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Magnum Force
Songs like
Magnum Force
by
John Cameron
Based on a tempo of (+/- 10%) and a similar genre
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O'Donel Levy
Love Story
99 bpm • A min • 02:09 • -18db
44% Popularity • 46% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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鈴木 弘
ウォーク・トール
99 bpm • A Maj • 10:14 • -11.69db
40% Popularity • 48% Danceability • 52% Energy • 15% Liveness
84% Instrumentalness • 41% Positiveness
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John Cameron
Four O'clock Earthquake
99 bpm • F Maj • 02:50 • -9.06db
7% Popularity • 64% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Douglas Wood
Moon Nightclub
99 bpm • D min • 02:45 • -13db
19% Popularity • 70% Danceability • 34% Energy • 34% Liveness
94% Instrumentalness • 58% Positiveness
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Piero Umiliani
Ricordandoti
99 bpm • G min • 02:55 • -15.31db
54% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Keith Mansfield
Hot Property
99 bpm • D min • 01:59 • -10.97db
16% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
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Lonnie Liston Smith
Quiet Dawn
99 bpm • A# min • 03:32 • -15.02db
23% Popularity • 27% Danceability • 38% Energy • 19% Liveness
47% Instrumentalness • 66% Positiveness
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Dr. Lonnie Smith
Sweet Honey Wine
99 bpm • F min • 06:11 • -13db
29% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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John Cameron
Afro Metropolis
99 bpm • C Maj • 02:43 • -11.57db
11% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Clive Hicks
Transit
99 bpm • G Maj • 01:36 • -19.51db
21% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
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Cortex
La rue
98 bpm • C Maj • 04:27 • -9.45db
46% Popularity • 58% Danceability • 86% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
19% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Hysear Don Walker
Poo-Jo
100 bpm • F min • 02:10 • -11.79db
29% Popularity • 60% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Sven Libaek
Lonely Australian Landcape
98 bpm • A min • 03:39 • -21.52db
28% Popularity • 43% Danceability • 14% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
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John Cameron
Swamp Fever
100 bpm • A min • 02:12 • -14.37db
31% Popularity • 68% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 62% Positiveness
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Bobbi Humphrey
Harlem River Drive
100 bpm • F min • 07:50 • -11.43db
40% Popularity • 42% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Puccio Roelens
Eveline
98 bpm • A min • 02:28 • -6db
29% Popularity • 30% Danceability • 51% Energy • 17% Liveness
92% Instrumentalness • 42% Positiveness
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Riz Ortolani
Il ricordo di Serena
98 bpm • A min • 02:41 • -20db
41% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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Piero Umiliani
La ragazza dalla pelle di luna - Extende...
100 bpm • D min • 03:25 • -16.65db
39% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Roger Webb
Exotica
100 bpm • E min • 03:04 • -11db
19% Popularity • 59% Danceability • 49% Energy • 8% Liveness
37% Instrumentalness • 23% Positiveness
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Stefano Torossi
Loving tenderly
98 bpm • C# Maj • 03:32 • -15.8db
35% Popularity • 40% Danceability • 39% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 1: Air. "Sa...
100 bpm • F Maj • 05:05 • -13.08db
0% Popularity • 32% Danceability • 38% Energy • 20% Liveness
3% Instrumentalness • 35% Positiveness
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Noriko Miyamoto
My Life
100 bpm • E min • 06:09 • -8db
34% Popularity • 48% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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Riz Ortolani
Il ricordo di Serena - Version 2
98 bpm • A min • 03:34 • -10.64db
16% Popularity • 70% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
31% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Piero Umiliani
Bossa At Seychelles
100 bpm • E min • 02:31 • -16.18db
22% Popularity • 46% Danceability • 49% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Bobbi Humphrey
New York Times - Remastered 2002
97 bpm • F# Maj • 06:53 • -8db
37% Popularity • 34% Danceability • 92% Energy • 28% Liveness
17% Instrumentalness • 53% Positiveness
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Stephen Gray
Finding My Feet
97 bpm • D min • 03:08 • -14.07db
17% Popularity • 56% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
40% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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John Cameron
Brass Monkey
101 bpm • F Maj • 01:36 • -7.18db
2% Popularity • 79% Danceability • 72% Energy • 7% Liveness
61% Instrumentalness • 97% Positiveness
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Armando Trovajoli
Woman's Parfume
97 bpm • D Maj • 04:30 • -8db
35% Popularity • 49% Danceability • 80% Energy • 6% Liveness
9% Instrumentalness • 75% Positiveness
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Puccio Roelens
Peggy
97 bpm • G# Maj • 03:23 • -3db
14% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Alessandro Alessandroni
Hovercraft
101 bpm • A Maj • 02:48 • -9.71db
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
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The Blackbyrds
Love Is Love
97 bpm • F Maj • 04:46 • -14.53db
31% Popularity • 49% Danceability • 54% Energy • 18% Liveness
75% Instrumentalness • 70% Positiveness
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Alain Goraguer
Terr et Tiwa
