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Magneto
Songs like
Magneto
by
Henry Jackman
Based on a tempo of (+/- 10%) and a similar genre
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Marcin Przybyłowicz
Geralt Of Rivia
85 bpm • E min • 02:21 • -12.68db
54% Popularity • 26% Danceability • 57% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Henry Jackman
Magneto
85 bpm • G# Maj • 01:52 • -9db
40% Popularity • 52% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Murray Gold
I Am The Doctor
85 bpm • D min • 04:04 • -11.31db
48% Popularity • 55% Danceability • 39% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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John Ottman
Rough Flight
85 bpm • E min • 05:11 • -12.92db
20% Popularity • 19% Danceability • 42% Energy • 6% Liveness
58% Instrumentalness • 6% Positiveness
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James Newton Howard
The Orange Man - Original Motion Picture...
85 bpm • C# min • 02:29 • -25.56db
26% Popularity • 12% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Christophe Beck
No Courage Without Fear
85 bpm • C min • 03:00 • -17.01db
24% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Stephen Barton
Eno Cordova's Theme
85 bpm • D min • 02:44 • -22.79db
36% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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Henry Jackman
Pain and Anger
85 bpm • F min • 02:58 • -15.1db
26% Popularity • 21% Danceability • 14% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
He Commands The Sea
85 bpm • C Maj • 03:34 • -10db
28% Popularity • 12% Danceability • 51% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Audiomachine
Akkadian Empire
86 bpm • C min • 01:22 • -5.11db
50% Popularity • 49% Danceability • 97% Energy • 4% Liveness
29% Instrumentalness • 43% Positiveness
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Stephen Barton
Bt-7274
85 bpm • B Maj • 05:39 • -11.94db
35% Popularity • 14% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Howard Shore
The Bridge of Khazad Dum
84 bpm • F min • 05:57 • -13.19db
53% Popularity • 30% Danceability • 49% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Alan Silvestri
Infinity War
86 bpm • A min • 02:35 • -16.53db
43% Popularity • 15% Danceability • 27% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Jason Graves
The Tomb Raider
84 bpm • G Maj • 00:51 • -14.94db
27% Popularity • 45% Danceability • 31% Energy • 21% Liveness
91% Instrumentalness • 50% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Daft Punk
C.L.U.
86 bpm • A# Maj • 04:39 • -13.07db
38% Popularity • 35% Danceability • 51% Energy • 23% Liveness
75% Instrumentalness • 5% Positiveness
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John Ottman
Apocalypse
84 bpm • A# Maj • 03:43 • -15.56db
20% Popularity • 15% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Howard Shore
The Uruk-hai
84 bpm • D min • 02:58 • -14.5db
50% Popularity • 12% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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David Arnold
Prepared to do Anything
87 bpm • G min • 04:18 • -19db
26% Popularity • 10% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Joel P West
Xu Shang-Chi
87 bpm • A min • 02:55 • -8.47db
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Natalie Holt
TVA First View
83 bpm • C Maj • 01:06 • -13db
49% Popularity • 8% Danceability • 34% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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John Ottman
Time's Up
84 bpm • G# Maj • 04:18 • -16.49db
21% Popularity • 15% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Howard Shore
The Three Hunters
84 bpm • A min • 06:12 • -16.47db
42% Popularity • 22% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Christopher Drake
Deathstroke
87 bpm • C# Maj • 04:06 • -14.13db
25% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
Task Force X
87 bpm • B min • 04:53 • -9.18db
18% Popularity • 52% Danceability • 66% Energy • 15% Liveness
96% Instrumentalness • 11% Positiveness
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Natalie Holt
Ascension
83 bpm • D min • 04:48 • -13.69db
44% Popularity • 8% Danceability • 18% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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John Ottman
You're X-Men / End Titles
83 bpm • C Maj • 04:09 • -14.23db
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Henry Jackman
Calculated Infiltration
87 bpm • E min • 07:54 • -12.44db
25% Popularity • 17% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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James Newton Howard
Prologue/Parallax Unbound
88 bpm • D Maj • 03:09 • -18.37db
14% Popularity • 45% Danceability • 14% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
37% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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John Ottman
Welcome Back - End Titles
83 bpm • C Maj • 03:57 • -17.82db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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John Paesano
Spider-Man
82 bpm • G min • 03:26 • -18.83db
48% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Murray Gold
This Time There's Three of Us (The Majes...
