Songs like Magnet by NRBQ
Based on a tempo of (+/- 10%) and a similar genre
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Peter Ivers
Ain't That A Kick
85 bpm • C# min • 02:25 • -12.91db
26% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 75% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Pretty Things
She's a Lover
85 bpm • D Maj • 03:32 • -9.42db
34% Popularity • 44% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 44% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
38% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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Jim Ford
It's My Life
85 bpm • A# min • 02:51 • -5.49db
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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The Move
Feel Too Good - 2008 Remaster
85 bpm • G Maj • 09:38 • -7.18db
29% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 51% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jeff Cowell
Momma
85 bpm • G Maj • 02:37 • -7.67db
35% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
35% Popularity • 53% Danceability • 60% Energy • 23% Liveness
34% Instrumentalness • 66% Positiveness
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White Fence
Sandra (When The Earth Dies)
84 bpm • E Maj • 02:26 • -10.97db
40% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Robert Lester Folsom
Written in Your Hair
86 bpm • G Maj • 02:46 • -6.26db
26% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
26% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
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NRBQ
Never Take the Place of You
85 bpm • C min • 03:25 • -10.6db
5% Popularity • 44% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 44% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Wings
Arrow Through Me - Remastered 1993
86 bpm • D Maj • 03:36 • -12.33db
55% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
55% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
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Eugene McDaniels
Outlaw
84 bpm • D Maj • 04:44 • -8.67db
24% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Captain Beefheart
I'm Glad - (1966 Demo)
84 bpm • A Maj • 03:45 • -10.46db
37% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Marc Bolan
Cat Black
84 bpm • D# Maj • 02:33 • -11db
35% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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NRBQ
Never Take the Place of You
84 bpm • D# Maj • 03:24 • -10.15db
10% Popularity • 75% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 75% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Alan Munson
Sightly Sue
86 bpm • G# Maj • 04:33 • -11.01db
32% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 44% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Kathy Heideman
Fine Street Woman
87 bpm • B min • 04:29 • -10.67db
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 51% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Lou Reed
Charley's Girl
87 bpm • A Maj • 02:39 • -7db
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
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Brian Protheroe
Fly Now
87 bpm • G Maj • 02:23 • -15.11db
37% Popularity • 82% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 82% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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John Cale
Barracuda
83 bpm • E Maj • 03:47 • -12.33db
40% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sopwith Camel
Fazon
87 bpm • E min • 05:14 • -11.44db
41% Popularity • 55% Danceability • 42% Energy • 12% Liveness
21% Instrumentalness • 64% Positiveness
41% Popularity • 55% Danceability • 42% Energy • 12% Liveness
21% Instrumentalness • 64% Positiveness
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Lee Dorsey
Occapella
83 bpm • A Maj • 02:43 • -13.84db
33% Popularity • 80% Danceability • 36% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
33% Popularity • 80% Danceability • 36% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
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Jerry Garcia Band
Rubin And Cherise
83 bpm • B Maj • 05:17 • -6.97db
40% Popularity • 64% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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The Action
Brain
83 bpm • G Maj • 03:00 • -7.9db
31% Popularity • 32% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 32% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Traffic
Who Knows What Tomorrow May Bring
83 bpm • F# Maj • 03:13 • -12db
44% Popularity • 56% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 56% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Lovin' Spoonful
Butchie's Tune
87 bpm • D# Maj • 02:35 • -11.03db
37% Popularity • 62% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
37% Popularity • 62% Danceability • 46% Energy • 4% Liveness
2% Instrumentalness • 90% Positiveness
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The 4th Coming
We Got Love
83 bpm • E Maj • 02:42 • -7.69db
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 92% Positiveness
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Mick Jagger
Memo From Turner
83 bpm • A Maj • 04:07 • -9.89db
38% Popularity • 56% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 56% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Gábor Szabó
A Day In The Life
83 bpm • E min • 03:22 • -13.57db
31% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Meters
Wichita Lineman
83 bpm • D min • 02:59 • -15db
34% Popularity • 54% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
34% Popularity • 54% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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The Creation
If I Stay Too Long
88 bpm • A Maj • 03:27 • -6.77db
