Songs like Maiden Korea by Thomas Beckner
Based on a tempo of (+/- 10%) and a similar genre
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Dnd Back
Feast Interlude
75 bpm • D min • 02:40 • -12.55db
23% Popularity • 31% Danceability • 24% Energy • 20% Liveness
13% Instrumentalness • 20% Positiveness
23% Popularity • 31% Danceability • 24% Energy • 20% Liveness
13% Instrumentalness • 20% Positiveness
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Tim De Labije
The Mess
75 bpm • G# Maj • 02:54 • -25.37db
9% Popularity • 63% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
9% Popularity • 63% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Rolando Carrasco Segovia
Yo quiero a mi mamá (Huayno)
75 bpm • G Maj • 00:59 • -14.97db
19% Popularity • 83% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 33% Positiveness
19% Popularity • 83% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 33% Positiveness
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Thomas Beckner
Maiden Korea
75 bpm • G# Maj • 03:40 • -19db
4% Popularity • 56% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 45% Positiveness
4% Popularity • 56% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 45% Positiveness
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Phillip Lester
Canzone
75 bpm • F Maj • 02:24 • -20.28db
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Rickrosee
Divine Grace
75 bpm • G# Maj • 01:12 • -17.27db
26% Popularity • 25% Danceability • 12% Energy • 16% Liveness
98% Instrumentalness • 11% Positiveness
26% Popularity • 25% Danceability • 12% Energy • 16% Liveness
98% Instrumentalness • 11% Positiveness
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The Harp on the Hill
A Mighty Fortress is our God
75 bpm • C Maj • 02:07 • -15.45db
21% Popularity • 54% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
21% Popularity • 54% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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The Southern Society
The Shed, Parte 2
74 bpm • D min • 01:13 • -17.21db
19% Popularity • 50% Danceability • 31% Energy • 23% Liveness
94% Instrumentalness • 46% Positiveness
19% Popularity • 50% Danceability • 31% Energy • 23% Liveness
94% Instrumentalness • 46% Positiveness
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Craig Austin
Time to Say Farewell
74 bpm • A Maj • 01:40 • -21db
21% Popularity • 57% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
21% Popularity • 57% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Craig Riley
Quiet Dreams
74 bpm • A Maj • 01:38 • -21.22db
21% Popularity • 56% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
21% Popularity • 56% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
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Raul Cortes Guitar
Palabras de Adiós - Acoustic Version
76 bpm • C Maj • 02:40 • -12.42db
13% Popularity • 35% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 39% Positiveness
13% Popularity • 35% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 39% Positiveness
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Thomas Beckner
My Love Fair as a Rose
74 bpm • D min • 02:02 • -10.69db
0% Popularity • 54% Danceability • 15% Energy • 23% Liveness
3% Instrumentalness • 44% Positiveness
0% Popularity • 54% Danceability • 15% Energy • 23% Liveness
3% Instrumentalness • 44% Positiveness
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Chris Sidwell
Largo
74 bpm • G Maj • 02:16 • -21.91db
11% Popularity • 66% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 30% Positiveness
11% Popularity • 66% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 30% Positiveness
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José Ignacio Cordero
Lament of Owen Roe O'Neill. Suite O'Caro...