82 bpm • F Maj • 07:03 • -17.62db
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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James Horner
Becoming Spider-Man
82 bpm • D min • 04:16 • -21.29db
37% Popularity • 15% Danceability • 21% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Jackman
Pick a Puppy
88 bpm • C# Maj • 02:13 • -16.23db
22% Popularity • 18% Danceability • 31% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Craig Armstrong
Hulk Theme (End Credits)
82 bpm • F Maj • 03:58 • -12.56db
19% Popularity • 54% Danceability • 42% Energy • 25% Liveness
76% Instrumentalness • 31% Positiveness
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Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Krutikov Music
Nazgul Theme - Epic Version
88 bpm • A# Maj • 03:18 • -12.72db
32% Popularity • 19% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Henry Jackman
X-Men
88 bpm • A# Maj • 02:58 • -16db
24% Popularity • 12% Danceability • 9% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
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Howard Shore
Amon Hen
81 bpm • A min • 05:02 • -17.73db
45% Popularity • 10% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Joel P West
The Bamboo Spring
89 bpm • B min • 03:18 • -16.71db
29% Popularity • 33% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Nick Arundel
You Should Have Listened to My Warning
89 bpm • C# Maj • 02:10 • -13.87db
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
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Mike Higham
Miss Peregrine's Home for Peculiar Child...
89 bpm • D Maj • 02:46 • -16.23db
26% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Don Davis
Why, Mr. Anderson?
81 bpm • A# min • 06:10 • -10.05db
19% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Howard Shore
The Caverns of Isengard
81 bpm • A min • 04:54 • -15db
44% Popularity • 12% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Joel P West
The Light and the Dark
89 bpm • D min • 01:46 • -11.54db
32% Popularity • 21% Danceability • 59% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Henry Jackman
Taking a Stand
90 bpm • D min • 02:07 • -13.23db
46% Popularity • 40% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
35% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Sonya Belousova
Geralt of Rivia
81 bpm • G Maj • 01:52 • -7.09db
48% Popularity • 23% Danceability • 87% Energy • 11% Liveness
17% Instrumentalness • 18% Positiveness
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James Newton Howard
We're Going To Fly Now
90 bpm • F Maj • 01:53 • -11.93db
17% Popularity • 29% Danceability • 68% Energy • 22% Liveness
4% Instrumentalness • 11% Positiveness
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Howard Shore
Sons Of Durin
90 bpm • G min • 04:24 • -14db
36% Popularity • 13% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Elliot Goldenthal
A Batman Overture
90 bpm • D min • 03:37 • -9db
29% Popularity • 24% Danceability • 49% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Henry Jackman
Eat, Drink, and Paaaaarty
81 bpm • C# Maj • 01:53 • -12.94db
21% Popularity • 33% Danceability • 50% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jed Kurzel
Young Cal
90 bpm • C# Maj • 02:38 • -18.42db
28% Popularity • 29% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Murray Gold
All the Strange Creatures
90 bpm • D min • 04:08 • -11db
35% Popularity • 56% Danceability • 57% Energy • 26% Liveness
85% Instrumentalness • 16% Positiveness
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Daft Punk
Rinzler
90 bpm • A Maj • 02:17 • -14.68db
42% Popularity • 50% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Steven Price
I'm Scared Too
90 bpm • C min • 03:45 • -22db
33% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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James Newton Howard
Main Titles (Fantastic Beasts and Where ...