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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C.W. Stoneking
We Gon' Boogaloo
82 bpm • F Maj • 03:27 • -13db
29% Popularity • 52% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 76% Positiveness
29% Popularity • 52% Danceability • 38% Energy • 7% Liveness
38% Instrumentalness • 76% Positiveness
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Sopwith Camel
Coke, Suede and Waterbeds
88 bpm • A Maj • 03:36 • -10.72db
24% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Badfinger
Dear Angie - Remastered 2010
82 bpm • C# min • 02:40 • -9.11db
53% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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J.J. Cale
Soulin
89 bpm • B min • 02:19 • -15.69db
37% Popularity • 80% Danceability • 34% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
37% Popularity • 80% Danceability • 34% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
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Robert Palmer
Woke Up Laughing
82 bpm • C# Maj • 03:34 • -14.06db
35% Popularity • 70% Danceability • 49% Energy • 61% Liveness
39% Instrumentalness • 96% Positiveness
35% Popularity • 70% Danceability • 49% Energy • 61% Liveness
39% Instrumentalness • 96% Positiveness
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Swamp Dogg
Synthetic World
89 bpm • A# Maj • 03:25 • -16db
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Art Lown
Deep Blue Sea
81 bpm • D Maj • 02:43 • -8.56db
32% Popularity • 56% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 56% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Hurley
Long Journey
81 bpm • E Maj • 02:51 • -13db
32% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Captain Beefheart & His Magic Band
Her Eyes Are a Blue Million Miles
89 bpm • E min • 02:57 • -15.84db
47% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Van Morrison
Astral Weeks - 1999 Remaster
81 bpm • A Maj • 07:06 • -14.81db
51% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Al Green
I'm a Ram
81 bpm • B min • 03:47 • -10.18db
48% Popularity • 85% Danceability • 50% Energy • 21% Liveness
52% Instrumentalness • 88% Positiveness
48% Popularity • 85% Danceability • 50% Energy • 21% Liveness
52% Instrumentalness • 88% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
42% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Kenny Knight
Whiskey
81 bpm • E Maj • 03:25 • -13.94db
28% Popularity • 71% Danceability • 48% Energy • 12% Liveness
42% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 48% Energy • 12% Liveness
42% Instrumentalness • 92% Positiveness
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Kevin Ayers
Don't Let It Get You Down - 2003 Remaste...
81 bpm • C min • 04:03 • -12db
26% Popularity • 43% Danceability • 52% Energy • 7% Liveness
25% Instrumentalness • 48% Positiveness
26% Popularity • 43% Danceability • 52% Energy • 7% Liveness
25% Instrumentalness • 48% Positiveness
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Link Wray
La De Da
90 bpm • D Maj • 04:03 • -9.48db
35% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
35% Popularity • 31% Danceability • 67% Energy • 9% Liveness
33% Instrumentalness • 92% Positiveness
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Nick Lowe
36 Inches High
80 bpm • G Maj • 02:59 • -14.94db
28% Popularity • 63% Danceability • 48% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
28% Popularity • 63% Danceability • 48% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
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George Harrison
Awaiting on You All (Early Take)
90 bpm • A Maj • 02:40 • -7.9db
31% Popularity • 78% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 78% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Little
Spanish Moon
90 bpm • B Maj • 03:06 • -15.68db
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
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Ofege
It's Not Easy
80 bpm • D Maj • 04:23 • -9db
48% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Boz Metzdorf
Sails Across the Sea
90 bpm • D Maj • 05:52 • -9db
28% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Chuck Berry
Oh Louisiana
80 bpm • E Maj • 04:30 • -14.24db
45% Popularity • 70% Danceability • 38% Energy • 13% Liveness
17% Instrumentalness • 80% Positiveness
45% Popularity • 70% Danceability • 38% Energy • 13% Liveness
17% Instrumentalness • 80% Positiveness
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Donovan
Clara Clairvoyant
80 bpm • A Maj • 02:49 • -8.19db
40% Popularity • 72% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 72% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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NRBQ
Things To You
91 bpm • C# Maj • 03:29 • -7.34db
10% Popularity • 59% Danceability • 70% Energy • 19% Liveness
21% Instrumentalness • 48% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 19% Liveness
21% Instrumentalness • 48% Positiveness
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Link Wray
Black River Swamp
90 bpm • G Maj • 03:59 • -13.21db
39% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jim Ford
Dr. Handy's Dandy Candy
91 bpm • D Maj • 02:34 • -5.91db
15% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Taj Mahal
Corinna
79 bpm • A Maj • 03:02 • -13db
48% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Rikki Ililonga
Sheebeen Queen
92 bpm • D Maj • 04:56 • -11.98db
31% Popularity • 39% Danceability • 68% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
31% Popularity • 39% Danceability • 68% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Chris Bell
I Am The Cosmos - Single Version
79 bpm • D# Maj • 03:43 • -7.04db
32% Popularity • 26% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 26% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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NRBQ
