Songs like Main Theme - From "Phar Lap" by Roger Woodward
Based on a tempo of (+/- 10%) and a similar genre
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Horaţiu Rădulescu
Sonata No. 2, Op. 82 "Being and Non-bein...
127 bpm • D min • 09:35 • -25.63db
0% Popularity • 50% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 50% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse Op. 16
127 bpm • D Maj • 05:25 • -27.11db
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 7
127 bpm • F min • 01:12 • -38.6db
0% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
0% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Roger Woodward
Main Theme
127 bpm • A Maj • 02:34 • -26.91db
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Alma Deutscher
Piano Sonata in E-Flat Major: Movement 3...
126 bpm • D# Maj • 03:19 • -17.69db
9% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
9% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
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Arvo Pärt
Für Anna Maria
126 bpm • G Maj • 01:02 • -32db
18% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
18% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Léo De Nada
Nocturnal
126 bpm • B min • 01:25 • -21.79db
19% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
19% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Sophia Dussek
Sonata: Allegro
126 bpm • C min • 02:38 • -25db
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 4
125 bpm • A min • 01:03 • -29.66db
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Roger Woodward
Main Theme
126 bpm • A min • 02:04 • -29.92db
1% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
1% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
23% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
129 bpm • C Maj • 04:33 • -25.18db
28% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
28% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
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Franz Liszt
Liebeslied "Widmung, von Robert Schumann...
124 bpm • G# Maj • 03:53 • -20.35db
27% Popularity • 37% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 37% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Petite Suite: 7. Rêverie
131 bpm • C# Maj • 02:01 • -31.29db
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Roger Woodward
Deux Nocturnes Opus 62 (1846): E major
130 bpm • E Maj • 06:21 • -26.94db
3% Popularity • 38% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 38% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 24
131 bpm • C Maj • 01:44 • -47.15db
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XIV Feroce
123 bpm • C Maj • 01:03 • -18.83db
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
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Hal Freedman
Petr Ginz
122 bpm • G# min • 02:15 • -31.76db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Diane Hidy & Keith Snell
Ballade
122 bpm • G min • 01:32 • -24.79db
12% Popularity • 66% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 66% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Cécile Chaminade
La Lisonjera (The Flatterer), Op. 50
132 bpm • C# Maj • 03:44 • -26db
11% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Roger Woodward
Main Theme [Arr. Roger Woodward]
132 bpm • C# Maj • 02:57 • -32.41db
4% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
4% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Michael Kieran Harvey
The Well-Tempered Clavier: Book 1, BWV 8...
132 bpm • C Maj • 02:18 • -32.11db
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Toru Takemitsu
For Away
132 bpm • E min • 07:50 • -23.7db
0% Popularity • 42% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 42% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 3...
132 bpm • F Maj • 01:11 • -41.52db
0% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
0% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
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Max Reger
4 Lieder, Op. 27, TrV 170: No. 4. Morgen...
132 bpm • G Maj • 03:59 • -41.36db
10% Popularity • 41% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
10% Popularity • 41% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
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Georgs Pelēcis
Concertino bianco: 3. Con anima
133 bpm • C Maj • 02:53 • -18.03db
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
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Robert Schumann
Album für die Jugend, Op. 68, Pt. 1: F�...
133 bpm • C Maj • 01:22 • -33.75db
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
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Lang Lang
Piano Sonatina in C Major, Op. 20 No. 1:...
133 bpm • F Maj • 03:03 • -29db
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 19
122 bpm • B min • 01:03 • -39.85db
1% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
1% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
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Carl Czerny
Huit Nocturnes, Op. 368: No. 4 in D-Flat...
134 bpm • C# Maj • 03:51 • -34.31db
10% Popularity • 34% Danceability • 1% Energy • 15% Liveness
82% Instrumentalness • 7% Positiveness
10% Popularity • 34% Danceability • 1% Energy • 15% Liveness
82% Instrumentalness • 7% Positiveness
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Toru Takemitsu
Les yeux clos: I.
133 bpm • E min • 07:34 • -22.28db
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Miriam Hyde
Forest Echoes, Op. 12: 4. The Quiet Mead...
134 bpm • E Maj • 01:19 • -26.4db
7% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
7% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 9
133 bpm • F min • 02:26 • -39.24db
0% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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HoangNganTruc
Slow Down Chost
120 bpm • F min • 03:19 • -26.26db
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Michael Thomas Heininger
Mirror Face
120 bpm • D Maj • 03:04 • -27.66db
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Peter Sculthorpe
Two Easy Pieces: 2. Left Bank Waltz
135 bpm • C Maj • 01:48 • -30.71db
19% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
19% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 2...
135 bpm • C Maj • 01:02 • -42.63db
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Ferruccio Busoni
Beethoven - 6 Ecossaises, WoO 83
119 bpm • D# Maj • 02:27 • -29.14db
12% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
12% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
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Lang Lang
Minuet No. 1 in G Major (Formerly Attrib...
119 bpm • G Maj • 01:44 • -27db
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 3, Watchman's ...
136 bpm • E Maj • 02:47 • -34.53db
8% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
8% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Roger Woodward
Terry's Theme
136 bpm • F Maj • 04:10 • -26.5db
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
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Diane Hidy & Keith Snell
Le Courant Limpide (the Limpid Stream)
136 bpm • D Maj • 01:05 • -28.62db
20% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Horaţiu Rădulescu
Sonata No. 1, Op. 5 "Cradle to Abysses":...
136 bpm • E Maj • 04:34 • -31.91db
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
54% Instrumentalness • 33% Positiveness
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
54% Instrumentalness • 33% Positiveness
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AntonÃn Dvořák
Lasst Mich Alein, Op. 82, B.157
136 bpm • B Maj • 04:18 • -26.55db
16% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Various Artists
Musette in D major, BWV Anh.126
118 bpm • D Maj • 01:01 • -23.41db
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
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Wolfgang Amadeus Mozart
Sonata for two pianos KV448 in D Major, ...