76 bpm • A min • 02:00 • -22.47db
8% Popularity • 53% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 45% Positiveness
8% Popularity • 53% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 45% Positiveness
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Pascal Flores
Julia Florida
76 bpm • D Maj • 04:21 • -12.88db
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Pablo de Mello Heredia
Outro Lado
77 bpm • E Maj • 03:28 • -22.18db
15% Popularity • 31% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 31% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Ray Penney
Galliard
73 bpm • E min • 02:34 • -19.04db
12% Popularity • 63% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
12% Popularity • 63% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
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Thomas Beckner
My Love Fair as a Rose
74 bpm • C Maj • 02:02 • -14.32db
2% Popularity • 73% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
2% Popularity • 73% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
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Rick Cyge
Our House
77 bpm • B Maj • 02:46 • -14.02db
15% Popularity • 56% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
15% Popularity • 56% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 43% Positiveness
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Joseph Sullinger
Aurora
77 bpm • B min • 03:31 • -14.69db
23% Popularity • 69% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
23% Popularity • 69% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
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Alex de Grassi
When My Soul Embraces You
78 bpm • C Maj • 02:52 • -18.42db
4% Popularity • 50% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 15% Positiveness
4% Popularity • 50% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 15% Positiveness
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Fluffy crazy puppy
legend to dragon
72 bpm • C Maj • 01:05 • -23.89db
17% Popularity • 64% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
17% Popularity • 64% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
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Juri van Saal
Out of nowhere
78 bpm • F# min • 01:53 • -12.22db
16% Popularity • 80% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
16% Popularity • 80% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Roy Permana
When - Acoustic
78 bpm • F# min • 01:23 • -18.43db
14% Popularity • 75% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
14% Popularity • 75% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
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Pedro Gaspar
Regresso a Casa (Instrumental)
79 bpm • G Maj • 00:59 • -30.54db
24% Popularity • 48% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
24% Popularity • 48% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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世界ツアー
イタリア旅行気分
79 bpm • D Maj • 03:10 • -23.46db
11% Popularity • 49% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
11% Popularity • 49% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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José Méndez
Waves of the Sea
79 bpm • F min • 01:34 • -14.67db
34% Popularity • 45% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
34% Popularity • 45% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Fluffy crazy puppy
きれいなOSHIRI
71 bpm • F Maj • 01:03 • -19.72db
23% Popularity • 38% Danceability • 7% Energy • 26% Liveness
56% Instrumentalness • 55% Positiveness
23% Popularity • 38% Danceability • 7% Energy • 26% Liveness
56% Instrumentalness • 55% Positiveness
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Calm Chords
Bloom
80 bpm • B Maj • 01:56 • -21.87db
21% Popularity • 73% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 27% Positiveness
21% Popularity • 73% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 27% Positiveness
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Demeka Carmean
Celebrate Time
80 bpm • G Maj • 02:12 • -21.13db
9% Popularity • 51% Danceability • 24% Energy • 24% Liveness
37% Instrumentalness • 56% Positiveness
9% Popularity • 51% Danceability • 24% Energy • 24% Liveness
37% Instrumentalness • 56% Positiveness
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Pedro Gaspar
Regresso a Casa
79 bpm • G Maj • 00:59 • -30.62db
22% Popularity • 44% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 27% Positiveness
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Thomas Beckner
Solemn News
80 bpm • F Maj • 02:01 • -15.11db
0% Popularity • 63% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
0% Popularity • 63% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Peter Olach
Raven and the Fool
80 bpm • G Maj • 03:11 • -16.48db
1% Popularity • 63% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 49% Positiveness
1% Popularity • 63% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 49% Positiveness
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ebunny
Canon in D
80 bpm • D Maj • 02:10 • -15.36db
13% Popularity • 50% Danceability • 28% Energy • 27% Liveness
91% Instrumentalness • 52% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 27% Liveness
91% Instrumentalness • 52% Positiveness
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The Candlelight Guitarist
Pure in Heart
80 bpm • G Maj • 01:59 • -24.79db
14% Popularity • 50% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Richard Searles
Village Dance
80 bpm • D min • 03:18 • -14.79db
7% Popularity • 81% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
7% Popularity • 81% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
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Patrick Ki
Somewhere Out There
80 bpm • C Maj • 02:57 • -16.32db
12% Popularity • 50% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 30% Positiveness