97 bpm • F# min • 01:46 • -13.29db
40% Popularity • 55% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 23% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
30% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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John Cameron
Range Rover
97 bpm • C Maj • 03:28 • -12.86db
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
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Alberto Baldan Bembo
Tema di Barbara
101 bpm • C Maj • 02:36 • -9db
47% Popularity • 35% Danceability • 82% Energy • 15% Liveness
86% Instrumentalness • 58% Positiveness
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Hollywood Cinema Orchestra
What The World Need Now Is Love
97 bpm • B min • 03:36 • -14.83db
2% Popularity • 36% Danceability • 22% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Alain Goraguer
Maquillage de Tiwa
97 bpm • F# min • 01:17 • -10db
34% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
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Piero Piccioni
Pearls
96 bpm • C# Maj • 03:41 • -15db
29% Popularity • 69% Danceability • 41% Energy • 30% Liveness
88% Instrumentalness • 72% Positiveness
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The Blackbyrds
Dreaming About You
96 bpm • E min • 05:52 • -16.59db
47% Popularity • 74% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 88% Positiveness
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Lesiman
Messaggio
102 bpm • E Maj • 03:45 • -18.39db
32% Popularity • 60% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
33% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Henry Mancini
Here's Looking at You, Kid
96 bpm • A min • 02:50 • -14.86db
14% Popularity • 66% Danceability • 44% Energy • 44% Liveness
96% Instrumentalness • 50% Positiveness
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Alain Goraguer
Le bracelet
96 bpm • C# min • 01:27 • -12.68db
46% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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John Cameron
4am Breakdown
102 bpm • F# min • 03:18 • -7.35db
3% Popularity • 72% Danceability • 75% Energy • 71% Liveness
94% Instrumentalness • 9% Positiveness
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Barney Kessel
Lison
102 bpm • C Maj • 03:47 • -20.7db
32% Popularity • 65% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Nicolas Godin
Alger la blanche
96 bpm • C# min • 03:47 • -7.84db
39% Popularity • 67% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Hysear Don Walker
Children Of The Night
102 bpm • A min • 04:06 • -13.3db
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Edward German
Merrie England: "God Save Elizabeth"
102 bpm • D# Maj • 02:48 • -21.57db
0% Popularity • 25% Danceability • 12% Energy • 26% Liveness
54% Instrumentalness • 44% Positiveness
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The Rugged Nuggets
Yo Todo Tu Yo
96 bpm • A min • 02:59 • -6.38db
40% Popularity • 39% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 84% Positiveness
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John Cameron
Front Titles
96 bpm • F# min • 02:51 • -12.41db
6% Popularity • 41% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
19% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Sven Libaek
That's Peg's Affair
103 bpm • A# Maj • 01:18 • -24.57db
50% Popularity • 55% Danceability • 14% Energy • 11% Liveness
70% Instrumentalness • 56% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
103 bpm • D min • 00:59 • -25.41db
2% Popularity • 50% Danceability • 2% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
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Gap Mangione
Boys with Toys
95 bpm • F min • 02:46 • -7.77db
29% Popularity • 53% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Bobby Hutcherson
Montara
95 bpm • C Maj • 04:58 • -16.84db
38% Popularity • 72% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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John Cameron
Wedding Night
95 bpm • G Maj • 01:21 • -10.23db
2% Popularity • 45% Danceability • 25% Energy • 20% Liveness
3% Instrumentalness • 8% Positiveness
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Keith Mansfield
Life of Leisure
95 bpm • G# Maj • 03:04 • -15db
21% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
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Les Baxter
Boca Chica
95 bpm • G# Maj • 01:39 • -12.63db
29% Popularity • 33% Danceability • 60% Energy • 18% Liveness
93% Instrumentalness • 55% Positiveness
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Pete Jolly
Seasons
95 bpm • E min • 03:45 • -17.12db
26% Popularity • 60% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Bola Sete
Bettina
95 bpm • E min • 03:13 • -17db
36% Popularity • 56% Danceability • 26% Energy • 15% Liveness
77% Instrumentalness • 29% Positiveness
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Reuben Wilson
We're In Love
104 bpm • A min • 03:29 • -12.02db
29% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
43% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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Deodato
San Juan Sunset
94 bpm • G min • 04:15 • -21.11db
44% Popularity • 60% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Marcos Resende
My Heart
104 bpm • G min • 05:39 • -13.42db
25% Popularity • 37% Danceability • 56% Energy • 23% Liveness
13% Instrumentalness • 43% Positiveness
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Cortex
Efficace Swing
104 bpm • G min • 02:58 • -16db
49% Popularity • 72% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 72% Positiveness
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Triste Janero
How Insensitive
104 bpm • G# Maj • 01:32 • -16.23db
41% Popularity • 77% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 33% Positiveness
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Weldon Irvine
What's Goin' On?