I Got A Rocket In My Pocket
80 bpm • C# Maj • 02:39 • -6.9db
14% Popularity • 61% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 61% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Charles
Small Town Talk - Single Version
79 bpm • D Maj • 03:26 • -13db
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Dick Stusso
Getting Loose
78 bpm • A Maj • 03:12 • -12.29db
22% Popularity • 50% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
22% Popularity • 50% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
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Jim Ford
She Turns My Radio On
92 bpm • B min • 03:20 • -6.88db
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Frankie Valli & The Four Seasons
You're A Song (That I Can't Sing)
78 bpm • C min • 03:11 • -9.22db
35% Popularity • 50% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 50% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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The Mamas & The Papas
Snowqueen Of Texas
78 bpm • C# Maj • 02:38 • -15.32db
53% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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NRBQ
Still In School
80 bpm • C# min • 02:24 • -8.72db
13% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
54% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Emitt Rhodes
Promises I've Made
92 bpm • G# Maj • 03:24 • -11.65db
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Alexander 'Skip' Spence
Little Hands
93 bpm • G# min • 03:41 • -11.4db
26% Popularity • 33% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 33% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Little
Fool Yourself
77 bpm • D Maj • 03:16 • -10db
43% Popularity • 54% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Wells Fargo
Love of My Life
94 bpm • C Maj • 03:10 • -7.67db
16% Popularity • 60% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 60% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Emitt Rhodes
You Take The Dark Out Of The Night
78 bpm • A Maj • 02:58 • -10.31db
29% Popularity • 56% Danceability • 48% Energy • 17% Liveness
30% Instrumentalness • 88% Positiveness
29% Popularity • 56% Danceability • 48% Energy • 17% Liveness
30% Instrumentalness • 88% Positiveness
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Bobby Charles
Grow Too Old
94 bpm • A Maj • 04:02 • -7.63db
18% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Sonny & The Sunsets
Pretend You Love Me
77 bpm • F Maj • 05:34 • -9.15db
32% Popularity • 54% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
32% Popularity • 54% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
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Phil Cordell
Red Lady
94 bpm • F# Maj • 02:30 • -4.96db
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Norma Tanega
Now is the Time
77 bpm • D Maj • 03:56 • -7.79db
30% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Dennis Wilson
Dreamer
77 bpm • A# min • 04:22 • -14.5db
31% Popularity • 56% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Skeeter Davis
Ain't Nice to Talk Like That
95 bpm • G# Maj • 02:37 • -8.9db
12% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Link Wray
Ice People
95 bpm • G# Maj • 03:03 • -12.82db
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
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Eugene McDaniels
Welfare City
95 bpm • B min • 02:51 • -8db
19% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 52% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Clarence Carter
I Can't Do Without You
95 bpm • C Maj • 02:34 • -14db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Flying Burrito Brothers
Just Can't Be
95 bpm • D Maj • 04:58 • -12db
43% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
43% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
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Smith
Baby It's You
95 bpm • C# min • 03:27 • -10.63db
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 71% Positiveness
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NRBQ
Waitin' On My Sweetie Pie
96 bpm • A Maj • 02:54 • -7.31db
10% Popularity • 66% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
10% Popularity • 66% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Richard Swift
Lady Luck
95 bpm • A Maj • 04:18 • -9db
47% Popularity • 67% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
47% Popularity • 67% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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Bill Withers
Sweet Wanomi
96 bpm • A Maj • 02:32 • -11.71db
53% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
53% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
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Jonathan Richman & The Modern Lovers
New England
96 bpm • E Maj • 02:23 • -9.18db
30% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
43% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Wells Fargo
Watch Out
96 bpm • G Maj • 03:25 • -8db
29% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Link Wray
Juke Box Mama
96 bpm • G# Maj • 04:27 • -12db
34% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
34% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
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Donovan
Riki Tiki Tavi
97 bpm • C Maj • 02:55 • -9db
38% Popularity • 86% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 86% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Brian Protheroe
Pinball
75 bpm • D# Maj • 03:13 • -11.92db
44% Popularity • 63% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
44% Popularity • 63% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Gene Clark
No Other
97 bpm • D Maj • 05:08 • -14db
43% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
43% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