12% Popularity • 50% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 30% Positiveness
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Thomas Beckner
Solemn News Trumpet
80 bpm • F Maj • 02:02 • -17.92db
0% Popularity • 55% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 55% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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Phoebe Palmer Knapp
Blessed Assurance
70 bpm • D Maj • 02:23 • -16.21db
11% Popularity • 42% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
11% Popularity • 42% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Fluffy crazy puppy
減量は禁物
70 bpm • E min • 01:04 • -22.33db
25% Popularity • 43% Danceability • 3% Energy • 30% Liveness
98% Instrumentalness • 53% Positiveness
25% Popularity • 43% Danceability • 3% Energy • 30% Liveness
98% Instrumentalness • 53% Positiveness
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Isac Saleh
Out of the Cold
80 bpm • D# Maj • 02:14 • -27.95db
7% Popularity • 49% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
7% Popularity • 49% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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RW Acalmar cachorro com música
O cachorro sozinho em casa
70 bpm • B Maj • 03:46 • -21.79db
25% Popularity • 70% Danceability • 11% Energy • 35% Liveness
85% Instrumentalness • 13% Positiveness
25% Popularity • 70% Danceability • 11% Energy • 35% Liveness
85% Instrumentalness • 13% Positiveness
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RW Rauhoittaa koiraa musiikilla
Koira yksin kotiin
70 bpm • B Maj • 03:46 • -21.79db
13% Popularity • 70% Danceability • 11% Energy • 35% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 70% Danceability • 11% Energy • 35% Liveness
85% Instrumentalness • 13% Positiveness
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Thomas Beckner
Solemn News
80 bpm • F Maj • 02:02 • -18.42db
0% Popularity • 61% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
0% Popularity • 61% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Marina Costa
Dance of the Blessed Spirits - Acoustic ...
70 bpm • D Maj • 01:17 • -15.92db
13% Popularity • 85% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
13% Popularity • 85% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
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John Oeth
Wind Nocture - Acoustic Guitar
81 bpm • A Maj • 03:15 • -17.99db
8% Popularity • 56% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
8% Popularity • 56% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Air and Simple Gifts
Dvorak Humoresque
81 bpm • G Maj • 01:19 • -12.64db
10% Popularity • 52% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Kenny Yard
Sweets Garden
81 bpm • A min • 02:44 • -9.19db
10% Popularity • 57% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
10% Popularity • 57% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
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The Dreamers
Don't It Make My Brown Eyes Blue
81 bpm • G Maj • 02:51 • -13.46db
3% Popularity • 38% Danceability • 17% Energy • 13% Liveness
97% Instrumentalness • 39% Positiveness
3% Popularity • 38% Danceability • 17% Energy • 13% Liveness
97% Instrumentalness • 39% Positiveness
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Thomas Beckner
Amazing Grace - Trumpet
80 bpm • D# Maj • 02:54 • -17.85db
0% Popularity • 51% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
0% Popularity • 51% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Marina Costa
Lament for John Roy
70 bpm • G Maj • 01:38 • -11.05db
10% Popularity • 47% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
10% Popularity • 47% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 76% Positiveness
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Don Thomas
Snow Path
81 bpm • E Maj • 05:22 • -21.68db
10% Popularity • 55% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
10% Popularity • 55% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Ullinger Trio
Kennsd mi no
81 bpm • A min • 03:15 • -24.03db
14% Popularity • 50% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 43% Positiveness
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Pascal Flores
Pasatiempos
82 bpm • A Maj • 01:58 • -18.63db
30% Popularity • 48% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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bgcey
Souvenirs Avec Le Crépuscule - Acoustic
82 bpm • A min • 01:26 • -22.67db
8% Popularity • 71% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 90% Positiveness
8% Popularity • 71% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 90% Positiveness
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Alain Everts
The Road to Derry
82 bpm • G Maj • 01:57 • -15.27db
16% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
16% Popularity • 42% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Klaus Trabitsch
König Winter
82 bpm • G Maj • 01:21 • -23.81db
17% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Ulli Boegershausen
Lovely Day
82 bpm • C Maj • 03:04 • -21.56db
18% Popularity • 52% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
18% Popularity • 52% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Daywind
My Own True Love (Tara's Theme)
82 bpm • D# Maj • 03:02 • -13.42db
11% Popularity • 59% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 59% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
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Celtic Music Ensemble
Time to Sleep - Harp Music Version
82 bpm • D# Maj • 02:57 • -20.56db
15% Popularity • 48% Danceability • 11% Energy • 12% Liveness
58% Instrumentalness • 30% Positiveness
15% Popularity • 48% Danceability • 11% Energy • 12% Liveness
58% Instrumentalness • 30% Positiveness
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Johann Adolf Hasse
Grande Sonata in B -Flat Major: II. Anda...
