Songs like Mai Tais (feat. Skylar Grey) by Train
Based on a tempo of (+/- 10%) and a similar genre
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Train
Mai Tais
164 bpm • B Maj • 03:44 • -6.04db
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Scott
Tuesdays
164 bpm • E Maj • 03:36 • -10.74db
50% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Strumbellas
We All Need Someone
164 bpm • A Maj • 03:35 • -5.47db
29% Popularity • 43% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 43% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Marc Broussard
Rosé All Day
166 bpm • B Maj • 03:39 • -6.12db
30% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Train
Calling All Angels
166 bpm • D# Maj • 04:02 • -5.37db
55% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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O.A.R.
Are You For Real
160 bpm • F Maj • 03:20 • -4.71db
20% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Sugar Ray
Highest Tree
160 bpm • C min • 03:19 • -5.26db
25% Popularity • 69% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 69% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Diddy - Dirty Money
Coming Home
168 bpm • G Maj • 03:58 • -1.92db
68% Popularity • 39% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
68% Popularity • 39% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Jamie N Commons
Won't Let Go
160 bpm • E Maj • 03:40 • -7db
18% Popularity • 60% Danceability • 71% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
18% Popularity • 60% Danceability • 71% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
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Matchbox Twenty
Our Song
160 bpm • G Maj • 03:00 • -4db
48% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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ROZES
Halfway There
160 bpm • C min • 03:27 • -4db
33% Popularity • 59% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 59% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Halperin
Tell Me What You Need
160 bpm • G# min • 03:21 • -6.02db
17% Popularity • 59% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 59% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
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Train
Running Back (Trying to Talk to You)
160 bpm • C min • 04:01 • -3.63db
21% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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B.o.B
The Devil Made Me Do It
160 bpm • A# min • 03:18 • -7db
21% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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John Mayer
I Guess I Just Feel Like
160 bpm • E Maj • 04:46 • -9.1db
66% Popularity • 55% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 17% Positiveness
66% Popularity • 55% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 17% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Fitz and The Tantrums
123456
170 bpm • A# Maj • 03:04 • -5.09db
44% Popularity • 72% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 72% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The George Twins
50 Million Ways
170 bpm • G Maj • 04:25 • -8db
24% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Train
It's About You
170 bpm • G Maj • 04:25 • -6.83db
36% Popularity • 56% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Marx
Another One Down
158 bpm • D# Maj • 03:13 • -6.52db
29% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 54% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Evie Irie
The Optimist
172 bpm • A# Maj • 03:54 • -4.74db
34% Popularity • 43% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 43% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Eminem
Leaving Heaven
172 bpm • D min • 04:25 • -4.81db
58% Popularity • 66% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 66% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Alec Benjamin
Oh My God
156 bpm • F min • 03:07 • -7.24db
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Alessia Cara
Rooting For You
156 bpm • F# Maj • 02:56 • -6.78db
46% Popularity • 76% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 76% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Train
Get to Me
172 bpm • F Maj • 04:05 • -6.33db
35% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Five For Fighting
China on the Horizon 2006
156 bpm • F Maj • 03:46 • -8.48db
14% Popularity • 52% Danceability • 67% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
14% Popularity • 52% Danceability • 67% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
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Blues Traveler
Waterfalls
173 bpm • A# Maj • 05:04 • -6.98db
31% Popularity • 68% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Dr. Dre
I Need A Doctor
156 bpm • D# Maj • 04:43 • -4.52db
69% Popularity • 59% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 59% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Parachute
Talk to Me
173 bpm • G# min • 03:26 • -6.3db
19% Popularity • 70% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 70% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Surfaces
Learn To Fly
174 bpm • C# Maj • 03:29 • -6.14db
52% Popularity • 57% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 57% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Train
What Good is Saturday
156 bpm • F Maj • 03:44 • -2.43db
24% Popularity • 59% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 59% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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James Bay
Rescue
174 bpm • A Maj • 02:54 • -3db
41% Popularity • 45% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 45% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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George Ezra
All My Love
174 bpm • C Maj • 02:40 • -5.21db
53% Popularity • 45% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 45% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Gavin DeGraw
I Don't Want to Be
154 bpm • C min • 03:39 • -3.93db
56% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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O.A.R.
California
154 bpm • C# Maj • 03:52 • -4.77db
44% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Skylar Grey
Calling from the Heavens
176 bpm • C Maj • 03:39 • -11.44db
16% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Grace Potter
Love Is Love
153 bpm • G# Maj • 03:06 • -7.12db
36% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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James TW
Please Keep Loving Me
176 bpm • F Maj • 03:15 • -8.49db
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Mayer
Waiting On the World to Change
177 bpm • D Maj • 03:21 • -5.82db
74% Popularity • 58% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 58% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Mulholland
I Think We Should Date
152 bpm • C Maj • 03:35 • -10.19db
8% Popularity • 67% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 67% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Dave Barnes
Never Lose My Love
152 bpm • A# Maj • 04:01 • -7.42db
14% Popularity • 82% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 82% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie Lawson
The Answer
177 bpm • A# Maj • 02:51 • -5.25db
20% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
66% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Plain White T's
The Giving Tree
151 bpm • G# Maj • 03:06 • -10.81db
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Sam Fischer
Smoke
178 bpm • C# min • 03:35 • -5.24db
36% Popularity • 64% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 64% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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O.A.R.