94 bpm • F Maj • 04:37 • -14.22db
19% Popularity • 65% Danceability • 41% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
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Duncan Lamont
The Apartment
94 bpm • F min • 01:55 • -24db
44% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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Shuggie Otis
Rainy Day
94 bpm • B min • 02:42 • -17db
33% Popularity • 64% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Cortex
L'enfant samba
94 bpm • D min • 03:06 • -7.64db
42% Popularity • 55% Danceability • 87% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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Puccio Roelens
Northern Lights
105 bpm • F min • 05:18 • -19.19db
21% Popularity • 68% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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Ramsey Lewis
Julia
93 bpm • C Maj • 04:19 • -13db
29% Popularity • 47% Danceability • 58% Energy • 43% Liveness
68% Instrumentalness • 39% Positiveness
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Hysear Don Walker
Killing Me Softly
93 bpm • G min • 04:07 • -13.47db
11% Popularity • 62% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Elysian Spring
Blue Sands
93 bpm • A min • 03:30 • -26db
51% Popularity • 60% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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The Ethics
Lost in A Lonely World
105 bpm • E min • 02:34 • -11.12db
36% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Andre Tschaskowski
Moonset 2
93 bpm • A min • 01:43 • -20.59db
30% Popularity • 26% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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Alain Goraguer
Interpol
93 bpm • A# min • 01:16 • -18.61db
45% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 39% Positiveness
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Quincy Jones
Shady Lady
105 bpm • A min • 01:06 • -19.1db
25% Popularity • 67% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
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Eiji Nakayama
Aya's Samba
93 bpm • D min • 06:34 • -21db
31% Popularity • 55% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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Catalyst
Uzuri
93 bpm • B Maj • 02:59 • -14db
30% Popularity • 52% Danceability • 37% Energy • 19% Liveness
64% Instrumentalness • 38% Positiveness
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John Cameron
Duet from Taviata
106 bpm • D# Maj • 02:01 • -8.76db
1% Popularity • 47% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Pierre Cavalli
Possarinhos
106 bpm • D min • 02:29 • -13.21db
49% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Giuliano Sorgini
Analisi scientifiche
106 bpm • B Maj • 04:54 • -11.44db
46% Popularity • 16% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Piero Piccioni
Charms
93 bpm • G min • 03:13 • -10.01db
36% Popularity • 42% Danceability • 49% Energy • 16% Liveness
22% Instrumentalness • 32% Positiveness
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Keith Mansfield
West Coast Surf Ride
92 bpm • B min • 02:33 • -5db
20% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
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George Semper
Universe
106 bpm • B min • 01:21 • -20.07db
36% Popularity • 62% Danceability • 20% Energy • 24% Liveness
81% Instrumentalness • 32% Positiveness
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Franco Chiari
Rio Tu Ed Io
92 bpm • G Maj • 03:22 • -16db
17% Popularity • 63% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
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Riz Ortolani
Serena e Lomunno
106 bpm • C Maj • 02:49 • -17db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Lonnie Liston Smith
Summer Nights
106 bpm • F min • 05:05 • -12db
44% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Janko Nilovic
To and Fro
106 bpm • F Maj • 01:57 • -6.48db
33% Popularity • 48% Danceability • 62% Energy • 19% Liveness
67% Instrumentalness • 72% Positiveness
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John Cameron
Jay Walking
92 bpm • G Maj • 02:46 • -13.62db
3% Popularity • 66% Danceability • 63% Energy • 8% Liveness
86% Instrumentalness • 92% Positiveness
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George Semper
Universe
106 bpm • B min • 01:21 • -10.52db
43% Popularity • 56% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Arawak
Accadde a Yellow Park
92 bpm • A# min • 02:33 • -18.6db
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
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Magnum Force