69 bpm • A# Maj • 06:59 • -12.54db
18% Popularity • 43% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
18% Popularity • 43% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
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Nicolás Sangrá
Voy
82 bpm • F Maj • 01:02 • -24.58db
17% Popularity • 30% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 52% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 12% Liveness
98% Instrumentalness • 52% Positiveness
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Daryl Shawn
Nkosi Sikelel' Iafrika
83 bpm • G Maj • 01:29 • -17.35db
17% Popularity • 49% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
17% Popularity • 49% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Kindy Corner
If You're Happy & You Know It
68 bpm • G Maj • 01:02 • -22.62db
14% Popularity • 76% Danceability • 16% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
14% Popularity • 76% Danceability • 16% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
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Des Reid
Lazy Daze
83 bpm • G Maj • 04:12 • -18.07db
17% Popularity • 51% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
17% Popularity • 51% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Thomas Beckner
O Sacrament Most Holy
68 bpm • G Maj • 02:36 • -11.64db
0% Popularity • 7% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 7% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Klaus Trabitsch
2 Step
83 bpm • G Maj • 02:33 • -22.74db
9% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
9% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Carlos Mateo
Honey Pie
83 bpm • G Maj • 01:49 • -17.72db
35% Popularity • 46% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
35% Popularity • 46% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Leningrad
Broadcaster part 2
83 bpm • C Maj • 01:42 • -23.34db
9% Popularity • 65% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 65% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Fluffy crazy puppy
今度会ったら
83 bpm • D# Maj • 01:05 • -24.69db
20% Popularity • 56% Danceability • 9% Energy • 19% Liveness
89% Instrumentalness • 62% Positiveness
20% Popularity • 56% Danceability • 9% Energy • 19% Liveness
89% Instrumentalness • 62% Positiveness
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Gus Caveda
Acoustic Heaven
84 bpm • D# Maj • 02:11 • -13.04db
8% Popularity • 40% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
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Fox Music Crew
Triptych - Instrumental
84 bpm • A min • 02:19 • -21.83db
14% Popularity • 52% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
14% Popularity • 52% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Laura Lotti
Prelude by the Lakeside
84 bpm • G Maj • 01:52 • -19.47db
25% Popularity • 34% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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The Marco Phillipe Orchestra
Those Were the Days
84 bpm • E min • 02:12 • -15.59db
28% Popularity • 55% Danceability • 17% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
28% Popularity • 55% Danceability • 17% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
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Revance
Saudade
84 bpm • A Maj • 01:37 • -13.7db
12% Popularity • 55% Danceability • 13% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
12% Popularity • 55% Danceability • 13% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Henry Delkin
Bridge Over Troubled Water
84 bpm • A Maj • 03:16 • -20.96db
17% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
17% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Thomas Beckner
The Thought Makes Me Smile - Trumpet Ver...
67 bpm • F Maj • 02:38 • -13.66db
1% Popularity • 58% Danceability • 13% Energy • 34% Liveness
90% Instrumentalness • 9% Positiveness
1% Popularity • 58% Danceability • 13% Energy • 34% Liveness
90% Instrumentalness • 9% Positiveness
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Liv Mattinen
Auld Lang Syne
84 bpm • D Maj • 02:11 • -20.4db
29% Popularity • 54% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
29% Popularity • 54% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Ray Penney
Londonderry Air (Danny Boy)
85 bpm • A min • 02:28 • -19.78db
16% Popularity • 52% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 28% Positiveness
16% Popularity • 52% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 28% Positiveness
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Bastian Inostroza
Danza No. 2
85 bpm • G Maj • 01:34 • -17.7db
10% Popularity • 41% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
10% Popularity • 41% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Fluffy crazy puppy
something drop
66 bpm • B min • 01:02 • -27.43db
17% Popularity • 39% Danceability • 2% Energy • 18% Liveness
95% Instrumentalness • 34% Positiveness
17% Popularity • 39% Danceability • 2% Energy • 18% Liveness
95% Instrumentalness • 34% Positiveness
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José Ignacio Cordero
The Maid on the Shore. Suite Doncellas 1...
