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Magnificat: Gloria Patri
Songs like
Magnificat: Gloria Patri
by
John Rutter
Based on a tempo of (+/- 10%) and a similar genre
► Preview
The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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William Walton
Set me as a seal upon thine heart
137 bpm • D Maj • 03:14 • -22.21db
9% Popularity • 18% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: IV. Sanctus
137 bpm • F Maj • 02:19 • -19.4db
16% Popularity • 23% Danceability • 14% Energy • 8% Liveness
29% Instrumentalness • 6% Positiveness
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Henry Purcell
Lord, how long wilt thou be angry, Z. 25
137 bpm • G# min • 04:15 • -25.58db
11% Popularity • 17% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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J. Christopher Pardini
Toccata on Amazing Grace
136 bpm • C Maj • 04:18 • -16.7db
17% Popularity • 15% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
O vos omnes
138 bpm • D min • 03:36 • -21.99db
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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John Rutter
For the beauty of the earth
138 bpm • A# Maj • 03:43 • -25.48db
35% Popularity • 20% Danceability • 7% Energy • 12% Liveness
33% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
29% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Edward Elgar
My love dwelt in a Northern land, Op. 18...
136 bpm • A min • 04:24 • -27.74db
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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John Rutter
All things bright and beautiful
136 bpm • F Maj • 02:26 • -27.11db
14% Popularity • 41% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 32% Positiveness
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The Cathedral Singers
Les sept paroles du Christ: Adoramus Te,...
136 bpm • C Maj • 01:56 • -23.68db
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
18% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Anonymous
Crux fidelis
139 bpm • G Maj • 02:35 • -30.41db
19% Popularity • 14% Danceability • 2% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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John Rutter
Suite Antique: VI. Rondeau
135 bpm • D Maj • 02:49 • -24.23db
16% Popularity • 49% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Drop, drop, slow tears
135 bpm • F# Maj • 01:50 • -36db
17% Popularity • 16% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Catrin Finch
Celtic Concerto: 1. Jig a Jig
140 bpm • D# Maj • 04:41 • -17.31db
8% Popularity • 46% Danceability • 34% Energy • 6% Liveness
87% Instrumentalness • 59% Positiveness
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John Rutter
Requiem aeternam
140 bpm • G Maj • 05:34 • -26.81db
9% Popularity • 15% Danceability • 4% Energy • 18% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
John Sheppard
Libera nos, salva nos
140 bpm • A# Maj • 03:52 • -23.37db
19% Popularity • 16% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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John Rutter
O clap your hands
140 bpm • G Maj • 03:17 • -18.08db
15% Popularity • 28% Danceability • 21% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
► Preview
Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Catrin Finch
Celtic Concerto: 3. Solstice
140 bpm • A# min • 02:53 • -16.85db
24% Popularity • 33% Danceability • 19% Energy • 11% Liveness
57% Instrumentalness • 19% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
5 English Folk Songs: No. 4. The lover's...
133 bpm • G# min • 03:43 • -23.73db
8% Popularity • 20% Danceability • 4% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Justorum animae
141 bpm • D# Maj • 03:11 • -30.6db
20% Popularity • 14% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Edward Bairstow
I sat down under his shadow
133 bpm • F# min • 01:49 • -27.16db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 3% Positiveness
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Benjamin Britten
Gloriana, Op. 53: Choral Dances: No. 6. ...
133 bpm • C Maj • 02:24 • -22.64db
11% Popularity • 20% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
19% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
7% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: Agnus Dei
132 bpm • A# Maj • 06:18 • -29.52db
10% Popularity • 16% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Arvo Pärt
Nunc Dimittis
132 bpm • G# Maj • 06:55 • -26.72db
28% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Heinrich Schütz
Geistliche Chor-Music, Op. 11: No. 23, S...
132 bpm • G Maj • 04:11 • -23.19db
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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John Rutter
Mass of the Children: Gloria
132 bpm • F# min • 07:29 • -21.99db
15% Popularity • 26% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Nils Lindberg
Shall I Compare Thee
143 bpm • A min • 02:50 • -22db
21% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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John Rutter
The Sprig of Thyme: No. 6. The cuckoo
131 bpm • C# Maj • 02:32 • -26.77db
15% Popularity • 27% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Henry Walford Davies
God Be in My Head
131 bpm • A Maj • 01:38 • -33.89db
15% Popularity • 18% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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John Rutter
Requiem: Out of the deep
131 bpm • C Maj • 06:09 • -26.64db
8% Popularity • 16% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Pater noster (Otche nash'): Pater noster
130 bpm • C min • 02:01 • -33.73db
13% Popularity • 22% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: II. Out of the deep
130 bpm • F Maj • 05:53 • -26.96db
15% Popularity • 16% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
10% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
18% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Rodney Bennett
These Three
130 bpm • G Maj • 05:25 • -21.14db
7% Popularity • 23% Danceability • 13% Energy • 11% Liveness
12% Instrumentalness • 3% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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John Rutter
Behold, the Tabernacle of God
146 bpm • G Maj • 04:12 • -14.96db
6% Popularity • 21% Danceability • 22% Energy • 18% Liveness
96% Instrumentalness • 9% Positiveness
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The Cathedral Singers
Ave Maria
129 bpm • D# Maj • 01:58 • -18db
33% Popularity • 22% Danceability • 19% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
5 English Folk Songs: No. 2. The spring ...
129 bpm • E min • 02:48 • -29.68db
15% Popularity • 17% Danceability • 3% Energy • 6% Liveness
63% Instrumentalness • 5% Positiveness
► Preview
Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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John Rutter
Birthday Madrigals: I. It was a lover an...
129 bpm • G Maj • 02:21 • -22.78db
11% Popularity • 43% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
William McKie
We Wait for Thy Loving Kindness
128 bpm • C# Maj • 02:59 • -21.38db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
► Preview
Benjamin Britten
A Hymn to the Virgin
128 bpm • A# min • 03:10 • -28.84db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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John Rutter
Mass of the Children: Finale (Dona nobis...
146 bpm • C Maj • 09:01 • -22.56db
14% Popularity • 15% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Pablo Casals
O vos omnes
147 bpm • F min • 03:52 • -26.48db
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Thomas Tallis
Loquebantur variis linguis
128 bpm • F min • 03:56 • -22.69db
11% Popularity • 20% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Magnificat: Gloria Patri