Long Must This Go On?
147 bpm • F min • 00:56 • -21.37db
33% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Greg Hildreth
When Everything Falls Apart
148 bpm • F# min • 03:58 • -7.29db
41% Popularity • 55% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 55% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
32% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Lloyd Webber
Peron's Latest Flame - Original Cast Rec...
137 bpm • C Maj • 04:26 • -19.58db
20% Popularity • 63% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 63% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 65% Positiveness
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James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
30% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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The "Les Misérables" 10th Anniversary Orchestra
Encore 1: Speeches / Do You Hear the Peo...
148 bpm • C Maj • 01:19 • -17.55db
26% Popularity • 12% Danceability • 63% Energy • 99% Liveness
69% Instrumentalness • 26% Positiveness
26% Popularity • 12% Danceability • 63% Energy • 99% Liveness
69% Instrumentalness • 26% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
36% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Original Cast of Billy Elliot
Shine
134 bpm • C min • 06:06 • -9.79db
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Original Broadway Cast of Hamilton
Alexander Hamilton - Instrumental
134 bpm • B min • 03:56 • -10.68db
32% Popularity • 60% Danceability • 39% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
32% Popularity • 60% Danceability • 39% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Andrew Lloyd Webber
Joseph Megamix
137 bpm • C Maj • 08:57 • -16.36db
31% Popularity • 72% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 72% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Jacobs
Diamond in the Rough
133 bpm • D# Maj • 04:18 • -8db
32% Popularity • 54% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
If I Met Myself Again
150 bpm • D# Maj • 03:35 • -7.73db
33% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Strouse
Annie: Something Was Missing
150 bpm • C Maj • 03:42 • -16.86db
23% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Lloyd Webber
Everything's Alright
136 bpm • E Maj • 04:35 • -10.35db
40% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Mackenzie Mauzy
Rapunzel's Song
150 bpm • C# min • 00:55 • -20db
33% Popularity • 20% Danceability • 9% Energy • 42% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 9% Energy • 42% Liveness
94% Instrumentalness • 6% Positiveness
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Marc Shaiman
Run And Tell That - Karaoke Version
150 bpm • A Maj • 03:43 • -5.68db
22% Popularity • 71% Danceability • 91% Energy • 5% Liveness
14% Instrumentalness • 63% Positiveness
22% Popularity • 71% Danceability • 91% Energy • 5% Liveness
14% Instrumentalness • 63% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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'Dogfight' Original Cast Ensemble
Finale: Take Me Back
132 bpm • D Maj • 01:25 • -14.48db
22% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Lloyd Webber
Skimbleshanks: The Railway Cat
147 bpm • E Maj • 04:45 • -11.38db
30% Popularity • 58% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 58% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Original Cast of Billy Elliot
Expressing Yourself
152 bpm • D Maj • 05:13 • -9.67db
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jenifer Lewis
Turn Back The Hands Of Time
132 bpm • F# Maj • 03:04 • -4.59db
23% Popularity • 81% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 81% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Meryl Streep
Turning Turtle
131 bpm • A# min • 04:20 • -9.9db
36% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Eddie Korbich as Scuttle
Human Stuff
130 bpm • G# Maj • 02:31 • -16.04db
33% Popularity • 75% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 75% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Andrew Lloyd Webber
Only For You
135 bpm • G Maj • 03:28 • -13.56db
18% Popularity • 57% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 57% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Original Broadway Cast Of School Of Rock
If Only You Would Listen
130 bpm • F Maj • 03:12 • -5.51db
29% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Patina Miller
Sunday Morning Fever
130 bpm • A# Maj • 05:54 • -7db
32% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Keala Settle
It Ain't Over 'Til The Fat Lady Sings
153 bpm • C Maj • 03:21 • -3.31db
25% Popularity • 74% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 74% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Karen Olivo
It Won't Be Long Now - Radio Edit
130 bpm • D Maj • 03:01 • -8.92db
27% Popularity • 53% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Lloyd Webber
Macavity: The Mystery Cat
134 bpm • A# Maj • 08:23 • -9.46db
32% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Rannells
The Acceptance Song
153 bpm • A# Maj • 03:22 • -6.86db
28% Popularity • 36% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 36% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Original London Cast
Can't Keep It Down
129 bpm • C Maj • 04:38 • -14db
18% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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David Haig as George Banks
Cherry Tree Lane (reprise) / Being Mrs. ...
129 bpm • D Maj • 02:46 • -21.96db
21% Popularity • 51% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 51% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