85 bpm • A Maj • 01:35 • -22.76db
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Eugene Lopin
Wee Willie Winkie (Bonus Track)
85 bpm • C Maj • 02:56 • -14.75db
19% Popularity • 79% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
19% Popularity • 79% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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FIRZA
Pergilah
66 bpm • B Maj • 02:02 • -27.23db
15% Popularity • 68% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
15% Popularity • 68% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Santec Music Orchestra
El Noi de la Mare
85 bpm • A Maj • 02:03 • -16.76db
14% Popularity • 26% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 26% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Jack Black
Truco romantico
85 bpm • A Maj • 06:28 • -16.24db
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Fluffy crazy puppy
guitaer sushi
85 bpm • G# Maj • 01:01 • -20.69db
15% Popularity • 26% Danceability • 18% Energy • 16% Liveness
77% Instrumentalness • 51% Positiveness
15% Popularity • 26% Danceability • 18% Energy • 16% Liveness
77% Instrumentalness • 51% Positiveness
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Projekt Klangsprünge
Message on the Fridge Door
85 bpm • A Maj • 01:53 • -12.78db
24% Popularity • 63% Danceability • 20% Energy • 7% Liveness
50% Instrumentalness • 39% Positiveness
24% Popularity • 63% Danceability • 20% Energy • 7% Liveness
50% Instrumentalness • 39% Positiveness
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Ray Penney
Lute Piece of the Italian Renaissance
66 bpm • D Maj • 02:24 • -18.3db
12% Popularity • 57% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
12% Popularity • 57% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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Dr. B.A. Ferguson
Guardia Millennial Fair
66 bpm • D Maj • 02:29 • -22.69db
16% Popularity • 59% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 23% Positiveness
16% Popularity • 59% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 23% Positiveness
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Michael Langer
April Night
86 bpm • A Maj • 03:41 • -25.58db
22% Popularity • 60% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Celtic Music Ensemble
Dulcinea
86 bpm • E min • 05:48 • -17.42db
10% Popularity • 42% Danceability • 17% Energy • 34% Liveness
84% Instrumentalness • 11% Positiveness
10% Popularity • 42% Danceability • 17% Energy • 34% Liveness
84% Instrumentalness • 11% Positiveness
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Fluffy crazy puppy
実質的な成功
66 bpm • A# Maj • 01:05 • -26.01db
18% Popularity • 45% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 45% Danceability • 6% Energy • 17% Liveness
92% Instrumentalness • 74% Positiveness
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Yuki Yamashita
Twilight guitar
86 bpm • G Maj • 02:54 • -23.66db
3% Popularity • 50% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
3% Popularity • 50% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Ullinger Trio
Glockerlwiesn
86 bpm • C Maj • 03:43 • -21.48db
17% Popularity • 53% Danceability • 18% Energy • 5% Liveness
9% Instrumentalness • 30% Positiveness
17% Popularity • 53% Danceability • 18% Energy • 5% Liveness
9% Instrumentalness • 30% Positiveness
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クロード・チアリ
ロミオとジュリエット
87 bpm • A min • 02:28 • -15.25db
11% Popularity • 44% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 41% Positiveness
11% Popularity • 44% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 41% Positiveness
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Jack Black
Joker
86 bpm • A min • 04:27 • -13.73db
10% Popularity • 52% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
10% Popularity • 52% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Henry Delkin
I Don't Know How To Love Him - from Jesu...
87 bpm • G Maj • 03:02 • -19.81db
17% Popularity • 37% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
17% Popularity • 37% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