118 bpm • G Maj • 08:32 • -27db
23% Popularity • 43% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
23% Popularity • 43% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
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Clara Schumann
Variations on a Theme by Robert Schumann...
137 bpm • G# min • 03:59 • -27db
7% Popularity • 26% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 12
137 bpm • C min • 01:20 • -39.68db
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
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Roger Woodward
The Inspector Clouseau Theme
138 bpm • A min • 01:57 • -34.42db
0% Popularity • 61% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
0% Popularity • 61% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Christian Petzold
The Notebook for Anna Magdalena Bach: No...
117 bpm • G min • 01:47 • -23.43db
36% Popularity • 42% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 60% Positiveness
36% Popularity • 42% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 60% Positiveness
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Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
22% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
22% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Stephen Heller
25 melodische Etüden, Op. 45: No. 2, Al...
138 bpm • A min • 01:14 • -23db
11% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
11% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XVII Poetico
116 bpm • A# min • 01:20 • -38.02db
0% Popularity • 35% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
0% Popularity • 35% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
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Péter Nagy
Les contes d'Hoffmann: Barcarolle from T...
140 bpm • D Maj • 03:54 • -33.26db
17% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56: I. Berceuse
140 bpm • E Maj • 02:37 • -21.85db
27% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
27% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Friedrich Burgmüller
Harmonie des anges / ArmonÃa de ángele...
115 bpm • G Maj • 01:42 • -26.14db
19% Popularity • 25% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 19% Positiveness
► Preview
Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Alexander Litvinovsky
Le grand cahier: I. La forêt et la rivi...
115 bpm • G Maj • 02:46 • -20.43db
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
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Adolf Jensen
Etüden, Op. 32: No. 7 in A Major, Andan...
115 bpm • A Maj • 03:15 • -20.88db
9% Popularity • 39% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 39% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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Michael Charles Clark
Für Elise - Beethoven
141 bpm • A min • 02:59 • -23.66db
16% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
16% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
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John Field
Nocturne No. 4 in A Major, H. 36
114 bpm • A Maj • 05:21 • -28.53db
16% Popularity • 33% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: No. 1, Ari...
114 bpm • D# Maj • 01:16 • -31.78db
34% Popularity • 44% Danceability • 1% Energy • 25% Liveness
81% Instrumentalness • 18% Positiveness
34% Popularity • 44% Danceability • 1% Energy • 25% Liveness
81% Instrumentalness • 18% Positiveness
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Tan Dun
8 Memories in Watercolor, Op. 1: No. 7. ...
114 bpm • G# Maj • 02:33 • -34.45db
10% Popularity • 33% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Roger Woodward
Music Box Dance
114 bpm • D Maj • 01:15 • -25.82db
1% Popularity • 42% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
1% Popularity • 42% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Remy Dubois
Holy Night
141 bpm • D# Maj • 01:00 • -31.68db
16% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
16% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
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Tanya Roos
Andante for Violin and Piano in G Major
114 bpm • G Maj • 03:25 • -10.21db
9% Popularity • 32% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 32% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 21% Positiveness
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Percy Grainger
Bridal Lullaby
142 bpm • F# Maj • 02:23 • -32.9db
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Sergei Prokofiev
Sarcasmes, Op. 17 Tempestoso
114 bpm • F Maj • 02:19 • -19.44db
0% Popularity • 42% Danceability • 26% Energy • 27% Liveness
91% Instrumentalness • 9% Positiveness
0% Popularity • 42% Danceability • 26% Energy • 27% Liveness
91% Instrumentalness • 9% Positiveness
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Valentina Blanca
Minuet
142 bpm • F min • 02:00 • -35.42db
11% Popularity • 43% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 16% Positiveness
11% Popularity • 43% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 16% Positiveness
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Roger Woodward
Piano Sonata No. 11 in A Major, K. 331: ...
142 bpm • A Maj • 02:50 • -21.07db
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Charles-Valentin Alkan
Barcarolle, Op. 65 No. 6
113 bpm • G min • 03:53 • -38db
8% Popularity • 30% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
113 bpm • G Maj • 05:58 • -31.3db
39% Popularity • 35% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
39% Popularity • 35% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 42% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of India - Arr. By Maria Let...
143 bpm • D Maj • 02:59 • -38db
10% Popularity • 23% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: XIII. Le Cygne ...
143 bpm • G Maj • 02:47 • -33.16db
14% Popularity • 23% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cello & Pian...
144 bpm • D Maj • 03:03 • -24.24db
24% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 12 in A Major, K. 414...
112 bpm • D Maj • 07:36 • -25.77db
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
46% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Bruce Rowland
The Man from Snowy River: Jessica's Them...
111 bpm • D Maj • 02:26 • -22.98db
13% Popularity • 43% Danceability • 9% Energy • 15% Liveness
93% Instrumentalness • 40% Positiveness
13% Popularity • 43% Danceability • 9% Energy • 15% Liveness
93% Instrumentalness • 40% Positiveness
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Ferruccio Busoni
Das Orgel-Büchlein, BV B 27: No. 2, Wac...
111 bpm • D# Maj • 04:02 • -30.23db
17% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
17% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Ignacy Jan Paderewski
Piano Concerto in A Minor, Op. 17: II. R...
111 bpm • C Maj • 09:18 • -26db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
La Caroline
147 bpm • A min • 02:30 • -27.24db
14% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
14% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
► Preview
Wolfgang Amadeus Mozart
Concerto No. 21 in C Major for Piano and...
111 bpm • F Maj • 05:48 • -28.81db
30% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