80 bpm • C Maj • 02:54 • -16.47db
45% Popularity • 33% Danceability • 30% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
The Black Manta
90 bpm • A# min • 02:49 • -19db
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Christophe Beck
Live, Die, Repeat (End Title)
80 bpm • C min • 04:22 • -21.9db
20% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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David Buckley
How It Happened
90 bpm • C min • 03:28 • -21.54db
28% Popularity • 10% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Joel P West
Revenge
80 bpm • A# min • 01:35 • -9db
24% Popularity • 51% Danceability • 80% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Howard Shore
The Ring Goes South
80 bpm • A min • 02:03 • -14.99db
52% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Atli Örvarsson
The Witch Hunters
80 bpm • C# Maj • 02:29 • -12db
19% Popularity • 53% Danceability • 35% Energy • 16% Liveness
38% Instrumentalness • 15% Positiveness
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Murray Gold
The Dark and Endless Dalek Night
80 bpm • C Maj • 03:43 • -11.31db
28% Popularity • 27% Danceability • 45% Energy • 14% Liveness
28% Instrumentalness • 10% Positiveness
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Henry Jackman
Temple Battle
80 bpm • C# Maj • 06:54 • -9.17db
21% Popularity • 15% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
27% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Brian Tyler
Can You Dig It (Iron Man 3 Main Titles)
91 bpm • E min • 02:42 • -6.91db
42% Popularity • 52% Danceability • 92% Energy • 34% Liveness
70% Instrumentalness • 34% Positiveness
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Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Audiomachine
So Say We All
91 bpm • A# Maj • 03:19 • -8.94db
48% Popularity • 41% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
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Henry Jackman
To Become a Kingsman
91 bpm • F min • 04:18 • -20.46db
34% Popularity • 11% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Shore
The Fighting Uruk-hai
91 bpm • F Maj • 11:32 • -24.24db
40% Popularity • 10% Danceability • 3% Energy • 61% Liveness
95% Instrumentalness • 4% Positiveness
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James Newton Howard
Drone Dogfight
92 bpm • C# Maj • 03:15 • -13.81db
8% Popularity • 21% Danceability • 71% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Zack Hemsey
Mind Heist
92 bpm • G# Maj • 02:09 • -8.5db
42% Popularity • 58% Danceability • 82% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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John Powell
Man Versus Man
92 bpm • B Maj • 05:45 • -15.56db
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Javier Navarrete
Wrath Of The Titans
92 bpm • A# Maj • 02:15 • -14db
17% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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Immediate
Barbarians at the Gate
92 bpm • C min • 02:11 • -8.57db
24% Popularity • 45% Danceability • 66% Energy • 13% Liveness
96% Instrumentalness • 28% Positiveness
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John Paesano
Daredevil
92 bpm • D Maj • 01:41 • -14.28db
29% Popularity • 24% Danceability • 26% Energy • 5% Liveness
78% Instrumentalness • 6% Positiveness
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Henry Jackman
Cabin Ambush
92 bpm • C# min • 04:13 • -9.57db
18% Popularity • 20% Danceability • 55% Energy • 7% Liveness
76% Instrumentalness • 5% Positiveness
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Graeme Revell
End Credit - Final Chronicle
92 bpm • C min • 04:02 • -12db
12% Popularity • 40% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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Wilbert Roget, II
A Brotherhood of Heroes
78 bpm • F# min • 02:55 • -13.71db
44% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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John Debney
Sledgehammer
78 bpm • D Maj • 01:07 • -8.9db
30% Popularity • 57% Danceability • 74% Energy • 32% Liveness
95% Instrumentalness • 16% Positiveness
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David Arnold
Magnussen
93 bpm • C Maj • 03:33 • -23.04db
17% Popularity • 18% Danceability • 4% Energy • 29% Liveness
82% Instrumentalness • 5% Positiveness
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Magneto