Peace
178 bpm • A Maj • 03:35 • -5.97db
52% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Rhett
On Me
178 bpm • G# Maj • 02:44 • -4.47db
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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ILLENIUM
Good Things Fall Apart - Stripped
150 bpm • D Maj • 03:28 • -7.05db
40% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Lady A
Champagne Night
150 bpm • E Maj • 03:05 • -2.8db
50% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Arkells
Years In The Making - Acoustic
150 bpm • G Maj • 03:21 • -6.94db
23% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Dan + Shay
10,000 Hours - Piano
180 bpm • A# Maj • 02:52 • -6.51db
55% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 43% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Train
Turn the Radio Up
180 bpm • D Maj • 03:19 • -2db
24% Popularity • 49% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 49% Danceability • 87% Energy • 78% Liveness
0% Instrumentalness • 73% Positiveness
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Kelsea Ballerini
the other girl
180 bpm • G# min • 03:21 • -4.86db
55% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Miley Cyrus
Slide Away
148 bpm • F Maj • 03:53 • -6.67db
68% Popularity • 53% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 53% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin DeGraw
I Don't Want to Be - Stripped Version
148 bpm • G# Maj • 04:04 • -7.41db
32% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dan + Shay
Steal My Love
180 bpm • D Maj • 02:42 • -5.45db
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Julia Michaels
If You Need Me
148 bpm • C min • 03:36 • -6.89db
47% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Barenaked Ladies
Bringing It Home - acoustic
184 bpm • A# Maj • 03:09 • -10.82db
10% Popularity • 57% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 57% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Elton John
Young Dumb & Broke - Recorded At The Col...
146 bpm • C# Maj • 03:49 • -7.23db
36% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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John Oates
Philly Forget Me Not
184 bpm • G# Maj • 02:38 • -3.85db
32% Popularity • 64% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 64% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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fun.
We Are Young
184 bpm • A# Maj • 04:10 • -5.58db
78% Popularity • 38% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
78% Popularity • 38% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Dylan Hartigan
Danny’s Song - The Voice Performance
146 bpm • A Maj • 03:30 • -6db
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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OBB
7 Billion
146 bpm • C# min • 03:00 • -4.64db
27% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Zac Brown Band
Island Song
146 bpm • G# Maj • 03:43 • -6.03db
60% Popularity • 84% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 84% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Drew Cole
Sex And Candy - The Voice Performance
146 bpm • A# min • 03:29 • -6.5db
16% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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WILD
This Is Our Time
145 bpm • G# Maj • 03:22 • -7.34db
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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fun.
Carry On
145 bpm • F Maj • 04:38 • -5.77db
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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LØLØ
Dancing in the Dark
145 bpm • B Maj • 02:58 • -8.96db
49% Popularity • 74% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 74% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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MIDLO
Emotional
145 bpm • D Maj • 03:02 • -7.42db
23% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Colbie Caillat
I Do
145 bpm • A Maj • 02:53 • -5.66db
54% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Surfaces
Take It Easy
145 bpm • F# Maj • 03:32 • -5.82db
56% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Maren Morris
GIRL
144 bpm • F# Maj • 04:10 • -3.95db
54% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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O.A.R.
Nantucket Is Gone
143 bpm • D# Maj • 03:42 • -5.11db
19% Popularity • 63% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 63% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Brett James
True Believer
143 bpm • C min • 03:15 • -6.73db
26% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Birds Of Tokyo
Two Of Us
189 bpm • B Maj • 03:30 • -5.14db
41% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ellie Goulding
Slow Grenade
142 bpm • A Maj • 03:37 • -6.5db
43% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Five For Fighting
Born to Win
142 bpm • D Maj • 04:13 • -6db
35% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin DeGraw
Not Over You
142 bpm • A# Maj • 03:38 • -4.59db
64% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Train
Mississippi
142 bpm • C Maj • 05:05 • -13db
41% Popularity • 56% Danceability • 46% Energy • 8% Liveness
18% Instrumentalness • 43% Positiveness
41% Popularity • 56% Danceability • 46% Energy • 8% Liveness
18% Instrumentalness • 43% Positiveness
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Ron Pope
Practice What I Preach
190 bpm • E Maj • 03:03 • -3.24db
12% Popularity • 42% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 42% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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bülow
Two Punks In Love
190 bpm • C Maj • 03:15 • -6.29db
45% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Uncle Kracker
Smile
141 bpm • E Maj • 03:21 • -3.76db
63% Popularity • 54% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 54% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 61% Positiveness
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Colbie Caillat
We Both Know
141 bpm • D# Maj • 03:50 • -8db
40% Popularity • 47% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 47% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Hudson Thames
Last Call
141 bpm • F Maj • 03:36 • -6.08db
37% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Eminem
Black Magic
140 bpm • C# Maj • 02:54 • -3.96db
56% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 67% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 16% Positiveness
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Surfaces
Take Some Time
140 bpm • G Maj • 03:22 • -7.96db
42% Popularity • 81% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 81% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Train
50 Ways to Say Goodbye
140 bpm • F# Maj • 04:07 • -2.66db
68% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Macklemore
Glorious
140 bpm • C min • 03:40 • -5.13db
77% Popularity • 73% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 73% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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James Bay
Bad
140 bpm • E Maj • 03:45 • -5.59db
53% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Khalid
Free Spirit
140 bpm • D min • 03:02 • -9.48db
57% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
57% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
